[haveyoureadgoodomens]

A compilation of Kirk and Spock looking at each other in Trouble with the Tribbles. I hope you like it!

[acdhw]

[alskaichou]

Posting the gifset for my wife's recent WHA manga track reminded me that I never got around to making a gifset for an old Tokyo Babylon track of mine, so here it is. What a twisted manga, man. 10/10

[cyellolemon]

aaaaa

[jaimehwatson]

[jaimehwatson]

[writing-prompt-s]

Your wife of many years has just escaped being possessed, and apparently had been for the entirety of the time that you've known her. Given this, the woman you fell in love with was in fact whatever was possessing her - and you want them back.

[celestialmazer]

Gothic pulp fiction book covers

Including art by Allan Kass, Lou Marchetti, Walter Popp, George Ziel (and Bookman Swash font)

From @PulpLibrarian's list https://threadreaderapp.com/thread/1425827696366428165.html

[argumate]

the Pirates of the Caribbean trilogy is presents a romance-style female-focused fantasy adventure, which is rare for blockbuster movies.

[argumate]

 - you are Keira Knightley, the high-spirited and ever so slightly spoiled child of a doting father who happens to be the governor

 - every man in the world is crazy about you, from the dashing naval officer who asks for your hand in marriage to the handsome young blacksmith’s apprentice who you met as a child and feel a strong bond with to the devilish pirate lord who saves your life and flirts with you shamelessly and you make out with him once but it’s for a good cause

 - you have two weddings, one where you femme it up and then it turns all emo when it rains on your wedding day and the groom is dragged off in chains by another guy who secretly has the hots for you and then you have a second wedding where you dress as a man because you’re the pirate king now and you exchange custom vows and witty banter during a sword fight with zombies

 - you are Keira Knightley

[empanadazul]

- all three of your potential love interests end up on the same ship at one point they have a lot of tension between them but they don’t fight because you told them not to

- a random pirate you knew for half an hour names you his heir and now you command one of the biggest and most important fleets in the sea

- not only that but you became the Queen of all pirates who now obey you and are at your command. You use your powers to destroy the fleet of the East India Company

- there’s a kraken

[whats-her-name----33]

Tumblr butchered the quality so posting again. Full project -> insta

We are seen at the surface, rarely beyond it. Known in general, almost never in detail. Recognized in outline, but seldom in depth like ghosts passing through one another.

We fade long before anyone notices slowly, quietly, on an ordinary Thursday night, somewhere between two laughs, not all at once, not dramatically.

Maybe the old stories had it wrong. It isn't the ghost that haunts the house it's the house that haunts the ghost and the memories that stay long after we're gone.

[thebitchkingofangmar]

it does remain profoundly iconic that the only way Eru Illuvatar had to nerf Sauron was making him ugly. The only way to get an effective restraining order for him from the Valar was to call up God, and then the only way God could in fact stop what Sauron had set in motion was flooding everything and revoking his pretty privilege. I hate him. I'm obsessed with him.

[hollandaisewone]

Official art 😁😁😁look at fluffego with opera

[vaguely-concerned]

Ever since watching The Wire for the first time, my brain has doggedly kept working away at the Especially the lies of it all, and specifically at how much the structure beneath the different stories Garak tells contributes to the overall meaning of what he’s trying to say. While the contradicting narratives of course expertly obscure the factual circumstances of his getting exiled, using them also allows him to tell aspects and facets of the emotional truth I don’t think he ever could have, if he’d simply told the actual story of what happened. (It’s very Varric-core of him honestly.)

The first story — the ‘oh, you think you know me?’ story — says I have done things that would sicken you if you knew any detail of it. It’s clearly meant to scare Bashir away so he’ll leave him to die shamefully in peace already lol. But it’s also one of his (probably much-needed lbr) little lessons to Julian that are so frequent in the beginning, given while Garak still has some hold on himself — “Don’t be so quick to forgive me if you don’t even know what I’ve done; what would you do if this really were the sum total of what I am?” (And Julian seems to surprise him by going ‘Well, exactly the same thing, because no matter who you are I am a doctor. But I sort of take your point.’)

The second story — the letting the orphans go story — says I have failed to smother my soul in its cradle when it was required of me, and I regret that more than anything I’ve done. To my ears this is the one most shot through with active self-loathing too, which is interesting. He’s officially lost the control he’s been clinging to and it’s about to get ugly. His TL;DR is ‘Sentiment is the greatest weakness of all’, even all the way back here. (Which is the one lesson Julian steadfastly refuses to learn, which I think in turn does some serious rearrangement of Garak’s soul over the course of the show haha. Get uno reversed into the process of loving and being loved without shame asshole.)  This is also where he builds up to admitting to having any sort of need for companionship or closeness at all and — so much worse — that Julian’s role in his life actually has fulfilled some of that need, and he’s DRIPPING with defensive venom over it b/c well I get it Garak vulnerability is scary it can take a person like that. 

(I also feel there’s something honest and forbidden in ‘Suddenly the whole exercise seemed utterly meaningless’. I suspect ‘actually… why the fuck are we even doing this???’ is not a welcome sentiment in an Obsidian Order water cooler environment, no matter what you’re saying it about lmao. The very first seeds of him deconstructing the things he’s been taught about Cardassia and his work might be hinted at here, though they of course take a looong time to come to any real fruition.)   

