This one really hurts. Anthony Head had that rare kind of presence that made a character feel warm, sharp, funny, and quietly heartbreaking all at once.
Giles will always be special to so many of us.
Rest in peace, Anthony Head đ€
Three Goblin Art
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Not today Justin
Game of Thrones Daily
trying on a metaphor

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AnasAbdin

izzy's playlists!
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pixel skylines
I'd rather be in outer space đž
i don't do bad sauce passes

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ç„æ„ / Permanent Vacation

Kaledo Art
DEAR READER
Cosimo Galluzzi

romaâ
let's talk about Bridgerton tea, my ask is open

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@eviljy
This one really hurts. Anthony Head had that rare kind of presence that made a character feel warm, sharp, funny, and quietly heartbreaking all at once.
Giles will always be special to so many of us.
Rest in peace, Anthony Head đ€
No you can't send me a notification. You are an app on my phone for my convenience, not for my annoyance.
Have you guys seen that clip
Go off Kermit
we're just normal men
Why the heck is this dude trying to confirm if the frog puppet is hetrosexual???
assessing the situation before he shoots his shot
Happy Pride to Kermit the Frog, questioning king
alright I've got to do some quick math to explain attitudes towards AI to my boss.
we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)
please rb for larger sample size!
Question 1/3
What is your age, and do you feel AI is a net positive or net negative in our lives today?
under 18, AI is a net positive
under 18, AI is a net negative
18-29, AI is a net positive
18-29, AI is a net negative
30-45, AI is a net positive
30-45, AI is a net negative
46-60, AI is a net positive
46-60, AI is a net negative
over 60, AI is a net postive
over 60, AI is a net negative
Question 2/3
How often do you visit or interact with museums/archives (whether in person or online)?
Frequently (multiple times per month)
Often (multiple times per year)
Occasionally (a couple times per year)
Rarely (once every couple of years)
Never :(
Question 3/3
If you saw a museum was using AI in exhibits, marketing, research, etc., would you be more or less inclined to visit that museum?
under 18, more inclined
under 18, less inclined
18-29, more inclined
18-29, less inclined
30-45, more inclined
30-45, less inclined
46-60, more inclined
46-60, less inclined
over 60, more inclined
over 60, less inclined
Thank you for helping with this data collection. Please rb for as big a sample as possible!
đ«¶
Sunrise books, vinyl, cd, buy, sell, trade
I guess Iâm making a series of courier fox twins doing cozy chores now đ€đ€
The fox twin adventure continues :)
Source
Happy Pride Month!
Holy shit!!!!!!! HUNGARY DID IT!!!!
-via the Los Angeles Blade, June 1, 2026
Dame Archer kicks McDougalâs Scots ass there in the rain at the Washington Midsummer Renaissance Faire - August 11, 2018 - Photo by Douglas Herring
Oh NO.
me, a sheltered noblewoman: Pray who is that brave knight? Dame Archer:*turns around* me: gasp! *instantly in love*
Alicia Archer
my bi heartâŠâŠâŠ
IâVE NEVER SEEN THE ADDED PICS
*dies*
Oh shit.
GAY KNIGHTS
Fellas Iâm real gay
@0hheytherebigbadwolf HELP!!
Every June this inevitably winds up back on my dash. And I appreciate that. And I will reblog it. Every time.
Hey, itâs @archerinventive, and the Pride Knights!
god firefly had it all. the soundtrack. the way every costume looks like it was pulled straight from a goodwill. zoe and mal's whole deal. the terrible chinese pronunciation. sex work being the most respectable and unionized profession of the lot. spaceship cargo hold full of cattle. "shiny." teenage girl with mysterious unexplained psychic powers. old traveling preacher with a mysterious unexplained past. chekov's compression coil. "pretty spry for a dead fella." wash's slutty little hawaiian shirts. kaylee and inarra's whole deal. mark sheppard is there.
Jayne's knitted hat with the floppy ears. Wash's dinos on the dash. "I aim to misbehave". "I swear by my pretty floral bonnet, I will end you." Zoe tucking Mal's severed ear into her bra strap. "I'll be in my bunk." Captain Tight Pants. Kaylee's party dress. Two by two, hands of blue.
inspired tactic from our gm:
theres a real answer to this. if i understand correctly because of the way proportions work a smaller thingâs ratio of surface area to interior is greater, so a mini mnm will have proportionally more candy shell and less chocolate interior than a normal size mnm. so even if you increased in size this much the ratio of chocolate to shell in a normal mnm would remain the same so they would not taste like the more-candy-per-total-mass mini mnms. if mnms increased in size proportionally with you, they would taste more chocolatey than normal mnms
this is a similar concept to the reason why  creatures in the deep sea can evolve to be gigantic despite the rarity of food sources: its actually metabolically more efficient to be fuckhuge because your surface area/body mass ratio will be less and thus youll lose less heat through your skin (relative to your mass) to the surrounding cold environment of the sea than a smaller organism would lose
youâre everything
i hope i am not just an online presence to you all but also someone who has a really bad headache
Ok I think this might be funnier with context actually. This is a review for a strip club in Toronto.
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as wellâincluding a message from Ray Bradbury).
Maybe film would be better if everyone who wants to become a director were expected to first produce a silent film. Without intertitles. A film where the only tool they have is the moving picture.
Maybe then they'd learn to make films where WE CAN SEE.
It's not that I don't appreciate a bit of chiaroscuro, but there has to be enough chiar to o the scur.
love watching pre, idk, 2000 movies where there is "night lighting" that tells you it is dark but the director has paid lighting engineers enough that you can also clearly see everything
happy glorious 25th of may