The Obscene Bird of Night is a cursed book. Its first translator, already a stand-in, disappeared from the project under mysterious circumstances. Its second translator, tapped to finish the job, never translated another book. Its third translator, some fifty years on, has been asked to revise rather than re-translate, grafting excised segments onto a nearly five-hundred page tome. Its author, who meant to knock it out in a few months, got lost in it for seven years, at the end of which he suffered his third bleeding ulcer, received an infected blood transfusion, had an allergic reaction to morphine, and nearly threw himself from a hospital window.
hello locked tomblr! i was at the tamsyn muir event in oxford - here are my notes
i've tried to group them thematically rather than chronologically, and to point out spoilers when i can. there are some parts that i missed/didn't hear correctly - i would appreciate it if others at the event correct me :D
Key takeaways
Alecto is still being written! Muir was reluctant to say a year, so it will probably be more than that
Alecto won’t be written in a Biblical style, and there will be multiple POVs. It will mostly be told from Harrow’s POV (I hope I heard that right)
Muir loves the idea of a TLT videogame
Muir’s not yet done with Floralinda
Q&A: Alecto when?
(putting this first because I know you want to know!)
Alecto is not yet finished
Reason why:
Muir was already slated to write another book before Alecto (Floralinda, I think)
Floralinda took longer than expected
Muir also suffered from health issues
Muir was about to say Alecto would come out in a year, but was reluctant. It will be soon. It will be before she dies.
Once Alecto gets to the editor, it will be fast-tracked. There will be few advance reader copies
And Alecto will not be 2 books, do not fret!
Publishing journey for the Locked Tomb Series
TL;DR – Muir got published because she had good contacts
George R. R. Martin was Tamsyn Muir’s mentor at Clarion
Muir took what she described as the ‘traditional route’ into publishing
She spent around 3 years publishing short stories
Then she got contacted by an agent for a novel
Muir acknowledges that routes into publishing are not like that now
Sometimes, fanfiction writers are approached – Muir doesn’t approve as that ruins the hobby, it adds a financial incentive and makes people do it for a career rather than for fun.
Muir wouldn’t do anything differently
We joked a bit about an agent who remarked on the ‘sisterly relationship’ between characters in Muir’s manuscript
Advice for aspiring authors
Send stuff to an agent regardless of where you are
Work in the industry
There was a bit of discussion on self-publishing – it doesn’t suit Muir personally, but it’s a good route for someone with the energy to be their own editor, advertiser, etc.
Q&A: something about being a successful writer (sorry I forgot)
Basically, getting successful requires having good connections
Videogame Influence on Locked Tomb Series
Muir is a big fan of the emergent narrative that videogames afford
Muir worked for Disney and wrote videogame scripts before GtN. There’s an insane House of Mouse script archived somewhere, which Muir wrote.
Novel writing is very different from videogame writing.
In a videogame, you have to fully flesh out the in-game universe and provide enough choices and points of interest for players
This taught Muir to be in-depth when writing her novel universes…
…which particularly influenced her to write tonnes of AUs for the Locked Tomb series
There are two versions of Nona, for example: one which is what’s really happening, and one which is Nona’s POV
Q&A: did the videogame influence help Muir to write so confusingly in the Locked Tomb series?
Muir strongly cites Umineko as a key influence
This is a perfect example of a slow reveal, like in the Locked Tomb books
Muir doesn’t strictly plan her reveals (e.g., on the second reread, the reader finds this out), but she does love a slow reveal and works hard to make close reading rewarding for the reader
Tamsyn Muir would love for the Locked Tomb series to be adapted into a videogame!!
A funny story was told where Muir got approached by a gacha game company… which didn’t come to anything
POV voice shifts in the Locked Tomb series
A key reason for the books being so different is that Muir didn’t want to write the same thing again – she gets ‘easily bored’
She focussed on the sentence links of each character – Gideon’s sentence links are very different from Harrow’s
Vocabulary also played a key role (again, compare Gideon and Harrow)
The second person narrative in HtN was planned for a while, the tricky thing was convincing publishers to accept it
Muir has an HtN draft somewhere, 50% written, that’s in third person
POV in Alecto the Ninth: It will not be written in a biblical style
There will be different POVs
Q&A: Book inspiration for writing in the second person?
