[flufferrecords-blog]

FLUFFER INTERVIEWS RUSSELL TAYSOM

Hi Russell. Thanks in advance for giving Fluffer access to the artist. First off, could you introduce yourself and what you’re about to our readers?

Alright! How's it going? I'm an artist from Hereford living in London. I do the illustrations for Fluffer and I've also done stuff for NME, Topman and Riff Raff. My interests include playing with wrestling figures and drinking cider. 

You’ve been creating the Fluffer Pit Party posters for some time now. They’re what initially caught my eye at a gig in Camden – that’s how I came to know Fluffer. What’s your personal favourite poster you’ve done for Fluffer?

Probably the one with superman bumming batman. That's the one that caused the most trouble! I also really liked the cannibal one for Traams. 

Since you’ve been connecting your drawings so perfectly with Fluffer and its philosophies, would you agree that music and art can work together in harmony? 

Definitely! Music and visual art are two sides of the same coin.

When did you realise illustration was your thing?

I've always drawn. For a long time I wanted to be a painter but I was doing comics and illustrations for zines on the side. Then I got involved in putting on gigs and got super into doing posters for those nights. From that I slowly started to get asked to do stuff for other people.

What would you say are your main influences? Do any of them set you apart – push you from the crowd into your own spotlight?

I like cartoons, Daniel Johnston's art, Heavy Metal album covers, hand painted Nigerian movie posters, pulp book covers, 80s wrestling graphics. I also really like pre-renaissance painting and children art. Anything flat, figurative and where there is either no perspective or where the perspective is wrong is interesting to me.

What do you think is the triumph of your creative career so far?

My favourite things are the two Youth Hymns videos I did the illustrations for, the Love Buzzard one and the Vant one. I really want to do more stuff that gets animated.

I think the Mutant Barbie you made was pretty fucking cool! It struck me as kind of a living entity.. It seems like you can breathe life into inanimate objects, making them vibrant and physical. How do you bring your artwork to life?

Oh thank you! I really enjoyed that and have been making a few custom toys recently. I have this whole world of characters from drawing comics I'd love to make into figures. I'm pretty cack handed when it comes to sculpting but I like that look.

Do you have any weird rituals that make your creative juices flow? Is there an art to the art, or does it just come to you?

Nah, I'm not Sting! I just drink a lot of tea and listen to a bunch of wrestling podcasts whilst I work.

Res-erection of Jake the Snake is one of my favourite illustrations, because it just made me laugh as soon as I saw it.. Do you purposely try and incorporate humour into your illustrations?

Ha yeah! if you watch The Resurrection of Jake the Snake it's one big advert for DDP yogo. Jake was better in Beyond the Mat when he was smoking crack and telling audiences to go fuck themselves.

I’ve had a gander at the zine you work on, Flabby Dagger. I’d say it’s some pretty out there stuff.. How do you keep it dangerous?

We try and make sure we ask artists who are gonna draw horrific stuff for us. Not everything in the zine is gross but it that's what people submit then that's definitely cool with us. 

What haven’t you done yet that you’re itching to try out?

I'd like to make a cartoon. Something about voodoo and wrestling. Maybe a kinda Murder She Wrote style weekly mystery but starring Papa Shango.

I read somewhere that you really like He-Man.. Have you seen the trailer for the new episode? Are you happy about the comeback or not?

I fucking love He-Man! I have seen the trailer for the new episode. I hope I'm proved wrong but I think that it's probably going to be shite. 

Do you have any advice for any fledgling illustrators who want to get their work out there but are finding it hard to be seen?

Ummm...yeah well getting involved in the music scene is good. Bands always need posters. Otherwise do all your social media and stuff but don't forget to contact people directly. If you can't get anyone interested then put on your own exhibitions and make your own zines. All the DIY ways of promoting music also apply to promoting yourself as an artist. Don't give up, chances are it will take longer than you want it to get people to take notice but if you keep working and keep trying to get it out there they'll notice eventually. 

Click here to see what Russell’s listening to at the moment...

Interview by Alicia Carpenter

[flufferrecords-blog]

Fluffer brightened up your rainy Wednesday when we announced the dawning of CUSTARD THRUSTER – a new monthly mini-sweat-fest designed to make your motor hum from the pm to the am. Unit 30 in Bow, East London, offers you nothing but raucous live music if you want it, and we know you do. Prepare to be drenched in a steaming rock’n’roll mess. As well as showcasing the best bands the globe has to offer, we strive to keep the torch of DIY independence burning bright.

