Simply reminding that this is my shitpost/mod blog, where I reblog random things and all of that.
My art blog is @drax-is-inthefandom 🌟
Mike Driver
Game of Thrones Daily

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Game Changer & Make Some Noise

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@draxrg7
Simply reminding that this is my shitpost/mod blog, where I reblog random things and all of that.
My art blog is @drax-is-inthefandom 🌟
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Hey hello! I made a couple of Free to Use HTML codes for Artfight! They're responsive, color-customizable and thoroughly commented to make it easier for folk to edit! The first one (first and third picture), while the second one (second picture and fourtht picture) is much shorter~ You can pick parts from one and put them on the other too!
You can find Long and Wordy here, and here's a live example
You can find Short and Sweet here, and here's a live example
Shares are much appreciated, I got in a coding frenzy and spent an ungodly amount of hours getting these ready!
Credit: @pet_foolery
I think I already reblogged this but im gonna do it again because this is a good reminder on how toxic gatekeeping it.
I’m reblogging this for the amount of thought that was put into figuring out the necessary configuration for a mertaur wheelchair.
MMMMM, the LAYERS to this.
She’s technically a monster too. She might not look it at first glance and seems mostly human, but it isn’t deniable even despite her looks compared to the other monsters.
But she realizes that she is still not like the rest of the monsters either and may not have entirely the same experiences as them, which is why she feels that she might not belong to or deserve to go to the support group. By sometimes passing as human, she feels she isn’t worthy of the space.
The sad reality though is even though she’s mostly human in appearance, that tail she has undeniably would still cause her some struggle. Humans are still gonna look at that tail and think she’s a freak. There are probably still accommodations she needs because of the tail that she may still struggle to have access to. Even if it is just the tail, that tail is still enough to other her from humans and cause her problems and discrimination.
She should get to belong in that support group even if she gets told she’s not monster “enough”. She still shares some of the same struggles as them that are caused by being a monster, and needs support.
This is an excellent demonstration of the flaws in the concept of passing privilege. Bravo to the artist.
NOW I will reblog this.
Also if that werewolf/wolfman is the shapeshifting kind, he might spend part of his time able to ‘pass’ for a human and feel unable/unworthy to fit into monster spaces when not in his wolfish form.
So you might expect him to be more welcoming of a fellow monster who isn’t immediately obviously one, but instead HE’S the one telling her she doesn’t belong there and accusing her of lying about her monstrous heritage.
Comparisons that spring to mind:
a bi person telling an ace person they don’t belong in queer spaces or vice versa
a physically disabled person telling a mentally disabled person that their voice shouldn’t count as strongly in conversations about accessibility
a Hot Take that I read about the scene in ’Bend It Like Beckham’ where the Irish kid tells the Indian protagonist that he gets what it’s like to be discriminated against, and the post-maker was like “uh, no you don’t, you’re white,” because they were unaware of the systemic racism specifically against Irish people in England, where the movie is set
the line from ’Feet Of Clay’ (Discworld), “just because someone’s a member of an ethnic minority doesn’t mean they’re not a nasty, small-minded little jerk.”
has this one been done yet
I took some historical sword-fighting lessons to make the fights in my novel more realistic - here’s what I learned.
To make the fighting scenes in my low fantasy novel more realistic, I went to see a trainer for historical sword-fighting last week, both to barrage her with questions and to develop realistic choreographies for the fight scenes in the novel. Since I figured some of what she told me might be useful for you too, I put together a small list for you. Big thanks to Gladiatores Munich and Jeanne for making time! (Here are some more pictures if you’re interested.)
Caveat: I’m by no means a sword-fighting expert myself, so take these nuggets with a grain of salt – I might have misremembered or misinterpreted some of the things Jeanne told me. If I did, feel free to tell me.
1.) Weapon choices need to make sense
Let’s start with a truism: always ensure your character’s weapons make sense for a.) their profession, b.) their cultural background and c.) the environment they’re going to fight in. A farmer probably couldn’t afford a sword and might use a knife or threshing flail instead, and someone who doesn’t want to be noticed probably wouldn’t be milling about sporting a glaive or another large weapon. Also, soldiers native to a country with wide open plains would be more likely to carry long-range melee weapons such as spears or large swords, than those from a country consisting of mostly jungle or dense forests. The same applies to situations: if your character is going to be fighting in close quarters (even just a normal house), he’d get little value out of a spear or even a longsword, as there’d be no space to swing it effectively.
