🌞|Jaga | Virgo | 29 | fic writer | I do art too sometimes | Arcane/ ST | She/her |🌛
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My friends, apart from being three beetles in a long coat I am a fandom hopper, multiple blorbo haver, so there will be different ships at random. If you follow me don't expect only one : D And above all I enjoy writing, so it's not as much about the ship as it is about the process for me personally. Always happy to yap about writing!
So far all my fics are x f!reader with some fantasy/magical element to them. This is +18 blog! Minors do not interact!
Masterlist below:
Smut marked with: *
ARCANE:
Viktor x reader
And it was all yellow * - Mer!Vik x reader | Series | completed
Amaranthyne - Fae!Vik x reader | One-shot | completed
STRANGER THINGS:
Eddie Munson x reader
The Metalwork* - Series | Art uni | Witches | Monster hunting | Friends to lovers | Slow burn | on-going!
DISPATCH
My favourite fish* - Mer! Rob x reader | One-shot | completed
AKOTSK
The Note* - Lyonel x reader | Hate sex | Mini one-shot | Request | completed
The Joust* - virgin! Dunk x reader | One-shot | Smut no plot, he takes you against a tree | completed
Currently obsessed with the new Dracula movie (This is YEARNING guys) and Eddie from ST (just give me puppy-eyed, long-haired man and I'm down bad) and well Vik from Arcane ofc! A Blorbo forever : D
contents (nsfw): Dunk x fem!Reader, Modern AU friends to lovers rom-com with pregnancy. Humour, angst, banter, sexual and romantic tension, mentions of jealousy, horny thoughts, acts of service, pregnant sex (🗣️🗣️🗣️) consisting of: standing sex, cowgirl, coming inside, lots of feels, aftercare.
<- previous chapter
MASTERLIST
next chapter -> (12/06)
synopsis: Universe smashes them together. (Pregnancy status: 14-16 weeks, start of the II trimester).
word count: 14K 🤭
a/n: Banner by me, dividers by @strangergraphics, proofread by @hextoken!
It has not even occurred to Dunk that he could date. Last time he tried, he came out of it with his heart all mangled and a new distrust of women who said they liked simple men while meaning simple to keep. Even if he were ready now, to start he would have to meet certain conditions. He would have to talk to women in a way that suggested interest. To do that, he would have to possess some interest in the first place.
When he leaves your flat after an incredibly awkward supper tacked onto what Dunk had thought was an amazing day, he realises he has none. None spare, at least. Whatever ration of interest a man gets issued in life has gone your way entirely and left the cupboard bare. He walks home with the taste of tomato sauce and embarrassment still in his mouth, thinking of how well the baby shopping had gone and how normal it had felt to stand beside you in aisles full of cots and bottles and things neither of you knew how to judge yet. Then dinner, the papers, the maths teacher, and you telling him he could ask her out as if offering him a lift to someplace he did not want to go.
For months after that heart-mangling incident, the one that brought him together with Raymun, Dunk thought falling in love again was a risk he could not afford. Given his generous nature and his inability to keep boundaries where there ought to be some, it seemed only sensible. He had been told he was smothering and that his tendency for enmeshment was fearsome, so staying alone with all those feelings appeared to be the right order of things.
Then Raymun fell in love. With his love came you, and Dunk found himself cured of all his previous resolutions. He took to liking you quickly, and to interest quicker still, because you were the prettiest thing he had ever seen and his eyes, unfortunately, worked well enough with glasses on to make that everybody’s problem. After that came wanting, and there he stayed. For two years he wanted with the low-grade stamina of someone persisting in rain because the bus must come sooner or later. Only every time he gathered enough courage to make a fool of himself, some boyfriend of yours arrived first and had to be withstood. One had a car too loud for the size of his personality. One wore scarves indoors. One called you babe in a tone that made Dunk’s fingers tighten round pint glasses. He endured them all with the pained dignity of livestock at market, and when it finally came to him and you, it went so well he ought to have known the God was setting a trap.
Now, week or so later, he sits on the courtyard bench with a chocolate the maths teacher left in his locker in one hand and a card saying thank you. coffee later? in the other, wondering why on earth he would date someone else when you are out there carrying his child.
A few nights before, he asked Raymun what he thought of it, and Raymun, being Raymun, answered by asking three questions back over the rim of his pint. D’you want to? D’you like her? D’you think she likes you? To the first two Duncan said no, to the third one, I dunno.
Raymun shrugged, offensively simple about it. “Then don’t do it.”
That might have settled the matter if the two of them had not, ten minutes later, gone from one woman to the other as if comparing sacred field notes. Raymun had Rowan’s whole little catalogue ready: how she slept now with one hand under her cheek and the other under her belly though there was barely anything to hold; how she had become adorable over food in a way that made him half mad; how she had discovered the phrase you make it best and used it to turn Raymun into a full-time kitchen servant without ever lifting her voice.
Dunk listened, smiled where he should, laughed where the story asked for it, and felt a small dull sadness open in him at every detail he could not match. He knows your appointments, your nausea, what tea you tolerate, what colour baby clothes you consider criminal. He knows the shape of your feet in black tights and the sound of your voice when illness drags gravel through it. But there are whole ordinary hours of you he has no access to. How you sleep when nobody sees. What you eat at midnight. Whether you talk to the baby yet, or think that daft, or do it only inside your head. Raymun has a life growing round Rowan, messy and domestic and full of crumbs. Dunk has updates, errands, and a longing he keeps trying to dress as good behaviour. Things improve minutely when he's useful, so that is what he focuses on.
“Are you saving that chocolate for later, or can I have it?”
Dunk looks up. Egg stands in front of him with his bag hanging off one shoulder, eyes already fixed on the bar in Dunk’s hand.
“What?”
“The chocolate,” Egg says. “If you’re not eating it.”
“Why? D’you want it?”
Egg’s face opens into a grin so quick and shameless Dunk has to snort. “Well, if it’s upsetting you.”
“Cheeky little—” Dunk mutters, but gives it over anyway.
Egg takes it, drops onto the bench beside him with all the entitlement of a landlord, and starts working at the wrapper. For a moment there is only the crisp little noise of foil and paper. Then he says, with his mouth already full, “So. Are you engaged yet?”
Dunk shuts his eyes. “Jesus Christ.”
“That means no?”
“That means mind your own business.”
Egg chews, unbothered. “You were the one asking me.”
“I did not ask you any such thing.”
“You did. You asked if she ought to be your wife.”
“I asked a general question.”
Egg gives him a flat look.
Dunk huffs and leans back against the bench. “No. We’re not engaged.” Then, too quickly, he adds, “I didn’t ask.”
Egg studies him.
Dunk frowns. “What?”
“You’re lying.”
“I am not.”
“You are.” Egg’s eyes narrow. His bald head tilts a little, and Dunk gets the dreadful sense of a crystal ball being consulted at close range. “Oh,” Egg says. Blinks once, solemn with discovery. “She said no.”
For one full second Dunk thinks he has never been so humiliated in his life, and that includes falling face-first into a mud pit during a staff sports day while children chanted his name like Romans at an execution.
Then Egg adds, “Well, no wonder if you’re flirting with Miss Darry.”
Dunk turns his head very slowly. “I’m doin’ what?”
“Flirting,” Egg says, with a tired patience more fitting for a teacher than a pupil. “With Miss Darry.”
“I am not flirtin’ with Miss Darry.”
“She gave you chocolate.”
“That’s not flirtin’.”
“And a card.”
“That’s gratitude.”
“And she smiles at you with all her teeth.”
Dunk looks down at the card again, then away, as if the thing may sprout more accusations if watched too closely. “She asked me for coffee because I helped mark first-class maths.”
Egg bites off another square of chocolate. “Adults are so bad at knowing when things are happening to them.”
“Listen here, you wee menace—”
“And if you’re having a baby with one lady, you shouldn’t be collecting chocolates from another.”
“I didn’t collect it. It was in my locker.”
“Worse then. She has access.”
Dunk gives him a look. Egg only chews, pleased with himself for about three seconds before his face goes thoughtful again. “Are you going to ask her again?”
Dunk sighs and rubs both hands over his eyes under the glasses. “I don’t know, Egg. Should I, if she said no once? I don’t think so.”
Egg thinks on that. Then his gaze slides past Dunk’s shoulder, towards the black limo nosing up by the school gate. He stuffs the chocolate into his bag with sudden efficiency. “Well,” he says, hopping down from the bench, “you’ve the ring already. You could try asking Miss Darry.”
Dunk grabs him before he can bolt. Egg yelps and laughs as Dunk tucks him under one arm like he weighs no more than a sack of potatoes.
“You little horror,” Dunk says, carrying him across the yard while Egg wriggles without any true commitment to escape. “I ought to leave you in lost property.”
“You can’t. I’m claimed.”
“Aye, unfortunately.”
By the time they reach the car, Egg is still laughing, flushed in the face and indignant in the pleased way children get when an adult has agreed to be ridiculous for them. Dunk opens the back door with his free hand and the laugh goes out of him cleanly.
Maekar Targaryen sits in the back seat, straight-spined in a dark suit, looking at Dunk as if he has been summoned for assessment and found damp. Egg goes quiet too.
He stands there with the boy still half-pinned under his arm. Then he sets him down a little too carefully. Egg smooths his jumper with injured dignity and climbs in.
“Has my boy been misbehaving?” Maekar asks.
Dunk clears his throat. “N-no. No, sir. Jus’—just tomfoolery, is all. Like kids do.”