  Get ready for Xaviers to tantalise your eardrums at the first CUSTARD THRUSTER. Their mysterious electro-rock experimentation sends you into orbit. Thee MVPs will soak you up in their tune lagoon that they like to call ‘Thames pop’. We also have a gigantic surprise in store as the clock chimes 1am - don’t be late to the party and miss the secret guest we have lined up for all you Fluffer Fanatics. Let’s do it all again the following month. Remember, Fluffer Records requires you to seal a pact with your sweat, so once you’ve been thrust into the custard there will be no sticky return. Join Fluffer in September and keep the summer vibes alive at the next all-dayer as the Black Tambourines cast you into a surge of ocean rock. USA Nails will also be hitting the stage, ready to pack our ears with their chaotic punk extravagance. And if you’re not already swayed, Fluffer have booked Happy Meal Ltd. to keep the sweat dripping out of every pore with their crazed serenades. Here at Fluffer we understand that catering for the fearless means satisfying the hunger for food as well as danger. During the trip, keep your strength up with a nice cold ice cold beer from the cheap can bar and indulge yourself with a juicy burger from our very own BBQ. That’s just a taster; there will be much, much more…

  In the words of Al Brown, Fluffer Records founding father himself, “Time to mess things up a bit. Custard Thruster is the night you’ve never dreamed of.” If Custard Thruster is a dream, then we guarantee that you won’t want to wake up.

Words by Alicia Carpenter

[flufferrecords-blog]

Following the extravaganza out east that was Pit Party No.7 with its incredible performances from the likes of Heck, Bo Ningen and the Black Lips, an event so epic it took the concept of the Pit Party to a whole new scale, Fluffer Records brought the Pit back to its (more modestly sized) spiritual home in north London, for (you’ve guessed it…) Pit Party No.8 headlined by Traams. For me at least, what the super-sized Pit party No.7 gained in sheer spectacle and utterly crazed, beer flinging, sweat-drenched bedlam it lost in intimacy. So whilst I definitely had a great night at Shapes Warehouse, I have to admit I was excited to be back photographing in a smaller venue without the raised stage and festival-strength barriers between the band and the crowd.

  No raised stage or barriers for Pit Party No.8. Instead I arrived to find Brighton’s Demob Happy sound-checking in front of a back line of rather shiny Orange Amps, including a beast of a bass amp, arranged in a rough semi-circle facing a drum kit. A few wedges completed the circle and the whole lot sits on what can only be described as a “Magic Carpet” that defines roughly where the performers begin their set. At this stage in proceedings the Carpet exists brooding in its dormant, dubiously textured state awaiting the sweat of drummers and bass guitarists along with the inevitable spilt beer that will cause the Magic Carpet’s true malodorous nature to be revealed, having awakened the potentially unique biota slumbering within its hallowed pile.

  The Fluffer Pit Parties banner is taped to the back wall between the speaker stacks the lightning bolts leaping from the skull depicted on it hinting at what is to come. Lampy has accompanied me to the Pit tonight, and it’s not long before various par cans, a birdy and (the pièce de résistance…) a rope light are coaxed out of hiding, and artfully positioned to provide some atmospheric lighting. Then begins the taping down… The thing about having the band in the middle surrounded by the crowd and the power sockets on the outside of the room is that there’s a lot of trailing leads, and the Fluffer Crew take taping these down to create a safe space for the crowd very seriously. Never mind the amps and (liquid) rider, it’s the makers of gaffer tape that Fluffer need to target for sponsorship next! With the Pit prepared, and the smoke machine fully warmed up, it’s time for the evening’s entertainment to begin.

  After supporting the splendid Love Buzzard and the mighty Plague Vendor at Clwb Ifor Bach in Cardiff back in April, it was inevitable that the three-piece garage-punk outfit that is People and Other Diseases would eventually find their way from Swansea to the Pit. Striking classic rock guitar poses, they grind out blistering yet grungy riffs right from their opening track and the bar soon empties out into the Pit. Aled Simons’ gravelly, abrasive vocal style complete People and Other Diseases distinctive and very enjoyable sound. Whilst Aled may dedicate the band’s songs to Trip Advisor, Air B&B and eBay with a somewhat sarcastic glint in his eye it can’t be denied that lyrics tell much more interesting tales.

