Kinda funny how my two hyper fixations involve:
Mr Loverboy with ashy blonde curls and muscles for days
Dark haired autistic beauty struggling with feelings/sexuality
Misplaced Lens Cap

ellievsbear

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NASA

pixel skylines

Kiana Khansmith
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Monterey Bay Aquarium
Show & Tell

#extradirty

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hello vonnie

romaâ
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sheepfilms
noise dept.
Keni

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@dispatchesfromdistrict7
Kinda funny how my two hyper fixations involve:
Mr Loverboy with ashy blonde curls and muscles for days
Dark haired autistic beauty struggling with feelings/sexuality
Itâs so much fun to be an OG fan and watch the masses discover what you have loved for years.
everybody in the notes like:
This is the single best video of a loon I've ever seen. Do you people realize how rare it is to see them that close? How rare it is to see them in that shallow of water? Incredible catch.
AU Crackfic I donât need to write: Peeta and Gale in a heated rivalry, where Katniss is the basically Rose Landry.
This is what TV and movie adaptations should be and apparently fandom is not done with me.
I have been a Rachel Reid fan since the book Game Changer came out in 2018. I have reread this series particularly Heated Rivalry numerous times. More often than not when Iâm traveling for work this is what Iâm reading on my iPad. Now it just might be the best televised adaptation of book series Iâve ever seen. Episode 5 is one of the best hours of television I have ever watched. I clapped and screamed.
The last time I was so hooked in was when THG was in the theaters in 2011. Iâm a creative writer and this post is not even close to eloquent but I needed to share my joy. Heated Rivalry provides stunning performances, is amazingly directed and edited. Jacob Tierney made the book we all read. I cannot wait for The Long Game. Now yâall know Ilya Rozanov pretends to be tough but is a cinnamon roll.
We need more fables, more lore. The Shepard King series understands that-- we just need a little freak in our head whispering riddles and poems
The girl, the King... and the monster they became.
Elspeth Spindle from One Dark Window by Rachel Gillig đ€
Latest Sketch-a-Wish voted on by my lovely Patreon members for September, featuring Elspeth and Ravyn from ONE DARK WINDOW by Rachel Gillig! I don't know about you all, but I got Pride vibes (from Full Metal Alchemist) with The Nightmare and so paid a little homage to that here. I know functionally it would be more like Greed/Ling, but the patient and lethal personality reminded me of Pride.
Elspeth Spindle
âIâll love you for a hundred yearsâand an eternity after.â
Rachel Gillig, Two Twisted Crowns (The Shepherd King, #2)
The Shepherd King dedications slap
One Dark Window
Two Twisted Crowns
This is a Succession essay. I genuinely think that most characters in television and films tend to be autistic/autistic coded, and I think this is by complete and total accident
Trying to make a character weird, or giving them issues picking up social cues, or what have you, say, extremely strong interests, it often speaks to autistic people and our experiences in a variety of ways
Kendall Roy is a big one for me, he stims in his car (episode one, rapping and hitting the chair in front of him in the car before his big day?), he's so genuine and cannot tell when everyone around him is making fun of him (L to the OG, singing a rap song he made up about his dad?), he gets emotionally and physically overwhelmed (too much birthday?), he has issues expressing his emotions and picking up social cues (his phone call with the bank, telling Polk to fuck off, where he tries to emulate his father and fails?)
There's this poignant scene where Kendall is calming down in the same way his clearly autistic son does. Both of them are overwhelmed by the family dinner, so they sit outside and play with Legos together, an act Rava, his ex wife, does not engage in. It's parallel play, they're sitting together and calming themselves down side by side, not necessarily playing together. This is very common amongst autistic people.
And Kendall, like many autistic people, wants to emulate those around him socially, so he can be liked the way he thinks his father is. Kendall often incorrectly assumes that if he mimics all those around him, copies their social skills, pretends like he fits in, people will finally see him the way he sees himself. And Kendall really is a good person. At least he tries to be, having that much wealth and power is always going to make you a bad person, especially when you don't take the steps to deconstruct these power structures. But Kendall wants to be a good person. He wants to do the right thing. He tries hard to be the involved father, the perfect son, the kind boss, the fantastic husband, the good friend, the caring brother, the greatest business man, he wants to be the most loved, the most loving, the person everyone likes and who fits in. But he can't navigate it quite right. He's understanding of how to grow Waystar Royco into a business that's successful in the internet age is actually quite spot on. His desire to create what he views as an inclusive environment, a respectful one, is genuine.