Maekar’s eyes move from Dunk to Egg, then back again. He gives one small nod, the kind that seems to dismiss and approve in the same motion. “Good day to you, sir,” he says.
“Good day,” Dunk says, and closes the door.
The limo pulls away a moment later, black and polished and awful against the ordinary schoolyard. Dunk watches it go. In the back window Egg lifts a hand without turning round. And Duncan could swear, right before the glass takes Maekar’s face beyond seeing, that the man is smiling.
It brightens him some. Enough that he texts Miss Darry, tells her he’s too busy, and thanks her for the chocolate. Enough that measuring the spare room at your place today, putting everything into the respectable little corner he has arranged with you, feels a fraction lighter.
When he gets there he knocks twice, then a third time, and as he is about to get sweaty all over from the sort of thoughts that bloom out of inertia, he hears your tired voice on the other side of the wood.
“Yes, I’m coming, for fuck’s sake.”
The door opens to reveal you beyond cross, but the minute you see him your face does something utterly strange. It falls back into what Duncan presumes it was before: your mouth frowns with such compulsion the chin dimples under it, your eyes remoisturise, and he knows to add the prefix simply from the already wet redness of them which makes you look like you are battling conjunctivitis.
He steps into the skin of a watchful caretaker as if coming home. “Hey,” he says, reaching for your shoulders. “What’s happenin’, hm?”
“I—” You make that breathless little catch people make when they have been crying for hours. One hand goes to your forehead. “Fuck,” you whine. “It’s today. I’m so sorry. I completely forgot.” Each word comes out damper than the one before, until forgot hitches on the last syllable and a new tear beads on your lashes.
“Oh, sweetheart,” Dunk sighs.
You are always smaller than him, but today exceptionally. He notices the hunch in your neck and the slant of your knees, and is revolted by both because he knows the stance of defeat from muscle memory. He walks you backwards into your own hallway, kicks the door shut behind him, and gathers you in.
“Lassie, c’mon—” he mutters, setting a palm over the back of your head. It is large enough to shield near all of it.
Then you are crying fully. Mumbling I’m sorry and hiccuping into his shirt, clutching at his waist so hard your fingers bite through the cotton. You wipe your face into him, and Dunk aches clean through with it. He rubs your back, rocks you a little, shushes you under his breath, and prays you cannot hear how fast his heart is beating.
When you calm some, he takes your face in both hands and wipes the streaks from under your eyes with his thumbs. “What happened, girl?”
You stare at him. “N-nothing.”
Dunk huffs through a smile.
Your face crumples again, less dramatically this time, more from the nuisance of being known than from fresh misery. “I just… feel like shit,” you say. “Work’s been awful, I’m tired, my back aches, I hate that pregnancy pillow, I don’t want to eat anything I’ve got at home, my hair is greasy, and—”
You stop, swallowing hard.
“And?” he prompts, gentle.
“And I really want to have a bath,” you say, with the malady of a person confessing fraud, “but I’m afraid I won’t be able to get out of it.”
Dunk looks at you for a second. Your eyes are swollen. Your mouth is all dragged down. There is a crease from the pillow still printed faintly on one cheek, and your hair has been tied up and let down and tied again until it has given up all loyalty to shape. “Right,” he says.
You sniff. “Right?”
“Aye.” His thumbs smooth the tear tracks once more, then he lets his hands drop to your shoulders. “We can sort that,” he says. “Why didn’t ye tell me?”
“What,” you croak, “that I’m disgusting?”
“That ye needed help.”
You stare at him, stumped. His eyes are large behind the lenses, soft and kind and warm despite the blue of them, like cold winter light over the ocean. Because you being useful all the time makes everything worse, you think. “I dunno,” you tell him.
Dunk receives that with the grave patience he has for children coming down from a crying fit. “What’s first,” he asks, “food or bath?”
“Bath,” you say, then hesitate. Your eyes move over his face, suddenly unsure. “Would you?”
“Mhm. Course.”
“Won’t that be weird?”
Dunk’s mouth tugs at one corner. “No.” You give him a look. “I’ve seen ye before,” he adds.
“You were drunk.”
“I can get drunk if ye want.”
A laugh, finally. Still damp-faced and wrecked enough for it to catch in the throat. “Sod off.”
“There she is,” Dunk says. “Go change. I’ll run it.”
In the bathroom he has a mild moment of panic. Then, because he is a practical man when panic gives him something to do, he pours far too much of something foamy under the running tap. The bath clouds over quickly. Good. Grand. A civilised barrier between his eyes and certain death. He keeps the water only a few degrees above lukewarm because the app said so, and stands there with one hand under the stream knowing he is going to get clouted for it. He finds he does not mind much.
You step into the bathroom with every nerve in your body alarmed. There is nothing normal about a friend giving you a bath. There is especially nothing normal about this friend. You're being silly, you could just take a shower. When your back gives one dull throb the thought of getting even one ounce of comfort becomes stronger than reason or the entire history of social boundaries. At this point you might agree if Lyonel were the one proposing it, though you’d have to drown yourself after.
Dunk is knelt behind the back of the bath, one sleeve pushed up, arm wet with water and foam. He lifts his head when you come in. His face is already pink, but his voice stays even. “C’mon,” he says. “I won’t look.”
He spreads one arm out for you. It drips on the tile. You come closer, then stop when it comes to taking the robe off. Dunk shuts his eyes with theatrical force.
You huff. “Oh, fuck that. I’d rather have you looking than me breaking my neck over this.”
The robe loosens and peels. Slides down your back. Dunk keeps his lids low, but begrudgingly, he sees.
First your shoulders, tense and rolled a little towards your chest, with the muscle there pulled like a bowstring. Then your back, with a warm bare line carrying the day in every tight place. Lower, where the spine gives way to the small inward dip above your hips, and those two hollows there nearly finish him for reasons he has no language for and too much body for.
He almost manages to skip to your legs and feet. That would have been sensible despite likely to help very little. Yet, his eyes land on your arse and stay there for one harrowing second.
Familiar. Longed-for. Still heavy in his hands if he lets memory have any say in it. He remembers the spill of it into his fingers, the same backs of thighs bracketing his shoulders and the redolence of their apex, kindly facing his nose. The blush deepens on him brutally, laying siege on his neck, face, and, by the feeling of it, scalp too. He thanks the God for not making him bald, and begins to sweat.
What is worse, the angle makes you look unpregnant enough for Dunk to momentarily misplace a reason behind this circumstance. His mind supplies a string of cause and effect: if there are hands, they ought to be held; if there are thighs, they ought to be squeezed; dimples of Venus revered, neck's nape licked, spine unkinked, skin rubbed and felt, buttocks bitten or kissed or outright eaten because they seem delicious to him. Once he gets, barely, past the first involuntary wave of primal depravity, he thinks he might be able to endure it (also barely).
You turn, and he catches enough of the front for the whole experience to morph into lethal. A glimpse of a side-boob, heavy and round, is gorgeous enough for Dunk's heart to recall all the emotions shadowing tenderfoot boy-virgins. Upon leaning, the breasts pour over your ribs and he becomes highly conscious of the reasons for their swelling. His gaze drops to stomach, still mostly yours, still quiet to the eye, but not silent.
He's never put much thought into whether pregnant women are sexy or not, so to see your body and undergo the all-systems seizure is a surprise to him. It seems as if his cock is connected to the heart, that is connected to the head, that is connected to all his limbs that currently tingle. The cock, the heart, and the head agree on one matter: that he's never seen a thing more beautiful in his life and the thought that he's the one who did this to you fills him with smugness and sickening joy.
The belly disappears behind your thigh as you put one foot into the bath, and Duncan comes back to himself enough to lift both arms, hovering, ready in case you need them.
“This is tepid,” you scoff, balancing on his forearm.
Dunk squeezes his eyes shut. “It’s warm,” he says thickly, and knows when you are sat only by the sound of it. Once the water sloshes he deems everything safe enough to see again and cracks his lids open. Kneels behind you, and with some regret, notices that the only visible things now are your head, shoulders and knees.
You lean back and rest your neck on the edge of the bathtub, next to his palm. “Are you temperature-blind too?”
It’s sweet enough that he smiles. Small and murmured so softly he knows, despite complaining, that the service is working. “Ye gonna be mean to me, lass?” he asks.
A pause. “No,” you say. “Sorry.”
His hand slides to your shoulder. Swipes the hair off it. “Besides,” Duncan says, “it’s safer for the baby. The a—”
“The app said so, is it?”
“Point taken.” He blushes fiercer for it. Lets his fingers idle on the apple of the joint, then slip beneath the sheet of water. “I know ladies like to scald themselves in showers and whatnot, but it can’t be this bad, hm?”
“It’s not,” you say.
The dance is very gentle. Dunk hasn’t planned this far, so he doesn’t know how much he’s allowed or what he’s expected to do. One large worry is you saying thank you, I got this, and making him wait outside. One ardent wish is to wash your hair. He lingers on the precipice, stirring the water next to your arm, hoping his hand will decide for him once the opportunity arises.
You seem to not mind. Only ask him, “And how do you suddenly know what ladies like to do in the showers and whatnot?”
“Well believe it or not," Dunk says, "I’ve met some ladies in my life before you.”
You hum at that, then turn your head a little against the rim. “Speaking of,” you start. “How’s your maths lady?”
Dunk frowns. His hand stills. “She’s not my maths lady.”
Another beat. Then: “You know what I mean.”