  Kit is changed over, drum kits are adjusted, lights are repositioned and within the first few drum beats the crowd rolls back in. Abattoir Blues are one of those bands that have been working really hard of late and supported Wolf Alice on their recent tour. The hard work shows. As their set starts, frontman Harry Waugh paces around inside the walls, and wedges form around the band filled with nervous energy and a microphone on a very long lead… I’m not expecting him to stay still for long… Within a few bars it’s clear that there’s a beguiling, dark melodic undercurrent beneath the hard, abrasive post-punk exterior of Abattoir Blues’ sound and it’s this that provides the spark that sets off an explosive and energetic performance from Harry. He’s everywhere, always moving, (predictably) mostly out of Lampy’s carefully placed overlapping fields of lighting amongst the crowd. I don’t use flash when I shoot, so rely completely on ambient light. I think flash can be a real distraction for both the band and the crowd, but not using one means Harry is almost impossible to photograph unless you like blurred ghosts of frontmen in your photos. Until I spot the pattern that is… Harry always seems to return to a spot just in front the drums, which is really strongly up-lit during each the chorus. So it’s here I lay my trap while the other photographers dash around the pit chasing Harry with their flash guns. I focus and meter on one of Harry’s excurions to the drums and then wait to take my shot on his next visit. Metering while he’s really strongly lit throws the surroundings in to complete darkness and gives me a high enough shutter speed to catch the action creating some daemonic shot. I’m concentrating so hard that I barely notice how the full crowd and the energy of Harry’s performance has really turned up the heat in the Pit. It’s officially properly sweltering. Indeed it’s so hot that one of the most powerful man-made materials ever created fails and the Fluffer Pit Party banner slides from the wall assaulting several members of the crowd at the back of the room as the adhesive on the gaffer tape fails…

  Demob Happy are not a band to give the crowd time to cool off and they start their set with an antagonistic swagger fit to match the pure sleaze that permeates their baseline. Unusually, all four band members provide vocals in support of bassist and lead Matt Marcantonio leading to some really interesting use of vocal harmonies. When all the microphones functioned that is… Frustration mounted as all but one microphone failed over the course of a couple of songs. Whether the extreme temperature played a role, or whether after prolonged abuse various wires and connectors decided that enough was enough, I never found out but it was a great credit to the band that they overcame this distraction and played on and delivered a cracking set that really got the crowd going. I started the set up close next to the drummer, but as the crowd reacted to the band and the energy in the room built, I retired to the back of the room, wiped the condensation from the wide-angle lens, and set about trying to get some shots of the room that tried to capture the feral atmosphere and put the band in the context of the mayhem around them. This meant I missed the moment at the end of the last track where guitars were cast to the floor and one of the band totalled the drum kit as he launched himself at the drummer in celebration of a cracking performance. Amazingly the birdy Lampy had attached to the drum kit survived and lit the debris beautifully as a cacophony of wonderfully discordant feedback announced the end of the set.

  The final band of the evening were Chichester three-piece, Traams. Fronted by Stu Hopkins, Traams brought a change in tempo to the pit. Gone was the frenetic punkish thrash of Abattoir Blues, gone also was the assured garage rock of Demob Happy. Instead these were replaced with hypnotic rolling krautrock rhythms and lyrics born out for mundane small-town frustrations delivered with a confrontational nonchalance and aloof aggression that grips the crowd completely. There’s a thread of understated poppish melody woven in beneath the mesmerising surface rhythms and rumbling riffs and I wonder what the deft production touches of Rory Atwood (Mr.Warm Brains himself) brings to the Traam’s recordings. Balloons are released in to the pit causing momentary chaos, but it’s not until a massive belch of smoke heralds a shout of “Two More Songs!” that the crowd let go of the building tension and the mosh erupts. The wedge-walls are stormed and the band produces their music indistinguishable from the pulsating heart of the crowd forming an incredibly sweaty crescendo to a spectacular evening’s performances.