2.) Boldness often beats skill
In real swordfights, recklessness was often more important than technique. The fighter less afraid of getting injured would often push harder, allowing them to overpower even opponents with better technique.
3.) Even a skilled fighter rarely stands a chance when outnumbered
While a skilled (or lucky) fighter might win a two-versus-one, it’d be extremely unlikely for even a single master swordsman to win against superior numbers, even just three and if they’re below his skill level. The only way to plausibly pull this off would be to split the opponents up, perhaps by luring them into a confined space where you could take them on one by one. The moment you’re surrounded, you’re probably done for – because, unlike in Hollywood, they wouldn’t take turns attacking but come at you all at once.
4.) Dual-wielding was a thing
… at least in some cultures. I often heard people say that people using a weapon in each hand is an invention of fiction. And while my instructor confirmed that she knew of no European schools doing this—if they did, it’s not well-documented—she said it was a thing in other cultures. Example of this include the dual wakizashi in Japan or tomahawk and knife in North America. However, one of the biggest problems with the depiction of dual wielding in novels/movies/games are the “windmill”-type attacks where the fighter swings their weapons independently, hitting in succession rather than simultaneously. Normally you’d always try hitting with both weapons at once, as you’d otherwise lose your advantage.
5.) Longswords were amazing
Longswords might seem boring in comparison to other weapons, but they were incredibly effective, especially in combat situations outside the battlefield. The crossguard allowed for effective blocking of almost any kind of attack (well, maybe not an overhead strike of a Mordaxt, but still), the pommel was also used as a powerful “blunt” weapon of its own that could crack skulls. Though they were somewhat less effective against armored opponents, the long, two-handed hilt allowed for precise thrusts at uncovered body parts that made up for it.
6.) “Zweihänder” were only used for very specific combat situations
Zweihänder—massive two-handed swords—were only used for specific purposes and usually not in one-on-one combat as is often seen in movies or games. One of these purposes was using their reach to break up enemy formations. In fact, one type of two-handed sword even owed its name to that purpose: Gassenhauer (German, Gasse = alley, Hauer = striker)—the fighters literally used it to strike “alleys” into an enemy formation with wide, powerful swings.
7.) It’s all about distance
While I was subconsciously aware of this, it might be helpful to remember that distance was an incredibly important element in fights. The moment your opponent got past your weapons ideal range, it was common to either switch to a different weapon or just drop your weapon and resort to punching/choking. A good example of this are spears or polearms—very powerful as long as you maintain a certain range between you and your opponent, but the moment they get too close, your weapon is practically useless. That’s also why combatants almost always brought a second weapon into battle to fall back one.
8.) Real fights rarely lasted over a minute
Another truism, but still useful to remember: real fights didn’t last long. Usually, they were over within less than a minute, sometimes only seconds – the moment your opponent landed a hit (or your weapon broke or you were disarmed), you were done for. This is especially true for combatants wearing no or only light armor.
9.) Stop the pirouettes
Unfortunately, the spinning around and pirouetting that makes many fight scenes so enjoyable to watch (or read) is completely asinine. Unless it’s a showfight, fighters would never expose their backs to their opponent or even turn their weapon away from them.
10.) It still looks amazing
If your concern is that making your fight scenes realistic will make them less aesthetic, don’t worry. Apart from the fact that the blocks, swings and thrusts still look impressive when executed correctly, I personally felt that my fights get a lot more gripping and visceral if I respect the rules. To a certain extent, unrealistic and flashy combat is plot armor. If your characters can spin and somersault to their heart’s content and no one ever shoves a spear into their backs as they would have in real life, who survives and who doesn’t noticeably becomes arbitrary. If, on the other hand, even one slip-up can result in a combatant’s death, the stakes become palpable.
That’s about it! I hope this post is as helpful to some of you as the lessons were to me. Again, if anything I wrote here is bollocks, it’s probably my fault and not Jeanne’s. I’ll try to post more stuff like this in the future.
Cheers,
Nicolas
How to put “wrote fan-fiction” on your résumé:
Leveraged an inventory of established fictional character and setting elements to generate a disruptive custom-curated narrative entertainment asset.
I worked in HR, handling applications and interviews, and if someone turned in that string of techno babble nonsense, I would have rejected them out of hand.
