Mike Driver
art blog(derogatory)
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Cosmic Funnies
AnasAbdin
Alisa U Zemlji Chuda
if i look back, i am lost
@theartofmadeline
"I'm Dorothy Gale from Kansas"
izzy's playlists!
Jules of Nature
$LAYYYTER
KIROKAZE
2025 on Tumblr: Trends That Defined the Year
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JVL
Three Goblin Art
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祝日 / Permanent Vacation
todays bird
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@deepdowninshipperhell
Hi, I’m Showvy! An adult, it/they/he.
Occasionally I write. My writing is tagged #showvy writes
You can find me on ao3:
- under ShiwiSins (pseud for RPF)
- under IetjeSiobhan (everything else, pretty much, but mostly anime & cnovel fic)
- under MommyTadashi (alt acc for darker works)
You can also find me on my tumblr sideblogs:
My anime sideblog is @shiwiwrites
Thoughts about DnP are quarantined at @shiwisins
"we live in an uncaring universe"
false. i care very deeply. am i not a part of this infinite universe?
"We live in an uncaring universe" factoid is actually a statistical error. Most conscious beings in the universe care a lot. Capitalism Georg who runs on suffering and eats the hopes and dreams of the entire earth is actually an outlier and should not have been counted.
Remember when Lil Nas X beautifully explored his sexuality, seduced and killed the devil to the banger of all time, and instead of cheering on this openly gay and proud Black artist for his artistry and fighting back against respectability politics, suddenly said respectability politics was all the Queerest Place on the Internet cared about? Hm. Wonder what happened there.
Anyway I miss him and hope he's doing better with his mental health 🙏🏾
Like say what you want about "bad queer representation", but this was the song that made me openly and happily accept that I was bisexual. To see him up there Black and beautiful, making music that I love, absolutely killing it? Yeah. You couldn't tell me shit. This man made me proud to be out. "This will make them think we're evil for being gay" hey newsflash dawg-
We went from “being online is for a relatively niche group of nerdy people” to “being online is for literally every single person” so rapidly it’s jarring.
You pull up an image posted in 2011 on a now-semi-defunct meme site that got 13,000 likes during its original posting and every single person you know who’s been online more than 10 years knows this image.
You pull up a popular TikTok lady from 2026 who talks about how melons give you cancer and does video tours of her mansion whose videos get 600,000 likes minimum and no single person you know has ever even heard of her.
happy pride month
There's this notion that being able to stream professional theater shows will hurt the industry, because people won't go to the effort to support live theater anymore, and this is based on the anxieties of the film industry, but live theater isn't a film. The better analogy is sports.
Look me dead in the eye and tell me that people being able to sit at home and watch The Game -- the fandom that encourages, the ongoing investment over the years, the memories and traditions of Watching the Game with family and friends -- harms the ticket sales of real live go-to-the-stadium sports. Of course it doesn't. Of course all that *is the reason* that people care so much about sports they'll invest a small fortune on not only tickets but often travel costs to be part of it all in person. And the people who aren't doing that *can't* do that and weren't going to regardless, but their at-home participation and investment still boosts the profile of pro and NCAA sports as cultural institutions.
Maybe it's possible to fall in love with film and be immune to the romance of Going to the Cinema such that you'll just freely choose the same film in the comfort of your living room. It's not possible to fall in love with something that happens live and not want to be there to experience it. The consequences of procasts, for theater just like for sports, can only be A) more people motivated to make live theater part of their worlds, aka more money, when theaters everywhere could desperately use more money, or B) more love. Which is worth arguing for because reasons I assume I don't have to defend.
I’ll need to run it by the black mold first before making any major decisions
#raise your shields #because you’re about to get wrecked
#this is the star trek i wanna see#like when somebody asked gene roddenberry why piccard was bald#because wouldn’t they have found a cure for male pattern baldness by then?#and he was like ‘no by the 24th century no one will care’#i wanna see that attitude with disability and neurodiversity#it’s not that we’ll have a magic cure for everything#there’ll always be something new#but disabilities and neurodiversity will be celebrated and seen as part of the norm#it will be accomodated#so blind people can serve in star fleet#and so can people in wheelchairs and autistic people and people with prosthetics and people with chronic illnesses (via @hunterinabrowncoat)
This episode ends with Geordi saving the planet by using something derived from the technology found in his visor (an adaptive device that lets him sense things around him). So a disabled man literally saved the lives of an entire culture that wouldn’t have considered his life worth living, using technology they would have never deemed necessary without the presence of his unique needs.
