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@femmulator
Need one more to unlock the door
I broke a ramune bottle to get the marble out for my dragon.
The dragons face never changes, but I still feel like he looks happier in the 2nd pic 🥺
The orb delights him
they called him jack the ripper because he would take fat rips off the bong and then jack offf
I don't know exactly how to articulate this but... if you repeatedly show historical fiction women rejecting traditionally female skills/duties and doing swords instead, because swords is obviously the Most Important Thing, you are kind of implying that all the work that has been traditionally done by female hands for millennia was useless all along and not, you know, keeping civilization going. Because it's usually rejected not as a personal preference but as This Is The Important Stuff (male work) and That is The Dumb Useless Stuff (women's work) and that kind of bothers me. The message was supposed to be Vital But Underpaid and Underappreciated, not women's work is insignificant so let's all go do swords.
so i used something called infinite jukebox to cut out every other beat of this song and
well
here ya go
250 miles
I’m having a fucking stroke
*vaguely scottish noises*
when I whmp, well I nunna be, wanna be who wakes to you. when I gwmp, ay I nonna be, wanna be who go wih you.
if I *SLAM*, well I nonna be, wanna be who geks to you. if I heh, ay I nonna be, wanna be who’s into you.
but hwn wive head manna ood wive hun, must’ve done mcwhaff an’ puff aodood.
when I’m wock, yes I nonna be, nunna be who’s wock for you. an’ na mungeh, well then fuck I do, I subley plin to you.
an’ I clankahoe I nunna be, unna be who coal to you. if I brokhe, well I nonna be, unna be who’s cold with you.
but wood wive hen manna hood wive hun, musta dub mcwhaff an’ *bloop* muff aonouds
nahnahnah, dahdahdah, nahnahnah, dahdahdah, dladadadadadadadah nahnah*bloop*nah, dahdahdah nahnahnah, dahdahdah, dladadadadadadadah (hoh!)
when I’m luh’, well I nunna be, onna be who’s without you. when I’m drmp, well I nunna dream, unna drink a pint with you.
AAH KWENG! well I nonna be, ‘nna be new good with you. an’ I cluddag! yes I nonna be, ‘nna be who cob with you, gonna avish coooomb wi’ you.
but ood wive hung manna *bloop* ood wive hem yes the *bloop* dung man whaff an’ luff aonood
dahdahdah, dahdahdah, nahnahnah, dahdahdah, dladadadadadadadah (ayy) dlahdahdah, dahdahdah, dahnahnah, nahnahnah, dladadadadadadadah
dahdahdah, dahdahdah, dahdahdah, dahnahnah, dladadadadadadadah (eh) nahnahnah, dahdahdah, nahnahnah, dahdahdah, dladadadadadadadah
an’ would wive ben wanna hood wive den, justa dackh mood hwackh dundwehnhaodoo kohh–
EVERYTHING WAS LAID OUT IN FRONT OF ME AND YET I WAS NOT READY FOR A SINGLE SECOND OF IT
the fucking transcript i can’t
help im sobbing
This. This is the best thing ever.
Know Your History: Flagging, Femme Flagging, and Queer Modes of Communication
Recently, among the assortment of blogs that I follow with an emphasis on femme identity, there has been a movement around what people have been calling “femme flagging.” There are many potential meanings embedded within this phrase, but most often it has been referring to the use of unique nail polish color coding as an adaptation of the historic hanky code. Additionally, some of the bloggers discuss their color choices from places of significance, explaining their choices and attempting to claim a dismantling of the male-centrism of the traditional code through them. In repeatedly encountering these posts, however, I see what I consider a number of problems with this form of “femme flagging.”
Flagging, or the use of the hanky code, originated in 1970s bar culture as a way to indicate particular sexual interests. Particularly because of the danger of cruising culture, the continued frequency of police raids, and the difficulty of forming networks under this sort of surveillance, the hanky code provided an opening for conversation and negotiation that was a known quantity; you could spot others with like interests and approach them in the bars with less difficulty/awkwardness/etc. Flagging is also part of an historic sexual culture that has been suppressed in many ways since the development of AIDS as a part of gay consciousness.
While the hanky code certainly was dominated by men and many of the acts listed on the more standardized codes refer to activities more common in gay male communities, the later 1980s and early 1990s saw an increase in the use of the hanky code by lesbians with the rise of leatherdyke community and bars (see Leatherdykes Under The Skin by Marti Hohmann in the Gay and Lesbian Review Worldwide, April 30, 1997). Additionally, the code is flexible depending on region and community – although it has become more standardized because of the internet – and so was really quite adaptable to adoption by lesbians.