A resume doesn’t need to sound fancy or overly technical, it needs to tell us why we should hire you.
“Independent novelist/writer” is more than sufficient here. If you want to express the skills that fan fiction taught you, something like, “creative writing, editing, and publication,” will get you a lot further than… Whatever that just was.
A resume should be tailored to the position, if you can afford the time and energy for that. But if not, then just think about what writing got fandom taught you. How to respond to criticism, how to present a professional pubic face, how to correct punished mistakes, creative thinking, project planning, persuasion via emotional leverage, html formatting, office suite fluency.
There are a lot of actual, marketable skills that go into fan fiction.
How to put “I was in a zine” on your resume
Writer:
Published short fiction stories for anthology collection
Able to write short fiction within a designated word count for layout purposes (900-1500 words, 1500-2000, 3000-5000)
Wrote short articles for independent publication
Assisted with editing short stories for publication
Able to reduce or expand written content based on layout needs
Able to check for basic spelling, grammar and syntax
Familiar with Microsoft Office and Google docs
Able to convert text styles such as bold and italics across platforms, including rich text and HTML
Able to communicate with project members over multiple platforms such as email, twitter, Discord chat and Google docs
Artist:
Produced full-colour digital illustration for independent magazine
Able to produce digital illustrations optimized for both online and print display
Produced full-colour 2-page spread for art anthology
Published 4-page short comic in anthology collection for charity
Able to transfer traditional art to digital illustration
Illustrated the cover (always brag if you’re on the cover) of an independent art publication
Familiar with professional illustration tools such as Adobe Photoshop, Illustrator, Clip Studio Paint and stylus tablet
Able to communicate with project members over multiple platforms such as email, twitter, Discord chat and Google docs
Merch artist / graphic designer:
Designed 2″ clear decorative double-sided keychain charm as bonus sale item
Designed 5″ x 6″ sheet of graphic stickers included in art anthology
Able to design bold graphics that are measured for laser cutting production
Designed layouts for 65-page art and writing magazine, focusing on (art placement, text layout, etc)
Able to keep layout design simple and in accordance with the project director’s chosen theme
Created promotional art, icons and banners tailored for social media sites like Twitter, Tumblr, Facebook, etc
Familiar with professional layout and design software such as Adobe Illustrator and InDesign
Able to communicate with project members over multiple platforms such as email, twitter, Discord chat and Google docs
Running a zine
Produced an independent art and writing collection for sale / for charity
Managed (10, 20, 30) independent artists and writers out of over 500 applicants to create a short-run independent magazine
Worked in online sales and social media promotion selling an independent comics anthology
If it’s really spectacular you can brag about specific numbers
Our book raised over $4,000 for charity in under six months of production
We sold over 750 copies in two weeks of online sales
Produced a digital PDF and printed version of anthology, mailing to recipients all over the world
Communicated with printers and manufacturers of plastic accessories and paper goods, assembling professional packages of our merchandise for mailing.
Built a custom digital storefront and navigated professional market and payment systems including Paypal and Tictail / Bigcartel / Wix etc
Created promotional events to boost sales, including raffles and giveaways over social media
Organized participants through mass emails and use of social media posts on tumblr and twitter
Created private Discord chat channels to keep participants up to date on production
Familiar with organizational software such as Microsoft Excel, Google spreadsheets, Trello and Discord
Hey, kids! Just remember, your hobbies are also your skillsets!
Sims 4 page on Steam. Not to be controversial but I think the CEO of EA should be beheaded for this
if anyone got the game from origin heres an unlocker for dlc + links to the dlc files to download that an anon sent me a while back :] its worked perfectly for my game but jus make sure u have enough storage for the packs
5 things your character can't do while speaking
Choke. Just think about it, seriously. Think about what choking is and imagine speaking while it’s happening. That would fuckin’ hurt, man.
Hiss. Look, it’s just not possible, okay? No matter how “evil” you want your character to seem.
Snarl. Animals snarls. The Beast from Beauty and the Beast snarls. The Hulk snarls. You know who doesn’t snarl? PEOPLE WHEN THEY’RE SPEAKING.
Shriek. Come on, 99% of the time, “shriek” is not the word you want.Let’s face it: if you put an exclamation point at the end of the sentence, your reader gets the picture. Don’t bring to mind banshees and screaming toddlers.
