To make this a bit easier on myself, and also because my right hand isnāt working that well right now, Iām going to divide this into multiple posts. So this some of the power, symphonic, sympho-folk, gothic and power-prog artists in my main playlists.
I should note that I am an autistic with auditory processing disorder, so I do not listen to music primarily for lyrics and cannot promise that any one of these songs wonāt contain problematic content.
I didnāt include Nightwish or Amaranthe because I know that you know of them, @dps-winston, but if you want my recommendations on either I can provide that. Itās also worth noting that Iāve often gone for bandsā lead tracks to give some idea of what their general sound is like. Also, not all these bands are actively together or recording.
Also, as someone whoās been listening to symphonic metal for a long time, I am not always a fan of the genreās shift away from gothic metal undertones into pop-metal undertones, so the songs I list demonstrate that. There are other songs by bands like Sirenia, Xandria and Delain that are going to have that pop-metal tone if thatās what you enjoy. Itās just that I--while I shake my cane and ramble on about the good old days--came into the genre when it was paying homage to gothic metal, and I miss that.
Amberian Dawn: Mythological/fantastic gothic power metal. Unlike most of the bands here, they donāt go for anywhere near the same degree of orchestration, but thereās still backing choral pieces. Earlier songs are more often operatic; later songs are a bit less so.
Examples: River of Tuoni (early), Fame and Gloria, Cherish My Memory (Remastered)
Amanda Somerville and Michael Kiske: Two of metalās famous melodic voices join up in that soft/melodic corner of power metal. Their first album is slow and blah, in my opinion, but City of Heroes has some rocking songs, and the title track is pretty much the Heroās Journey set to song.
Examples: City of Heroes, Walk on Water.
Avantasia: A long-running (usually concept album) project from power metaller Tobias Sammet and a range of guest vocalists from the power, symphonic and prog corners of metal. More symphonic-power and power-prog than true power metal. Songs like āRunaway Trainā are fucking epic.
Examples: Runaway Train, Twisted Mind.
Ayreon: Pretty much the epitome of melodic prog concept album projects, by Arjen Lucassen and another range of famous metal guest vocalists. Itās still power-prog, but it leans more into the prog than Avantasia. I very much recommend listening to Ayreon as a whole album first over individual songs, as much as I adore Day Three: Pain.
Examples: Iāll always recommend first The Human Equation.
Crimfall: Folk-with-a-bit-of-symphonic metal. Iād say something like the later Nightwish sound combined with early Eluvitie and a dash of Howard Shoreās The Lord of the Rings with even more outrageous bombast and shifts between clean and grunt (beauty and the beast) vocals. This band goes all out between softer breaks, so it isnāt just a wall of noise. (Although the start of āUntil Falls the Rainā is fucking massive.) If you donāt like grunt vocals or harder folk, this may not work for you, but if you do, Crimfall.
Examples: Until Falls the Rain, The Last of Stands, Wildfire Season, Where Waning Winds Lead
Dark Princess: Gothic metal with ... well, I can only say emo undertones, but a similar sort of pop-metal sensibility as Amaranthe. Theyāre a pretty accessible entry to the melodic metal genre for folks new to the idea in terms of hardness, comprehensible vocals and song lengths.
Examples: Cry, Stop My Heart, The Key.
Delain: Symphonic/goth metal in their earlier albums; gothic power-pop metal, more like Amaranthe, in their later ones. I prefer their earlier albums, and their songs that lean hardest on the pop metal rarely do it for me so I wonāt list them here, but Charlotte Wessels always sounds gorgeous. Damn do I love āSleepwalkerās Dreamā.
Examples: Sleepwalkerās Dream (early), Here Come the Vultures (later), Masters of Destiny (current)
Edenbridge: Symphonic/operatic metal, more like early Nightwish. I donāt like all their songs, I admit. Theyāre at their best, in my book, when theyāre willing to move away from a close adherence to the Nightwish or Epica sound with more diverse instrumentation; āWild Chaseā is seriously good fun.
Examples: Wild Chase, Remember Me, Higher
Elis: Gothic metal. A lot of their songs sound fairly similar to me, but if you want less orchestration and more gothic sounds with grunt vocals, chorus and guitar, theyāll provide. (RIP Sabine.)
Examples: The Burning, Salvation
Elvenking: Folk meets light power metal with some acoustic songs between, and I have to say thereās something a bit Pratchett-esque elvish or Goblin Market about the weirdness of some of their songs, lyrically. But theyāre light, fantastic, folky fun; just donāt expect them to always fit the Tolkien mould. High fantasy Elvenking are not, and thatās why they work.
Examples: The Wanderer (acoustic version), The Cabal, Trows Kind
Epica: If youāre looking for a more existential/spiritual/philosophical take on Nightwish, Epica will provide in the symphonic/operatic/gothic metal sphere. Theyāre bit more classical-feeling than Nightwish and, at the same time, more gothic, with grunt vocals threaded through the operatic elements. Theyāre big, bombastic and dramatic, with a touch of Therion about their music.
Examples: Our Destiny, The Essence of Silence, Tides of Time
Kamelot: Symphonic power-slightly-prog metal with a fair bit of drama. We donāt talk about Roy Khan, but I do like his vocals slightly better than that of his replacement, Tommy Karevik. (Karevik is still good, though.) They almost always have One Really Big Romantic Power Ballad, often with a guest female vocalist; itās practically a contractual obligation.
(Epica are named after Kamelotās Epica album, FYI.)
Khan examples: The Human Stain, March of Mephisto, A Sailormanās Hymn
Karevik examples: Insomnia, Under Grey Skies (with the aforementioned Charlotte Wessels), Vespertine (My Crimson Bride)
Leah: A one-woman soft/melodic Celtic metal band, often with doom and prog undertones. Not all her stuff is quite as metal as I prefer, but if you want a break from the bombast melodic metal likes to throw at you with vocals more akin to Enya than Tarja, Leah will do that.
