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@frances-j-irnok
When I was nine, possibly ten, an author came to our school to talk about writing. His name was Hugh Scott, and I doubt heās known outside of Scotland. And even then I havenāt seen him on many shelves in recent years in Scotland either. But he wrote wonderfully creepy childrenās stories, where the supernatural was scary, but it was the mundane that was truly terrifying. At least to little ten year old me. It was Scooby Doo meets Paranormal Activity with a bonny braw Scottish-ness to it that Iād never experienced before.
I remember him as a gangling man with a wiry beard that made him look older than he probably was, and he carried a leather bag filled with paper. He had a pen too that was shaped like a carrot, and he used it to scribble down notes between answering our (frankly disinterested) questions. We had no idea who he was you see, no one had made an effort to introduce us to his books. We were simply told one morning, āclass 1b, there is an author here to talk to you about writingā, and this you see was our introduction to creative writing. Weād surpassed finger painting and macaroni collages. It was time to attempt Words That Were Untrue.
You could tell from the look on Mrs Mās face she thought it was a waste of time. I remember her sitting off to one side marking papers while this tall man sat down on our ridiculously short chairs, and tried to talk to us about what it meant to tell a story. She wasnāt big on telling stories, Mrs M. She was also one of the teachers who used to take my books away from me because they were ātoo complicatedā for me, despite the fact that I was reading them with both interest and ease. When dad found out he hit the roof. Itās the one and only time he ever showed up to the school when it wasnāt parents night or the school play. After that she just left me alone, but she made it clear to my parents that she resented the fact that a ten year old used words like āubiquitousā in their essays. Presumably because she had to look it up.
Anyway, Mr Scott, was doing his best to talk to us while Mrs M made scoffing noises from her corner every so often, and you could just tell he was deflating faster than a bouncy castle at a knife sharpening party, so when he asked if any of us had any further questions and no one put their hand up I felt awful. I knew this was not only insulting but also humiliating, even if we were only little children. So I did the only thing I could think of, put my hand up and said āWhy do you write?ā
Iād always read about characters blinking owlishly, but Iād never actually seen it before. But thatās what he did, peering down at me from behind his wire rim spectacles and dragging tired fingers through his curly beard. I donāt think he expected anyone to ask why he wrote stories. What he wrote about, and where he got his ideas from maybe, and certainly why he wrote about ghosts and other creepy things, but probably not why do you write. And I think he thought perhaps he could have got away with ābecause itās fun, and learning is fun, right kids?!ā, but part of me will always remember the way the world shifted ever so slightly as it does when something important is about to happen, and this tall streak of a man looked down at me, narrowed his eyes in an assessing manner and said,Ā āBecause people told me not to, and words are important.ā
I nodded, very seriously in the way children do, and knew this to be a truth. In my limited experience at that point, I knew certain people (with a sidelong glance to Mrs M who was in turn looking at me as though sheād just known itād be me that type of question) didnāt like fiction. At least certain types of fiction. I knew for instance that Mrs M liked to read Pride and Prejudice on her lunch break but only because it was sensible fiction, about people that could conceivably be real. The idea that one could not relate to a character simply because they had pointy ears or a jet pack had never occurred to me, and the fact that itās now twenty years later and people are still arguing about the validity of genre fiction is beyond me, but right there in that little moment, I knew something important had just transpired, with my teacher glaring at me, and this man who told stories to live beginning to smile. After that the audience turned into a two person conversation, with gradually more and more of my classmates joining in because suddenly it was fun. Mrs M was pissed and this bedraggled looking man who might have been Santa after some serious dieting, was starting to enjoy himself. As it turned out we had all of his books in our tiny corner library, and in the words of my friend Andrew āhey thereās a giant spider fighting a ghost on this cover! neat!ā and the presentation devolved into chaos as we all began reading different books at once and asking questions about each one. āDoes she live?āā āWhat about the talking treesā āāis the ghost evil?ā āācan I go to the bathroom, Miss?ā āāWow neat, more spiders!ā
After that we were supposed to sit down, quietly (glare glare) and write a short story to show what we had learned from listening to Mr Scott. I wont pretend I wrote anything remotely good, I was ten and all I could come up with was a story about a magic carrot that made you see words in the dark, but Mr Scott seemed to like it. In fact he seemed to like all of them, probably because they were done with such vibrant enthusiasm in defiance of the people who didnāt want us to.