Sneer. I’m not even going to bother explaining this one. “SNEER” ISN’T EVEN A SOUND.
Choked is not meant to be taken literally, an obstruction in the throat. It means they’re having difficultly speaking, they’re forcing the words out with difficulty. Often used when the character is convulsed in tears or laughter.
Hiss is a low, threatening whisper. Raw, guttural, vicious. It is NOT a literal hiss like an animal, it is a tone of voice that serves the same function. Someone will hiss that they’re going to cut your throat- a message from one person to the other.
Snarl is the same kind of thing. Not literal, it’s a tone of voice that serves the same function. It’s raw and gutteral like a hiss, but more savage than vicious. It’s loud, it’s showy, it’s intimidating. It’s very alpha male, big man, look at how fucking dangerous I am. I’ll take ALL of you on. Even if they’re snarling at one person in particular, nobody better back them up or they’re gonna get fucked up too.
Shriek. Come on, seriously? We’ve all heard people shriek either in fear or outrage. High pitched, loud, out of control, feminine. Men can shriek, but it’s funny and emasculating. Think angry italian women throwing pots and pans or ladies on tables who just saw a mouse.
Sneering is contempt whether it’s a facial expression or a tone of voice or both. There are a hundred different ways to sneer with your voice, but it all adds up to the same thing.
How descriptive words work 101
Tarot cheat sheet
Major Arcana
The Fool-Beginnings, Risks The Magician- Actions, manifestations The High Priestess- Hidden knowledge, Secrets The Empress- Resources, Abundance The Emperor- Boundaries, Order The Heirophant- Education, Lessons, Unity The Lovers- Love, decisions The Chariot- Progress, determination Strength- Managing situations, endurance The Hermit- Searching, analysis The Wheel of Fortune- Fate, Luck Justice- Decisions, Balance The Hanged Man- Waiting, sacrifice Death- Transformation, Rebirth Temperance- Negotiation, common ground The Devil-Restrictions, Indulgence The Tower-Unexpected failure, breakdowns The Star- Hope and guidance The Moon- Anxiety and deep emotions The Sun- Growth, Recovery Judgement- The past, second chances The World- Success, completion
Minor Arcana
Cups- Water Element, “I feel”- How emotions rule over and work within the meanings of the cards.
Ace- Love, Beginnings Two- Partnerships Three- Celebration Four- Boredom, longing Five- Loss, sadness Six- Peace, reconciliation Seven- confusion, possibilities Eight- Departure, leaving behind Nine- A wish coming true, contentment Ten- Happiness, family Page- Opportunities, Chances Knights- Emotional and dreamy influence Queen- Intelligent and intuitive influence King- Charismatic and Wise influence
Pentacles- Earth Element, “I have”- How possessions rule over and work within the meanings of the cards.
Ace- Money, success, beginnings Two- Decisions, balancing finances Three- Showing talents, chances Four- Stability, hiding Five- Financial loss, chasing Six- Generosity, supporting Seven- Potential with work Eight- Money coming, building success Nine- Comfort, success Ten- Inheritance, something lost Page- An offer Knight- A dependable influence Queen- A genorous influence King- A prosperous influence
Swords- Air Element, “I think”- How thoughts rule over and work within the meanings of the cards.
Ace- Success Two- Stalemate Three- Heartbreak Four- Rest, overwhelmed Five- Conflict Six- Leaving conflict behind Seven- Theft of positivity Eight- Restriction Nine- Anxiety Ten- Endings Page- Intelligence, alertness Knight- A opposing influence Queen- An independent influence King- A strong willed influence
Wands- Fire Element, “I desire”- How desires rule over and work within the meanings of the cards.
Ace- News, beginnings, fertility Two- Making plans Three- Travel Four- Freedom, rest Five- Stong opinions, fights Six- Victory Seven- Work, effort Eight- News, attack Nine- Stress, suspicion, strength Ten- Burdened, work Page- A message, understanding Knight- A motivational influence Queen- A creative influence King- An expressive influence
Even intuitive readers sometimes need a little assistance greasing the wheels. When you turn a card over and draw a blank, these short phrases and key words can get your energy flowing.
Real quality post here! <3
Hello! Do you happen to have a master post of all of your asks/posts anywhere? Just to help me navigate! ^^
Hi, thanks for the question! (Image via duitang)
For all my own posts, please see my China tag (that’s the tag I use for my original posts).For navigation via tags, my Tags page has links to common & useful tags on my blog. I’ll be updating the Tags page and this Masterpost as needed ^^.