Although flexible, what many of the recent blog posts about “femme flagging” seem to miss is that there is definitely a degree of standardization, particularly around sex acts that were primary to the code (black is always SM, foot fetishes are almost always coral, anal sex is dark blue, oral is light blue, toys have become generally standardized as pink, and so forth…), and additionally, differentiation between right/left/center is always important in describing role preferences. What these femmes who flag with nail polish haven’t been doing, as a start, is using a standard code. If there isn’t a standard, no one can understand it and it fails to produce the sort of sexual communication openings that are otherwise present. Imagine trying to use a different dot/dash code, rather than Morse code, and assuming that it could be immediately useful or evident – that is often what these nail polish patterns look like. Without standardization, you don’t have a code or a linguistic system or anything else. Additionally, many of the femmes writing about this type of flagging paint their fingers different colors things, but those colors often cross sides so that top/bottom roles are erased.
On a larger platform, femmes have been talking about flagging for at least several years now and there have been a number of different solutions posed, but the use of things like nail polish and hair ribbons – in every workshop or larger conversation I have ever found myself in about non-traditional forms of flagging – have been dismissed because they fail to provide the necessary symbolic material. Most people don’t just walk around with bandanas attached to them in various ways, but plenty of femmes have their nails painted or ribbons in their hair that are about other dimensions of their presentation.
Instead, femmes have been creative and inventive in ways that respect the historic code and make it work for those of us who don’t have pockets all the time. Tying your hanky around your ankle or mid thigh is relatively popular, as is tying it to your purse and just making sure you’re carrying your bag on the correct side. One of the favored ways is the creation of hanky flowers, flower shaped pins made out of the traditional flagging hankies so as to preserve the color and pattern schemes that are historically part of the code, while embracing femme gender presentation. There are plenty of us actively finding new ways to flag that don’t demand pockets but that still engage with and respect the historic code.
I would be interested in some of the discussions of breaking away from the gay male bias of the hanky code that some of these femmes mention in passing if it successfully did something more than say, ‘we’re not men and we don’t want to do it their way.’ I have yet to see an articulation of the hanky code that addresses its historical roots as problematic in a way that is constructive.
I – and many of my friends – are enthusiastically working to bring flagging into greater use in our community, and as femmes, we have to develop new ways to do it. But we also want to be understood. We want to effectively communicate our desires. And, importantly, we don’t want to toss the past out the window because we come from a powerful queer history and knowing it and continuing to talk about it is important.*
*Lesbian feminism and LGBTQ history are another topic I want to address at some point, and it is tied up in this issue and in many intergenerational rifts that we continue to face in academic and activist communities.
“The clearest metaphor I had for my own gender identity in college was the image of a scale. A huge weight had been placed on one side, without my permission. I was constantly trying to weigh down the other side. But the end goal wasn't masculinity - the goal was b a l a n c e.” ― Maia Kobabe, Gender Queer: A Memoir (Affiliate link)
My zine in the lineage of Fucking Trans Women by Mira Bellwether, about my anatomy as a trans woman who's had nullification surgery. It started as a user manual for a partner but I believe it has value beyond that.
NeogenitalsEvangelion. Contribute to Crythedral/Doll-Parts development by creating an account on GitHub.
disturbingly average customer service experience
I think we need to let villains be camp again. “Ohhhhh it’s homophobic to always have the villain be camp!” Okay but it’s been like. So boring without them.
a billionaire can never be held accountable, therefore a billionaire must never make a management decision
i have a suggestion
forcefemming the billionaires won't help
sorry I thought you were someone else
“To protect their copyright, streaming sites do not allow for screenshotting of any kind.”
Hey remember VHS where you bought a box to plug into your tv and you could legally record whatever was playing and then own it for free forever
I cannot emphasize enough that you not only COULD, it was ENCOURAGED. Blank video tapes for recording whatever you wanted were available everywhere and it was hard to miss the record button on the machines. They also deliberately designed stuff like VHS players that you could tell when to start recording things - as a kid I'd tell the player to record the cartoon channel beginning at 6 or 7 and then sleep in and watch the tape later - and then they would tell you how to do it in the owner's manual, this was no secret. You were SUPPOSED TO record shows you wanted to keep or that you wouldn't be home for to watch later.
i saw this series of posts weeks ago and they keep coming back to haunt me.
does anyone know if we have transmasc and transfem love and friendship today
We do. And tomorrow and the next day and every day forever and ever and ever too. :)
a long time ago i was struggling with being transmasc because i felt like i was betraying womanhood somehow. then one of my best friends came out as a trans woman and i realised "ah... there will always be so many beautiful women in the world, so it's okay that i'm not one of them". what i'm trying to say is you need to love each other or there's no point to any of this
in a reversal of this. when i came out as transfem i was almost dissapointed because i spent so long trying to be a truly good man. i was raised with a lot of shitty guys so i tried to be the most pro-feminist comfortable dude i could be for the women around me. when my egg cracked, i almost felt this feeling of "shit, are the only men who think like this secretly women inside?" and it feels nice to see that proven so utterly and completely wrong by the trans men i know in my life. i love seeing people take on the masculinity i hated and do amazing shit with it, god bless trans dudes
Man…