He thinks about saying that he has no interest in your stupid idea of him dating, and less interest still in hearing you encourage it from the wrong side of a tub while he is trying very hard to keep himself decent. The whole thought comes up too blunt and hot for speech, so he only huffs and draws his hand from the water. “She’s still a colleague,” he says.
Internally, you go: thank fuck. Thank fuck, because despite the whole thing being engineered by your fear-ridden brain, you still wanted to win this one, and you have. For the most part, at least, because Dunk is not dating the maths teacher. Lovely. A smaller part of it belongs to your body’s new flavour of cruelty, which has led you to some humiliating places.
Hinge is not a pond where pregnant women can swim safely. Your logical mind has told you so, basic human hubris has told you so, and Rowan has told you so, then proceeded to help you construct an alluring profile anyway. If anything has announced your transition from the first to the second trimester, it is the mild hots unravelling into full-blown randiness. It has left you leering perversely at anything that has fallen victim to Lyonel’s oral fixation, rolling your hips against the moon-shaped pillow you always secretly imagine to be Duncan, and cannibalising your own lips at any of his texts that could qualify as mildly romantic. Big part of the shame is that even a simple how you? has been filed under that category as of late.
An even bigger part of the shame is the maths teacher. The unexplainable jealousy of her, and the last two weeks spent wondering less how you are going to survive it if it happens than how to prevent it. Showing up at school under petty pretext, wearing one of the belly-revealing tops did not happen only because the summer is technically still spring, and a fool’s one.
Enough became enough when your hand joined the rutting hips and the mouth left agape against plush like you were a teenage girl practising kissing on a mirror. You tried to be normal and available and modern. The app gave you freaks, cowards, lactation enthusiasts, and one man who opened with respectfully, how pregnant? The thought of each sickened you before it excited anything, while thoughts of Dunk remained persistently intrusive. Yes, of that one night, but more, too. Of his hands on you. On your feet, on your belly. Of the way his head dips so his lips can reach your shoulder every time he hugs you. Of the way he blushes at wrong moments and never backtracks from a promised thing. Of his back bared from bowing over the crib. Of his smile. His freckles. His hair in tufts, his slim nails, his shoes being enormous next to yours in the hallway, and the way he says lass like you are someone special to him.
You slide down until your head dunks under the water, just enough to wet your hair. The bath muffles the room for one blessed second, then you come back up blinking and wiping droplets from your eyes with the heel of your hand. When you reach for the shampoo, it’s not there.
The next thing you hear is a wet cough of liquid being squeezed from the bottle. “Is it all right if I do it for ye?” Dunk asks.
You try very hard not to sound giddy. “You want to wash my hair?”
“Well,” he says, practical as a hammer. “You want your hair clean, don’t ye?”
“Y-yeah.” You sit up a little, drawing your knees in until you can fold around yourself. “Sure. If you don’t mind.”
“I don’t mind, girl.” Then, Dunk lathers the shampoo between his palms and slides his fingers into your hair.
The sound you make is small. Small, but it lands in him so badly. Breathy and sweet and gone before you can catch it back. Your head eases into his hands with the whole damp weight of it, and Duncan loves it so immediately he has to look down at your crown to gather himself. Your hair clings to his fingers, slick and heavy with water, softer once the shampoo works through. It parts for him in darkening ropes. Catches between his knuckles. Holds the heat of your skin.
With strands drawn out of the way he can see the knobs of your spine and the line of bathwater teasing the tits that are flattened against your thighs. Technically, he sees nothing. Unfortunately, his imagination works like a warehouse with every shelf badly labelled and all the doors left open.
So he keeps to the work. Slow, circular movements. Fingers at your temples, careful over the sore-feeling places. Behind your ears. Back to the crown. Then, at the nape of your neck, he grows bolder. His whole palm frames it and squeezes. Not hard, only enough to feel the tension ease and give the muscle somewhere to go.
You gasp. “Oh, yes—”
Duncan smiles like an idiot. “Good?”
“Yeah. Yeah, um—” You swallow, throat clicking softly. “Sorry. Sorry for the state of me.”
“Stop that.” His hands still for a second. “There’s nothin’ wrong with your state. It’s blessed, so it is, and I don’t want to hear any more snarks about it.”
Under the correction you go quiet. Worse, you obey it. Your shoulders sink, first from exhaustion and then from something more treacherous, until your body begins accepting the hands on it as if without them it gets wounded with deficiency. The touch works down past the scalp and takes liberties elsewhere: slackens your jaw, unhooks something under the breastbone, sends a warm pulse through your hips that has no regard for context. The last person who touched you with this sort of care was also Duncan, but then it came with drink, darkness, and several hours missing from the timeline. This is worse for being clear. You know where his fingers are. You know where yours are gripping your own knees. You know the water has gone nearly still around you and your body, faithless little beast, is starting to hope he never stops.
When you’re about to lose it and start begging him, touch me, touch me, keep touching me, he stops. “Pass me the shower head, will ye?” Dunk says.
You do, blindly, while scowling at the very bottom of your soul and mourning your losses. He starts the water, tests it against his wrist first, then shields your forehead with his cupped palm and begins rinsing. Warmth floods you. Warmer than the bath, finally, as if the man has discovered mercy after all.
You tip your head back, throat bared long and vulnerable, and it does something murderous to Duncan’s blood pressure.
He takes the gift of your closed eyes to gape. At your teeth showing between parted lips, at your lashes clumping darker with damp, at the small working of your neck when you swallow. He keeps the water from your face with the seriousness of a surgical task, which means he simply has to keep touching you. His palm smooths over your temple, cheek, the slick line of hair. Then, he guides the spray lower and rinses the last of the soap from your back. Sadly, the moment when your hair gets clean arrives.
Dunk turns the shower head off. “There,” he says, voice only a little ruined. “Now for the dreaded part, hm?”
“Yeah,” you say, then swallow. “Just—please don’t laugh.”
Duncan, offended by the very thought, says, “I won’t.” He stands, and because he is occasionally capable of saintliness when directly supervised, fixes his eyes with great discipline on the far wall, the towel rail, the corner of the ceiling, anywhere that is neither tit nor arse. Then his palms slide under your armpits. “Up,” he says.
You make one small noise of protest, but he lifts, and your body goes with him as if someone has pulled a string through the top of you. For one second you are dangling more than rising, knees straightening, feet finding the bath’s floor, water sliding off you in streams. The minute you’re upright your arms cross over yourself, even though your back is to him.
You hear fabric shift. Then the bathrobe lands over your shoulders, heavy and soft, and Dunk’s hands come next, drawing it round you without fuss. A towel follows, catching the wet ends of your hair before they can drip down your spine. He pats rather than rubs, which should be funny and somehow only makes your throat feel narrow.
“Here ye are,” he says. “All in one piece.”
You clutch the robe closed at your chest. “Thank you. Maybe just help me get out?”
He nods. “Course.”
You are prepared for an arm. A forearm, specifically. Something to balance on while you step over the high side of the tub with as much grace as a pregnant woman can manage. Dunk, however, has other ideas.
He comes round to the side, bends, and starts gathering you up. You jerk a little in surprise. “What're you doing?”
He pauses, genuinely baffled, one arm already behind your back and the other slipping under your knees. “Helping?”
“Duncan.”
“C’mon,” he says. “Don’t be a wuss now.”
You put up a final symbolic fight in the form of a suffering look, and Dunk only waits it out.
“Oh, for God’s sake,” you mutter, and let him have you.
He lifts before your body has fully agreed to be lifted. Arms go from hovering to holding, and then the bathroom drops by a few inches. Your stomach dips with it. Your hands fly to his shoulders and clutch there, and you wish for him to read it as some small fear because it's a closer neighbour to dignity than the truth.
He has the weight of you settle against him with such immediate rightness that Dunk has to set his jaw against it. The way he perceives it, you weigh almost nothing and also the entire room, which is troublesome and confusing both. It is simple enough for muscle, so Dunk could carry you to the end of the street and back without thinking much of the effort. Complicated when it gains density. There is your forehead right next to his chin and he tries to be mindful of not scratching it. Where your hair presses his chest the cotton soaks, warms, and darkens. Water slides down your calf, gathers at the heel, and drops onto the floorboards with hollow taps. He walks carefully, as if the flat has become uneven on purpose.
Once he gets to the bedroom, he asks, “Where am I puttin’ ye?”
You turn your face into his shoulder. “The floor is fine.”
So he lowers you as if the floor is miles away until you come back to standing. You look up. He looks down.
The room goes oddly close around the two of you. Your hair drips because he hasn't done a very good job drying it. One cold bead runs from the end of it and lands on the back of his hand. Dunk watches it break there.
“Right,” he says, though nothing has been made right by saying it.
You still have both hands on his shoulders. Your fingers have gone slack, but persist. “Right,” you echo, softer.
He could step back. There is space behind him. There is a whole bed to put between you, a whole hallway to traverse and make you a cup of tea, a whole street to walk to his own place, whole country to run and a whole world to travel, and none of those would make Dunk feel any better.
“D’you need anything else?” he asks. Your eyes flick over his face, and for one mad second he thinks you might say yes.
Yes.
Robbed of touch, you want it back. His fingers in your hair again, nails on scalp, chest to your side, no, to your chest, and sliding and heavy on you until breathing is something you get to indulge in only if you do your maths correctly and gulp once the weight eases. Touch me, hold me, crush me, anything-me, so you don't have to spend another night on a half-arsed tryst with a pillow masquerading as him.