Ziseviolet’s Replies Masterpost, Part 1 (Part 2):
Hanfu Terms:
What is Hanfu?
Guide to the different types of Hanfu
Hanfu names
My favorite Hanfu style - Part 2
Top 10 most popular Hanfu styles of 2018
Unisex Hanfu
Formal Hanfu
Difference between Ru & Shan
Banbi (half-sleeve jacket)
Bijia (sleeveless jacket)
Zhaojia (men’s Bijia)
Difference between Bijia & Banbi
Daxiushan (large-sleeve robe) - Pt 2
Difference b/w Beizi/Daxiushan/Dachang
Yuanlingpao (round-collar robe) - Pt 2 / 3
Difference b/w Tang & Ming Yuanlingpao
Hezi (chest undergarment accessory)
Weichang (short outer skirt)
Doupeng (cloak/cape)
Parallel/straight collars
U-collars (Tanling)
Aoqun & Pipa Xiu (pipa sleeves)
Jian Xiu (arrow sleeves)
Winter Hanfu - Part 1, Part 2
Casual/adventurer type Hanfu (Shuhe)
Hanfu sleepwear
Mourning Hanfu (Sangfu)
Burial Hanfu (Shouyi)
Waist-high Ruqun from Wei/Jin dynasties
Identifying Hanfu in a photoset
Chinese armor
Hanfu History:
Did Hanfu exist after the Han dynasty
Comparison/charts of Hanfu from different dynasties
“Left-over-right” rule of crossed-collar Hanfu - Pt 2, Pt 3, Pt 4
Children’s Hanfu - Part 1, Part 2
What type of Hanfu would old women wear
Commoner’s Hanfu - Part 2
Poor people’s Hanfu
Hanfu and cleavage - Part 2
Han dynasty Ruqun & footwear
Three Kingdoms period Hanfu
Northern & Southern dynasties Hanfu
What Mulan would’ve worn
Tang dynasty emperor’s Hanfu
Was Daxiushan restricted to royal ladies
Song dynasty Hanfu styles
Ming dynasty skirts
Ming dynasty summer Hanfu
Yuan/Qing dynasty Hanfu - Part 1, Part 2
Symbolism of Orange-Red and Turquoise color combination
Hanfu for empress/noblewoman
Differences b/w contemporary & historical Hanfu
Books & magazines on Hanfu - Pt 2, Pt 3
Wedding Hanfu:
What are the colors of wedding Hanfu?
Wedding Hanfu recs
Pictures of wedding Hanfu
Wedding Hanfu accessories
Manchurian vs Han wedding attire
Modernized/Modified Hanfu:
Incorporating Hanfu styles in a modern way
Combining Hanfu & modern styles
Modified Hanfu shops recs - Pt 2
Men’s modified Hanfu shops recs
Websites that sell modernized Hanfu
Where to buy modernized Hanfu
Modified Hanfu shops in the West
Identifying Chi Xia’s modernized Hanfu
Hanfu Accessories:
Pibo (long scarf) - Part 2
Tuanshan (rigid fan) - Pt 1, Pt 2, Pt 3, Pt 4
Difference b/w Tuanshan & Folding fan
Jinbu (waist ornament) - Part 2
Hebao (purse) - Part 2
My tag for Chinese hats/headgear
Weimao (veiled hat) - Part 1, Part 2
Tiger hats
Douli (conical hat)
Yingluo & Xiangquan (necklaces) - Pt 2
Traditional Chinese earrings
Meaning & History of Jade
Bangshoudai (hand wraps) & Huwan (wrist guards) - Pt 1, Pt 2, Pt 3, Pt 4
Panbo (strings to tie up sleeves)
Miansha & Mianlian (Veils) - Part 2
Nail guards - Part 2
Hanfu Shoes
Hu Ban (ritual tablet)
Hanfu Hair Accessories:
Names of Chinese hair ornaments
Shop recs for hair accessories
Hanfu hair accessories
Fabric flower hairpins for Hanfu
Ronghua (velvet flowers) - buy & make
Hair accessories for fine hair
Phoenix crowns (Fengguan)
Lotus crowns
Miao silver hair accessories - Pt 1, Pt 2
Huasheng (forehead ornament)
Hairpin styling question
My tag for Chinese hats/headgear
Jewelry boxes for hair accessories
Hanfu Hairstyles:
Hanfu hairstyle tutorials
Traditional hairstyles
My favorite hairstyle
Pre coming-of-age ceremony hairstyles for Han girls
