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@guiltycrunch
I wish there were a way I could make an anon answer my follow up questions because sometimes I need to hold you people accountable for the bewildering things you say to me
Transandrophobia theory vs transfeminism can be boiled down to whether you value assigned genders or actual genders more.
i am suspicious of all men who are motivated by self interest to support feminism. even the good ones. because you know what is really good at appealing to men’s self interest? the patriarchy
Swapped their palettes cause I was bored
need to beam this tweet directly into everyone's minds right now
the first time i heard the phrase “i need that like a hole in the head” it didn’t even occur to me that many people don’t live with passive suicidal ideation at all times so i just assumed it was a way of saying that you really really needed something and i have continued to use it that way ever since
one of my least favourite tumblrisms is the weird fervent belief in the virtuousness of physical violence. like the whole "um, clearly youve never been in a situation where you could get your ass kicked" in reponse to someone like, saying something rude. Like amiguita in a lot of places you can get your ass kicked for saying "i'm gay" or, like, anything with a foreign accent, there is actually no edifying or character-building trait to being in environments suffused with violent machismo! and it always has the implicit undertone of either a like, noble savage view of appalachians or just straight up racist stereotypes
i too can make a twins au
You would not believe your ass
If ten million largemouth bass.
desired you while the women flee
HOUSE OF ENID - WILD ORCHID EDITORIAL
FULL FASHION SHOW: HERE
Meiji period fashion was some of the best in the world, speaking purely from an aesthetic standpoint you can really see the collision of European and Japanese standards of beauty and how their broad agreement even in particulars (the similarity between Japanese and Gibson girl bouffants, the obi vs the corset, the obi knot vs the bustle, the mutual covetousness for exotic textiles, the feverish swapping of both art styles and subjects) combined and produced some of the most interesting cultural exchange we have this level of documentation for. Europeans were wearing kimono or adapting them into tea gowns, japanese were pairing lacy Edwardian blouses with skirt hakama and little button up boots. haori jackets with bowler hats and European style lapels. if steampunk was any good as an aesthetic it would steal wholesale from the copious records we have in both graphic arts and photography of how people were dressing in this milieu.
«The botany professor,» from Kkokei Shimbun, October 20, 1908. she's wearing a kimono blouse or haori, edwardian skirt or hakama, gibson girl bouffant, a lacy high-collar blouse with cravat and brooch, and a pocket watch with chain
1910-1930 (Taishō era, right after Meiji, which I should have included in my OP) men's haori with western lapels
I have a love for both kimonos and bustle dresses, so I love seeing how the two fashions influenced each other over this period. And thanks to Pinterest, I have pictures!
Victorian tea gown that clearly started as a kimono. It still has the long furisode sleeves, but now they’re gathered at the shoulder and turned around so that the long open side is facing the front instead of the back. Similarly the back is taken in with curved seams to fit the torso and pleated below that for the skirt.
Woodblock of a woman in a a bustle dress made with colorful patterned fabrics and examples of how a woman could style her hair with it.
More prints to showcase hairstyles, two women wearing western wear and two women wearing kimonos.
This next one’s modern, but it involves hoopskirts so I’ll add it in because it makes me so happy. There’s been different styles of wedding fashion that take kimonos and give them a more modern look. Often this involves taking a kimono and then cutting and resewing it into a new dress. Very pretty, but it can’t ever be worn like a traditional kimono again. But now there’s another trend where the bride wears a hoopskirt with a white skirt, then you take the kimono and drape it on. The back of the kimono covers the front of the dress, the long sleeves fall across the sides or the back, and you still wear an obi with it. The result is pretty and the kimono itself doesn’t have to be altered at all.
And because you mentioned steampunk, I have to add in these two:
Personally I’m a big fan of Taisho Meisen kimono, which are what happen when the Japanese textile industry abruptly gets access to aniline dyes, new spinning and weaving technology, and the concept of Art Deco:
it really is like that sometimes
The BEST trope is when a character tells another “let’s run away together, we can leave all of this behind and start a new life somewhere” and gets rejected. And then the rest of the tragedy unfolds
"instant gratification" panel 2 girl smiling cheerfully with one marshmallow