Robby's Patient Satisfaction
THE PITT 1x06
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hello vonnie
Cosimo Galluzzi
DEAR READER

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TVSTRANGERTHINGS
RMH
Jules of Nature
Sade Olutola
almost home

JVL
"I'm Dorothy Gale from Kansas"

Kiana Khansmith
trying on a metaphor

pixel skylines
Mike Driver
he wasn't even looking at me and he found me

izzy's playlists!
occasionally subtle
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@naryrising
Robby's Patient Satisfaction
THE PITT 1x06
Love, grief, and magic in the mundane
1- @Bluewmist on Twitter / 2- Roly Poly is Taken on Twitter / 3- About Time (2012) by Richard Curtis, image from Mita Park on Unsplash / 4- Sherri Turner on Twitter / 5- Cold Solace by Anna Belle Kaufman / 6- The Anthropocene Reviewed by John Green
My emperor told me he keeps losing his armies and their generals to the bandits of Liangshan marsh. I asked what he does about that and he said he just asks the court to recommend some new men of valor to order to suppress the rebels. I said it sounds like he's doing the bandits' recruitment for them and his prime minister sentenced me to the nine familial exterminations.
You know if we all spent less time bitching about fandoms being dead and more time playing our part to keep them alive, the fandoms would survive
Idk, just write the fic, make headcanons about the character, draw the fanart—post it all even if you think “the fandoms dead, nobody is watching” because you never know who might still be around, hoping for something or somebody new
And comment, kudos, like, reblog, DM, inbox, scream into the void about the things you loved and maybe, just maybe, your “dead” fandom will be able to rise from the ashes
There are few delights in the world like having a friend start to read Jane Eyre for the first time and then as they are commenting on it you slowly realize that they don't know. They don't know Rochester's deal.
This is like the literary equivalent of meeting someone who doesn't know Darth Vader is Luke's father.
So they go "I don't understand why anyone would have a problem with this relationship! Yeah he's older and there is a class/power difference but he clearly respects her as a person and it's so refreshing!" and you just cackle, cackle, cackle behind your screen until the inevitable day you get this message.
Everyone congratulate my friend @anonymoustypewriter, they just found out one of literature's biggest 100+ year old shock twists authentically without anyone spoiling it for them.
can you blame him?
there's so much fun in writing a D/s dynamic where the submissive party came to terms with this whole thing easily a decade ago and has all the personal crises handled and squared away, and meanwhile the other guy is frantically googling "am i a dom" and suddenly getting Brand New Context regarding every group project he was ever in
"why did you write that"
my fetish
my friend's fetish
not my fetish but it fits in the story so i threw it in there as a treat. you're welcome.
4. the character's fetish and i'm committed to portraying them with absolute accuracy
they should have made another search engine called Ask Wooster where it gives you the wrong answer every time
We’re not exactly the wrong answer, just a jaunty, hopeful and well-intentioned answer that offers a pleasant journey but takes you in the wrong direction
What is there between us, if not a little stalking?
"There's only one bed" scenes but it's the fucked up repressed gay bed from Revolutionary Girl Utena
connor storrie really took ilya being 9 inches to heart because every time we see ilya jerking it that arm has the range of motion of a man trying to crank a lawnmower that’s been sitting in the garage for 3 months…..i see your character work mr storrie i see those wide gratuitous strokes
✦ commissions OPEN
portrait: 6/6 slots available
fullbody: 2/4
✦ to get a drawing, please send an email at [email protected] with some references and description of your idea :)
✦ without any visual references (I have to figure out the character design mostly by text): +10USD
✦ additional outfit on the same base: from 10USD per outfit depending on complexity
✦ timeframe: up to a month
Examples of my work can be found under #reg art (a beautiful gallery version for desktop mode users)
What are discworld witches: - They all have abilities to convince/control peoples, be it headology or not. - They all tend to have unique and personal skillsets. - All have a unique and personal stealth ability (from Granny “perception filter” to Nanny “Of course it’s normal that an old lady will be here”, to Tiffany “Feegle disparition”) - All get a lot of their power from their reputation or appearance. Not just physical appearance: what they appear as. - Magic isn’t actually that important to them, because a lot of what they do is mundane things pushed so far it become it’s own form of magic. Real magic is for big deals. - Some tend to have a great affinity with their homeland, especially the older one. - They usually come by group of three.
Everyone know the “Vetinari is a male witch”… But the last part is never taken into consideration. But really, do you really think Vetinari is the only one that fit those points?