Looped hairstyles in “The Empress of China”
Tang dynasty pinned peony hairstyle
Ming dynasty hairstyles
Dynasty with long loose hairstyle
Half-up half-down hairstyles
Short hair and Hanfu
Simple hairstyles for shoulder-length hair
Makeup:
Huadian (forehead decoration) - Pt 1, Pt 2, Pt 3, Pt 4, Pt 5
Did men wear Huadian
Traditional Chinese makeup ingredients
Tang dynasty lip makeup
What makeup is used to replicate traditional makeup styles
Men’s Hanfu:
Hanfu styles for men
Men’s formal Hanfu
Types of men’s Hanfu
Resources for men’s historical hanfu styles
Pictures of men’s Hanfu
Dachang (open-fronted robe)
Zhiduo vs Daopao
Yesa/Yisan vs Tieli
Yichang vs Yesa/Yisan
Men’s Hanfu blog recs
Men’s Headwear/Hairstyles:
Historical hairstyles for men
Men’s hair accessories
Where to buy Xiao Guan
Men’s hairstyles & Guan
Guan (headdress) - Part 1, Part 2, Part 3
Guan & Mianguan
How bald men put up hair with a Guan
Fangjin (four-cornered flat cap)
Hanfu Undergarments:
Hanfu undergarments guide - Pt 2, Pt 3
Children’s Hanfu undergarments
Hanfu petticoats - Part 1, Part 2
Emperor’s undergarment for Mianfu
Dudou (chest undergarment)
Lower body Neiyi (underwear)
Zhongyi & Neiyi
Wearing Hanfu:
Tutorials on wearing Hanfu
How to put together a Hanfu outfit
Mixing hanfu from different dynasties
Plus-sized Hanfu - Part 1, Part 2
Girl wearing men’s Hanfu
Wearing Hanfu made for a gender you are not part of
Chest-high Ruqun for big-chested figures
Chest-high Ruqun skirt slippage
Is Hanfu hard to wear/sew
Is Hanfu comfortable to wear
Are chest-high styles restrictive for the chest - Part 1, Part 2
Hanfu renting/dressing up
Photo studios for renting Hanfu and taking pictures in Shanghai
Do people in China still wear Hanfu - Pt 2
Events in present-day China where people wear Hanfu
Making Hanfu:
Resources for sewing Hanfu - Pt 1, Pt 2
Hanfu sewing patterns - Pt 1, Pt 2
Buying Hanfu sewing patterns
Making Hanfu by hand - Part 2
Making Chest-high Ruqun
Making Hanfu with patterned cloth
Using shiny brocade fabric
Young people learning to sew Hanfu
Buying Hanfu & Hanfu Accessories:
My recs for places to buy Hanfu - Part 2
Where to buy Hanfu & Chinese hair accessories - Pt 1, Pt 2, Pt 3
How to buy Hanfu on Taobao
International shipping on Taobao
Using a Taobao agent
Posts with links to where to buy Hanfu
Recs for non-Taobao Hanfu shops
Buying Hanfu in US/Washington DC
Hanfu shops in Shanghai
Where to buy Hanfu in Hong Kong
Hanfu shops in Singapore
Recs for colorful & flowy Hanfu
How to search for large-sleeved crossed-collar Ruqun on Taobao
Taobao shops that regularly carry larger sizes for men’s Hanfu
Shops that sell Hanfu w/natural fabrics
Where to find Hanfu for pageants
Hanfu from Aliexpress with right side over left
Hanfu brand Qinghuige’s Taobao page
Where to buy crane-print skirts
Where to commission high-quality screen-accurate Hanfu
How to find Hanfu for BJDs
Hanfu in films/dramas/animations:
Hanfu in television dramas
Hanfu in “The Empress of China"
Hanfu in “Eternal Love"
Hanfu in “The Rise of Phoenixes” - Pt 2
Hanfu in “Consort Meng Arrives”
Identifying actresses in Huadian compilation
Recs for historically/stylistically accurate Chinese drama
Hanfu in “Mo Dao Zu Shi” - Part 2
Q&A on cdrama “The Untamed” is in Part 2 of the Masterpost!
