Sea Immersion: A Drowning at Sea [acrylic, oil, and Sharpie on canvas] By Gregory Purvis
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Sea Immersion: A Drowning at Sea [acrylic, oil, and Sharpie on canvas] By Gregory Purvis
Really excited to finally announce the launch of RAISED BY BATS “Art, Music and Other Diversions for People Who Hang Upside Down In The Dark”. The basic idea is to publish a “front page” bi-monthly that will act as a teaser for the online presence. Aside from its own dot com (after the holidays) RBB (or Rabid) will have several mirror sites. You can get the dribble already, here at good ol Tumblr.
Time and Resonance: U M M Å G M A
Autumn 2016 Music can cause as well as calm storms: a very real magic that good music seems to share without respect for genre or the time in which a given album is born into. It has been, after all, a difficult period for many of us. After moving to Knoxville this Summer, I’ve had a lot of unexpected readjustments to make. A coping skill I’ve carried throughout my life: music. It has helped me weather storms before, and its energy seems capable of aiding in the creative process no matter what you are doing. Lately, I’ve been listening to a lot of music by a band that seems pleasantly out-of-time and hard to put in a specific creative box: Ummagma. The band has been described by friends who share my musical affinities as ethereal, abrasive, lush and lovely - all descriptions that fit, each in their own ways. The truth is, I can’t recall how I first heard about Ummagma, or how they wound up in my regular rotation list. I’ve been known to call the band “umma gumma” at least once in any conversation in which they become a part of. This is mostly because I was weaned on Pink Floyd’s effects drenched sounds from an early age. I am still likely to break into Syd Barrett’s nonsensical lyrics for ‘Bicycle’ or tell a stranger if he doesn’t eat his meat he can’t have any pudding (this happens mostly in grocery stores), so Ummagma will have to pardon my excessive descriptions concerning their name, and the associations it has for me personally. Names have a way of transcending mere syllables to remind us of complex relationships to events and situations in our everyday lives. Sometimes certain music becomes a kind of soundtrack for these events. I find myself listening to Ummagma not because they really remind me of a post-psychedelic era Floyd (or anyone else), but because of how much space is filled up by their sound and how the spaces in between still seem as important, despite their seeming emptiness (which may be the point). How music speaks to you (and what it says) is the important thing to take away. Ummagma leave me with a feeling much like that of a half-recalled dream. I used to wake up with the sounds from some ghostly symphony still echoing hollowly in my head…and their music is a lot like that for me. It is strange, tactile, abrasive and beautiful all and at once. The listening is an experience, and that may be, in the end, the strongest endorsement I can give a band in an age of easily produced pop music. This music does not sound easy. Perhaps an alternative name might be Not Easy Listening. Again, a bit of a misnomer since listening to Ummagma is actually very easy, gentle even when it is rough and textured enough not seem overly soothing. And, like the pop music it is not, very rewarding in an immediate way.
Addendum: I’ve been listening to the beautiful EP ‘Frequency’ just lately, and I should mention the song Lama, remixed by Robin Guthrie. This track is really the piece I keep coming back to, even though some of the other songs are more entrancing. On Lama, the rhythm skitters away unobtrusively, like breezes in the brush. I’m not entirely sure what was going on in the brush, because my head felt stuffed full of soft sounds, conjured up both electronically, and by the beauty of Shauna McLarnon’s ethereal voice. It is filled with longing, a kind of empty space where a half-recalled memory might lie. The song pulls on that long filament attached to the heart that connects us with love, loss, even hope; it is powerful and pleasant, a low-voltage buzz that hurts sweetly. The closest thing to a real nod to Pink Floyd seems to be Galacticon. At under 3 minutes long, this soundscape seems immense despite its brevity. It is built with synthetic strings that remind me of the best sounds from 1980’s synthesizers, drenched in reverb. In place of lyrics, sound effects bubble out of the string sounds: some may be my own imagination, and all to better illustrate the illusion of space and time. The jingle of harness, the expectant hush and roar of a large audience, the low moan of wind, and the radio chatter of a space landing. All of which seem to suggest the illusion of time, and the sweetness of life, as short as the song in comparison with the immensity of a single galaxy. An even shorter song, Ocean Girl, is relaxing, acoustic, and filled with Alexx Kretov’s soulfully imploring: “Wake up…” calling across an ocean of sleep. This whole EP is richly textured (with Lama, it’s remixes, and several other songs), and feature the haunted, luminous vocals of both Kretov and McLarnon, both of whom inform Ummagma’s music with a vitality that plays well with the sweetly spectral quality of much of the music. That this band can create such amazing music while living in separate countries (Ukraine and Canada, respectively) should serve as positive reenforcement to others seeking to reach across borders and boundaries, both literal and figurative.