“Hold me,” you say, because the little in- dividing sanity from its opposite has begun to look less like a prefix and more like a plank over a ravine. You could've just said no. It has two letters as well, which should make it sturdier. But the numbers let the no acquire certain overfamiliarity with the in- which would send you back under the covers to scrape his smell from the bathrobe with your teeth and pretend his mouth is at your neck instead of back at his own flat. Anything braver than hold would kick the plank clean out from under you and make the word into a whole insanity with no seam left to hide in. So you choose the hyphen. The smallest scrap. A thing with enough necessity in it to be genuine and enough restraint in it to still let you lie about what you mean.
Dunk is there before you finish thinking. Arms, whole miles of them, come round you, wrap you, then keep wrapping as if the first pass failed to convince him you are caught. It is less a hug than a gathering. He takes you in by increments and still seems to think there is more of you to collect. His body bows around the shape yours takes until his face finds the junction of your shoulder and neck. The bridge of his glasses nudges you there, cold for a second. His mouth stays open against the robe, breath soaking through.
You have to rise onto your toes from the force of it. Your heels lift. Your whole weight goes strange and borrowed, balanced between his arms and the floor, and because he is Duncan he notices and shifts one foot forward so you can lean properly. His hand spreads between your shoulder blades, then drags down your back through the bathrobe. “Ye feel good,” Dunk mutters into you. He keeps rubbing. Finds your spine and makes it look innocent, and the fact of it having to be made to look so speaks for itself. "Smell nice," he says, breathier.
“Dunk,” you say.
He answers with a sound from the chest. A hum, an almost-purr, thickened by the place his face is pressed. “Mm.”
Then he starts rocking you. Barely. Back and forth in a motion so small it could pass for soothing if your body had less imagination. His hand keeps working at you through cotton. Shoulder to waist, waist to shoulder. Makes your toes curl against the floorboards.
Insanity acquires new shape. It becomes an empty bed and sheets cold on one side and morning that holds only one person. It is having a man who knocked you up kept at an arm's length while his nose is wedged into your neck. And maybe loneliness has you both by throats, but for a second you let yourself believe he might want it too and rule that it would be saner to just… ask him.
“Would you—fuck,” you stammer. “Would you consider, uh—” Dunk moves then. Lifts his head off you and looks, making the whole art of producing speech this much harder. Under the scrutiny you manage only: “Can you stay?”
He frowns, puzzled. "Aye, course. Of course I can."
"No. I mean—" You shake your head. "Can you stay with me. Can you—oh God." Your forehead knocks his chest.
Duncan stills, then says, "Girl." He frowns some more and studies the parting of your hair. "Girl, what d’ye need?" he asks. "What d'ye need, just tell me."
"I need—I need—" you start, but fail there. Wonder if there are some other ways of speaking that Dunk would understand, because it turns out asking outright gains so much ridicule on its way out it withdraws itself from the options. Your hand finds his wrist. You put it on your hip first, which is cowardice. Swallow, and proceed: lower, until your arse fills his palm.
He goes rigid. Lets himself be put in place and nothing more. When you look up his eyes are locked somewhere between you. There's an attempt at a kiss; a poor one. You're out of toes to tip onto and out of mouth to purse so it lands off, on his jaw, and becomes something far sweeter and purer than you've had in mind.
"Ah," he says. Gives himself a moment to kickstart the grey matter of his brain and recognize the bit between the cause and effect. It's still very much improbable, but Dunk risks it. "Yer saying—" he whispers. "Ye—you want me?"
A small nod.
“Now?" he asks. His thumb wedges under your chin. "As in: right now? Ye want to—w-with m-me?”
“Yeah?” You cringe. He's stunned for way too long for this to go smoothly. “Shit, I’m sorry—”
“No,” Dunk says. He finds the side of your neck. “No, no, no, don’t be. Don’t be, please—” A gulp. “I w-would. I—yes—I—yes. God, aye, I want to.” Teeth worry his lower lip. “But uh—is it… safe?”
“Yes,” you laugh, for lack of better reactions. “Yes it is, I checked.” With that Dunk's face muddles back into bewilderment he hides very poorly. The hand on your arse tenses. “What?” you mouth.
“Ye checked?” he asks, pouting. “Why did ye check?”
A cold little fright nips through you. “Cause I’m—” you stammer, then let it out in one breath. “God. Going a bit mad here and I considered checking out Hinge but Rowan said I’d attract only creeps right about now so I read a little before I did anything.”
Duncan blinks. Behind the lenses, his lashes move in two enormous dark fans. “H-hinge? You considered Hinge?”
“Y-yes?" you say. He keeps staring. "Duncan, what is it?”
“I—nothing. I mean—nothing.” His eyes drop and grip loosens. The crossness arrives in him by parts, which is how you know it for real: first the stilling of his mouth, then the colour high on his ears, then a hard gulp moving his throat. You have seen him awkward, embarrassed, worried, wounded. This is rarer, and heavier for being held down. “I jus'—”
He sees it with ugly clarity: men with stupid names and blank faces sending you their little texts, all vapid smiles and dead-eyed compliments, asking questions they have no right to ask. Worse, he sees hands attached to them. Mouths. Their shrivelled, hopeful pricks trying to talk their way near the place some ancient, thick part of him has already marked in chalk and blood as his. It horrifies him, the thought itself and how quickly it stands up in him, ready to bite.
“Why do you look unbelievably cross about it, then?” You put your hands on his chest and beneath them his heart is racketing like a drum. It is scary to see him angry. It reminds you how much force lives in him unspent, how much of him is usually lowered on purpose. “Look, I know it’s your baby," you say carefully. "I wouldn't do anything to harm it, alright? I’m just… weird." A sigh. "I fucking hate it here sometimes.”
“W-where?” Dunk asks, hoping you don’t mean his arms.
“In this… body,” you say and Duncan almost blurts out Why? Why, I love this body. I dream of it and think about it often. I want this body to myself.
“It’s strange, and a bit gross, and I sweat a lot and if I’m not sleepy I’m just horny all the time, and I—” you hiccup. “God, I’m sorry, this must be so weird to you. I’m so sorry, please forget I said anything?”
“No,” Dunk says. “No, don’t do that. Don’t do that, I want to—” He catches you back from where you have gone loose in his hold. “I said I’d help you with anything. And I would like that.” He brings his face closer and sets his fingers to your temple. Either the pulse is in you or in him, or both of you have become terrible at keeping quiet under the skin. “What I don’t like is that you considered Hinge before coming to me. And that you say bad things about yourself,” Dunk whispers.
He thinks of courage, then. How it keeps changing shape. He has permission and still there are things lodged in him he cannot ask without sounding small. Do you want me or just anyone? Am I easier than Hinge, or harder, and you are making the effort anyway? Do you remember anything? You come tighter around him, cinching his waist. Your mouths touch and Dunk closes his eyes.
“I like this body,” he says.
His hand slides from your temple to your neck and lower, cautious until cautiousness begins to pain him. He slips his fingers between your skin and the robe near the collar. The other hand finds the knot at your belt and waits. He waits for anything. A twitch, a flinch, a word, some sign that he has gone too far and should be put down for it.
You nod. So Dunk pulls. The belt gives, and the robe loosens round you.
“It’s… hot,” he says, simpleton that he is.
The trouble is, this body has always been hot to him. He has never known how to give it a clean name. Pretty is too innocent for the places his thoughts go after the first look at you. Maddening comes nearer. Now, with you changing in front of him and the change tied back to his own curse of being a man words fail even worse. His hand sneaks beneath the fabric and finds your belly. The backs of his knuckles graze the skin there.
“It’s making a baby for us—” he says, sombre-eyed. “Yer bloody pretty, lass,” Duncan says, because despite wanting to tell you hot, sexy, toothsome, edible, challenging, ripe, built for my grip, spreadable, kissable, gorgeous, dangerous, disastrous, full, an answer to why lads lose their hands and heads, he knows damn well girls always like to be called pretty.
It works wonders. You let him wedge his hands deeper until the collar of the robe slips wide, falls off both shoulders, and by the time it lands round your feet Duncan is so hard he learns a new truth about trousers. None of them are made for him—old jeans, good jeans, jeans chosen by Raymun—all of them turn traitor under enough pressure. He grips your arms without thinking, partly for himself, partly to stop the quick frightened movement you make to cover yourself.
"Dunk—" you whine.
The unfairness of it is clear. "Aye," he says, gone strange. "Aye, sorry. Hold on."
He grabs his T-shirt by the neck and drags it over his head as boys do, glasses nearly going with it. Once his chest is bare your eyes go over him in famished little sweep and Dunk has to lick his own mouth for bracing against it. His hand goes to his belt. What should be simple, since he's undone belts for the larger part of his life without audience, becomes difficult because of the audience precisely. His thumbs are slipping, he's muttering shite twice, and finally gets it open with a jerk too harsh for the poor leather. He shoves everything down so jeans, pants and shame, the whole construction of it, go to mid-thigh before he remembers his feet and has to kick one foot free, then the other, in a small hopping mess that ought to be funny. He cannot spare enough brain to check.
In his trying to match you for nudity so the embarrassment settles in its good bones, Dunk fucks himself over. He's got no idea if he's doing it for you the same way you're doing it for him, but such is a disadvantage of being a man whose dick tells on him: plainness. It would show plain how much he wants you even without it, if only by the heaving of his chest and redness on him. Even without a raging hard-on, which tries to stand proudly but is unable for the weight of it, Duncan's sure you'd recognise the want on him. He can only hope the little kicks of muscle and dew coming from the tip count as honesty rather than greed.
