a review for the lottery by shirley jackson
"I'm Dorothy Gale from Kansas"
Noah Kahan
macklin celebrini has autism
RMH
EXPECTATIONS
Three Goblin Art
let's talk about Bridgerton tea, my ask is open
Game of Thrones Daily

★
we're not kids anymore.
untitled

Origami Around
Show & Tell
Mike Driver
h
NASA

Kiana Khansmith
YOU ARE THE REASON
KIROKAZE
Cosimo Galluzzi

seen from Germany

seen from India
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seen from Malaysia
seen from Ukraine

seen from Malaysia

seen from Germany

seen from Russia
seen from France
seen from Malaysia
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seen from United States
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@goinginsanetobefashionable
a review for the lottery by shirley jackson
Hey, just calm down. We were just having a little fun, that's all. —Looks like you got a real fucked up idea of fun.
THELMA & LOUISE | 1991 — Dir. Ridley Scott
going with the flow in a face down in a river kinda way
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
just identified a behavioral pattern within myself
OBSESSION (2026) dir. Curry Barker
ilove when someone posts about an issue that's supposedly plaguing society and it's painfully obvious that said issue is not a thing that matters if youre not on tiktok
reminds me of this reddit comment I have saved
So annoying to me when people think citing the actions of FICTIONAL female characters counts as evidence that femininity doesn't hold women back. "Omg, she can run and fight with heels and a dress! What an icon, I can't even walk in heels." She is not real, and therefore her body doesn't follow the same laws that ours do. She will do whatever the writers want her to, because she is ANIMATED. And even if the actor is a real person, the scene is choreographed, rehearsed and edited with CGI. It's fake!
Not only do these types of outfits make the stunts harder to pull off, they can also make them more dangerous. “I actually was put into a fire sequence in a negligee,” Donna Keegan, whose credits include “Independence Day” and “Indiana Jones and the Temple of Doom,” told me. “Do you know how flammable negligees are? They just kept dousing flame retardant stuff all over it.” “One time, I had to dive through a plate glass window with a spaghetti strap top on and in a miniskirt with Doc Marten boots,” Keegan recalled. “You're not getting candy glass for that kind of piece. No matter what they're going to do, there are shards. ... You come out a porcupine, bleeding everywhere.” Their skin's exposed, and they often don’t have any padding. “Try doing stunts with no pads and no clothing. I have been thrown down marble stairs in a bra and underwear,” Keegan said, remarking that the first time she saw that set, “I looked at that and went, ‘You're kidding me, right?’”
Source: Documentary lauds Hollywood stuntwomen, who do everything men do but in high heels (Sept. 22, 2020)
One of the most sought-after stuntwomen in Hollywood, Ms. [Zoe] Bell crashes through glass, slams into book cases and leaps from tall buildings. She has done stunts on more than 20 films and television series, including "Alias," "Kill Bill" and "Xena: Warrior Princess." Asked if she could accomplish a 22-story spinning fall from a skyscraper for 2004's "Catwoman," Ms. Bell thought for a moment and said, "Yes, I can." To get the chilling fall just right, she did it four times. "It's not until after you've been hit by a car and landed all right that the fear kicks in," she said. Stuntwomen often face greater dangers than their male cohorts. While stuntmen wear pads under their clothing, stuntwomen in action films are often minimally clothed; there is no place to hide padding or protective gear in their bikinis or ball gowns. Doubling for Sharon Stone, Ms. Bell had to do the high fall in "Catwoman" in high heels. "Because that's how women fight and die—in heels," she said, with a slight roll of her eyes.
Source: Fighting and Falling in High Heels (Updated July 23, 2011)
Yahhh I have to build Rome. Yup it’s due tomorrow.. noo I haven’t started yet haha is that bad?
Souheila Yacoub as Alice in Evil Dead Burn
#clicking on that filtered content post
haters will be mad bc you said women and didn’t mean men
(un)kind by victoria smith
The first female gardeners employed at London's Kew Gardens. Eleanor Morland, Gertrude Cope and Alice Hutchings. Photographed in 1896.
Alice Pike Barney (1857-1931), Waterlily, 1909. Pastel on Paper.
we need to start doing this to male podcasters