But Kendall cannot fit in no matter how hard he tries. And I don't think it's just because of his wealth, though it plays a factor. His siblings, in particular Shiv and Roman, especially Shiv, are considerably better socially. They, like many neurotypicals, can become social chameleons, changing how they interact and act to fit in with whatever crowd they're in. They're out of touch due to their wealth, certainly, but there's a difference. They socialize well in the wealthy circles they grew up in, they transfer these skills to other social circles, they socialize so well they can advance their career. Noticeably, they lie well, they can pick up on when most everyone is lying to them, they can navigate all of their respective spheres well.
Kendall cannot do these things really, when he tries he always falls flat. Even in out of touch, wealthy circles, he really cannot fit in. His inability to be the person he wants everyone to see him as is two fold. His wealth and abusive childhood is one dimension of it, he doesn't have good footing for where to start, so when he genuinely tries he falls flat on his face. But he's autistic, compounding these issues. It makes it much harder for him to actually understand what to do, how to do it, and his only guides through his life were wealthy people constantly working to undermine him, to cut him down. Shiv and Roman, not so much. They know what is the "right thing" and what is socially seem as the right things to do, and they can adapt their presentation to match that. Shiv knows it's socially acceptable to be a democrat, and so she is, though she isn't one. Kendall cannot, and though he tries to do the right things, and he tries to do them because he sees them as the right things, he cannot conceptualize a life other than his own, cannot fit in, and with no other guide but his father, cannot be the person he truly wants to be.
His attempts are genuine. He tries very hard to be an excellent father. He loves his children. He is by no means good at it. But he wants to be. And he makes greater strides than his father ever did, and in many ways for him this is a great effort. He is pained by how no one seems to like him, no matter what he does. There's this scene in the first season, where he looks at the falling stock price and tells his brother, "this is how much no one likes me." In season three, he tries to get people to like him by being self aware about how much they hate him, tries to let himself be made a mockery, because then maybe they'll want him. But he doesn't understand why they do. And it becomes a form of self harm, like maybe if he lets them hate him to his face, he'll understand why they do emotionally. Sometimes he understands objectively, but really he doesn't. And he self medicates to make it easier.
Kendall noticeably does drugs the most when he is struggling to fit in socially. Before therapy with his family, because he wants to fit in with the group of people he's with, wants to fit in back home. Also a very common autistic experience. It seemingly makes him likeable, makes him comfortable, lowers his inhibitions so that maybe he'll fit in, and maybe he'll get over his fears.
Kendall's struggles as an autistic person become Shakespearean in height due to the wealth and station of his life. It makes you wonder if one moment of his life were to have been changed. Say he doesn't get into the accident with the waiter, he'll escape the grasp of his father, and probably he'll have the means he always wanted to create the meaningful change he longs for. He stays committed to outing his father's negligence on the cruises. Something different, something new. Hell, even just a diagnosis, and I'd bet Kendall's life looks utterly different. It allows him, at the very least, a modicum of comfort and understanding of his life. Best case scenario, Kendall has the tools to navigate the world, and as such, can become the very good person he feels he ought to be.
Kendall Roy has autism. And autism is not tragic, but him having it in a world so hostile to him, without the knowledge of his autism, is.
President Snows inability to properly delay/stop the rebellion through his control of Katniss, and Peeta comes from his misinterpretation of their characters, through his own past experiences with Lucy Gray and Sejanus. Katniss and Lucy Gray have very overt similarities upon first perception and likely snow allowed that to construct how he viewed Katnissâs actions and motivation behind said actions. To him, Lucy Gray was a calculated trickster, an actress, a liar. He believes Katniss to be the same. On the other hand, Sejanus similarly impacts his perception of Peeta who he initially does not pay much mind to as he disregards him as a love struck fool. Snow rarely considers Sejanus as a serious threat or questions his actions chalking it up to the fact that he is led by emotion, and thus seen as stupid by Snow.