"I'm trying—" he says, quiet, then reaches for you again. "I'm trying to make it even."
Your memory gets jogged instantly, and you seethe at your mind for banking such sight somewhere distant. The pieces you have of him from before arrive anew, with merits of sobriety, of your bedroom's lighting, of him being nervous as sin, somehow managing to make it look as if you are the one doing him a kindness. In the blink between standing freely and being gathered, you catch the hollows under his arms when his biceps flex, the quiver of them kept in their cage of skin, the billow of his stomach with each hard breath and the way his cock gives a small answering throb below it. His body keeps contradicting itself, undecided between muscle and softness, all of it forced into one large being. His knees point a little outward, hips cut into chewable dips, thighs are broad and furred with something too fine for the rest of him. Almost tender-looking, which is mean considering the size of them.
And God above—above. Iliac furrows bracketing his lower belly, lethal enough, sunk deep enough to make him so irrefutably man you gain understanding of why anyone ever got vulgar about those gutters and called them sex lines.
They invite it. They invite thighs to bracket them, tongues to lick down them, mouths to kiss them, fingers to fit inside the grooves, faces to rest there, arses to press back against them until his balls are flattened to buttocks. Before the gathering ends, one demented conclusion gets its claws in you: Duncan is so solid he would remain rideable under any amount of you. He'd last you until the end of this, and then some.
You go where his arms take you. Up, higher, and higher, for in this over-fervour neither of you seems interested in the limit to climbing another person. His neck gets yoked by your grip, hands find your ass, and he uses the pardon lifting grants him to clutch it until the flesh goes hard. Karma for this indulgence is instant: the weep from between your legs drags his cock, makes him groan loud and torn, and since there’s no pity in your face he knows disguising it as effort has failed.
Locked in this full-body shackle, Duncan feels sexy. Holding a woman he’s put a baby into while remaining helpless makes him feel accomplished. You’re carriable, though to say light is to rob you of the resplendent human burden he believes himself created to keep. Belly still small enough to not get crushed, you cling to him, and every press of you on his torso makes Duncan beg the powers that be to not render him a one-pump chump.
“I don’t think we’re ever even,” you say. You seem to trust his muscles despite their tremble, for one of your hands comes to caress his face. He brings himself closer to it.
His beautiful face, lips of which he bites constantly, nose of which rubs next to yours, eyes of which drill into you with their perfect hopeful blue, and you're certain it eludes Duncan what you mean, and instills some idea about you being clever.
None of you are. We're never even because you're behind with your wanting, both of you think at each other violently.
"Aye," he says. Reckons you're telling him he's the fool here, and agrees. "I've got ye though," Duncan says, voice a little ruined because he very much does not got himself. He seeks your mouth anyway. "Can I kiss ye?"
Show, don't tell, your lips go. They flatten to his first. Wet, firm, already enough to make some working part of Duncan’s brain step off the ledge. Then you open and hum into him, and he goes near stupid with it. His breathing turns loud through his nose. The hands under your ass squeeze, then knead, because that is the only remedy for the overwhelming urge to grab your face and take more of your mouth than he’s been given.
Thankfully, you grant it. Deepen the kiss yourself, wedge your tongue inside and bring one hand to his throat to hold him there. The squeeze is light, but brands him anyway. His head swells with all the yearning things, all the I want you, yes, you are wanted like this, yes, your body is safe with me, yes, I can hold it, yes, kiss me, kiss me, kiss me, because he loves it when you kiss him. He loves your hands on him. God, Dunk is so fucked already that his mouth breaks from yours only enough to say, “I meant it.”
You just hum back, busy licking at his teeth.
“I do like this body,” he says. “Wasn’t sayin’ it to keep ye sweet. I like it fierce.” Then, he starts rocking you against him. Small at first, and less so when your grip tightens round his neck. His hands spread you, part you at the cheeks until his fingers brush the slick edges of your pussy. You keep kissing him. Keep taking his mouth as if the hand between your thighs is only another thing you have decided to allow.
You’re wet. He goes so mad with it his grip adjusts. The head of his cock finds the slick and slips through it, messy and blunt and enough to make him drag his mouth open under yours. “I want to fuck ye so badly,” he says, leaving himself there for you to take what you need from him. “Want you to fuck me back, girl,” Duncan says, and in the same second, he breaches.
You take. Seize and clench and grab so hard your jaw sets itself, and from the back of your throat crawls a dry click that bounces off Duncan’s uneven enamel. Then “F-fuck,” comes out of you and disintegrates into a grunt once more of him gets inside you. It’s rupturous, rapturous, poetic and honest. Fucking great, is what it is, to have your whining and moping and complaining answered with the ardent keenness of a man who acts like he owes you his life for keeping a baby you want anyway. A private crumb of you finds it in itself to admit that you want it because it’s his.
"You're so—" you say, mouth dry. "Strong."
He smiles, so sweetly. Like you've done him some kindness. You could say pretty. Handsome, lovely, good, but the way he holds you brings strong to your mind first.
"Ye good then?" he asks, grinning. Sinking. There's more of him, and more, and you keep waiting for your buttocks to meet his hips but the meeting is getting postponed by endless inches.
"Yeah," you tell him.
Good is a mild descriptor. The spread burns deliciously. Melts into a deep ache with warmth at its rim your body recognises as something it's owed, and by rights. Feet cold from the strain of thighs cinching his waist, you get struck by the contrast of temperatures. His hips, hot to the bone, twitch once, as if begging for more sense than he has given them, and you encourage that craving with a brush of thumb on his throat. "Keep going," you say. "Just… don't drop me."
Never. He'd rather take a cramp to the calf, a bowie to the ribs, a bat to the kneecap, a deconstruction to the troth, a nail to the head and hail to the thief than rid himself of the holy parsimony raging in his muscles from not driving into you outright. He gets you on the whole of himself slowly, gently, and once he's all safe and sound within your splendid womb, Duncan whispers, "I'd never."
In his head lives a fantasy that converts him from being a last resort into a yearner who's finally wanted after weeks of expressing bravery through adept courtship. He's taken you to a date during which you've let him get the chair for you and call the waiter. Then your hand has brushed his on the menu and the foolhardy Duncan has closed his palm around your fingers, and you let him do that too. You've smiled at him with lips smeared glossy, set his arm round your shoulders on the way home and climbed onto your toes so he could kiss you.
He's kissed you plenty. You've been teasing, flirting and taunting him beyond what's legal. The pinnacle of it happens in your bedroom where, with its lights dimmed, Duncan acquires a skill to his fingers, otherwise absent. He undoes the button of your trousers, wedges flat palms under the fabric and slides all your layers down by the power of thumbs cleverly hooked over the waistbands. Comes back up, groping your thighs and arse, and finds the clasp of your bra that's for once his ally. His hands don't shake. The lace peels off your tits. There are dents in the skin where it has held you against gravity and he learns that when breasts become honest about their weight and lower onto ribcage is one of his favourite sights.
He lifts you to show you how strong he is, how reliable. To see if you'd let him, too. You wrap yourself around him, cinch his belly and neck with your limbs. With his cock exposed to elements he keeps kissing you and rocking you against his hips until the first contact is made. The tip parts your lips and you gasp. Nerve endings hone themselves to receive pleasure only. He quells the resistance, burrows himself fully, and his brain loses capacity of telling fantasy from reality. He's stuck in the former, where he is confident and worthy.
You moan, full-mouthed. Duncan smiles, and coos, "Biiiig stretch." Then, he realises he has said it out loud, and the whole brave idiot in his head drops dead.
"I—" he stammers. Doesn't get to finish because there's a small snort against his lips, then laughter, and your whole irriguous insides start quaking with it, making him clench his jaw. "Luv," he grits, squeezing your arse.
"Since when are you so smug?" you ask. Kiss him for it like he's done something right. "I like it," you tell him. "C'mon Dunk. I can take it."
You like it on him too much. The borrowed shape of nerve and whole posture stolen from a man with better practice sits on Duncan as if it has been waiting for him to grow into it. It straightens something in him and squares him. Gives his mouth a sharper line and makes his arms look less accidental, less apologetic, more like boons he has finally decided to use.
For you. On you. Because you asked.
That thought bubbles foul and honeyed in your head. Your need, somehow, has overthrown his usual inadequacy. It has dragged him upright by the scruff and put him where you have privately wanted him for longer than is reasonable to admit: proud, useful, pleased with himself for pleasing you. A small, dangerous idea puts down a root somewhere tender. That maybe, if the whole thing had not come at you backwards and sideways, you might have made each other better on purpose.
You jerk on him with your hips, impatient and clumsy. Duncan huffs a laugh against your mouth, startled into himself again. “Aye,” he says, abashed. “Aye, I’ve got ye.”
Then, he moves. The first lift makes your thighs seize round him. The first descent makes the breath go blunt in your chest. He does it slowly because he is trying to be good, and because you are wrapped round him in a way that leaves no margin for errors. Hands under your buttocks with fingers sunk deep and heels of them taking the weight where your body spills. He works you on him with the plain problem-solving force of moving something heavy and dear and alive, and every inch down feels discovered twice: once by the body and once by the greedy mind that knows whose body this is.
A body that gets filled. Emptied. Filled again.