Examples: The Northern Edge, This Present Darkness
Leavesā Eyes: Symphonic Norse metal, most of the time, but thereās a few albums between that are more like symphonic folk or Norse/Celtic rock. I vastly prefer them when theyāre leaning harder to metal, like King of Kings. (Their best album, in my book.) We also donāt talk about Liv Kristine, but I do prefer her as frontwoman.
Examples, all Liv Kristine: Halvdan the Black, Blazing Waters, Froyaās Theme, Elegy (which, because pronouns, sounds like a sapphic love song)
Pyramaze: Fantasy-style softer power metal with a slight dash of prog. Itās very traditionally DnD/fairy tale fantastic, but itās more toned down compared to Dragonforce. Youāre all but required to sing āblood will be shedā and āthe UNICORNā in the same way Shakespeare demands you holler ādishonour not your mothersā.
Examples: Tears of Hate, Legend.
Serenity: Theyāre Kamelotās brand of symphonic power metal with a more power-metal-leaning vocalist and fantasy or historical vocals. Theyāre pretty much what power metal would be if it stayed power metal in theme but tried for Kamalotās sound and styling. For all that itās hard not to see them as a Kamelot knock-off, I do enjoy their music.
Examples: Velatum, Rust of Coming Ages, When Canvas Starts to Burn
Sirenia: Gothic metal evolving to symphonic metal. I vastly prefer their earlier albums; their middle albums have lost uniqueness (in my opinion) as they moved towards the Nightwish-adjacent mould, just with grunt vocals. Morten Velendās vocals, though, are good: heās deep and gravelly while still being clear. And the recent album has that discordant note again, albeit now over Amarantheās pop-metal base. Sirenia is a Revolving Door of Female Vocalists, though!
(If you like Mortenās vocals and want Sireniaās orchestral gothic stylings sans female lead vocals: Mortemiaās Misere Mortem. If you prefer the earlier Sirenia songs, see early Tristania below.)
Examples: In My Darkest Hours (early), A Shadow of Your Own Self (early),Ā Sirens of the Seven Seas (middle), Dim Days of Dolor (recent), Love Like Cyanide (recent)
Sonata Arctica: Power metal, sometimes with fantasy or historical themes, but a bit toned down compared to Dragonforce or Rhapsody of Fire. This is why I listen to them a lot more than I do the others, as full-out power metal isnāt really my jam. Also, you have got to listen to āFullmoonā because werewolves.
Examples: Fullmoon (Revisited), Flag in the Ground, The Last Amazing Grays
Tarja: For the sake of completeness, I should mention that Nighwishās former frontwoman has recorded several of her own albums, but the first two are only ever okay for me, and I donāt connect to the later gothic-pop-metal tones of the later ones. I really notice the lack of Tuomas in her songs.
Examples of songs I donāt hate: Until My Last Breath, Die Alive
Therion: Unclassifiably melodic? Well, thereās fantasy, symphonic, orchestral, choral, prog, mythological and spiritual elements bound into something thatās wild and unique. Nothing else sounds quite like Therion, and their tracks vary in terms of additional tone, instrumentation, theme and styling. Itās as dramatic and all out as all fuck.
Examples: Call of Dagon, Enter Vril-Ya, Son of the Staves of Time, Adulruna Rediviva
Threshold: Soft power-prog, somewhat like Kamelot but sans orchestration. I do find a lot of their songs to be similar, and their early stuff doesnāt speak to me at all, but the songs I like I really like.
Examples: Stars and Satellites, Small Dark Lines
Tristania: Their early (Morten) albums are discordant gothic metal with doomier-style orchestrations, mostly grunt vocals against a choral background. Their later albums ... theyāre just standard goth metal. If you like harder vocals leaning into doom but with more orchestration and symphonic elements, Tristaniaās early albums are great. Not a fan, at all, of their later stuff, but Iāll link a song for comparison!
Examples: Beyond the Veil (early), Opus Relinque (early), Year of the Rat (later)
Visions of Atlantis: This is another band thatās had a few different vocalists and have changed tone along with them, but theyāre mostly fantasy/mythological symphonic metal. (The earlier albums have a consistent operatic power metal vibe not present on songs like āThe Deep and the Darkā.) I donāt mind when autoplay offers me their songs, but theyāve never been a band whose discography I absolutely have to own.
Examples: Mermaidās Wintertale (early), Return to Lemuria (recent), The Deep and the Dark (recent)
Within Temptation: If youāve heard Nightwish and Amaranthe, youāve probably heard WT, but just in case you havenāt, theyāre a symphonic metal stalwart. Not all their albums work for me--sometimes they sound far too same-ish and sometimes their more experimental songs donāt hit the mark--but Hydra is fantastic.
(I do love And We Run as is. Ironically, I canāt stand What Have You Done; I wish theyād gotten Mikael Stanne orĀ Morten Veland over Keith Caputo. Just think what that song would sound like with grunt vocals!)
Examples: Edge of the World, The Last Dance, Murder and, because Iām contractually obligated to mention it, Paradise (What About Us)
Xandria: A fairly standard gothic/symphonic/operatic metal band, but theyāre another Revolving Door of Female Vocalists Band with resulting shifts in tone, so the mood of their albums shifts from gothic to full-out operatic depending on vocalist. I donāt always like all their songs for this reason! Neverworldās End is my favourite, probably because itās the most Nightwish-esque.
Examples of songs I like: The Nomadās Crown, Forevermore (both from Neverworldās End), Nightfall, Voyage of the Fallen