A Fantasy of Failure
As a card-carrying geek, I’ve never been particularly physically impressive. This is a stereotype, true enough, but all stereotypes have a grain of truth in them. For me, even when I was young and skinny, it has been impossible to do more than a single pull-up. In elementary school, my first P.E. coach [big shout-out to Mr. Mitchell from Riverside Elementary in Orlando, Florida] was this huge Greek myth epitome of 1970’s American manhood. Until then, I thought my father was the strongest man I knew. But Mr. Mitchell, whose carefully constructed obstacle course in the field behind the school was worthy of a contest of Olympian proportions, made me wonder. Back in those days the list of who could beat up your dad was carefully pared down to ‘no one’. Part of the early phase of the course, before he added gigantic tires from some earth-moving machine, was a simple set of horizontal steel bars. You jumped, grabbed the first, and monkey walked across the others using only your arms. I usually fell. The next station was a single bar, long enough for 3 kids to use at once. Here, the idea was to do as many pull-up’s (what are also called ‘chin-up’s’) as you could until he blew his whistle, which always hung with a pair of extra sunglasses (I don’t recall ever seeing his eyes) from a lanyard around his neck. I would spend most of the time until the shrill whistle put an end to my shame trying to complete a single, sad pull-up. It rarely worked. President Carter decided in 1977-78 that American kids should be more healthy. So Mr. Mitchell was training us for some Presidential Fitness contest I always thought meant that the POTUS was analyzing my lack of physical prowess from the Oval Office. About this time I discovered Star Wars trading cards, Starlog, monsters, and Greek mythology. It was all pretty much downhill for me after that. In high school, the humiliation was turned up a notch. Our P.E. teacher, also the assistant coach of the football team, the head wrestling coach, and our health teacher, made sure we knew we were the scrubs who had washed out of the official Athletics program. We would play football, basketball, or run track…and a random half of us (which seemed to include me a disproportionate amount if the time) were required to strip to our waists so our team mates could tell us apart. We were the humiliated Skins in a game of Shirts vs Skins that gave the opponent that was fully clothed the advantage. Why? Sheer humiliation. Adolescence, for boys, brings with it the last gasp of baby fat, the uneven distribution of body hair, and embarrassing situations involving cracked voices, unwelcome erections, and the like. For me, an escape was needed. I took it in the form of what is now called alternative reality (or augmented reality, etc). This was the 1980’s and Madonna was like a virgin, Michael Jackson was moonwalking, and New Wave had been replaced in my heart by Rush and Pink Floyd. So, without a single app or cellular technology of any kind, I made up my own world thanks to the advanced directives in my Dungeons and Dragons training regimen. The mountains of North East Alabama (namely, Lookout Mountain, at whose base my high school had been built in the late 1960’s) became the Black Serpent Mountain in the wilderness of Tarantis (the name of a Judges Guild city-state I owned, if you are a RPG'er). I am slightly ashamed to admit this now, considering my political beliefs, but in my daytime fantasy designed to take me away from the boring, abject humiliation of Physical Education, I pretended I was a slave. This is secretly what many high school kids feel like, forced to go to a school with other awkward kids who you are convinced hate you. Somewhere law and parents insist you remain. Unless you are able to make Mr. Mitchell proud, you are turned over to the city administrators who set you, near naked, to work in the fields. Intent on my white privilege fantasy of oppression, I knew the pain of toiling for my Tarantine overlords. It was all…so very humiliating. A word I keep using, and for good reason. Coach Colburn, a nice guy who once secretly complimented