Q&A on Mulan (including Disney’s animated & live-action Mulan films) is in Part 2 of the Masterpost!
Hanfu Revival Movement:
What direction I think the Hanfu Movement will take
The motivations for the Hanfu Movement
How I feel about the inconsistency of the Hanfu Movement
Comparison with Kimono and Hanbok:
Comparing Hanfu & Kimono (padding)
Comparing Hanfu & Kimono inspired figure skating costumes
Comparing Hanfu & Hanbok (resources)
🖌️ Just made my first custom Clip Studio brushes! 🖌️
I use these design elements in my character designs ALL the time, so I’m super excited to have some brushes that’ll make the process much faster!
(I also figured out how to upload them to the asset library, where they’re both downloadable (for free!)):
FLUFF // LOOPS
Hey btw, another worldbuilding thing: You can, and actually should have weird and impractical cultural things. They’re not inherently unrealistic, for as long as you address the realistic consequences as well.
Let’s say you’ve got a city where there’s tame white doves everywhere. They’re not pests, they’re regarded as sacred, holy protectors of the city, and the whole city cares for them and feeds them like they’re pets. They’re so tame because it’s a social taboo to hurt or scare one. Nice pretty doves :)
Then someone points out that even if they’re not seen as pests, doesn’t having a completely unchecked feral pigeon population - that not only isn’t being culled, but actively fed and cared for - mean that there would be bird shit absolutely all over the place?
A part of you wants to say no, because these are your nice, pretty doves. To explain that there’s a reason why they’re not shitting all over the place, maybe they’re super-intelligent and specifically bred and trained to not shit all over the place. The logistics of how, exactly, could anyone breed and train a flock of feral birds go unaddressed.
An even worse solution would be to not have those birds, editing them out of the world. No, they spark joy, you can’t just toss them out!
Now, consider: Yes, yes they would, but the city also has an extensive public sanitation service that’s occupied 90% of the time by cleaning bird shit off of everything. One of the most common last names in the area actually translates to “one who scrapes off dove shit”, and it’s a highly respected occupation. And thanks to the sheer necessity of constantly regularly cleaning everything, the city enjoys a much higher standard of cleanliness, and less public health issues caused by poor public sanitation.
The doves do protect the city. By shitting fucking everywhere.
While I absolutely love your idea, I just want to say that you can easily reduce public bird shitting from Pigeons by offering them comfortable lodgings where they can sleep and feed. Sure, you need to clean THOSE, but the pigeons shit a lot less all over town.
The Augsburg concept has one big pigeon house every 500m in which wild pigeons are fed, protected from weather and have nesting opportunities. Cities doing that have WAY less uncontrolled populations (since they can take out eggs if they feel they need reduce the population), way less shit AND a healthy population since it’s easier for veterinarians to notice and get to sick animals.
So I’d say one can of course still keep your general idea……but there’s also those MASSIVE palace-like pidgeon houses and only the most worthy are allowed to enter and directly interact with the pigeons (feed them, heal them, clean their lodgings). One big entrance for the human servants (priests??) and millions of small holes for the pigeons.
In fact, one could potentially turn your idea around IN THE PIDGEONS FAVOR. So your world is like ours and most major cities have a big feral pigeon population. And most of those cities HATE the pigeons and try to fight them and stuff. And they think that pigeon worshipper town is frigging cuckoo. BUT when comparing, then pigeon worshipper town is ridiculously clean and beautiful. No bird shit everywhere, no ruined house facades and statues from erosion through bird poop. Pigeon haters go “how tf are you so clean, you have birds EVERYWHERE???” and the worshippers shrug and show their little bird temples spread around town that keep their precious birdies AND their town pretty.
I think this is a really good example of how research can greatly improve your worldbuilding! You don’t have to be perfectly accurate - it is fantasy after all - but the real world is so much more clever and beautiful than any of us know
advice that’s stuck with me: you don’t have to work inwards to justify a premise (e.g., ‘how would it ever be plausible to use snakes as currency’) as long as you work outwards in interesting ways from that premise (e.g., ‘how would a society that used snakes as currency look different? what would they use for wallets?’)
Wait, did you choose snakes specifically as a reference to that time when people literally used snakes as currency, or what is a random example?
Sorry, that time what
Scrivener is a writer’s best friend.
