
#extradirty
Cosmic Funnies

Janaina Medeiros
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Stranger Things
I'd rather be in outer space 🛸

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Alisa U Zemlji Chuda
One Nice Bug Per Day
Not today Justin
styofa doing anything

if i look back, i am lost
ojovivo
$LAYYYTER

izzy's playlists!
will byers stan first human second
Lint Roller? I Barely Know Her
NASA

roma★
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@hertimeisnight
in happier pride news i actually found this deeply heartwarming
that's solidarity baybeeee
Further context: Durham city council (Reform UK) cut funding and support for Pride. The Durham Miner's Association and other trade unions raised enough money for Durham Pride 2026 to go ahead - a direct call back to when Lesbian and Gays Support the Miners (LGSM) raised money for mining communities when Margaret Thatcher seized union funding during the miner strikes of 1984-85.
At the 1985 Labour party meet, the motion to support LGBT rights as a party was passed due to a block vote from mining unions.
Stephen Guy, the chair of the Durham Miners’ Association, said that when it became apparent Durham Pride was under threat, he took it upon himself to “encourage the trade union movement to step up and do the right thing, and stand shoulder to shoulder with the LGBT+ community […] They not only raised funds for us, but came to our communities, uplifted our spirits when they were down, and showed their solidarity.”
Just came home from a dinner party with the friendgroup at which several people kept saying "Ask Pedro" or "Pedro will know" and I was terrified that they were referring to an AI like Claude but no, thank fuck, they were referring to a cardboard cutout of Pedro Pascal that someone left upstairs and who has been designated a kind of patron saint status in the household.
One of my favourite bits of media history trivia is that back in the Elizabethan period, people used to publish unauthorised copies of plays by sending someone who was good with shorthand to discretely write down all of the play's dialogue while they watched it, then reconstructing the play by combining those notes with audience interviews to recover the stage directions; in some cases, these unauthorised copies are the only record of a given play that survives to the present day. It's one of my favourites for two reasons:
It demonstrates that piracy has always lay at the heart of media preservation; and
Imagine being the 1603 equivalent of the guy with the cell phone camera in the movie theatre, furtively scribbling down notes in a little book and hoping Shakespeare himself doesn't catch you.
The apple they fed to snow white wasnt poision at all it was just a red delicious
This young girl uses “los,” “las” and the gender-neutral “les” — watch her explain why. —from REMEZCLA on twitter.
to all the cowards who whine “how will i explain it to my kids??” i say: how about you shut up and let your kids explain it to you.
“Ma’am, you don’t have to be a lawyer to defend someone else” wow she snapped
dammnn she really popped off with that last line though
IN THIS HOUSE WE STAN THIS KID
as someone who studies linguistics, i will never not laugh when someone says “that word doesn’t exist” like, my good bitch. if a word is regularly used by a certain amount of people then it exists. if it has its own grammatical rules then its perfectly valid. it’s part of their lexicon now, sweetie. “It’s a made up word” honey, all words are made up. Linguists didn’t just fucking excavate athens and were like BEHOLD!!! VOCABULARY!! “that word isn’t in the dictionary” dictionaries are not rule books, they’re record books. “Refrigerate” didn’t exist 200 years ago and yet here we are. a language that doesn’t adapt to an ever changing society is bound to be lost because, eventually, it won’t be able to keep up with social progress. you motherfuckers.
"bosch" doesn't sound like the name of a guy who'd make paintings like that. but when you add "hieronymus" to the mix it starts to make sense
I always say that the thing which sets Sargent apart as a portrait artist is that he draws/paints literally every subject - no matter their gender, social position, life vs representational drawing etc - like he is right that minute realising he's desperately in love with them. And it rules every single time.
Examples pulled just from his Wikipedia page most popular works. Absolutely devastating scenes for bisexuals for over a century
Don't forget the ALLIGATORS. He loves them too.
I don’t know if this is an obvious take or a hot take, but I think people need to start re-framing feminism as the fight for body autonomy as opposed to whatever this second wave revival gender essentialist bullshit we have going on right now. Once you reframe it in this way, it’s easier to understand intersectionality and why cis women are not the only people who need feminism. The lack of body autonomy effects cis women, trans people, intersex people, disabled people, poc, homeless people, sex workers, etc. and your feminism needs to include and prioritise all of these groups of people (which will include men btw) because feminism is about autonomy, not about establishing a matriarchy. Body autonomy is the biggest threat to the patriarchy, both with reproductive rights, LGBTQ+ rights, and even the right to not be drafted into military services. Once body autonomy is established for everyone, the patriarchy no longer has a leg to stand on.
And body autonomy does include things that you don’t personally like either. I was prompted to write this post after a series of bad takes from progressives, but one of them was re-hashing the Sabrina Carpenter album cover drama with “I don’t think it’s conservative of me to think that the album cover is a bad look when we’ve seen images of women being abused in this way” because I do actually think you’ve failed to understand feminism by projecting your morals onto a woman who was consensually expressing her own autonomy just because she expressed it in a way that you didn’t like or that made you uncomfortable.