me by calling me a ‘renegade’ (a term he applied with some personal mirth for reasons I would never understand until I dug into this story of marginalized adolescence), would eventually call an end to our ridiculous attempts to play touch football, and we would return to the Dungeons: the basement boys changing rooms in the gym. There, we would dutifully reapply deodorant to our reeking armpits, studiously ignoring the 3 kids with enough courage to take a shower (just the thought of that room has made me reach for a Xanax bottle that is no longer on my dresser), and redress in our clothes. Soon, we would be shivering in our jackets (as a renegade, I wore my father’s old tweed overcoat or his longer London Fog raincoat, de rigueur for 80’s Clash fans) in the Autumn air. The fantasy escape hatch of my life as a toiling slave seems mildly humorous and more than a little bit sad to me now, with so many years passed. I wonder, as I have on a few occasions, what might have happened if I would have tried a little harder. I wonder why I chose to play an ostracized part of a hated underclass in a fantasy to pass the tedium of being an ostracized part of a mildly ignored underclass in reality. I wonder if I had tried to fully engage if I would have been ignored, or felt it so keenly. Fantasies help us deal with things in a space we feel comfortable with. Though these days, saying 'safe space’ means you are a malingerer, or at best part of an over privileged generation of coddled cry-babies. Truth was, Generation-X was perhaps over privileged, but we were not coddled. Why I chose to react the way I did and for the reasons I did are still a little bit hazy. I know those days are long gone, and confronting the most humiliating moments is a masochistic luxury that means next to nothing in the scheme of things. But it’s how I felt, and what I did. The reasons may be legion, and the subtext lost, but the feeling of childish stupidity retains some of its poignant value. I do not mind that this story makes me seem weak, inefficient, and perhaps even unmasculine, in part because I have realized that failure is not a sign of anything and the only weakness was my failure to try. It is a memory many of my friends will cringe at. I expect this, and accept it as I have, with zen-like patience, accepted this memory myself. Our past is but prolog, a poor replacement fantasy for the future. Where I will play Lord and not leper, and by my command the slaves of my failures will be freed.
Sometimes I Worrythat I'm…
Notes on my first impressions visiting Paradise Gardens in Summerville, Georgia
1990 #paradisegardens #howardfinster
Sometimes I worry that…
a little comic about kisses and curses. happy halloween!
I've felt cursed for many a damp year A colorless thing nests in my home And sits down to supper with my fear I've felt dim for many gray days It roams thru my mind And leaves traces, always It follows me home in the dark Lightless candles burn In the cold places of the park O I've been cursed and cured And surely will be again Paying for peace With the coin others call sin
(No real reason I added this. Remain calm)
Note: Have the machinery underground in this location moved to Fyffe, in Dekalb County Alabama. This is appropriate according to Cartography Vii Scans.
(Approved 2016/09/12)
I bought more quilting fabric (a few weeks ago, it was a pack that someone was selling local on an online yard sale). This was a 3lb bag of scraps/pieces for $3.
Lovely old patterns. All the fabric is so soft. I would bet at least some of it was vintage sheets at one point. There is a whole stack of squares cut from men’s flannel shirts.
I don’t quilt, and if I started, I don’t think I could bring myself to use these fabrics. But it just makes me happy to take them out and fold them and feel the echoes of the women whose hands came before mine.
This post reminds me that often the only items I seem to care much about (aside from "necessaries" like phones or laptops) seem to be haunted in some vague but necessary way.
Get Thee Gone Henceforth, Ye Devil's Device!
[Subtitled: Excessive Parentheses Post]
THE EVIL OF WRITER’S BLOCK!