Muir notes that she didn’t write in perfect second person – it was actually first person
She will always turn to On a Winter’s Night a Traveller
And this is another videogame inspiration
She mentioned Homestuck then said don’t mention Homestuck so…
The theme of memory in the Locked Tomb series
Memory as a result of love, and memories which are a source of pain
This is a key theme in HtN – note how memory affected Harrow throughout the book
It’s also going to be a key theme in Alecto
Muir is using memory as horror
The horror of not being able to trust yourself and to know what is real
She’s drawing on her own experiences of being schizophrenic
Magic systems in the Locked Tomb series
Muir wasn’t actually a big fan of necromancy before writing TLT
She found it too passive in Dungeons & Dragons
She wanted an active magic system, something unintuitive that required hard work and study to learn
She also wanted a magic system to be gross!
TLT magic system was described as “telekinesis with meat”
Worldbuilding in the Locked Tomb series
Q&A: what was Muir’s worldbuilding starting point/seed?
Muir struggled to find this out. There’s no magic formula
Creative writing can’t be taught, only practiced
For GtN, she wanted a story about duty, and duty vs freedom
She wanted the story to be about two young women
Gideon was originally a cop/fireman
For Muir, worldbuilding is there to serve the plot. She does not worldbuild for worldbuilding’s sake
Everything in Muir’s books is there to serve the plot
Would the TLT protagonists make a good DnD party?
Absolutely not!
Although Camilla and Palamedes would be fine
There was some joking around about how Muir and her friends tried to play as Gideon and Harrow in DnD and it didn’t work out
Genre merging in the Locked Tomb series
Muir identified her blend of comedy and horror as unique to Kiwi fiction
She used Peter Jackson’s early films before the Lord of the Rings as an example
For Muir, science fiction and fantasy are merged – it only really feels like science if you do hard sci-fi
Muir grew up with Star Wars, so it felt natural to set her fantasy world in space
The genre merging created publishing problems
Publishers want an easy comparison to other books to make it sell, but there was nothing like Gideon the Ninth
We joked a bit about TLT being compared with Dune
Q&A: now that TLT books are out, has Muir noticed any very similar books that GtN etc. are being compared to?
Not really.
Muir sees the most similarities with people who know her and have had similar influences
An example is A. K. Markwood
Another book that seemed very similar is ‘Dawn Hound by Necksy Strownack’ another New Zealand author (I did a quick google and I think this is the Dawnhounds by Sascha Stronach?)
Comedy and Humour in the Locked Tomb series
Muir’s advice for aspiring writers is not to write humour to appeal to everyone, as you’ll please no one. Stay true to yourself.
Muir writes plenty of humour into her manuscripts, which are often cut away during editing
Q&A: memes that didn’t make it: (note: I struggled to catch what was being said under all the laughter and I am also woefully uncultured – many of these are me transcribing as best as I can. Do correct me if I’m wrong!)
Mr Bones’ Wild Ride
Emperish meme
Horse Plinko (this got referred to a lot!)
Harrow calling Ianthe the ‘God of Thot’ in HtN
And many more
Muir mused about whether she will dial back the humour in later work, or whether she will go full throttle as she doesn’t care anymore
Writing process for short stories vs books
Muir sees her short story days as mostly behind her, although she is getting one published soon (as we are aware!)
With short stories, you only have time for one thing, whilst with a novella, you have time for plot and subplot
Short stories are great to practise your technical writing skills
Muir personally would not turn her short stories into novels – she wants to do something new
Q&A: The planning process for the Locked Tomb series
Muir had already planned the whole story before writing GtN
GtN and HtN are the question arcs
NtN and AtN are the answering arcs
Muir really enjoyed writing a New Zealand story
Lesbians as epic heroes in the Locked Tomb series
Muir doesn’t see this as jarring – why can’t epics have lesbians in them?
All epics want you do to is die gloriously
You can do anything after that
Q&A: Epic influences on the Locked Tomb series
The Iliad. It all comes back to Homer, and the Iliad.
There was some insightful discussion on how the Locked Tomb world codifies its past. In a sense, it’s stuck in time. There’s no golden period to hark back to.
The discussion then turned to the idea of the hero, and what a hero should be.