Let me say it otherwise: We’re searching for two characters, one is young and more energetic, the other is older and a family person. Both have a sway over peoples (like being a smooth talker, or being an inspiration for many), Both are expert in their personal field, both are stealthy in their own way (Be it “look like everybody and peoples recognize them by their clothes” or “is so much part of their home city that if they stand still they become indistinguishably from the wall.”), both use their appearance or reputation to reach their goal, both use mostly mundane means but sometime verge a bit in the supernatural (like getting a goddess to help them after a con, or fusing with a dark spirit of revenge but keeping it under control), and who may or may not have a particular affinity with Ankh-Morpork.
What I’m saying is: Ankh-Morpork has a coven of male witches, made of Moist “the virgin” von lipwig, Sam “the father” Vimes, and Havelock “the other one” Vetinari.
Now the question is: Is vetinari aware of this, and was it on purpose?
This is something I’ve been DYING to write about, so thank you for giving me the perfect basis.
‘She sounds like a witch to me, whatever she thought she was. A good one, too.’
Tiffany inflated with inherited pride.‘
Did she help people?’ Miss Level added.
… ‘She made them help one another,’ she said. ‘She made them help themselves.’
In the silence that followed, Tiffany heard the birds singing by the road. You got a lot of birds here, but she missed the high scream of the buzzards.
Miss Level sighed. ‘Not many of us are that good,’ she said. ‘If I was that good, we wouldn’t be going to visit old Mr Weavall again.’
This is a conversation about Granny Aching in The Wee Free Men. She never had the label of “witch” in life, but it seems that Miss Level, who is a witch finder, believes that making people help each other and themselves is a large part of the definition of what a witch really is. And what is means to be a really good witch.
And Vimes, Lipwig and Vetinari all fit that definition.
Vimes… Well, he does it out of sheer stubbornness. He works every hour the gods give to make the city a slightly better place, to take a little more evil out of the world, to create a little bit of justice. He looks after his Watchmen, he always has their back (he’s always right behind them, even when their back is against the wall) and in turn they look out for one another. Do I even need to talk about the Guarding Dark? I think that speaks for itself.
Lipwig’s motivations for doing what he does are a little different to say the least, but you can’t argue with the end result. He has this delightfully chaotic energy that somehow means that everything all works out for the best, and the city loves him for it. They’re under a sort of spell, watching the magic show, wondering how the trick is going to be done, and they don’t realise all along that in doing so, they’re contributing to real progress in the city.
And finally, Havelock “alloys are stronger” Vetinari. Through the Guild system, he tricks some incredibly selfish, self-serving, scheming people into helping one another in a roundabout way, while they go on believing that they’re only serving their own interests. The Guilds look after the families of their members, because it’s in their best interests, so children get a much better education than ever before. People just don’t slip through the cracks. And people have opportunities to better themselves like never before.
And it’s the city where, for some reason, everybody wants to live.
I’ve never thought of it as a coven before, however, and I love that. It’s beautiful.
Okay, but I love this so much. Now, normally I would object to the idea that these exceptional ‘mundane’ people are secretly magic, but… I’ve always felt like Discworld witches aren’t born magic so much as born stubborn. The universe just can’t ever quite figure out how to tell them “stop, you can’t do that,” and while it’s standing there looking awkward, the witch just keeps carrying on doing whatever they think needs doing. And if you tell them they can’t, then who says? It’s working, isn’t it?
Belief is a powerful force on the Disc. Wizards exist because people believe that wizards should exist. Whatever they think of wizards personally, most people see the world as having a wizard-shaped hole, and so wizards—generally with a lot of pushing and shoving—turn up to fill it. They’re inconvenient and dangerous and generally best for the world around them if they aren’t doing magic, but there would be something fundamentally disappointing about life if they weren’t there. This satisfies most people that they can’t do magic, because if they could they’d be off at Unseen University wearing a robe with stars on, and therefore keeps them from spending too much time secretly trying it in their bedrooms at night. And if they do, it doesn’t work, because some part of them still believes that they can’t, or at least doesn’t believe that they can.
Witches, by definition, aren’t bothered by that little nagging feeling. Witches exist because witches believe that witches should exist. They don’t see why they need anyone else’s permission to do so, seeing as they’re clearly here, and if anyone was going to stop them they’d already have done it. Doing magic isn’t really a requirement; a wizard is a wizard because everyone knows that special people can do impossible things, and a witch is a witch because they start doing what needs doing whether it’s impossible or not.
(This is also why good witches make the best bad witches: they know what’s best for everyone and start making it happen. Consequently, bad witches make the best good witches, because you need to be a bit of a bad witch to know what’s best for everyone and still make them do it themselves.)
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