  Looking back, it was with no insignificant trepidation that I first entered this venue for my first shot at photographing the Pit as part of the Wytches weekender. The whole idea of the crowd completely surrounding the band, with me and my trusty (and precious!) camera somewhere in between the two when it all kicked-off felt both alien, and to be fair, a long way towards being completely insane. However, three Pit Parties down and I think I’m beginning to see what makes these event special. A trip to the Pit is nothing like your tightly orchestrated, common-or-garden gig where everybody knows where to stand, which way to face and how to behave. The Pit is different, the immersive, full-360 degree nature of the event means that the same old rules don’t apply. It’s up to the crowd and the band to work out how they’re going to do this performance together and it’s the energy they share that makes the atmosphere so special. What you’ve got happening right in front of you is is the next evolutionary step in anarchic musical alchemy and nobody’s quite sure what’s going to happen next or how the night will play out. Unless of course it’s getting towards the end of the evening and then you hear the smoke machine wheeze as Al yells “Two more songs!”, you know exactly what’s going to happen next…

[flufferrecords-blog]

Q&A with ‘People and Other Diseases.’

What are your thoughts on the whole pit party concept? What’s not to like?  A hot and sweaty warehouse, no escape for the band or crowd, so you have to go all in I guess.  It seems like the meat and two veg of what a decent live music experience should be (we don’t eat that much meat as a band though so maybe three big portions of veg or something, Chris’ll have a steak)

Despite this being your first time in the pit, you’ve got some Fluffer experience as you’ve previously gigged with Fluffer’s own Love Buzzard and Fluffer friends Plague Vendor, which kind of makes you guys Fluffer family - are you overwhelmed with excitement? Blimey, family.  Do we have to send you a Christmas card? Are we talking distant cousins, adopted sister or what?  I’d spotted some stuff Fluffer were up to here and there actually and was itching to play a pit party so running into the Love Buzzard boys was perfect timing.  They/you’ve put on some names that as a band we are really into so we’re psyched to be involved.

Five albums that’s influenced you all (individually):

Aled (vocals/guitar):

Iggy Pop The Idiot Joy Division Unknown Pleasures The Birthday Party Prayers on Fire The Monks Black Monk Time Patti Smith Horses

Chris (bass):

Pixies - Surfa rosa Sonic youth - Dirty Blue Cheer - Vincebus Eruptum Black Sabbath - Paranoid Beck – Odelay

Tim (drums): 

Frank Zappa Hot Rats SFA Fuzzy Logic Ariel Pink House Arrest Radiohead OK Computer Now 32

Milk or water in the tea first? Explain your reasoning. I’ll hand you over to our drummer, and tea snob Tim for this one… Right, put down that Tassimo brochure and pay attention. If you are brewing in a teapot then milk goes in the mug first, if you are brewing in the mug it's water first. Reasoning: tea should be brewed in water as close as possible to 100 degrees. Got it? Now go and buy a teapot.

Best musical hidden gem - any up and coming underground bands that might please our ears? I don’t know how hidden or up and coming they are but I never seem to be able to find them playing anywhere (though I think they are actually playing the night of the next Pit Party!) – Efialtis – great scuzzy Greek craziness, their first 7” just came out on Static Shock Records.  Also our brothers over in Berlin, Plattenbau are fresh off a US tour and their new tape is sounding tight.

How’s the rest of your summer looking? Well Tim is about to have a baby so we are all on maternity leave for a little while!  We’re working on getting some recording done in the near future though and want to cut a 7” before it can walk.  

Any last words of wisdom? You can’t polish a turd unless you freeze it first.

[flufferrecords-blog]

Black Lips at Fluffer Pit Party No.7, by Daniel Quesada. Pit Party No.8 is just around the corner, and there are still some tickets left if you wanna get sweaty with Traams, Demob Happy, Abattoir Blues and People and Other Diseases - ticket links and information here.

[traams]

TRAAMS are playing an intimate show in London on the 18th of June. Location announced nearer the time, tickets and info here:

https://www.facebook.com/events/619073811592257/

[flufferrecords-blog]

HECK’s Matt Reynolds on playing in the pit (and on top of the bar):

"This was our second time playing a pit party and I must say they never disappoint. It's always an incredibly intense experience, so witnessing and being a part of that on a much grander scale at Shapes was borderline insanity. Throwing yourself into the pit party crowd is like jumping into a pack of ravenous wolves; today I am sore." - Matt Reynolds

[flufferrecords-blog]

Pit Party No.7 - Black Lips All Dayer

As I type, I’ve already had a few days to process Saturday’s Pit Party madness, and I still cant quite wrap my head around it - from rocking up at the venue early in the morning to find a newly built stage with a beast of an Orange backline in the middle of the room, to sweaty bodies flying in the pit, and stage invasions during the Black Lips set, Saturday really had it all. We had some intense hours in the morning trying to get the warehouse pit ready, but somehow we got there in the end.