I don’t watch Star Trek, but I can’t stress enough how important this message is
My favorite thing about this episode is that, while the rest of the characters are taking a more Star Trek philosophical approach to this situation, calmly debating the good and bad points of this colony built upon eugenics, Geordi is just seething. Troi is having a romance with their flippin’ president, but Geordi never hesitates on his morals. He’s always aware that this world’s supposed perfection is built upon the despicable philosophy of killing people like him. He barely even bothers to hide his anger as he has to work alongside their scientists. He’s snappish and short-tempered and bitter, clearly only working with these people because lives are at stake. When he discovers the solution is based on his VISOR, he is viciously triumphant, his joy at saving the people boosted by a bitter sense of righteousness that these people were only saved because someone like him was allowed to survive.
And even though this anger and bitterness are very un-Star-Trek-like approaches to diplomacy–it works. The scientist who works alongside him is the first person who decides to jump ship and leave the colony behind. She sees the stagnation of their bland “’‘‘‘‘utopia’‘‘‘‘‘ and realizes that diversity and adaptation create a much better society. And while the other Enterprise crew members have some wishy-washy lament over how this will destroy this planet’s ‘‘‘culture’‘‘, Geordi never waffles. He has far too personal a stake in this to lose sight of the fact that peoples’ lives are more important than any high-falutin’ philosophical justifications. The episode might waffle over the Prime Directive points of this society’s decline, but Geordi’s perspective is the one showing clearly why it needs to die.
Or the DS9 episode with the woman who is from a light-worle (Earth being a heavy-world) so her people float/fly/glide to get around and when she’s in Starfleet vessels, she has to use a wheelchair because her body isn’t built for Earth-like gravity. She wants to walk. Dr.Bashir developts a “treatment”, to let her walk in Earth-like gravity.
But then, she realizes as they are discussing it, once she does this - there is no going back. Her bones will be too heavy, her muscles too weighty. If she does this, whenever she goes back home, she won’t be able to float/fly/glide with her family and friends. She’ll be apart from them, for life. So, she opts out and sticks with working from her chair when she’s on a Starfleet vessel.
both of them are me
I think that Xena, for all of its ridiculousness and cheesiness, did a better job of conveying the allure of evil than just about any other series I've ever seen. Like it understands that violence, no matter how justifiably it starts out, is addictive, and that hatred poisons you until you can't feel real joy anymore, and it's strange to me that I've never seen it laid out so simply elsewhere.
...so THAT'S what sleeper cell activation feels like. Because yes, YES, LET'S TALK ABOUT THIS, because Xena is such an interesting lightning-in-a-bottle-case study! While I would never discount the work done by the writers, Xena as a show is almost perfectly positioned both historically and structurally to consistently explore that theme.
The first puzzle piece is that Xena was a syndicated show at the tail end of syndication's total dominance of a distribution model. For those too young to remember a time when ongoing plots and prestige dramas weren't the norm, syndication is big part of why older television shows almost entirely kept plots contained to one or two episodes rather than having them span seasons. See, when a show is syndicated, it is licensed out to individual television stations/affiliates to be aired as reruns. The individual station chooses when to air them and in what order, and whether to just skip episodes they don't like in favor of the ones most likely to draw eyeballs, etc etc. The more a show is licensed, the more money you make on it, so there is an incentive to make each episode standalone to make them appealing to each station by enabling them to toss on whatever episodes they like without it being a problem for the casual viewer. Also, before streaming, easy access to dvds and episode recording, and the like, a show could not assume that even its fans would have necessarily have seen every episode. "Catching up" was not an easy thing, and reserved for the most dedicated, doing shit like physically mailing bootleg tapes! Therefore, shows needed to have a consistent formula that didn't lock out the person who couldn't watch last week for whatever reason. Characters remained within more of a status quo. Xena is a "monster of the week" style show, like X-Files. I mention X-Files intentionally, because it was one of the first to really break that no-ongoing-plots structure, and that shift affected its contemporaries, like Xena, who also started to follow suit.
That alone doesn't account for Xena being so primed to explore those themes, of course. Even staying within the same fictional universe, Hercules (which Xena is a spin-off of) and Young Hercules don't even come close to Xena's complexity on the subject. But that's because Xena's premise is perfectly positioned to interact with those practical constraints for this outcome in a way those shows aren't. The status quo that syndication demands remain mostly in intact is that 1) Xena was evil and really good at it, 2) she is trying to do good in the world now as penance but can never undo what she has done. Every episode is about Xena trying to save people while dealing with the consequences of her actions as a warlord. The fact that she was evil cannot be changed or diluted nor can the fact that she must continue trying to redeem herself, otherwise the show is over or is unrecognizable to the casual viewer. But this is also an action show, sometimes cartoonishly so, so she must also be fighting consistently! The core spectacle is violence and the core story is why violence is often evil. There is an inherent tension there that the writers either needed to interrogate earnestly or ignore, and they chose the honest, interesting route. They gave Xena a costar who is innocent and principled but loves Xena, and had her always asking why and trying to understand how Xena could be that person, while being put under similar pressures herself. They had Xena continue to use the tools she has, including violence, for good ends, and wrestled with the answers as to why that was ok, why the violence she did then and the violence she did now were different—and sometimes decided they weren't. They showed Xena struggling with falling back into those old habits because they are seductive and easy.
