u good?
girl obviously not
cherry valley forever
todays bird
we're not kids anymore.

祝日 / Permanent Vacation

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Stranger Things

⁂

shark vs the universe
🪼
$LAYYYTER
styofa doing anything

❣ Chile in a Photography ❣
Keni
trying on a metaphor
Show & Tell
2025 on Tumblr: Trends That Defined the Year

pixel skylines
Jules of Nature

JVL

blake kathryn
seen from Spain
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@gothartdad
u good?
girl obviously not
Congratulations on the cat
i've been phasing the phrase 'google it' out of my vocabulary and going back to 'look it up'. fuck you youve lost your generic trademark privileges
they're selling anti-ai slogans on sweatshop-produced t-shirts. i don't need to write the poem for you to get it do i
u guys omfg can we try feminism again. can we breathe life back into feminism's wounded and perishing body like OMFG she's dying...
Finally some quality content in my portfolio
everyone shut da fuck up this is the only thing that matters
Apparently someone got their car stuck on the light rail tracks at Mt. Baker. For those unfamiliar this is 35 feet up in the air
i know we’re both just messing around pretending to be whole but look at me. if the train was coming would you move. if the ground was falling from under your feet would you even notice or would it just be another tuesday for you. if somebody stabbed you could it hurt worse than you already do. what i’m saying is that i love you but i think we both drive over the speed limit when it’s raining. what i’m saying is that i want to hold your hand and i understand about how you sometimes have to sit down in the shower. what i’m saying is that i’m here for you and if the train comes please move.
i wrote this 7 years ago, somehow. every day someone else finds it and whispers to me - oh, i understand this. something always turns in the wash of my stomach: i am so, so glad you feel seen. i wish you had no idea what this post was about.
i wrote this while working in a program for new writers. on wednesdays, two of the teachers would be contractually obligated to read our writing aloud to the group of 300+ teens. i had never read my work in public before. i had something like 6k poems and was panicking about it. none of them are good enough. sometimes the train is howling. it is hard, actually, sometimes, even as an adult.
and then i thought - what is one thing i wish i could tell all of them. each of these 300 kids. what did i need to hear, at 16?
i wanted to tell them about the day you wake up, and the sun feels warm finally. i wanted to tell them about carving a life out of soapstone, your hands turning bloody. i wanted to tell them that sometimes yes - it actually does feel easy. i wanted to tell them about weddings and cookie dough and long road trips. about albums of new music and old friends laughing and the sound of snow falling.
you will learn the pattern of the train. you will learn to close your eyes when you hear the engine rumbling. you will learn to let yourself have the grey days in their lily-soft numbness. sometimes it will feel like life is wet paint, and god has smeared your canvas across a sewer grate. sometimes it will be so boring it isn’t even pronounceable - the tenacious, soundless blankness. survival isn’t just ugly nights and wild mornings. it is also the steady, unimportant moments. it is just driving with your seatbelt on. it is calling a friend on the way home. it is burying your face into the fur of your dog.
when i had finished reading this poem aloud, the auditorium was silent for a solid minute. someone stood up to take a picture of where it had been projected onto a screen, and then three more people followed the action, and then - like a bad internet story, people remembered they were supposed to be clapping. kids came up to me after it - thank you for writing that. i think i hear a train coming.
i would write this differently now, i think, but it has been 7 years. i still live by the tracks. i also haven’t picked up a blade in over 10 years. the scars are still there, but these days i only pick up scissors to cut my hair. i know why you can’t tell your mom about it. i know how the numbness slips over everything, a restless horrible cotton. i know how when you dropped the dish, you weren’t crying about the broken glass. i know about feeling like all the roads have closed their exits, that you aren’t supposed to still-be-here - and yet.
i am still here, and still yours, and i haven’t forgotten. what i’m saying is if any hope is calling to you - i know it’s hard, but you have to listen. i’m saying keep driving, but slow down the car. sit down in the shower, i’m not judging you. we can stay in the dark with the good hot water and do nothing but stare. notice the stab wound. make it through another tuesday.
i know what it is like to miss yourself. do what you need to. come home to me. i am writing to you, my past self, from the future. i’ll be waiting for you.