The following year, when Iād moved into Mrs Hās classāthe kind of woman that didnāt take away books from children who loved to read and let them write nonsense in the back of their journals provided they got all their work doneāa letter arrived to the school, carefully wedged between several copies of a book which was unheard of at the time, by a new author known as J.K. Rowling. Mrs H remarked that it was strange that an author would send copies of books that werenāt even his to a school, but I knew why heād done it. I knew before Mrs H even read the letter.
Because words are important. Words are magical. Theyāre powerful. And that power ought to be shared. Thereās no petty rivalry between story tellers, although thereās plenty who try to insinuate it. Thereās plenty who try to say some words are more valuable than others, that somehow their meaning is more important because of when it was written and by whom. Those are the same people who laud Shakespeare from the heavens but refuse to acknowledge that the quote āSome are born great, some achieve greatness, and some have greatness thrust upon themā is a dick joke.
And although Mr Scott seems to have faded from public literary consumption, I still think about him. I think about his stories, I think about how he recommended another author and sent copies of her books because he knew our school was a puritan shithole that fought against the Wrong Type of Wordes and would never buy them into the library otherwise. But mostly I think about how he looked at a ten year old like an equal and told her words and important, and people will try to keep you from writing themāso write them anyway.
*sobs for like the umpteenth time this day and reblogs the fuck out of this*
out of all the posts on this site meant to help people get and keep the urge to write, i think this one speaks the most to me. because of all the voices saying your writing is dumb, one of the most insidious is the one in your own head.
i think i finally have something to fight back with now
āWhy do you write?ā
āBecause people told me not to[.]ā
Hugh Scott won the Whitbread Prize for āWhy Weeps the Brogan?ā
Amazon.co.uk has very little available from him, but making āLikely Storiesā better known seems a good idea.
Iām certainly getting a copy for the workbook shelfā¦
when you sitting there staring at a fic wondering what happens next and then youāre like oh shit iām the writer
Normalize boys touching boys. And yes, by that i mean, gay couples should be allowed to kiss or hold hands in public if they want, just like straight couples are allowed to. But i also mean: Let male friends snuggle while watching movies if they want. Let male friends greet each other with a kiss on the cheek if they want. Let male friends walk around holding hands if they want. Let boys express friendship by touching each other.Ā
!!!!!!!!
IM SCREAMING
IT CAME FULL CIRCLE IM HOLLERIN
IT JUST KEEPS GETTING BETTER
IS HE GOING TO BE DRAFTED NEXT???!!!??
This is so sweet and pure. Lol.
Iām crying. Iām also rooting for the Blues now.
@kvnbksa have you seen the updates?
more updates
I love when he says āI want the jersey of someone whoās literally the worstā and Tarasenko is like āThis is my momentā
SO PURE!!!!!!
Itās finished! And Iāve died and gone to heaven! <3
You want to remember - I was a soldier by ~teetotally
Dear god in heaven
Holy shit
bisexual girls are great pass it on
Yes we are!!Ā
David Tennant Assures Us That Everything Will Be Alright (x)
āYou have just killed a man.ā
Heās going to sleep fine in Sherlockās bed tonight.
I will never not reblog Oklahomo. Ā Itās canon, after all. ;)Ā
(x)(x)
I miss you.
Donāt ever leave me again.
They began sleeping together after Baskerville.
It started with John suffering nightmares (again), then Sherlock joining him (a first), until one night they both woke with a start and mutually sought the other out for comfort and assurance of life. Neither of them spoke ill of the idea of sharing a bed, but neither of them thought it would lead to them curled so intimately close together; John holding Sherlock possessively and Sherlock clinging on. They didnāt complain when it happened a few nights later, then the night after, and the night after, until sharing a bed became the only way either man could sleep.
And Sherlock had been sleeping more and more, John noticed. It worried him, but Sherlock shrugged it off; said the influx of cases, though appreciated and healthy, left him worn. John accepted it without question.
After Sherlock killed himself, he began to wonder if it had been something more.
