really love Molly Brodak's everyday genius baking tips. wisdomful and just some genuinely good advice like don't buy a sea salt grinder? i had no idea. i miss her everyday
Monterey Bay Aquarium

No title available
hello vonnie
taylor price

Origami Around
sheepfilms

shark vs the universe
🩵 avery cochrane 🩵
noise dept.
No title available

Kiana Khansmith
macklin celebrini has autism
Aqua Utopia|海の底で記憶を紡ぐ
🪼

blake kathryn

titsay
Lint Roller? I Barely Know Her
occasionally subtle

#extradirty
wallacepolsom

seen from China

seen from Malaysia

seen from Spain

seen from T1
seen from Russia
seen from United States
seen from United States
seen from United Kingdom
seen from United States
seen from United Kingdom

seen from Malaysia

seen from United Kingdom

seen from Japan

seen from Malaysia

seen from France

seen from Sweden
seen from Brazil

seen from Türkiye

seen from Netherlands

seen from Costa Rica
@gentlepdf
really love Molly Brodak's everyday genius baking tips. wisdomful and just some genuinely good advice like don't buy a sea salt grinder? i had no idea. i miss her everyday
Wonderful snowfall in Rome, 1985
kiss me deeply / as if tonight were our very last
i love you. you made a mistake? i dont care i love you. you made a wrong choice? love you. you don’t think you’re good for anything? guess what you’re good for loving i love you
i was 15 when i made this post and i’m 25 now, and still seeing people reblog and tag this with things about their lovers or their friends or characters or themselves or that they really needed this today. i dunno it just feels really special to me. thank you, keep loving each other, i still love you.
Antique Bakers~ lol
Yoo Ah-in & Kim Jae-wook, behind the scene Antique Bakery (2008)
ROSALÍA ☼ LUX
tactics to remain intact ❔
keep a part of yourself reserved for yourself alone and build a relationship with the silence at the heart of your solitude. who you are before that silence is the closest thing you can get to an unobstructed view of yourself. the noisier it is in your head, the further away you are from the middle. take medication if it helps keep the volume down. remain in your body and listen to it. whatever the day disintegrates within you, make some attempt to reintegrate it each night. whatever emotion is shaking you like a rabbit in the jaws of a dog, go limp and wait for the dog to finish before you take action or speak rashly. keep all promises to yourself. eat and sleep and drink as well as you can. figure out what makes the integity of your self worse and quit doing it. show up every day to the job of taking care of yourself. forge close personal bonds with your peers, if you can locate some peers. dance.
“When I was younger, there were times when I felt alone. The world didn’t seem to understand me, and I felt so lonesome. That drove me crazy at times. But you were there for me.” — One Day Off, Episode 5: Dance Even If You Trip
park sunyoung in a different kind of man (1993)
Meiji period fashion was some of the best in the world, speaking purely from an aesthetic standpoint you can really see the collision of European and Japanese standards of beauty and how their broad agreement even in particulars (the similarity between Japanese and Gibson girl bouffants, the obi vs the corset, the obi knot vs the bustle, the mutual covetousness for exotic textiles, the feverish swapping of both art styles and subjects) combined and produced some of the most interesting cultural exchange we have this level of documentation for. Europeans were wearing kimono or adapting them into tea gowns, japanese were pairing lacy Edwardian blouses with skirt hakama and little button up boots. haori jackets with bowler hats and European style lapels. if steampunk was any good as an aesthetic it would steal wholesale from the copious records we have in both graphic arts and photography of how people were dressing in this milieu.
«The botany professor,» from Kkokei Shimbun, October 20, 1908. she's wearing a kimono blouse or haori, edwardian skirt or hakama, gibson girl bouffant, a lacy high-collar blouse with cravat and brooch, and a pocket watch with chain
1910-1930 (Taishō era, right after Meiji, which I should have included in my OP) men's haori with western lapels
I have a love for both kimonos and bustle dresses, so I love seeing how the two fashions influenced each other over this period. And thanks to Pinterest, I have pictures!
Victorian tea gown that clearly started as a kimono. It still has the long furisode sleeves, but now they’re gathered at the shoulder and turned around so that the long open side is facing the front instead of the back. Similarly the back is taken in with curved seams to fit the torso and pleated below that for the skirt.
Woodblock of a woman in a a bustle dress made with colorful patterned fabrics and examples of how a woman could style her hair with it.
More prints to showcase hairstyles, two women wearing western wear and two women wearing kimonos.
This next one’s modern, but it involves hoopskirts so I’ll add it in because it makes me so happy. There’s been different styles of wedding fashion that take kimonos and give them a more modern look. Often this involves taking a kimono and then cutting and resewing it into a new dress. Very pretty, but it can’t ever be worn like a traditional kimono again. But now there’s another trend where the bride wears a hoopskirt with a white skirt, then you take the kimono and drape it on. The back of the kimono covers the front of the dress, the long sleeves fall across the sides or the back, and you still wear an obi with it. The result is pretty and the kimono itself doesn’t have to be altered at all.
And because you mentioned steampunk, I have to add in these two:
Personally I’m a big fan of Taisho Meisen kimono, which are what happen when the Japanese textile industry abruptly gets access to aniline dyes, new spinning and weaving technology, and the concept of Art Deco:
wished a customer happy new year yesterday and he responded “happy new moment! you get as many of those as you’d like :)” so we’re all gonna be okay
Millennium Mambo 千禧曼波 2001 Hou Hsiao-hsien
i love finding heart shapes everywhere
10DANCE テンダンス (2025) — I'll see you at the 10 Dance.
hirokazu koreeda shares his favorite films:
boy (nagisa ôshima, 1969)
cold war (paweł pawlikowski, 2018)
le rayon vert (éric rohmer, 1986)
the bridges of madison county (clint eastwood, 1995)
brokeback mountain (ang lee, 2005)
kes (ken loach, 1969)
contact (robert zemeckis, 1997)
a river runs through it (robert redford, 1992)
grave of the fireflies (isao takahata, 1988)
in the mood for love (wong kar-wai, 2000)
the sweet hereafter (atom egoyan, 1997)