As doors opened at 2pm, we had competition winners Ohmns kickstarting the day with a raw and energetic performance, before Prison Whites took over and played almost their entire set non stop. After Prison Whites, we had The Black Tambourines who amongst other songs, covered Springsteen’s ‘Dancing in the Dark’ - a song I’d never thought I’d hear at a pit party, ever, but they made it work!

Next up was Wonk Unit who really got the crowd going with punk poems about horses and grandmothers, backed up with cockney attitude They left the crowd buzzing, and ready for The Parrots, the newest addition to London label and Fluffer friend Heavenly recordings. They really got the crowd dancing and singing along, before we had a complete change of genre, as HECK was up next.

«HECK is great, they really have no regards for their own safety or anyone else’s!», my mate told me as they took the stage, and my god was he right! Their two guitarists spent about as much time on stage as on the floor/in the air/on the bar/crowd surfing - we had circle pits running around the stage, and of course, a wall of death. As they finished their set I was left with frontman Matt’s foot print on my shoulder, wondering how the hell anyone could ever top that. Then Bo Ningen happened, and it was like being thrown into a wall of psychedelic, noise rock. They were absolutely mesmerizing, left some pretty damn big shoes for Black Lips to fill.

Thinking the night couldn't get any messier than it already had been, I realized just how wrong I was as the Black Lips started playing. Sweaty singalongs and everyone dancing, stage invasions and moshpits, inflatable bananas and confetti, moshpits and crowdsurfing - everything you’d want, hope for, and imagine you’d get at a Black Lips gig, and more. They delivered one hell of a performance, and we really couldn't have asked for a better outcome.



After Black Lips we still had two bands to go - and who the hell would be able to, and even want to follow a headliner like that? And with set times at midnight and 1am? We ended up on Claw Marks and Sewer Rats - veterans of the pit who doesn't give a fuck. Despite some people being partied out by this point, which is understandable after 10 hours of drinking and dancing, both bands managed to keep the show going and wrap the crowd around their little fingers.

As the night came to an end, I stumbled home covered in my own sweat plus everybody else’s, so proud and pleased with how the whole day had turned out! It’s a pretty damn event to follow as we’ve set the bar ridiculously high for ourselves, and how can we possibly top that? Come to Pit Party No.8 on Saturday 18th of June and find out… We’ve got something special planned. Tickets here.

All photos by Freddie Payne

[flufferrecords-blog]

Bo Ningen on Playing in the Pit:

Photo by Freddie Payne. “It was so much fun, I really enjoyed the show! We haven't played a party like that for ages and I’ve really missed it - such dynamite!” - Yuki Tsujii, Bo Ningen.

[rtaysom]

[flufferrecords-blog]

Interview: Bo Ningen

Ten years in the making, London based Japanese noise rock four piece Bo Ningen is still going strong, and we’ve got them playing our next pit party. We had a quick chat with them discussing their Savages collaboration, upcoming releases, and of course - their thoughts on the Fluffer pit party.

Photo by Matias Corral.

What are your thoughts on the whole pit party concept - are you excited to play? Kohhei: Yes, very excited! And a bit nervous, like just before watching a panic movie, a new and raw experience.

You collaborated with Savages on 'Words to the Blind’, how was that whole experience of working so closely with another band? Is that something you might do again in the future? Monchan: We did this project three times, and we always have fun with Savages. We did a month long UK/EU tour earlier this year, and I feel we all got really close. We will definitely do something like this again in the future, which will be something else, beyond previous collaborations.

It’s been two years since you last released an album, have you got a new one planned any time soon? Monchan: We’ve actually releasing a new EP, 「Kizetsu no Uta」in June, but only in Japan. That said, we are currently writing new songs, so you will see something in the next year.

Will we get to hear some new material in the pit? Yuki: Maybe, depending on how much we can polish up the new songs we've been working on. You might hear something unexpected..

