Beau Travail, Claire Denis (1998)
Noah Kahan
let's talk about Bridgerton tea, my ask is open

blake kathryn
Monterey Bay Aquarium
almost home

★
todays bird
Aqua Utopia|海の底で記憶を紡ぐ

#extradirty
Cosmic Funnies
Cosimo Galluzzi
macklin celebrini has autism
Stranger Things
noise dept.
taylor price

tannertan36

if i look back, i am lost
One Nice Bug Per Day
sheepfilms
Xuebing Du

seen from Vietnam

seen from United States

seen from United States

seen from United States
seen from United Arab Emirates
seen from United States
seen from Türkiye

seen from United States

seen from South Africa

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
@hamtyler
Beau Travail, Claire Denis (1998)
it's plurbin time
PLURIBUS — 1.03 x 1.06
The Wire | 2x03 Hot Shots
SAM NEILL POSSESSION (1981) dir. Andrzej Żuławski
Costume appreciation series: The Adventures of Priscilla, Queen of the Desert (1994) dir Stephan Elliott
Costume Design by Tim Chappel and Lizzy Gardiner
Edge of the City (Martin Ritt, 1958)
everyone shut up. today is a national holiday.
A Special Day (1977) dir. Ettore Scola
“Everything seemed so much bigger then… all the hallways and stairs when I’d run around here as a kid.”
Il sorpasso (Dino Risi, 1962)
Dori? — Hey. — Has that thing from last night at the service station come back to you since? — Nah. — What thing? — That thing we talked about that Carlobianchi thinks holds the secret of the world. — Twat! — You’ve discovered the secret of the world and you can’t remember it? — *sigh* *shrug* — But… was it the secret of the whole world or of your world? — What’s the difference? — *mumbling* Indeed.
LE CITTÀ DI PIANURA — ‘The Last One for the Road’ 2025 | dir. Francesco Sossai
Animal Kingdom 1.04 "Dead to Me"
Nobody cares. Nobody has the time to be vulnerable to each other. So… we just go on. I mean, right away our armor comes out like a shield and goes around us… and we become like mechanical men.
FACES (1968)
The Last One for the Road (Le Città di Pianura), Francesco Sossai 2025