brainrot central @evolveowler - Tumblr Blog

Watching the Artemis II crew cry while holding each other after naming one of the moon’s craters Carroll for Reid Wiseman’s late wife. sobbing. humanity is kinda beautiful

#artemis ii #artemis 2 #sobbing #humanity is beautiful blah blah but like fr #nasa

sophsun1

Clue (1985) dir. Johnathan Lynn

elbiotipo

we don't hate J.J. Abrams enough

elbiotipo

Branson Reese, whoever you are, I keep your words in my heart all the time.

kaijuerotica

"branson reese, whoever you are" put some respect on the smooth sharks one fear man's name

anarchistmemedistro

we should learn to speak in a language that rich people who don't dream can't comprehend

bumpscosity

90ssuperheroes

Let's take a moment to appreciate just how amazing the title cards were for Batman the Animated Series.

forgotn1

Oh! I actually know what made these look so iconic!

The backgrounds for the entire series were done on black paper, a first for any animated show. It's Batman, which means everything is at night and incredibly dark. So, the majority of the backgrounds were going to be black anyways and using black paper would cut down on the time it took to create all of the backgrounds. Adding color over the black paper instead of the traditional method gave it a much more stylized look that helped make it iconic.

It also forced some other creative choices, such as using an airbrush to do all of the background art. During the early testing, they found that using an airbrush was easier to apply paint with than a paintbrush and that it looked better. Airbrushing let them be more experimental with painting techniques, such as the spattery fades you can see in the "Bane" and "Deep Freeze" title cards above or the soft, deeply shadowed face on "the Last Laugh." The overall effect of airbrushing on a black background is a much darker, moodier vibe than could be achieved with a traditional approach.

They cared very deeply about the art of the show and how they were going to create it. It wasn't just about the story or the character. In the words of co-creator Eric Radomski: "As opposed to making shows just to sell toys, we've made quality films."

raviolireptile

Thank you to @fancycake for their hilarious idea that I had to draw

raviolireptile

They made up :) also wanted to show the tags I put on the og post

shubbabang

noodleddragon

orteil42

controversial stance but i do wish i could live forever. i certainly live like i'm going to live forever. i take my time. realistically however my lifespan is dreadfully limited and there are things i've "been meaning to do" that i will never get around to. the Emoji Movie came out almost 10 years ago. in all that time on any random day i could've decided to sit down and watch it, and i did not. how many more decades will slip by like this? conceivably, it could be all the decades i have left. watching the Emoji Movie would not be, after all, a crucial use of my time. much better things to do. i could easily postpone it over and over and over until my final breath where it may not even register to me that i never did watch the Emoji Movie. no great loss, certainly; and yet i find myself intrigued by Patrick Stewart's involvement

cyberpunkpavlichenko

Generative AI and the artist discussion is such a distraction from AI’s military and police applications or its role in automating hiring discrimination.

valend

Yahhh I have to build Rome. Yup it’s due tomorrow.. noo I haven’t started yet haha is that bad?

lady-halibuts-chambers

superbestiario

“I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. I knew at that point I had to have a camera.” – Gordon Parks

Segregation history, Gordon parks. 1956