[takenforpomegranate]

“Brown eyes are so plain and ugly you can’t even compare them to gems like emerald and saph-”

Stop.

Carnelian

Cairngorm

Cassiterite

Smoky Quartz

Zircon (brown)

Citrine

Diaspore

Dravite

Enstatite

Hessonite

That’s not even all of GORGEOUS BROWN GEMS THAT EXIST IN THIS WORLD. Just like there are a lot of beautiful brown gems they’re a lot of BEAUTIFUL BROWN EYES. BROWN IS A GORGEOUS COLOR. Start treating it like one. 

[knittedeevee]

I am so glad someone did this.

[evilyaoii]

if you don’t want someone to have brown eyes because you can’t compare them to a gem then you’re a bad writer

[negronispagliato]

This makes me feel so much better about my own eyes.

[erosofthepen]

they’re all so prettyyyyyyyyy

[gossip-girl-of-middleearth]

If you can’t list all the gemstones that match all the eyes you’re a coward

[elvish-sky]

ahh this makes me so happy!

[snazzycookies-blog]

How to write a kiss

[sunfloewer]

Rebloggable version, as requested by davrosbro. :)

Oooh!  Yes!  I love kisses.  Kisses are where it all starts ;).

Okay, first, remember that a kiss is much, much more than just lips.  It is lips, but also tongues, teeth, eyes, faces, hands, noses, bodies, heartbeats,  breath, voice- and most importantly, a kiss is emotions.  A kiss without emotion is just wet mushy lips stuck together.  Ew.  Gross.  The most important part of a kiss isn’t the how, but the who- because of the emotions between the two people.

Okay so:

lips- Lips can slide, glide over each other smoothly, or they can be chapped and rough and dry and get stuck on each other.  They can match, top-to-top and bottom-to-bottom, or they can overlap, with one person’s top or bottom lip captured between the other person’s lips (yummy).  If there is lipstick or chapstick there is lipstick or chapstick flavor, otherwise, lips don’t have a taste (can you taste yours?).  Lips also can smack- the sound of two of them coming together or pulling apart, because they’re wet and warm and soft.

tongue- Tongues are always wet, and always warm.  They’re very versatile.  They can trace over lips, teeth, or another tongue.  They can be smooth and graceful or teasing and flicking.  When tongues are involved, there is drool.  It’s only sexy when you like the person you’re kissing, or else it’s kinda gross. :P

teeth- teeth can clack together awkwardly, or teeth can bite down sensually.  A person biting their own lip is cute, a person biting another’s lips is sexy.  A person biting gently is sensual, a person biting roughly is sexual.

eyes- Eyes can be wide open with surprise, half-lidded with desire, fully closed with pleasure.  Eyes can gaze lovingly, lustfully, wistfully, hungrily, seductively- it all depends upon the emotions of your characters.  Have them do whatever you like, but don’t leave them out- give them at least a mention!

faces- Faces are what the lips are attached to.  Noses bump, cheeks flush, ears turn red, foreheads either wrinkle or relax.  Kisses can leave lips, quite easily, and become kisses on chins, cheeks, noses, foreheads, ears, necks, throats.  Kisses on noses or foreheads are cute and adorable, kisses on cheeks are sweet, kisses on chins, ears, and throats are very sexual.  And a kiss on the lips can be all of those! <3

hands- Hands are super-important.  In order to describe a kiss, usually you want to also describe the hands.  Where are they?  Does one character have their hand behind the other’s head or back, holding them close?  Are they on someone’s shoulders pulling them near, or pushing them away?  Fingers brushing someone’s cheek or palms grabbing someone’s ass convey two very different kinds of situations, even if the kiss itself is exactly the same.

noses- Noses are annoying.  They easily get in the way, especially for first kisses!  People have to tilt their head to one side or the other, and if they don’t, noses bump.  I’d only mention noses if a kiss is supposed to be awkward or uncertain or nervous.

bodies- bodies are either close together, or far away.  Someone can be surrounded comfortingly by someone’s arms, or terrifyingly trapped by them.  Bodies are warm or hot, they are calm or nervous, relaxed or tense.  Body language says a lot.  Is your character pulling away, or moving closer?

heartbeat- Hearts can beat fast or slow, and that’s about all they can do- but there are lots of reasons why they do!  A heart can beat fast with fear or excitement or nervousness; a heart can pound with lust or race with terror or sing with joy.  Hearts can glow, cower, or shatter.  When you really want to drive the emotions of a character home, mention the heart.

