[Image id: a comic panel of Longshot, turning back to wave at someone. A speech bubble coming from him says "im a guy, i have a mullet, im not butch, its just hair. i fully support everyone in the lgbt community.". end id.]
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@dazzleshot
[Image id: a comic panel of Longshot, turning back to wave at someone. A speech bubble coming from him says "im a guy, i have a mullet, im not butch, its just hair. i fully support everyone in the lgbt community.". end id.]
Use it wisely
alright so the double lady lesbian pride symbol but instead of two female symbols itās just two of this little guy
Iād call them the interimlovers btw if u even care
Happy Pride š
before pride month ends does anyone wanna admit they have a crush on me
posting this on the first day of june so you all have plenty of time to gather your nerves and whatnot
is jake gyllenhaal gay??
why would you ask us, a narnia blog, this
happy pride month to this post specifically
Kind of pisses me off that John's background in architecture is rarely mentioned. Okay he was in the military whatever. His constructs are the atrongest because he has the deepest understanding of what he's making he's an engineer he has multiple degrees. Same vein as new comics making Guy a cop when in the past he coached sports for disabled children and was a counselor for inmates. He has degrees in psychology and education. Why are current writers obsessed with bootlicking to the point of reducing a black man to nothing but his mikitary service and an abuse survivor to the role of a fucking cop. Everyone is flattened into roles that only serve combat and not emotional storylines or character development.
what better way to start pride month than with some ricstar dancing together? š³ļøāš
šØ credits: soynanawe in ig
what are people's favorite niche ice cream flavors. mine are superman and blue moon (specifically from the midwest like michigan/indiana/wisconsin), van leeuwen's royal wedding cake, and jeni's wildberry lavender
my most toxic trait is i fucking love work gossip. i play neutral not to be the bigger person or take the high road but to hear slander and hearsay from every side. two coworkers complained about each other to me in the same afternoon and i nearly blacked out from the rush
Darth Maul was really, really hard, because all I had as a precedent was Darth Vader. I think, maybe for two years, I was trying to out-helmet Darth Vader, and I almost had a nervous breakdown doing that because you canāt. You absolutely cannot! Itās a perfect design ā you know, skull and a Nazi helmet, it does not get better than that. So finally I decided, āAll right, well, heck, take that darn helmet off. Letās see whatās underneath.ā
Thatās when I started playing around with the face. I thought there should be some sort of connection with the face underneath and the machinery of the helmet, so I started putting things on the face. Patterns and things, which I intended originally to be circuit boards, or I would carve the face up and let it be light from inside the head that would connect with whatever it was. Just crazy stuff.
For my designs, I never just generically design a person and try to impose a design on it. The design comes from the personality. So I would get everyone in the art department to pose for me, and you just stare at them and say, āWhat kind of Sith Lord would you be?ā
Gavin [Bocquet], the production designer, said, āDonāt make me look fat.ā [Laughs] So I put a headdress that covered his chin and then I put a Rorschach pattern on his face, and George seemed to respond to that really well.
And then, and this is several years into it, the script shows up. And Darth Maul is described as āa vision from your worst nightmare.ā That was all I needed, because thatās a very clear direction, and I know my worst nightmares.
I drew my worst nightmare, which was that face thatās peering in the window at you late at night, and itās barely alive. Like a cross between a ghost and a serial killer staring in at you, and itās raining, and the rain is distorting the face. So I drew that, a stylized version of it, red ribbons instead of rain, and put it in a folder, and at the meeting passed it over to George. George opened it up and went, āOh, my God,ā slammed it shut, handed it back, and said, āGive me your second worst nightmare.ā
I tried to figure out what Iād done wrong in my thinking, because you donāt want less, ever. I started thinking, āStar Wars is not real life. Itās mythology.ā So I looked for my first best mythological nightmare, and thatās easy, because thatās clowns. I was scared to death of Bozo the Clown as a kid. So I made my big scary clown, and Iād run out of faces to draw, so I used mine. I drew myself into a clown. The patterns became very stylized patterns of the muscles underneath the skin that give expression to the face.
I think that wonderful performance from Ray [Park], put into that makeup, with Nick Dudmanās awesome misunderstanding of my drawing ā because I had given him black feathers, and he thought they were horns ā is what created Darth Maul.Ā
- Iain McCaig on designing Darth Maul
Ok. I knew the āsecond worst nightmareā part. I did not know Maulās look was initially inspired by clowns.
@blackkatmagic
Inner peace šļøš±š
i wanna be that cat
Rendition in marker
idk i always kind of roll my eyes at all those posts that are like āpeople used to be ugly in moviesā likeā¦.. wellāļøi donāt think thatās true. i think male actors have always had more leeway to look a bit imperfect. weāve had average/weird looking male actors in every generation, including this one. but people have always needed to be āhotā for movies. and they did crazy shit for it!! marlene dietrich getting teeth extracted to hollow out her cheeks, carole lombard undergoing her (non-cosmetic) facial reconstruction without anesthesia because they thought it would look better, etc ad infinitum. do you know the kinds of diets they had women on to keep them skinnyā¦. not to mention beauty standards for women of color tryna be in movies. like thereās a reason the three biggest black actresses of classic hollywood decades were josephine baker, lena horne, and dorothy dandridge: all pretty lightskinned with smaller mouths and noses -> approximating whiteness (no shade i love these women sm). i think the difference Today is that there are simply way more procedures you can get done since cosmetic medicine has evolved so much. so people can change more of their face with better and more reliable results than they could in the 1930s. point being that people have definitely always needed to be conventionally attractive to be in movies but given the physical scope of what could be conceivably changed about your appearance there was simply more diversity in like facial structure and features