It’s a word processing software created with unruly, complicated novels in mind. However, some writers stay away because its many features can be seem overwhelming at first. If you want to use Scrivener, but haven’t taken the plunge yet. Or if you already use Scrivener, but haven’t explored its many features, check out my three part guide to writing a novel with Scrivener, from planning to editing and all of the key smashing in-between.
1. Planning with Scrivener
Scrivener comes with tools dedicated to outlining, researching, and brainstorming your manuscript. The first part of this series details everything you can do in Scrivener before setting that first line down in ink (or pixels.)
2. Drafting with Scrivener
The second part in this series covers the actual “writing” part of writing. It covers multiple composition modes (even making your screen mimic Microsoft Word!), writing in split screen, word targets, and more.
3. Editing with Scrivener
The third part of this series gives advice on exporting your writing into a standard manuscript format, saving each version of your work as you go along, and the best tools for revising your manuscript.
Download a free 30-day trial of Scrivener at its official site.
Disclaimer: This is not an ad. I am not being paid by the Scrivener people. I just really love this software.
Reblogging this because I’m currently writing with Scrivener. (In conjunction with using the Forest app to time my writing sessions and the progress tracker I made.)
I forgot how utterly amazing this software is, so I’m re-blogging my three Scrivener guides!
The four features that are killing it for me right now are:
A separate text file for each chapter. The organization make it so easy to move around my manuscript, so that doing things like going back to certain chapters to find information I need isn’t an utter nightmare. Equally important, I try to make sure my chapters are between 1,500 and 2,500 words for consistency. Having a separate text file makes it easy to see how far away I am from that mark. Which brings me to feature two.
Targets! I can set manuscript targets, session targets, and chapter targets. This means I can tell Scrivener I want my novel to be 40,000 words long, my chapter to be 2,000 words long, and that I’d like to write 1,500 words today. I can even say I want to finish my book by August 1st, and it’ll tell me how much I need to write each day to meet it–adjusting automatically if I go over/under my daily goal. It’s motivational too, pushing me forward because I’m never far away from hitting a goal.
Statistics! Scrivener goes above and beyond for manuscript statistics. I click one button and it tells me how many words there are in my book, how long the paragraphs and sentences are on average, how many chapters there are, the longest and shortest chapters, how many pages the document would be as a paperback, and even how long it would take to read!!!! I. Love. It.
Paragraph highlights in composition mode. This is a comparatively insubstantial feature, but in this drafting phase it’s been really helpful for keeping me moving forward–focusing on the words I’m currently writing, not going back and changing the ones I wrote twenty minutes ago.
reblog and put in the tags how many blogs you have in total
How to: write pain
Don’t make paragraphs about it - battles are supposed to be fast-paced
Describe:
- the object used to harm the character
-where the injury is
-how long the character had had the injury
-how deep the cut is (for blades)
-whether or not the wound triggers other things (dizziness, bleeding)
There are different kinds of pain
punch/blunt force trauma:
-how it feels: aching, a single spike of pain before it fades into an ache, throbbing, numbness
-effects: swelling, bruising, broken bones, unconsciousness, dizziness, concussion, internal bleeding.
stab wound/cut
-how it feels: stinging (shallow wounds), burning
-effects: bleeding (the blood from arteries is a brighter red, like vermilion, the blood from veins is dark crimson), dizziness from the blood loss, unconsciousness, infection (if left unattended), death
gunshot
-how it feels: depends on the caliber bullet, from how far away they were shot and in what place
-effects: same as stab wounds
Things that an injured character may have/do
-heavy, harsh, ragged breathing
-panting, gasping, crying, grunting, hissing, groaning, whimpering, screaming, shrieking, clenching their teeth
-ears ringing, unable to speak
-pressing their hands on the injury to try and stop the bleeding, trembling, eyes rolling up into their head
-vision blurring, room spinning
Where to hit in a fight
temple and jaw - good for a knockout punch, but are near the skull so it will be dangerous if you miss (it can broke/dislocate your fingers)
nose/eyes - messes up the senses and distracts the opponent
neck: can mess up breathing, talking and the spinal cord
inner elbow: can disable the opponent’s arm
solar plexus: hard to hit but very effective
liver: causes immediate pain, dizziness and loss of breath
kidneys
groin
outer/inner thighs
knees
—————–
But not getting into a fight stops the injury for both the opponents :)