What’s next for Bo Ningen? Yuki: We’ll head back to Japan for a bit to play Fuji Rock festival in July. Apart from that, we’ll be quiet this summer focusing on making the new album. Next year will be big for sure. Words by Ella Stormark.

[flufferrecords-blog]

Pre-pit chat with Virgin Kids

Can you tell us some of your history with Fluffer? So we met the Fluffer guys well over a year now, we played a few of their shows and their annual Fluffer festival, we always got along with them and enjoyed having a few drinks together so once we finished recording our debut album at the end of last year only seemed natural to try release it with them, which we did in March. You've had a busy year so far, releasing an album and touring the UK - how's the summer looking for you guys? We're playing a few U.K. festivals, Great Escape, Tram Lines and Truck festival. We also have a mini tour at the beginning of July which were really looking forward too. Along side that were gonna spend a lot of the summer writing and working towards our next release. This'll be your third pit party, what's your thoughts on the whole concept? It's a really great idea, it's so nice to be in the middle of the crowd to be able to just walk right into the audience and push people about and join in on the fun. Makes it easier to get people involved in your live show and feel like their actually taking part in it as opposed to just watching from afar. Are you looking forward to being back in the ring? Hell yeah! Anything else you want to add - words of wisdom? Funny jokes? Obscure facts? Every band that's playing this Party is Siick so definitely make sure you get there early. And maybe don't wear clothes your precious about things generally get pretty messy when The Black Lips play!

[flufferrecords-blog]

Interview: OHMNS

Picture via Ohmns Facebook page.

After announcing a competition for bands to compete about a support slot for the Black Lips Pit Party next week, we got about a millions bands trying their luck - the level was high, so picking just one was pretty difficult! Eventually, we ended up on Liverpool four piece Ohmns, so we decided to have a chat with the guys and get to know them a bit before they enter the pit. Can you tell us a bit about your band, how you guys met and ended up playing together? We started around 3 years ago. At first it was a three piece, and we only really used to have a jam doing covers of The Gories and No Age. Then all of a sudden we got booked for a gig with Natural Child. After our second gig, Kendal joined. It all kind of all fell in to place after that really. We have been mates for years, me Kendal and Quinlan all went to school together. We met Kingy (drummer) through bands we used to be in when we where teenagers.

How did you hear about Fluffer? I came across Fluffer through the internet, just from seeing the gigs you lot where putting on down south and the bands you where working with. I heard 'Virgin Kids' and saw that they where on your label as well. Then I think we put a couple of songs up and Al got in touch saying he liked what he heard, so that was really nice of him!

What's your thoughts on the whole pit party concept? I love the whole idea of the Pit Party! Being surrounded by the crowd seemed a little daunting at first but from the looks of it, it looks boss. No stage too! which is always good. 

How freakin excited were you when yoi found out you'd get to support Black Lips along with all the other killer bands we've got lined up? I was in work when I found out, and I hadn't told the lads I applied to play the gig either. So our guitarist sent me a screen shot of the post you put up, with a question mark, so yeah, everyone was pretty fuckin surprised you know! The line up is incredible.

What will you guys bring to the pit? Errrrrrrrrmmm good question! I dont know what we will bring, we will leave that to fate I suppose. I can tell you, there will be a fair amount of sweat. Sorry in advance.  Well - sounds like we’re in for some sweaty men and some good music! If you still haven't got your ticket for the Black Lips all dayer, there’s still a few up for grabs here. Words by Ella Stormark.

[flufferrecords-blog]

With the big Black Lips all dayer only being ten days away, we`ve put together a playlist featuring all the bands that`ll be killing it in the pit that day.

[flufferrecords-blog]

BLACK LIPS ALL DAYER

This beast of a pit party is only 12 days away, and we can’t bloody wait! Over the next couple of days we’ll be posting artist interviews, playlists and loads more as a build up to the event.

If you still haven't got your tickets, get one now off DICE, Billetto, See Tickets or WeGotTickets.

[flufferrecords-blog]

Photo by Keira Cullinane.

A massive thank you to everyone involved who helped make this weekend one for the books! It really was more than we could have hoped for and ever expected. Next one up, Black Lips all dayer on the 21st of May, tickets off Dice, Billetto, See tickets and Wegottickets.

[flufferrecords-blog]

The Wytches at The Fluffer Pit Party No. 6, by Keira Cullinane