If someone asked "are there so many episodes of Xena where you find out someone tried to get her to change her ways many years ago and failed because that is a really great standalone premise, or because violence as a tool and power and vengeance as motivators are corruptive and hard to stop using once you start," the answer is yes. The show is cyclical because violence is. But also because it is syndicated.
It's fucking rad and interesting.
More pieces from the Vinita Cultural Center from last year's basketry exhibit
#the museum i worked at had a collection of these baskets!!!#they are like #idk its hard to describe them #they dont look quite like regular baskets they look like so beautiful #anyways check out the Mountain Heritage Center's exhibit on cherokee/rivercane baskets to learn more
Yes, for some reason I don't think they had any Rivercane baskets at this exhibit, the Vinita cultural center is a bit small so maybe that had to do with it? But traditionally Rivercane baskets look like this:
(credit to Lizzie "Nannie" Youngblood and Rowana Bradley, artist unknown for the Chief's Heart shoppers basket)
The basket pictured in the post is likely commercial round reed (with some flat reed), the commercial form of the materials we would use such as Honeysuckle, Buckbrush, or Trumpet Vine. Many Western Cherokee picked up round reed basketry due to lack of supply of Rivercane after the forced removal to Oklahoma.
I'm not exactly sure what you're referring to in regards to this post but I am a tribal member who is posting this and these were taken at our own museum within our own territory in Oklahoma. This information provided is provided by our knowledge keepers and elders.
I am one of these people you talk about being alive, sharing my culture 🙂
I strongly dislike how "some museums have unethical practices, and repatriation of stolen goods should be a high priority when applicable" has morphed into "all museums are evil, and museums are an unethical and untrustworthy source of information by nature."
Also: where the hell do you think culture is shared? Do you think that you can just... show up to some Indigenous elder's house and go "pls teach me about baskets, thank you?"
Boy, if only there was some kind of centralized location that was open to the public where you could go to learn about things! Maybe a location that has storage space for lots of items and displays to help people understand those items so that you're not constantly asking artisans to do the intellectual labor of explanation! Maybe a location that has room for artists in residency so that they can show you the things they do, or a location that has space to bring in guest speakers. Oh, and it definitely needs to have centralized digital infrastructure to store records based about items so that we're not making a bunch of scattered artisans write stuff down and keep it in boxes in their closet or something.
I wonder what an institution like that would be called.
love when a show introduces a set of three characters and immediately ur like, "ah, polyamory."
I don't even bother hardly to orrect my typos anymore. It is just affirmation that these words were typed by the hands of human being and not extruded by a fucnking AI
one of my professors was like (paraphrasing) "AI makes you sound the same as everybody else. The idea of a single "correct" English is racist and flattens the diversity of people. I don't care about grammar outside of the writing being understandable. I want to hear YOUR voice, Your dialect the unique way you communicate."
I have been more appreciative of the rough edges of human communication since chatGPT came to be. The misspellings and turns of phrase that real people produce.
The inherently flawed nature of an alive thing vs. the empty perfection of something that never had life in it at all
when i was at walgreens (at 3 in the morning which explains all of this) the cashier was talking to her coworker about how shed rather be a werewolf than a vampire because vampires are condemned to hell but werewolves arent and then she asked me what i thought and i said vampire because im already condemned to hell and she said in the nicest tone of voice “i dont think anybody is condemned to hell….” paused, stared at me for a few moments, and added on “…not even gay people”
Happy pride month to the filthiest most brutal read I’ve ever been given in my life
and you know what? Maybe I do tag my “blorbos” in a lot of random people’s unrelated posts but I’ve never tagged a man in a post about a woman. Which is why unlike a lot of other people I’m still going to heaven
actually everyone else is going to heaven except this person sorry
A man protesting against a Maryland sodomy law, October 11, 1987
!! MARYLAND MENTIONED !!
This is not the original T-shirt. This is photoshopped. Here's the original:
This is the sodomy law, however, so the message is the same.
oh man I hate spreading misinfo. Thanks for the correction!
in absolute tears about the pride module at my work
HOLY SHIT GUYS, I WAS INSPIRED BY THIS POST TO TRY MAKE THE SONG AND YOU WOULD NOT BELIEVE THE SCREAM I SCRUMPT WHEN I DRAGGED THE TRAINING AUDIO OVER THE BACKING TRACK AND IT LINED UP PERFECTLY
Tempted to actually put this on spotify so I can secretly stream it at work...
Tagging @batshit-auspol because as an Australian you're the only big account I know who might share (sorry).
happy first day of pride everyone