We see time and time again throughout tbosbas, Sejanus lets his emotions in what he feels is right lead his actions no matter the consequences to himself, and sometimes even the consequences to others around him. Katniss follows that course of action far more than she ever mimics Lucy Grays much more calculative nature. So, Snow has this expectation that Katniss has and will be able to be convincing, and articulate in the script he gives her. That she will be able to do whatever it takes to save herself and her family even if itâs by acting in a way she fundamentally disagrees with. But as we know, Katniss often jumps into action without thinking it through, especially when itâs something her heart is pushing her to do. In reality, it is Peeta who has always been more capable of holding back or delivering a believable lie.
And Snow only learns of this misjudgment once the Quarter Quell has begun and itâs too late to stop the oncoming rebellion. He knows that the baby is a lie and that Katnissâ screams at Peeta nearly dying are not. And it finally shows him how to effectively utilize/control the two of them. Peeta can be a convincing puppet to spit out capitol propaganda. And Katniss is easily dissuaded from stepping up as Mockinjay when she realizes how in doing so Peeta will be hurt.
Peak brutal satire is The Ballad of Songbirds and Snakes ending with Coriolanus Snow not as a dictator, but as a television executive. Coming up with new and creative exploitative practices to entice desperate people to perform in their shows. Willing to do anything, however brutal and horrific, to drive up the ratings. And that alone is enough to count as a descent into the worst type of villainy.
There's debate to be had about how well Collins addresses the wider issues of war and human nature in her books, but her attacks on the television industry are always accurate, specific and savage.
I love how Snow's inevitable demise is constantly foreshadowed throughout the movie with Dr Gaul's "rainbow of destruction".
First we see it in Lucy's dress:
Then the snakes:
And finally, the very last scene:
It doesn't matter that "Snow lands on top" at the end of this movie because everyone knows how his story ends. Even though it will take a very long time...
That's what I call poetic cinemađ
Hereâs the thing for me: the prequel does not make Katniss âthe chosen oneâ (and believe me, I had such hatred for this book when it came out for thinking it did make her this fated hero). Snow himself may perceive her as âthe chosen oneâ because heâs self-absorbed, and that is something the prequel shines light on: why Snow is so myopic about hurting Katniss specifically, instead of being effective in crushing the rebellion. He sees the narrative as revolving around him exclusively.
In reality, however, Katniss is still just a good and brave oppressed young woman who said âenoughâ â what is âfatedâ comes from the folkloric, interconnected nature of Appalachian culture, a culture rich with music, story, and supernatural goings on, a place that stands as the antithesis of elite society. Once Lucy Grayâs music and memory were in the wind and water, they werenât going away, no matter who picked them up.
Also, I think we sometimes forget that these books have a lot of very subtly supernatural elements: off the top of my head, we have the birds stopping singing to listen to little Katniss, the fact that OF ALL PEOPLE the boy who loves her is reaped alongside her (I mean, thatâs the plot, but still, and it kind of proves my point), all the eerily prescient connections to The Hanging Tree (âmidnightâ), Katniss inhabiting Finnickâs mind in his last moments, kissing Peeta to break the âspellâ Snow has on him, Primâs spirit seemingly trying to stop Katniss dying after the parachute bombs go off, not to mention the parade of âghostsâ Katniss sees in her rehab. Thatâs not all realism. No, the reaping wasnât rigged. No, no one planned for Katniss to lead the rebellion because she maybe possibly was related to the Covey. Itâs just one of those strange things that did happen here.
A ghost girl left some songs echoing in the coal-dusted streets, and one day a little girl sang one in a Kindergarten classroom, and a little boy heard her, and Snowâs days were numbered from that moment on. That, to me, is the most fated moment of the whole series: Katniss and Peeta, and the Valley Song: a real song, an American folk song, once sung by Lucy Gray. From that point on, the chips fall where they will.
The moment Tigris tells Snow he looks like his father, my heart broke.
That's her Prim.
That's the child she took care of while being a child herself, stuck with an adult who couldn't care for them all that well. She tried so hard and sacrificed so much for the boy that despite all her love still turns into a monster.
Katniss's Prim dies, but Tigris' Prim destroys every part of the boy she raised, to the point she wants him dead and has nothing in her heart for him except absolute loathing.