The third story — the ‘Elim was my best friend’ story — says hey, remember that thing you said once, about how sometimes, you have to be loyal to yourself before you can be loyal to anything else? Well. guess what. I couldn’t even be that lmao. It also furthers that thread of being divided from yourself, split, that having ‘Elim’ as a separate person around in all versions of the story brings in. He’s in control of himself again, but he essentially hands his life and soul over to Julian to decide what should be done with them. 

I’ve done horrible things and it finally caught up with me, I’m getting what I deserve → I let sentiment master me and the fact that I’m too weak to do what’s needed of me shames me more than the evil I’ve done → I fucked up. I betrayed myself and everything I held to, all for nothing, and I have no one to blame for it but myself. But it’s very nice that you’re here anyway, Doctor. (Wow. I didn’t realize quite how isolated and lonely that last one was before right now. The way Tain has shaped him really has just… locked him completely into himself, huh.) We can also see a movement through from a completely professional context in the first story, to an intensely interpersonal and internal context in the last one — even his fake stories spiral in towards intimacy, which I think is what he longs for here even if he can’t quite like. Touch that without the stories as a buffer yet, it’s clearly like touching a hot stove for him to interact with it too directly. 

And you know what I find incredibly interesting the whole way through? Even on his deathbed, where he’s dying from the thing Tain had put in his head, he’s protecting Tain. He puts all the blame for where he is on himself (‘My future was limitless, until I threw it away’), even if he has to employ a strange twisty logic where he’s split himself into two to do it. Don’t get me wrong, Garak has done horrific things all on his own haha, but it’s notable that he almost isolates Tain from that. ‘Tain was the Obsidian Order. Not even the Central Command dared challenge him. And I was his right hand.’ Tain in Garak’s stories is this infallible implacable weirdly distant figure, even now. Indeed, as will make a lot of sense with the revelations further down the line, more than anything it seems the gaze of an abused child desperate for recognition looking up at an idealized (if not in any way nurturing) parent.‘He was retired at that point; he couldn't protect me’, Garak says, as if what he’d need protection from in the first place isn’t Tain himself lmao, as if Tain had no active part in any of this. He never lets blame touch Tain at all. At this stage he would rather consider himself a broken flawed tool than accept that the hands that have wrought and wielded him have ever had any fault in them. AND in the middle of it all, with plausible deniability, on death’s door and knocking meekly to be let in before he must finish the mortifying ordeal of being known and test the even more daunting possibility of being loved, Garak at the same time manages to drop the breadcrumb trail of clues to make it possible for Julian to find Tain if he so chooses and gets in the ‘sons of Tain’ thing too for future dramatic irony purposes. Truly he is the Michelangelo of lying. Every falsehood a multifaceted masterpiece. Elim ‘achieving a state of intertextuality in real life is possible if you work hard and believe in yourself’ Garak. I love him so much. 

I think all of this is why “I forgive you. For whatever it is you did,” works so well, because it too works on a structural level. It’s such a deceptively multilayered response — it has the syntax of a joke, in a way, and it is kind of funny even under the circumstances, but delivered with such earnest warmth and fondness. It’s both recognition and acceptance (forgiveness!). It’s saying ‘I finally understand enough of what you’re trying to tell me beneath and through all that, in whatever way you’re capable of, I see you’ and ‘my answer hasn’t changed (bitch)’. The forgiveness Julian offers here is complete — on principle, and out of personal feeling and empathy (only one of which Garak deigns to respond to during the second story, where he calls it ‘smug Federation sympathy’, placing it more completely on the principle side than it probably is. ‘Dude you’re my friend please don’t just lie down and die in a completely avoidable way on me, who else is going to not only tolerate but actually gleefully enjoy me being annoying as fuck over lunch’ seems to be the subtext that’s a lot harder to acknowledge and invite in for both of them. And yet Tain seems perfectly clear on the fact that Julian is Garak’s friend, which, y’know. Must be fun living with the knowledge that Tain has eyes everywhere looming over you every day haha guess you’d just have to tune that out.) 

Most of all — ’Don’t give up on me now, Doctor’... and he didn’t! He didn’t. Augh. Ow.

[keepcalmandcarriefischer]

https://vm.tiktok.com/ZTdQuxw52/

I think I found my new favorite rabbit hole. This voice actor does Shakespeare scenes in a southern accent and I need to see the whole damn play. Absolutely beautiful

[hamletthedane]

In honor of the Ides of March, please enjoy what is still to this day my FAVORITE performance of “Friends, Romans, Countrymen”

[fellowshipofthefics]

Are you feeling lucky today? Let's put it to the test.

Roll a D20 and see what you get! Want to test your luck further? Roll again on the second collum, and if you really want to test the strength of your luck, roll again on the third collum. Combine what you get into a sorted tale, and don't forget to include the #fotfics!

🍀(Need a D20 to roll? Find one here)🍀

[visxionery]

i need this printed A1 POSTER ON MY WALL. RAHHHHHHHH *grabs pitchfork*

[landofanimes]

CLAMP EXHIBITION

Key visuals showcase different works and the 5 themes of the 2024 exhibition:

C for COLOR. CLAMP colors the world.

L for LOVE. CLAMP draws the forms of love.

A for ADVENTURE. CLAMP weaves the stories of adventure.

M for MAGIC. CLAMP casts its magic.

P for Phrase. CLAMP spins the phrases.