His cock muscles in with its girth so ample you can tell which veins of him pulse hardest. It leaves you hollow for a beat, then comes back so surely your belly coils, coaxing tight wheezes of air out of you. Each time he lowers you, your clit slaps against the hair below his navel. The scratch blooms as little bright injury you start anticipating. You know the rhythm by the third time. By the fourth, your hips are trying to meet it and the whole diaphragm of pelvis flexes to keep him. By the fifth, your nails have found his neck.
It is complicated only if you let thought get involved. You are held up by his strength, dependent on it, opened and moved because he can do that to you and because you told him to. Your feet cannot find purchase, your balance belongs to him, and still the power of it sits in your own throat. You could stop him with a word. You could break him with praise. You could make him harder by saying his name the right way, and there is an equality in it you've never managed to find by standing level with anyone. A strange fairness made out of mismatched sizes and opposite hungers.
On another level it is dead simple. Duncan is strong enough to lift you and kind enough to listen. You are wet enough to take him and mean enough, now, to enjoy what it does to his face.
Your hand tightens enough for your thumb to press the bob of his throat when the pleasure finds its proper shape. Between your legs first, then higher, into your chest, under the tongue, behind the eyes. “There,” you tell him. “Right there. Oh, fuck, Duncan—”
His whole expression changes, but he keeps it at there. Holds the found angle with severe compliance, lifting and lowering you through the same strip of bliss until the repetition makes you go doll-like. Fucked so well you’re certain your face drains of every hint that intelligence lives anywhere within it, so you hide it in his. You press your nose into his cheek so hard you can feel the solid outline of his teeth through skin. His glasses prod your forehead. Both mouths just hang open since kissing has become too skilled an activity for either of you. Instead, you breathe loud, ugly breaths into him, like you’re the one doing the lifting.
Duncan watches you from too close. His eyes go blurry behind the lenses. “Good?” he mumbles, raspy.
Silly man, you think. Yes, good, yes, keep going, yes, until rather than speaking your body just shows him how good. Your calves lock themselves at the small of his back so fiercely he has nowhere to go but deeper. The first cramp takes you there, then the next, each one making your cunt grip him in greedy shocks until your breath turns useless against his face.
It is liquid succour poured over bone and bruise, if the bruise were months of being devastatingly unfucked while Duncan keeps being his best self in your orbit. In the tightness your body shapes you can feel him throbbing, worse and better for being held there. His arms close round your waist and keep you, while the orgasm spends its havoc through you. Eyes roll back in your skull. Your head fills with cotton, warm and sodden, and the room dims as if set a few feet underwater. In it, you register him moving.
Duncan’s thighs are on fire. He has no idea how he hasn’t spilled yet (given that he's just witnessed your eyes doing the thing, and at last in the right context), and he worries briefly that something in him has gone broken. He takes three stumbling steps backwards until his calves strike the edge of the bed. So he sits. You quiver on him, and he stays there stunned, holding you through the last of it. When it’s over he falls onto his back with you clutched to his chest, still hard inside you.
For a moment he thinks perhaps that was it. That the body can be fooled by mercy if the wanting is severe enough. Everything in him has pulled tight, gone blind, endured the full sweet punishment of you coming around him, and surely after such a thing a man ought to be empty and softened. Released from service. None of that, though. His occupation is to lie there with his cock still buried and aching, too hard for comfort, lit by some phantom ending that never arrived. When you shift on him the smallest amount, the sting runs from root to tip, raw in its brightness, making his stomach ripple.
“It’s good,” you tell him, voice loose. “God, you’re good.”
Dunk shuts his eyes.
There is praise, and then there is whatever that does to him. It gets deep into bloodstream and starts moving in his veins. Then you start moving too, and Duncan knows for sure he has not come yet.
You push off his chest. Bestraddled, he watches the ascent diligently: your tits hang heavier when you’re bowed and settle once your back straightens. There, they shift slightly outward. The weight of them travels until skin draws fine and taut from sternum to collarbone. The upper slopes lift with your breath, but the undersides lower and stay there. Flesh touches flesh with a softness so plain and human Duncan’s mouth fills with spit.
His hand goes because it must. It reaches and fits under one breast with the strange exactness of a thing made to house him without asking. He wedges the span from thumb to forefinger into the crease. Your tit settles over his knuckles, warm and fuller than memory, and beneath the heel of his palm your heart beats hard enough to rival his.
Light catches you so that he can tell the change. His fingers find your stomach with their backs, just grazing, and the skin there is soft in a way that puts daft images in his head, small impossible creatures made of satin and warm milk and whatever else men with sex-drunk brains invent when faced with a woman.
Then, his whole hand covers your belly, and that is much worse. Worse in the sense of too much lack landing in his grip. He spans an area so vast all sensible parts of his mind get blown out. Under that touch, your hips roll. Duncan sucks in a stinging breath, then grits, "What're ye doing, girl?"
You cover his palm with yours, and bring the other back to his throat. Curled fingers, clever fingers, hold him where pulse does its best to tightrope between excitement and peril. Then, you clench, slow and mean enough for his heart to stop completely for one whole second. “Making you come,” you say, though for Duncan it's more like making you die. “I want to see your face when you do and remember it this time.”
He chokes a little, tries to cover it with a groan and it all comes out mixed and mangled into some shape of your name Dunk's never said out loud. His hips rise because he becomes an overeager boy who loses the battle to greed. "Christ, f-fu—" he says, then bends his knees under you to help you solve a problem that is his cock begging for friction. It gives you something better to use, and God help him, you use it. Rock down, grind forward, take the part of him he has been trying so hard to keep courteous and turn it into a tool for his wreckage.
The deconstruction of Duncan begins at the points of him that carry profound sense for the predicament he's in: the head of his cock, raging with heat; the ridge under it, rubbed raw with your slick; the tight forlorn pull in his balls every time your hips drag back and make his body expect relief, then deny it with a new descent. Duncan crumbles by fractions. First a sound, then a twitch. Then the last of his good posture. His hands fumble, find your waist, lose it, and finally pull.
You fall forward over him and catch yourself with one palm beside his head, saving his throat from the full weight of you, though the loss grieves him instantly. He would have taken it, happily, dumbly, with his windpipe dented and gratitude leaking out his ears. Instead he grips your arse and the broad of your hips where God, in a rare moment of sense, has granted you handles Duncan can delude himself into thinking are there for his enjoyment.
“What do you need?” you ask, breathy and gorgeous above him, cheeks shining, forehead damp, mouth all used-looking from him and still asking.
Dunk looks up at you and has to search himself for speech. Most of him is gone already. What remains has no pride worth naming. “Use me,” he murmurs, and pours all the devotion he has for you into the miserable little shape of it. His fingers dig in. “Use me, girl.” Under your sharpening eyes, he grasps at the fortitude built badly enough it cannot hold one form for long, and adds, smaller, "And kiss me."
You blink. Lower yourself and take his upper lip between yours, suck it softly, then give him a sweet, taunting nibble that has his hips punching up. The flesh pulls, stretches, slips free redder, and you smile against it in a way that makes him want to confess to crimes he has not yet committed.
Your arms wind round his neck. It opens him up under you, throat bared, and you go there with filthy acumen. Lick a long wet path over the pulse and tendon, up where his skin goes tender under the jaw, then to the shell of his ear. Your breath arrives first. Hot, broken, full of effort. “Talk to me,” you whisper. “Tell me how you feel.”
For an answer, Dunk moans. He means to do better, he does. But you are panting now, rutting down on him fast enough that the bedframe remembers the both of you, fingers threaded in his hair, hips working him with that half-desperate rhythm he ought to be ashamed of loving. Your cunt keeps taking him and taking him, and there is no clean thought left in him. Only this. Only breath.
When you lift your head, something in his face changes. "Dunk?" He only blinks too many times. “Do you want to stop?” you ask.
His head shakes. “N-no,” he says, near bitten. Swallows, tries again, hand sliding to your thigh to keep you from reading him wrong. “No, lass. Just—slow. I wanna—” His eyes squeeze shut with some useless heat behind them before he finds something at least adjacent to what should be said. “I wanna feel ye proper," he murmurs. "You’re… you’re so kind on me.”
It quakes you some. He's trying to prolong it, the sweetheart, you think. So your body quiets for him first, then alters. You exchange the speed for depth and give him fat, thorough rolls. Let the planes of his hips take the whole weight of your arse, just as you've wanted. His balls flatten under your buttocks on every downstroke, cock throbs madly in your womb.
“Oh—” he breathes, and sounds scattered enough to make your stomach tighten. “Oh, that’s—aye. Aye, there. Fuck, right here. Like that.”
You bend close and kiss him again, softer, with the same hunger spread over it like a tearing sheet. He kisses back badly. Too open, too wet, too much air-gulping getting in the way. When you sweep his face, Duncan’s lids are glistening, lashes clumped in little dark points behind the crooked glasses, so undone he looks like a weeping saint with a bad eye.
His stomach swells into yours with fast, shallow gasps. One palm leaves your hip and comes to the back of your neck. He holds you there, foreheads touching, mouth close enough that every word is partly yours before it is finished.
“Feels—” He stops, teeth flashing over his lip. “God, ye feel amazin’. So warm. So—ah—so good round me. I can feel ye everywhere. In my back. In my bloody teeth," he says, then catches your cheeks dimpling. "Don’t laugh.”
You do laugh, very softly, and kiss the corner of his mouth for it.
Dunk groans. “Cruel woman.” His hand tightens on your nape, thumb rubbing without rhythm. “No, no, keep—please, keep doin’ that. You’re gonna have me. You’re—ah, Christ—you’re pullin’ it out of me.”