This is heavily explored in Gideon the Ninth, which centres around Harrow failing to prevent Gideon from being the hero
Add lesbian to anything
Muir would love to see a lesbian Hunger Games
Floralinda vs Gideon and Harrow
“Floralinda blows” – Tamsyn Muir
Floralinda is a supervillain story about a ‘bad girl who gets worse’
Muir has written/is planning to write more on Floralinda
Q&A: Advice for writing characters who suck?
Just let them be shit, go hard first and don’t hold back
Take a sin, take a virtue
All of Muir’s characters, in some way, are a ‘fuck up’
Catholic imagery in the Locked Tomb series and Catholicism in general
Q&A: was it difficult to link lesbians with Catholicism in the Locked Tomb series?
It felt good for Muir, a lesbian Catholic
And also very fun!
Q&A: who’s the hottest saint?
In the TLT universe: Valancy!
In the real world: Saint Barbara
This sparked some light-hearted banter
Q&A: Meaningful names in the Locked Tomb series
Muir loves writing meaningful names that hide things in plain sight
Muir does not browse ‘Behind the Name’ lol
She has a ‘laundry list’ of names she likes which she’s accumulated throughout her life
Homer and ancient Greek influences played a key role
Also Biblical names
Changing names are highly important in the books, e.g., Gideon to Kiriona
Muir doesn’t mind if people sus out a character’s plot after immediately reading their names
Umineko inspiration
Lolita and the Locked Tomb series
Q&A: the audience member read Lolita at the same time as NtN. They were wondering if the similarities between the two were deliberate.
Muir loves Lolita and thinks that Nabokov is an expert in writing misery
Muir was open about being a child sexual abuse survivor. The influence of this is pervasive in her work.
There is a strong focus on relationships with authority people
Particularly in NtN, which contains sexual threats. This was hard for Muir to write.
Another example is the relationship between John and Alecto.
They are not a one on one comparison between Humbert and Lolita, but the theme of a man fashioning a girl into the perfect partner is there
Whether there is a sexual element in this will be answered in Alecto the Ninth
Muir explicitly does not want to include overt sexual violence in her work
Misogyny in the Locked Tomb series
Q&A: In the worldbuilding of the Locked Tomb series, how do you balance the misogyny that still exists (which is particularly obvious when John talks to/about Mercymorn) and the outward appearance/initial impression people get of the houses having gender equality (e.g., Abigail as head of the fifth, Jeannemary as a knight)?
This question had Muir wriggling in delight
The answer to this is addressed in Alecto
Why is John fucking up in the creation of his utopia?
Muir encourages readers to question what you, the reader, perceive as misogyny, versus what the characters perceive as misogyny.
Q&A: Cannibalism in the Locked Tomb series
Cannibalism is a metaphor for toxic love
Cannibalism of the soul is much more severe than cannibalism of the flesh
Link to Lolita
It’s eating someone’s life and personhood. A central theme in TLT is exploring love as something taken violently
Can you love someone without taking something from them? This is one of Muir’s favourite ideas
And, it’s not necessarily negative
Example of Camilla and Palamedes (spoiler for NtN!!)
They had to eat each other
Grappling with the question: Is love weightless?
Q&A: How much of their old selves are preserved in the Lyctors?
HtN spoilers!!
John didn’t simply wipe and rewrite them – if not, why are they trying to kill him?
John wanted his friends, so he tried to bring his friends back
Interesting implications for the two people he didn’t know well and only saw as cowrokers
BUT then the Lyctors are changed by their immortality and John
Q&A: What was it like to write immortality?
Muir acknowledges that she doesn’t do a perfect job, and that it’s actually impossible to actually write immortality – it will be too alien for the reader
But this links back to the theme of memory – how much can the Lyctors retain?
The Lyctors are heavily weighed down by time, Mercymorn in particular
Q&A: How long would Muir last in the TLT universe?
0.5 seconds
Muir doesn’t see herself as a necromancer or cavalier
Nor is she particularly aligned with any House
Q&A: Books that Muir is reading right now that she would recommend
(again, my poor listening skills and lack of culture limit me here!)
Spoiled Milk by Avery Curran
‘Payback for Malory Towers’
A.K. Markwood’s new book, the Seventh Banisher
Muir has advance access. AK is her friend.