He was on two anti-depressants and one sleep aide. None of the medications worked. He tossed, he turned, he pawed at the air where Sherlockās warm form used to lay, he struggled to breathe without a weight on his chest (funny how that worked); he couldnāt sleep and didnāt want to sleep, but passed out anyway and clung to the nightmares where he could see Sherlockās face just one more time, try to call him down just one more time, tell him he loved him and needed him and God damn I miss you please just come home.
He would awaken with a start, grip the spot where Sherlockās arm used to be - the once-present, soft pulse which used to lull him off to dreamless slumber - and would grip his shirt, inhale a trembling breath (the air smelled like illness and sorrow and not like Sherlockās too-expensive shampoo in his mop of curls tucked under Johnās chin), and try, try, tryĀ to piece together what went wrong.
He never fully could. There was a reason for that, which he would find out two years down the line on a stormy night when Sherlock Holmes came through the front door, bloodied and bruised and skinny and pale and alive.
A lie. It had all been a lie. One which saved his life, yes, but the endless nights of pining for scent and warmth and pulse and Sherlock were a waste. He told himself they would sleep apart because he was so angry and conflicted with Sherlockās return. It didnāt matter what they began to have years ago; didnāt matter how much they missed each other. He was hurt, he was mad, he was stubborn and wanted everything to be okay. He thought Sherlock coming back would be a relief, not a weight.
He tossed. He turned. He sighed. He cried. He laid on his side, an unusual position, and stared out into the darkness where he knew Sherlock could have been. Should have been.
A silhouette in the doorway at half-one in the morning caught his still-conscious eye. He didnāt say a word as Sherlock slowly, hesitantly climbed on the bed, but looked baffled as he posed himself not lying beside and atop John as in days of old, but holding onto him like he was a lifeline. He tangled himself on John; latched onto the warmth of his skin and the security of his presence and didnāt, couldnāt, let go.
Sherlockās hair didnāt smell like expensive shampoo; it smelled of rain. His skin was no longer warm; it was cold and Sherlockās thin frame shivered every so often.
Yet, despite all that, his pulse was loud, screaming, making itself known, saying over and Ā over again, I am alive and I am home and I am and always have been yours.
Maybe thatās why John wrapped himself around Sherlock and damned his anger and upset: because the feeling of his pulse meant Sherlock was alive. Because his nightmares and daydreams could be real. Because he could finally hold him once more.
āDonāt ever leave me again,ā he choked out against Sherlockās neck.
Then, the I love yous and the I missed yous and the sobbing spilled out without restraint, and Sherlock held on the entire time, taking in Johnās smell of tea and very vague gun smoke, the warmth of his flesh despite its aged Ā pallor, and the sound of the soldierās heartbeat sounding off like a wardrum in his ears, answering his own.
āNever again,ā Sherlock promised. The two words held more mean than most people could decipher. But then and there, in that night of longing and reunited and hurting and healing, John could see every meaning in his reply clear as day.
They fell into familiar, dreamless, shared slumber, tangled together in delicate desperation, as the storm pressed relentlessly on.
Oh. My. God. An accompanying fic.
Itās so beautiful. I canāt. Let me love you.
** Permission to post from their pages was granted by the artist Donāt remove credits & donāt repost/edit the art Please, rate and/or bookmark their works on Pixiv too **
Artist : Ā ććć (pixiv / twitter)
Source
Too beautiful. Ā
yuri on ice | ep 03
āiām going to try and win the next grand prix final with victor!ā
Perfect boys. <3
Watching Yuri!! On Ice for the second time and...
Realizing that for as much as I love The Kiss <TM> there are some scenes that warm my heart and make me feel for Victuuri even more. Ā Like the end of Episode 9, when Victor and Yuuri are reunited at the airport - running toward one another, the embraces, the kiss Victor plants so sweetly on Yuuriās hand...that was the first time this show made me cry!!Ā
And when the boys get to Barcelona, and you realize that theyāve pushed their hotel room beds together...such a sweet, unspoken detail that shows how closely they always want to stay. Ā
Some sickeningly sweet Victuuri mushyness!
I am always impressed with Andrew Scottās ability to have sexual chemistry with everyone. The man could seduce a shoe.