You slow further, vicious with pity, and he near sobs.
“That’s it,” you whisper. “Let me see.”
His eyes open to yours. Blue, glassy, embarrassed beyond measure and unable to hide any of it. He tries to speak again, because you asked him to, because he would try to move a mountain if you took his face in your hands and said please, for me?
“I’m close,” he says. Then shakes his head, helpless with the size of the understatement. “No, I’m—luv, I’m right there. Don’t stop. Don’t—” His mouth opens under yours, breath breaking up. “Please. Please, I’m gonna c-come.”
Heat spreads like conflagration through Duncan’s bones, and all of his muscles go ablaze with it too. He feels the rupture of the tightening coil and breaks into an out-of-tune chant of yes, yes, yes, while you milk him and let his hips stammer.
It starts low, in the drag of his balls drawing up so hard it borders pain, then strikes the root of his cock with a shock that makes his whole frame buck under you. “Ah—fuck, fuck, lass—” he chokes, then loses even that much sense when the first spill leaves him.
His hands clamp down on you. There's no pulling anymore, only holding on while his body empties itself in heavy, helpless pulses. Each one makes him flinch. Each one makes his cock throb so hard inside you he can feel it answer against the grip of your cunt, the seed pushed out and held there, nowhere to go, nowhere he wants it to go. His hips keep trying, little rhythmless, aborted jerks, and he finds only a crude animal wish to stay buried until the last of him is wrung out.
“Good girl,” he hears himself say, or thinks he does. Dug out and cracked, roughening on the way from between his ribs. “Oh, God—my best girl. Take it. Please, take it. I’m—ah—I’m sorry, I—”
He has no idea what he is apologising for. For coming. For wanting. His eyes squeeze shut, then open again because you asked to see him and some part of him remembers even while the rest of him is being dismantled.
The next pulse makes his chest cave around a breath that sounds ugly and comes with its edges wet. He comes again, or keeps coming, he cannot tell. The pleasure has stopped behaving like pleasure and started acting like something with teeth, something that bites deep enough to find the softest parts of him and shake them.
His soul goes with it. That is the stupidest possible way to understand it, and still the only one Duncan has. It leaves him in shudders, in spend, in the long broken noise he makes when you stay there and take all of him without flinching. For one blown-out second he feels loved so plainly his eyes sting, and he cannot tell whether the tears threatening him are from release or from mourning the fleeting fallacy of his malleable boy-heart.
You see it. The exact place where his strength gives up its post. His face goes open underneath you. The blush is everywhere now, ears to throat to the broad rise of his chest. His glasses sit crooked with their lenses misted, and behind them his eyes shine stunned. His mouth, the beautiful foolish thing, keeps parting as if speech might come back if he only makes room for it, but all that gets out is breath and your name in pieces.
Last time you missed this. Or lost it to drink, to darkness, to the mind’s rotten habit of keeping the wrong souvenirs. Stupid, you think, with an ache so sudden it has no time to dress itself up. Stupid, stupid girl. Because Duncan in rapture is worth remembering with pious accuracy. The cut of his jaw slackened by pleasure. The hard male brutality of his size made defenceless by what your body has done to him. The little crease between his brows. The way his face looks too large for innocence and somehow full of it anyway.
And God, the way he comes. Thick, hot throbs, intimate enough to make you tighten again in little aftershocks. His cock kicks and spends, kicks and spends, with deep-gathering warmth that spreads in a slow, private heaviness. You hold still over him and let it happen. Let him put himself there, in you, with the same earnest violence he brings to everything he cannot say properly.
Dunk makes another sound when he feels you clench. Almost a whimper, though he would hate the word if he had enough brain left to object. His hand slides from your neck to the back of your head, looking for a place to rest. His fingers tangle clumsily in your damp hair.
“Lass,” he says, wrecked. Then softer, because the fierce part of it has passed away and left him with only the unbearably tender aftermath. “Jesus. Lass.”
"Duncan," you say, framing his cheeks. They are warm. "Sweetheart, you alright?" You brush the locks darkened with sweat off his forehead and feel a staggering urge to cradle him.
Duncan's very much not alright. He's shattered into a million pieces, but there is a sober part of him that knows he shouldn't cling. He should tell you, or better yet, carry you to the bathroom and let you tend to your business there, because the app said so. "A-aye," he breathes. "You ought to—" A thick swallow. "I'll help you to the—"
“No,” you say. “Stay a moment. C’mere. Sweet boy, come here, let me hold you.”
“But—”
“Nothing will happen if we stay here for two minutes. I’ll go, just—”
You settle over him, careful where the small swell of your stomach rests against his. Duncan lets you because resistance, in that moment, would require bones in places where he has none. He's not crying, maybe, or not enough to call it that, but his eyes look sore. You swipe beneath one with your thumb. Then the other. He looks away.
“Oh, don’t,” you murmur.
His jaw shifts under your palm. The shame of being scrutinised after the body has made a holy spectacle of itself is sitting plain on him, right there in the colour blotching his neck. You coax his face back anyway, gentle under the chin, and make him meet you. “Thank you,” you say.
Duncan blinks. “For what?”
“For that.” Your thumb makes a small pass over his cheek. “For listening.”
He cannot answer. Something in him tries and only finds the raw place where all the words have been burned out. You spare him the effort by lowering your face to his. Cheek to cheek first, then brow against temple, your mouth near enough his ear that your breathing goes into him. Slow. Deep. A little unsteady. He feels the ribs move around it. It wakes him up some.
His hand remembers it's alive and slides down your back. Over the borrowed heat of skin, down the knobs and shallow dips he now knows in one kind of dark and one kind of light. “You feelin’ better?” he asks.
You nod. Then make a small pleased sound, too close to a purr for Duncan’s remaining sanity. “Mm. Much.” His palm stops low and stays there. “Can you stay tonight?” you ask.
How about forever, Duncan thinks, with such dreadful ease his heart will need some proper scolding later. Aye, forever, if you asked it plain and did not laugh after. What he says is, “Aye.”
“Okay.”
Then you lift yourself off him with a small groan, and Duncan begins to loose you. The loss is horrible in its own right. His cock slips free, tired and overused and sad about leaving you, and he feels what follows: too much of himself spilling warm across his lower belly, dragging over skin and hair. He blushes so hard it ought to count as a second fever. He lies there softening, wet and creamed over, betrayed by what has been done and how much of it there is.
You look down only a second before your eyes flick back to his face. Duncan opens his mouth. “Don’t,” you say, faintly amused and too kind about it. “Don’t even start.”
You climb off the bed on unsteady legs. He means to sit up. Means to help. Means to stop lying there like an offering left out by mistake. But then you bend, gather his T-shirt from the floor and pull it over your head, and Duncan dulls.
It drops over you wrong and right. Too broad in the shoulders, too long on the thigh, collar slipping enough to show one side of your neck. His shirt. On you. With your hair messy and your legs bare and his come still leaking between them, no doubt, though he does not let his eyes go there because he has suffered enough for one evening and also possibly has not.
You disappear toward the bathroom. He remains in post-little-death rigor mortis with one hand frozen over his stomach because he has no idea whether touching anything makes the situation better or worse. The ceiling receives the full force of his stare.
When you come back you have a towel, wet wipes, and a glass of water. You kneel beside him, and the mattress wobbles under the new weight. Duncan grunts.
“Hey,” you say. “It’s all right.”
“It’s—” He swallows. “I can do that.”
“You gave me a whole bath. Least I can do.”
“That’s different.”
“How?”
He has no answer that doesn’t sound foolish, filthy, or too soft in the middle. You open the packet and pull out a wipe. The first touch is cold below his navel and makes his stomach suck itself in.
“Sorry,” you murmur.
“S’all right.”
You wipe his lower belly first. Your other hand steadies him at the hip, thumb resting in the hollow there as if it has any business knowing him. Duncan watches your face because watching your hand will kill him.
Then your fingers close round his cock to move him aside, and his breathing goes funny.
You pause. “All right?”
“A-aye,” he says.
You give him a look, then continue. Lift him with a care so simple it becomes unbearable, wipe along the softened length, the tender head, and the mess gathered at the base. His cock gives one poor twitch in your hand, more memory than ambition, and Duncan shuts his eyes because surely God has limits and he has found them.
“Dunk,” you say.
“I’m not doin’ anythin’.”
“No, I can see that.”
Your hand moves lower. Wipes his balls. Clinical, it should be clinical. It has the shape of nursing and the heat of being claimed in a way he has no defence against. He lies there, fists balled by his sides, while you clean him up as if his body is allowed to be inconvenient in your presence. As if the mess of him deserves tending.
“What’re ye doing?” he asks, helplessly.
You glance up. “Cleaning you.”
“Aye, I know that.”
“Then why ask?”
Because I don’t know what to do with being looked after, he thinks. Because if you keep touching me after, I’ll begin thinking after belongs to me too.
He says nothing. You spare him again.
Once the wipes are set aside, you pat him dry with the towel. Softer than necessary. He feels the careful press along his belly, the inside of one thigh, the last damp place near his groin. Then you toss the towel away, pass him the glass of water, and wait until he drinks.
“Yer so bossy,” he mutters into the rim.
“Correct.”
That gets a small laugh out of him, almost soundless. He drinks, hands the glass back, and you put it on the floor before lying down beside him. “Hi,” you say.
Dunk turns his head on the pillow. “Hi.”