Body autonomy also means unhealthy choices. Body autonomy also means regret rates. Body autonomy also means freedom of sexuality. Body autonomy also means mutilation. If you believe body autonomy has limitations and exceptions, then your feminism is most likely surface level.
TERFs are some of the biggest opponents to body autonomy, and if you find yourself thinking “oh people can do whatever they want with their bodies as long as it doesn’t harm them or make others uncomfortable” then you are far more susceptible to TERF propaganda than you think.
ooooh the radfems are BIG mad about this one
Body autonomy also means unhealthy choices. Body autonomy also means regret rates. Body autonomy also means freedom of sexuality. Body autonomy also means mutilation. If you believe body autonomy has limitations and exceptions, then your feminism is most likely surface level.
Body autonomy means the dignity of risk. Body autonomy means not forcing decisions on children that will bind them after they reach adulthood. Body autonomy means letting people make mistakes and trusting them anyway. Body autonomy means always offering choices. Body autonomy means people get to do things you wouldn't.
My brain is a machine for turning things I need to do into things I forgot to do.
the commodification of friendship is the most annoying thing to come out of the internet in ages. like actually i love to break this to you but you're supposed to help your friends move even if it's hard work. or stay up with them when they're sad even if you're gonna lose sleep. you're supposed to listen to their fears and sorrows even if it means your own mind takes on a little bit of that weight. that's how you know that you care. they will drive you to the airport and then you will make them soup when they're sick. you're supposed to make small sacrifices for them and they are supposed to do that for you. and there's actually gonna be rough patches for both of you where the balance will be uneven and you will still be friends and it will not be unhealthy and they will not be abusive. life is not meant to be an endless prioritization of our own comfort if it was we would literally never get anywhere ever. jesus.
“The Militarization of the Police Department – Deadly Farce,” an original painting by Richard Williams from “The 20 Dumbest People, Events, and Things of 2014″ in Mad magazine #531, published by DC Comics, February 2015.
Here’s the original, for comparison. And here’s a bit more about the artist and why he created the piece above for MAD Magazine.
Richard Williams on Norman Rockwell:
“For most people, he was the painter of ‘America,’” he added. “But even he said his vision was what he wanted ‘America’ to be. It was a mythical ‘America,’ a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasn’t really true… you just wished it was. My parody of Rockwell’s painting simply says, ‘That myth is dead.’”
I think it’s relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldn’t allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.
A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.
But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here
Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.
Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:
But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:
We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.
Regarding Norman Rockwell, I also want to shout out “New Kids in the Neighborhood (Moving Day)” in 1967:
Also for LOOK magazine, but leaning on his themes of youth and suburban life. Expressing both hope for the curiosity and open-mindedness of children, and the bitter recognition of the suspicion of adults towards racial integration (see the face peeking out of the window in background). It’s notable that this is what he wanted America to be, too. He hoped for a better future.
I think that MAD Magazine artwork is really good and really poignant, and it’s also interesting to put it in conversation with Norman Rockwell’s own political evolution in his art as well.
This is how the world should be ❤️
At no point did I predict what happened next in this video.
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There are many benefits to having a robust transit system.
INTERVIEWER: When I consider what a risk it must have been to write about homosexuality when you did…
BALDWIN: You’re talking about Giovanni’s Room. Yeah, that was rough. But I had to do it to clarify something for myself.
INTERVIEWER: What was that?
BALDWIN: Where I was in the world. I mean, what I’m made of. Anyway, Giovanni’s Room is not really about homosexuality. It’s the vehicle through which the book moves. Go Tell It on the Mountain, for example, is not about a church and Giovanni is not really about homosexuality. It’s about what happens to you if you’re afraid to love anybody. Which is more interesting than the question of homosexuality.
— James Baldwin, from an interview with The Village Voice
The Germans really cooked making "Hobbyless behaviour" an insult. It is both devastating, applicable to a wide range of people and behaviours, and doesn't resort to swearing.
Man ranting on the internet about the Superbowl halftime show or complaining that something is "woke"? Hobbyless Behaviour. Girls mocking another girl for not looking right? Hobbyless Behaviour. Mindless vandalism? Hobbyless Behaviour.
It is more powerful than "get a life" or the English "You're Sad" because it gets to the central point of the matter, and that is wonderful. Danke, Deutsch.
amir khusrow (1253–1325 CE)
This is back on my dash! And listen, I love to see Amir Khusrau getting appreciation, but this translation ignores a lot. The original rhymes! And scans! And does playful things with register! And conveys a tone of affectionate banter between the two speakers, not least because it has them both addressing each other as sakhi (translated above as “girl”) in the last two lines. I think taking some liberties with line order is worth it to preserve more of the rest—and I think there’s a better translation of sakhi. And so:
He only visits once a year, I splurge big on him when he’s here, His kisses make my tastebuds tango. Who, bitch, your man? Nah, bitch, a mango.