Thought about clowns and blacked out doodling my sona
Anyways, trying artfight again this year
Week 1
Week 2
Week 3
Claire Keane
Mike Driver
No title available
sheepfilms
todays bird

bliss lane
we're not kids anymore.
Xuebing Du

Kiana Khansmith
will byers stan first human second
NASA

No title available
Sweet Seals For You, Always

Love Begins
h
The Stonewall Inn
Fai_Ryy
TVSTRANGERTHINGS
trying on a metaphor
EXPECTATIONS

seen from Brazil

seen from T1
seen from Bangladesh
seen from Thailand

seen from Malaysia

seen from United States

seen from United States

seen from Singapore
seen from United States
seen from China

seen from United States
seen from United States

seen from Armenia

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@discountasra
Thought about clowns and blacked out doodling my sona
Anyways, trying artfight again this year
Week 1
Week 2
Week 3
if we don't even do anything, they won't have any evidence to lead back to us...! it's the perfect crime...!
Erid and Adrian
this sucks so bad i need to [remembers suicide jokes only worsen my mental health] put on the best talent show this towns ever seen
guys this post is a big hit on the adolescent psych ward
Fish in the great lake being like
Wait shit wrong fucking post
I’m going to show you a book cover I’ve been staring at for ten minutes with the disclaimer that this isn’t anywhere close to the wildest book cover I’ve ever seen. It simply compels me. It haunts me. It makes me want to go back to the library to check it out.
Anyway it was nearly crazy enough. It was just a competently yet blandly written romance between an Amish single father and a woman with a troubled past, BUT at one point the villain gives his name as Pete Peterson and then 70 pages later someone’s finally like “so that’s probably a fake name” and then the villain’s real name? Phil Phillipson. I’ll bump the book up to a C+ for that alone.
Let’s have technical difficulties with mama
when your dog looks back at you on a walk like heh... we are really walking right now man
Bro we are walking!
bro we are walking ^_^
bro we are literally walking
we are walking!!!!
Analog horror series about your friend getting a boyfriend
everybody leaving tags on my letterboxd roundup like "they didn't do the nobody scene??" we're so fucking past that i need you to catch up. i went into the movie knowing they wouldn't do the nobody scene and frankly i had made peace with it like okay if you don't want odysseus calling himself outis because you don't feel like the joke translates well enough WHATEVER you dont need to film every line of the poem. what i was NOT prepared for is that THEY DON'T SPEAK TO POLYPHEMUS AT ALL. they don't steal a giant wheel of cheese, they don't get him drunk, odysseus doesn't taunt him after their escape, AND he doesn't cry out to poseidon or the other cyclopes on the shore. it's "revealed" that he can speak in the cave before their escape as he prays to poseidon. someone asks odysseus "should we try to reason with him?" and ODYSSEUS says "we're past that." resulting in an adaptation where odysseus does not use wit or trickery to escape polyphemus at all-- which is the case with every single obstacle he meets. this guy does not lie and he does not play tricks. his intelligence is restricted to battlefield tactics, the administration and direction of his men as units. You have to poke polyphemus so he opens his eye before you can stab it! I am very smart. the only point at which he could be described as "tricking" polyphemus is when-- because the movie is allergic to making odysseus look stupid or silly in any way-- they tie straw to their backs to be mistaken for sheep instead of riding the undersides of the sheep, and we are presented with an action sequence of trousered and armored soldiers somersaulting and army crawling under polyphemus' gently dangling hand. which i hate because it is a less clever solution that only works if polyphemus is extremely stupid (shepherd who doesn't know how many sheep he has) -- and more importantly because it removes IMO the most emotionally efficient moment in the odyssey, which is polyphemus talking to the one sheep that's walking slow because it has odysseus on its belly like "oh no are you feeling okay today? you're moving so slow, maybe you're upset because i'm in pain? you're the best sheep in the world and i love all of you my sheeps" like that scene is supposed to instantly retroactively humanize polyphemus and make you realize odysseus has been torturing a person with feelings who basically just wants to be left alone with his pet sheep and it's extremely good at that in every translation i've ever read. but not one of odysseus' enemies are allowed an inch of humanity in this entire adaptation which seems to be a veiled metaphor for the vietnam war so what can you expect. and yes because odysseus never does anything wrong or stupid or silly, OF COURSE he would never reveal his name and allow polyphemus to curse him, and his crew only "believes" that he's been cursed by poseidon thereafter, which removes the ENTIRE MAIN ANTAGONIST of the story and changes the central conflict from man vs. god to man vs. ????
goodbye world!
everyone who is not currently in the process of moving please pause and take a moment to be grateful that you're not currently in the process of moving
say what you will about the 90s but there were so so many women on TV with beautiful curly hair. we used to be a proper society
90s curls really were so special and breathtaking
u survive literally every single event in your life & still every time a new event happens you feel like this is the event that will kill you and that you will never move on from but actually you will continue to survive like you always have bc u have a 100% win rate of surviving events. btw
2 am: bedtime were meant to be broken 😈
7 am: I hope i get in a car accident
This gif is outrageous
■ The so-called “blood explosion” which punctuates the conclusion of Akira Kurosawa’s 1962 movie Sanjuro remains one of the most memorable and influential special effects in film history. Production designer Yoshiro Muraki would later recall this scene was filmed in a single take. No such effect had ever been attempted before, as movies of the time rarely showed violence with graphic detail. Filled with uncertainty, Muraki worried the blood spray he’d rigged up wouldn’t impress Kurosawa, so he added an extra 30 pounds of pressure to the fluid pump. At the moment the pump was activated, the additional pressure caused the compressor hose attached to actor Tatsuya Nakadai to blow a coupling which created a slight, unintentional delay before the fake blood began to spray, and caused a much larger gush of fluid than planned. It sprayed so powerfully Nakadai claimed it almost lifted him off the ground. His heart sinking, as he believed the delay and over-pressure had ruined the effect, Muraki nervously glanced at director Akira Kurosawa, but Kurosawa only nodded in approval.
“oh god i fucked this up”
“yoooooooooooooooooooooooooooooooOOOOOOOO”
And to think this is so iconic that “two dudes clash, there’s a beat, then one dies incredibly violently” is just a must-have for action in anime
Its crazy to think that this iconic visual that has been so ubiquitous in pop culture for so long despite that the source material barely being known by people all came from actors staying in character thru an FX malfunction.
Salem / I'm not eating this plant (2007)
Is it socially acceptable to use opaque watercolors, or is that considered gouache?