René Magritte, L'enfance d'Icare
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René Magritte, L'enfance d'Icare
Really Big Coin Skrekkøgle
This is our Really Big Coin. It is big because it makes other things look small when photographed next to it. Actually, it is a 20:1 replica of the EUR 50-cent, you see it being milled out here. We needed to do quite a bit of sanding, lacquering and smudging to obtain the desired look and some climbing to get into required shooting position (you need to get up real high to take good pictures). The result is a short series of photographs, attempting to visually scale down real-sized objects.
Images and text via
what the fuck
A Coptic magical spell (late 6th-early 7thc. CE) for obtaining a beautiful singing voice. Written for Severos, son of loanna, it invokes Davithe Eleleth, the seven archangels, and the Holy Father
original url http://www.geocities.com/RodeoDrive/Plaza/4611/
archived on 2009-04-28 08:19:24
"Cat Headed Blengiglomenean Gasook, or the Thunderer", Henry Darger.
Bathroom in the house designed by Peter and Henri Shire, 1987
Scan
'wilhelm mattar rings of cattle bone + 18 karat gold' in ornament magazine spring 1993
oh this phrase is not going to leave my mind for a solid week at least. obsessed with this collection of words
le doohickie in question btw:
Pedestrian traffic lights
these photos were assembled by Maya Barkai (taken and submitted by numerous photographers around the world) for the art project Walking Men Worldwide! :)
Max Ernst (German, 1891–1976) - After. Mur et soleil, Silkscreen printed in colors and lithograph, 76.00 x 57.00 cm (1970)
Menial chores and drudgery get a bad rap, but really there's something to be said for work that merely demands the application of time and straightforward unglamorous effort and has simple unambiguous parameters for completion. If the only way to unlock the state of having achieved something worthwhile was by doing things that express your values, virtues and personality, well that would soon become a heavy burden I think.
erik satie knit jumper by astrid furnival
Brian Eno’s graphic notation for Ambient 1: Music for Airports (1979)
why do american tourists all seem to have memorised not only their birthstones but the birthstones of all their friends family and favourite acquaintances