breath- To me, the most consuming part of a kiss is the breath.  The air that someone else has just breathed going deep into your lungs is very intimate.  Lips and tongues don’t have a taste, but breath does.  Each person’s breath tastes different, smells different, and surrounds a person differently than anyone else’s breath.  Breath can be warm and sweet, breath can be hot and sexy, breath can be hot and frightening.  It is something that is very present and should not be left out.  A lot of writers leave breath out.  And it’s so important; it’s the most intimate part of a kiss.  Someone else is breathing into your lungs, and it’s either heaven or it’s hell.

voice- Voice conveys much, even without words.  A voice can groan, whimper, gasp, moan, catch, whine, scream, sigh.  Voice can convey emotion powerfully, and while some kisses are silent, usually they’re not.

emotion-  Emotion is the most important- and the thing you try not to say.  You want to describe it, through all of the things above, so that it’s perfectly clear what your characters are feeling, without you ever using the “feelings words”.  If they’re in love, their bodies will lean close, their eyes will smile, their voices will giggle softly.  If they’re nervous, their palms will sweat, their noses will bump, their voices will shudder.  If they’re afraid, their muscles will be tense, their faces will grimace, their lips will not open.  Emotion is the color that you keep inside your mind as you write; it’s the base line that drives the description behind everything else you say.

Wow, that was a lot!  Gosh I hope it wasn’t too much!  Keep in mind not every kiss has all these things- this is just a list of things to consider when writing a kiss, and based on how long of a kiss you want to make.  Keep in mind that typing “they kissed for a long time”…that’s six words, it takes half a second to read, so that’s a short kiss!  If you want a long kiss, you need long sentences that make the reader linger.

So maybe to start off, pick three things on the list to describe in your first kiss.  Don’t try to do it all- that would be too much for even the most epic kiss.  Just pick what’s most important to this particular scene, to these particular characters, and describe those parts along with the lips, and you’ve got yourself an awesome, emotional kiss. <3

[grated-ice]

I committed the mistake of not rebloging this when it was first in my dash and I have found it again!

[galadriiel]

“The year 3434 of the Second Age. Here follows the account of Isildur, the High King of Gondor, at the finding of the Ring of Power. “It has come to me, the One Ring. It shall be an heirloom of my Kingdom. All those who follow in my bloodline shall be bound to its fate, for I shall risk no hurt to the Ring. It is precious to me, though I buy it with a great pain. The markings upon the band begin to fade. The writing, which at first was as clear as red flame, has all but disappeared – a secret now that only fire can tell.”

[hattedhedgehog]

In which Dís is fed up with idiots and fighting and decides to do something about it, saving the day with her awesomeness and now everyone can go home.

[eprilin]

😂❤️

[margareit]

@oneringnet’s favourite character event: frodo baggins;

“I wish the ring had never come to me, I wish none of this had happened.”

[cat-alvarez]

“Dark and difficult times lie ahead. Soon we must all face the choice between what is right and what is easy. ”

[fairweathermyth]

♫ Seven seas, swimming them so well. Glad to see my face among them, kissing the tortoise shell. ♫

[himufanart]

King under the Lonely Mountain 

(original background illustration by Tolkien as the dusk cover for The Hobbit)

[redzombie]

imagine that venom does this every time when eddie is around people who know about the whole symbiote thing. and eddie can’t see him so he is always confused why people suddenly start giggling

[eprilin]

Okay, let's all take a minute to appreciate this man.

He's way too good looking. I still can't believe that Dumbledore looked THAT good when he.. well, was younger.

[twelvecoffee]

[eprilin]

Young Galahad

[eprilin]

[angel-with-molotov]

[gmariam321]

This is one of those reasons Ianto can be even scarier than Jack. We know what Jack is capable of. He lets it out. We see it in his face, his voice, his actions. Ianto doesn’t. He’s the even keel, mild mannered admin with a dry sense of humor. Then he puts on his dark eyes and deep growl in something like Combat or Meat and you’re like…oh shit. Run.

Unless you’re Jack and you jump him.

[eprilin]

Different kind of armor.

[eprilin]

[tomatopudding]

Knowledge is when you can tell that a tomato is a fruit. Wisdom is when you leave it out of a fruit salad.

Captain Jack Harkness (Torchwood)