I moved back north to the South (Florida not being particularly Southern except as a compass point) to write. As Steve Albini (curmudgeonly underground music producer, recording engineer, and cultural smartass) once remarked: “there’s never anything to do in this town. Lived here my whole life.” Born in ATL (before the advent of the Dirty South, known as ‘Atlanta’), I feel like I’ve lived in countless suburbs and small towns and sketchy apartments my whole life. East Point, Doraville, Longwood, Mentone, Fort Payne, Winter Springs, Deltona, Orange City, Scottsboro, Rainsville… Some of these places aren’t small towns or suburbs anymore. But when you are 16 and the only way out of the tiny box you feel trapped in is arson or your 1966 Buick Special, a Road Trip to the City (Chattanooga, Atlanta, Birmingham, or Nashville were the closest choices) is a rite of passage. A spell for banishing boredom…and boredom is essentially the lack of creative flow. Teenage punk rock road trips took me across a psychedelic landscape of decaying agrarian Deep South life. The City called. The Old Ways rusted away in soybean fields…terminally uncool. But things change: change itself being a creative expression. And things stay the same…meaning what was will come again, which is a static change, like something moving from the corner of your eye. When you look it’s gone. Or it sits still.
So now I return to a very different Deep South than I lived in most of my life. Another road trip. The spell of being in a noise rock band is broken. The collection of samples of B-grade horror movie dialog lost with countless 4-tracks and ‘zines printed off at the local copy shop. As I grew older, my grandparents and great Aunts, Uncles and a whole generation of pre-Civil Rights era Southerners died out, rusted away like those old tractors and falling down barns we used to pass in those overgrown fields. But history is mostly story, and not all of bad stories are bad. Context is needed. Comparison with Change. What doesn’t seem to move does. And that is the Spell that breaks the glamour of Writer’s Block (the Devil, after all, is in the details). I moved back home, this time to Knoxville. I’ve wasted a long time and many stories slipped away from me as the storytellers whom I regarded in my youth (misspent as it was) as rusty remnants of the past are now silent.
Now I chase those remnants that are left down, buy pieces of my own past back from pawn shops to study their beauty. Warts and wisdom both. The spell is broken: there is no spell but words.
INSOMNIAnovella What is past is prolog... The dead men came knocking on our door, covered in end rolls of peeling wallpaper. You could hear the paste powder and drop to the top step under the uneven rhythm. Daddy said only people banged on the door after midnight was the law and dead men. There wasn't no blue and red lights, except what was on the balding Christmas tree, still up and it March already. They knocked again, louder. I could hear a whimper like one of them was sad to be here. "Take the baby and go lock your self in the bathroom," my daddy said. Momma took Loy and pulled him towards the bathroom. He pulled back. "I wanna stay with Skinny," he told Momma. Even he called me that, now. "Go on, go with Momma," I said. I heard the door lock click right before the men hammered at the door again. Daddy handed me a shotgun. It was a 20-gauge so I could shoot it okay. Shells were all slugs. "You shoot if they both come at me, but only then. Otherwise you just stand there." Then he picked up his own gun, held it ready. His hair was sticking up from sleep. He opened the door. And the dead men came in. They were gray, like they had fallen into a pile of ashes. One laughed, one kind of moaned. They smelled sweet, kinda. Like whiskey. Daddy drank it, too, sometimes. He would go a long, long time and not need it. And he'd look at a picture, or see somebody at the Superette when he went in to settle our bill. And he'd come home and go out to the shed and he'd sit out there with the kerosene heater and drink. "You must be a fool," daddy said quietly. The laughing man stopped laughing. He looked over at me and...grinned. His teeth. Jesus please, I prayed. His teeth were thin and broken and sharp. Pieces of meat were stuck in between them. "The boy?" the man asked. The other one moaned again. My daddy pulled the trigger, racked his shotgun and fired again. The smoke smelled bitter. Black blood and ashes were all over the wall. There weren't much left of the man. "You go on, now," daddy told the other one. "Sleep." #writersofinstagram #instagramhub #horror #southerngothic #dirtysouth #grit #shortstory #killers