Q&A: Books and media that influenced Muir as a child
She was a highly prolific reader as a child!
Obviously Animorphs
Weird Kiwi fantasy stories
Margaret Margey
She read a lot of David Eddings as a teenager and got annoyed at the role of women in the books
Gormandust was a key inspiration for TLT (I googled this and ‘Gormandust’ doesn’t exist, hopefully someone more in the know can help to translate my poor transcription!)
Grimmbolts was another influence (again, I probably didn’t hear this correctly)
Q&A: Warhammer inspiration
Muir didn’t get into Warhammer until after HtN. She loves it.
She has been approached to write for the Black Library but she had to decline as she had too much work
Q&A: What’s Muir going to do next?
Muir does not want to keep going back to TLT, she is happy to release it to the fanfiction writers once it’s done!
There are a couple more things in the TLT universe she may add
For example, there’s a big Harrow AU…
Muir wants to go back to videogames
But in her history, the projects she works on tend to fold
Muir is trying to write her own videogames and is slowly learning Python
A very good question about deconstruction was asked, but I missed it because I was too excited
Everyone was really lovely at the event! Cambridge folk, you have a lot to look forward to :))
so last night when i was trying to sleep y'know it was dark and quiet and my eyes were closed but then i suddenly started laughing because i remembered this gif
I just finished reading The Infinity Cycle by Adam Silvera. Overall a pretty good series. Not great, not a stand-out fantasy series, but fun enough at least for me.
I think the biggest problems are that the world has lots of elements that are interesting, but it never feels like it comes together very well. Like it's modern day + random people having magic, but those elements, along with the different elements of the magic system, never really feel like one world to me. Like if I would live there, would my life be very different or wouldn't it be? What's the actual proportion between magic and non-magic? Like I said most of the magic stuff is very cool, but just in isolation. Not to mention I think the YA trend to use superpowers as a metaphor for discrimination will never not feel awkward to me.
Also some of the characters' actions are very "idiot-plot"-adjacent. Like even the trained heroes suck at using any strategy both inside combat and outside.
This is all while the actual plot moves absolutely glacially. Like I would make a bet you could tell the same story in 2/3 of the time and trimming the plot in 1/2 of the time. I mean I did like most things that happened and wasn't bored or anything, spending time with the characters was nice, but it doesn't really justify its length very well either.
Finally, I just felt like the ending was underwhelming (especially given the previous point). With all the build-up, all the mysteries and different factions moving about, I felt like there clearly was a plan for a big thing at the end, but there wasn't – in fact I feel like the good guys' win was pretty easy when it came down to it...
Honestly I'm being too negative. The characters were great. All 4 POV characters were interesting and I was never disappointed when any of them came up. And as I said I enjoyed many of the creative ideas with the magic. Also, despite the plot resolution being disappointing, the actual ending and epilogue focusing on the characters were amazing. I couldn't have picked a better ending for everyone and there were many heart-warming and genuinely sad scenes in the epilogues – that whole thing might have been the highlight of the series for me. Each book definitely got better than the last very noticeably.
Anyway, I didn't see much discussion about the series here, so I thought I would add something. I would love to talk if anyone has thoughts about the series.
(Also I don't know if anyone cares about low-key book talks / reviews from me, lol. I just felt like it today apparently.)
At nine and a half, Adam began to scream.
It was the sound of something that knew it was dying.
The dim walls of the room felt like they absorbed it. Somehow this scream would always be embedded in the plaster, needled into the supports of the house, gasping in the places no one ever saw. Somehow there would always be a thing that would never be happy and whole again.
Chapter 39, Call Down the Hawk
Thank you so much, @kidovna, for bringing this scene to life!!! 💟🙇🔮
"Parrish, that was fucked up," Ronan said. He laid a palm on Adam's pale cheek. It, too, was frigid. Adam turned his face into Ronan's hand, his eyes shuttered.
"It saw me," Adam said. "Oh God."
"What is it?"
Adam didn't answer.
Ronan bundled him close and for seceral minutes, the two of them stayed like that, tightly wound together, lit by the abandoned dreamt sun, Adam's skin cold as the moon.
"It's not Bryde," Adam said finally. "The something, it's not Bryde."
"How do you know?"
Adam said, "Because whatever it is, it's afraid of him."