and when the train is coming - please move.
i love writing out numbers and then putting them in parentheses like "one (1)" even when i dont need to i think its funny
i think MORE characters should be rape survivors. i think more characters should be csa survivors. i think more characters should be dv survivors. i think strong and noble and attractive and charming and brilliant characters with indomitable spirits should be survivors. i think the most powerful characters in the world should be survivors. i think characters who are cultural icons should be survivors. i think victims and survivors should see ourselves in the most admirable and beloved characters around! i think we should be protagonists!!!
#‘it’s so unnecessary’ . okay . god yea this one drives me CRAZY. people will yap all day long about how it's "unnecessary" to make a character a survivor like do you think it was necessary for any of us to be abused or raped irl? was it narratively essential? did it teach the audience an important lesson? why do we, who have to justify our experiences and existences and reactions all the time in real life, also have to justify why we should exist in fiction? people act so repulsed by the thought of us. i've really fully and truly had enough of that. there is nothing so uniquely disgusting or repulsive or unspeakable about our victimhood or our survival that justifies this obsession with keeping the reality of our existence hidden
"oh but talking about it can be triggering for victims :(((" you know what else is triggering? living in a world that insists that we cannot be open and honest about what happened to us. maybe if we had, oh, i don't know, prominent examples in our cultural stories of people who are victims and are competent and strong it might be easier (for everyone, not just victims) to have the discussions we actually need to have about our trauma.
i think MORE characters should be rape survivors. i think more characters should be csa survivors. i think more characters should be dv survivors. i think strong and noble and attractive and charming and brilliant characters with indomitable spirits should be survivors. i think the most powerful characters in the world should be survivors. i think characters who are cultural icons should be survivors. i think victims and survivors should see ourselves in the most admirable and beloved characters around! i think we should be protagonists!!!
#‘it’s so unnecessary’ . okay . god yea this one drives me CRAZY. people will yap all day long about how it's "unnecessary" to make a character a survivor like do you think it was necessary for any of us to be abused or raped irl? was it narratively essential? did it teach the audience an important lesson? why do we, who have to justify our experiences and existences and reactions all the time in real life, also have to justify why we should exist in fiction? people act so repulsed by the thought of us. i've really fully and truly had enough of that. there is nothing so uniquely disgusting or repulsive or unspeakable about our victimhood or our survival that justifies this obsession with keeping the reality of our existence hidden
"oh but talking about it can be triggering for victims :(((" you know what else is triggering? living in a world that insists that we cannot be open and honest about what happened to us. maybe if we had, oh, i don't know, prominent examples in our cultural stories of people who are victims and are competent and strong it might be easier (for everyone, not just victims) to have the discussions we actually need to have about our trauma.
2-YEAR CHEDDAR
from GRAFTON VILLAGE
I usually try to review cheeses virginally - that is, ones that I’ve never had before. In this case, this is a cheddar I’ve had many times before. But I couldn’t leave it off the blog, what with its obvious appeal to leather and rubber fetishists.
As far as cheddars go, Grafton’s 2-year aged isn’t going to shock you. It’s mild, light on the salt, with a slightly sweet and grassy flavour. It’s got a nice texture. It’s dense, more moist than I expected, and smooth.
So what is the deal with the gummi suit on this cheese anyway? Well, cheese has obviously been around a lot longer than fridges. Fresh cheeses like mozzarella are too moist to last very long outside of a cold place (bacteria and fungi do so love damp places), though I don’t think anyone was too mad about eating that stuff quickly. But cheeses that have been aged (and dried) more have some more preservation options, which is where cheese wax comes in. The wax is a physical barrier, stopping fungal spores from landing, and also blocks moisture and air, making the cheese a pretty unfriendly place to grow. Even drier cheeses can be bandaged in cheesecloth and then slathered in lard to preserve them while allowing some ventilation.
I gotta admit: hot wax isn’t really my thing. But cheesecloth bondage and grease… it has potential.
this site used to be awesome