INSOMNIAnovella Past + Part 2 My brother lived in the ruin of an old amusement park called Canyonland on Lookout Mountain that had been closed for twenty years. He had joined the Marines and come home from Iraq with PTSD and stories that scared all his old friends away. Somebody gave him a couple lines of meth at a party and it seemed to calm him down somehow. 'Trailer park meth cook' was already a career choice, with most of the mills closing, so the stuff was cheap. Within three months he was a junky, shooting up in the ruin of old carnival rides, his Marine Corps body already dissolved into a maggot-white armature of skin-and-bone. Before long everyone was calling him Skinny just like when we were kids. Mama told me where to find him when I came home for summer break. "Loy, he says the dead men come to see him again," she told me. "You got to talk to him. Get him to sleep." I could see that old hunted look she used to get, when daddy would be drinking in the shed. Helpless. Scared of something she couldn't put into words. Daddy had tried to protect Kenny back then. He never did understand. We had both suffered from night terrors, and the longer you fought sleep the more it drew them to you. But they hadn't been after Kenny. I stopped at the Superette on the way out to Canyonland. I knew if he had spoken about the Gray Men to Mama they would keep coming back. I needed some practical help. The gumball machine was still there. Little ninjas instead of robots. Same thing. I bought a hand full and turned off the highway toward the park. Maybe I wasn't too late. I found him under a piece of tarp, sitting in the purple car of an old ride called the Roundabout. His eyes were huge pools of sleepless anguish. "Little brother," he nodded at the opposite seat. I sat. "How long since you slept?" He didn't reply. I saw the syringes, then. It was getting dark. I reached in my pocket for the plastic toy ninjas, bit the inside of my mouth until I tasted blood. Spit on the figures and tossed them behind us. #writersofinstagram #dirtysouth #horror #instagramhub #urbanfantasy #nightterrors #insomnia #writerscommunity #lookoutmountain #ghoststories
INSOMNIAnovella Past/Part 3 Skinny couldn't close his eyes without seeing the boy in the ditch outside Fallujah, grasping in the sticky red dirt for the other half of his body. Now he sat with his brother in a derelict carnival ride listening to the Gray Men close in. "They been chasin me all my life, Loy," Kenny said, wiping his nose with the back of his hand. "I fight the devil almost every day, but it looks like he finally caught his supper." "You weren't always this stupid, big brother," Loy told him. He kicked a pile of used syringes towards Skinny. "If I sleep, they can find me," his brother protested. "You think there's somebody in this county who doesn't know where you're hiding? Besides, you aren't the one they're chasing. I am." "You?" And then the Gray Men were on them. The biggest one crawled up under the tarp and stood, flakes of ash falling from his body. He grinned, and his jaws came unhinged so they could see the rows of broken teeth rising from suppurating gums. The stench of rotting meat was overpowering. More of them closed from the sides and from behind the first one. The one in front seemed to mutter. "What's it saying?" Skinny asked. "That's the speech of Eden. From before death came to be. But they've forgotten parts," Loy said. "It's saying it's hungry. And tired." "There's too many of em," his brother whimpered. "I brought some friends along," Loy said. Several figures in black, waxy cloth rose up behind them. They carried weapons like swords that blurred when they moved, like a smear of mercury across the dying sunlight. #writersofinstagram #writers #instagramhub #southerngothic #horror #speed #grays #zombies #alabamawriters #blackmagic #strangetales #shortstories READ COMMENTS FOR OTHER PARTS. THANKS!
A Review of The Gargoyle by Andrew Davidson
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Originally published on the blog EVIL ROBOTS http://evilrobots.wordpress.com
A Review of Jitterbug Perfume, my Favorite Tom Robbins Novel
#jitterbugperfume #alobar. #kudra. #bookreviews #immortality #tomrobbins