Your mouth twitches. You look exhausted now that the urgency has left you. Washed-out and pleased and sick still, all mixed together unfairly. The T-shirt has rucked up at your hip. He fixes his eyes on your face.
“I can see you thinking,” you say.
“Aye,” Dunk says. “I’m thinkin’.”
He is thinking so much it has become a crowd. Whether this changes things. Whether you wanted him or only relief with a familiar face. Whether he is allowed to be happy. Whether you will regret it by morning. Whether he should apologise for some part of it and which part first. Whether asking to kiss your stomach now would ruin his life quicker than staying quiet. Whether you know his shirt on you has done damage no compensation can mend.
Before any of it reaches his tongue, you shuffle closer and nuzzle into him. Your nose presses under his jaw. One arm comes over his chest. “We can talk in the morning, hm?”
Duncan looks at the ceiling again. Breathes in. Breathes out. Lets his hand come up and settle over your back, where it has apparently always wanted to live.
contents (sfw): Ser Duncan The Tall x fem!mer!reader, inspired by HCA's The Little Mermaid, switching POVs (indicated with dividers), medieval rom-com, love at first sight, witchcraft, body horror, transformation, romantic and sexual tension, mutual pining, yearning, caretaking, non-sexual nudity, there was only one bed(roll), sword of chastity, protective!Dunk, virgin!Dunk, soft!Dunk.
part two ->
synopsis: A mermaid falls in love with a knight praying on her riverbank. A witch gives her legs and three days to make him love her back.
word count: 13K
a/n: Banner is by me, dividers by @strangergraphics and @honeyluvsw! Thank you lovely humans for giving it a read before publishing (@lateknightbites and @siliceousooze). My last-minute mermay offering :') There will be two parts of this story!
The feeling of driving his sword through someone’s chest is entirely wretched. Duncan remembers the cause and what it carries, but every time he takes a life his jaw locks tight and his breath stops in a naïve surge of compassion.
The man pierced with Dunk’s iron says his mother’s name. It comes out thin and astonished, as though he had expected to die louder. Duncan hears it over the din. He watches the man’s eyes go queer in his face—film creeping over them, the pupils dulling, the whole wet look turning flat, the way dead fish do when they rise in poisoned water and the sun gets at their bellies.
An apology pushes up hard against Duncan’s teeth. He keeps it there. There is something mean in begging pardon of a man you have already run through. It makes him answer for your sorrow besides his own death. When the body sags and quits at last, Duncan braces a hand to the fellow’s shoulder, eases him off the blade, and lowers him onto his back with what care he can manage in a field full of screaming men. Then he pulls his sword free and breathes.
The stream is only a little way off. Sun has had all morning to work on his armour. The plates burn through his surcoat. The mail at his throat rubs raw and holds the heat there. Under it, the blood trapped in the quilted cloth has already begun to turn.
He knows he ought to go back. He knows the work is not done. His knees strike the bank before the thought is finished. He drags off one glove and then the other, drops them in the grass, and thrusts both hands into the current so fast the cold hurts. Water ropes round his fingers and under his nails and takes the blood by threads at first, then by clouds, until the stream runs pink, then weak as watered wine, then clear again as though the thing had never happened anywhere but inside his own skull.
He bows his head over it. His breath goes in rough through the nose and leaves slower. For a moment he can do nothing but look at his hands—broad things, nicked over the knuckles. Then he cups water to his face. The shock of it lifts the worst of the heat. He does it again. Lets it run from his brow and nose and mouth. Somewhere behind him men are still shouting. Steel still rings out, thin with distance now.
Duncan shuts his eyes. He has never been much for prayer, nor for finding the right words for it, but there are not many disbelievers in a foxhole. He opens his mouth.
“Mother, take him. He called your name. Forgive me for it. Mind his mother, too.” Breath shudders out of him. “Warrior, make me brave enough. Keep my hand true.”
Beyond the bank where the water deepens and the weeds grow long as hair, something has gone perfectly still to watch him.
When you see him kill your heart flutters strangely. Clean slice, straight for the heart. Merciful and cold in the same breath.
You know violence as the sharp white turn of a fish’s belly before your teeth close round it. The panic-kick of things that fit in your hands and things that do not, the times your own blood has gone stringing loose in the water because something bigger thought to make a meal of you first. Death below the surface is ugly, but it serves. Something eats. Something lives another day. Here, men spill one another open for reasons that do not end in hunger. The body falls in the grass and feeds no one. The waste of it catches at your mind.
Yet the great one uses his strength well. Joyless, he puts the blade where it must go and gets it done. Warrior, your thoughts supply at once, though he is younger than the word makes him sound.
Then, he stays. Only for a breath long enough to ease the dead man down from his sword and keep him from crumpling into the dirt like a sack split at the seams, but it is enough to draw you closer under the current. Almost as if he cannot bear for the man to go wholly alone. Almost as if being the hand that kills makes him answerable for that last small stretch between breath and none.
You slip nearer the bank, slow as weed-drift, and brace your fingers between the stones. The stream is clear here. It lets you see him drop to his knees. Lets you see him strip off his gloves with hands gone clumsy from heat. Blood clouds into the water when he thrusts his fingers in. He bends and sluices his face.
Your tail gives a hard, involuntary twitch. Until now he has been iron and leather and bright mail and the broad set of shoulders that belong to grown creatures who know their force. Then the water takes the blood and the grime from him and what rises from beneath it stills your breath clean out of you.
A boy. A beautiful boy. Young in the face despite the size of him. Wet lashes spiked dark. Mouth parted. Water running from brow to cheek to jaw, then slipping under the collar at his throat and down his neck. Your nails bite into the stones. Your gills flare wide and fast. You drag in more water through them without meaning to, as if the stream has suddenly thinned and left you short.
He opens his mouth and your eyes shut. The shouting from the field dulls. Stream keeps on at your shoulders. Wind moves somewhere high in the crowns of the trees. All of it goes faint around the shape of his voice. It reaches you blurred by distance, scant and earnest, with none of the grand sound men use when they want the world to think them holy. He asks for the dead man first. For the mother of the dead man. Forgiveness for what his own hand has done. Then he asks for bravery enough to return and do more of other men’s bidding before the sun goes down.
Nothing for himself. No glory. No protection. No rich spoil. Not even life.
Your grip slips and tightens again. Something deep in you, old as tide-pull, gives way. You have seen handsome things before. Fast things. Dangerous things. You have wanted and hunted and fed.
This is worse. This is a hurt that blooms sweet through the middle of you. By the time he lowers his head and the last of his prayer leaves his mouth and goes nowhere you can see, you love him so completely it feels less like being struck and more like sinking.
He rises and leaves, and the place he was at is empty as if it were bitten. The bank looks wrong without him on it. The water goes on over the stones as though nothing has happened. Your heart has no such manners. It follows him at once, crude and greedy, as though wanting were a hand with fingers on it. You part your lips with half a mind to call after him. Men can be called. Men can be coaxed to the water with the right note laid soft over the surface. You know how to turn the voice sweet enough to draw a neck forward, a foot wrong, a whole body into your keeping. The sound gathers under your tongue and dies there. To put a spell on him feels foul. It seems to you that a creature like that ought to come of his own will, or not at all.
You do not know by what rules men choose their maidens. You know only the old shapes from song and tale, the women with hair to their waists and wreaths at their throats, the ones led from halls by the hand, kissed before witnesses, warmed by fires built on dry land. Even the plainest of them has what you have not.
Legs.
By the time the sun tilts lower you are stern in the mind and weak in the heart, which is a poor way to go to a witch and the only way you have.
You gather what seems dear. Round pebbles from the streambed, the ones worn smooth as eggs. A white one with a milk-pale seam through the middle. A twist of yarrow and sage stolen from the bank where the roots drink deep. A handful of hazelnuts, though you have never eaten one and do not know if witches do. Three rowan berries bright as pinpricks of blood. One swan feather gone loose among the rushes.
Childish things, perhaps. Bride-things from the mind of a fool. You keep them all the same, tucked close in the fold of weed and river-grass you knot for carrying. Then you force yourself into one of the narrow runs that leaves the stream and threads the dark places inland. Mud slicks your sides. Roots comb your hair. The water grows warm and still and brown. It narrows to veins and then opens without warning into the bog pool, black at the middle, with a hut crouched on the shore as if it had grown there meanly from the peat.
You wait a long while with only your eyes above the weed. Nothing stirs but a gnat-cloud and the slow shake of sedge in the wind. At last you take one of the little stones from your hoard and throw it. It clicks against the wooden door. The sound is small; it still seems to carry everywhere. You sink lower, heart drumming hard, and hide among the pondweed with the offerings clutched to your breast, as if the right gifts and a brave face might yet make you into something a beautiful boy could love.
The door opens. The woman who steps out is bent nowhere and old everywhere. Her hair hangs in ropes the colour of drowned straw. Her shift is the grey of mushroom flesh. She peers toward the water as if she has smelt you already.
“Well,” she says. “What pretty thing noses at my threshold?”
You rise through the skin of water and push the bundle of gifts towards her. “I brought—”
“Did you.” She stoops and takes it between two fingers, as if it is something small and dead. “Then speak. A wish is no good to me till it has a mouth.”
You blink at her. Try to find the words for something prettier than a blunt girly whim, but they come out as they are. “I want legs.”
The witch looks at you for a moment. Then, she laughs. “That is not what you want.”
Mud stirs under your tail with the force of your annoyance. You dig the tip of it down into the black silt.
“Ah,” she coos, seeing it. “There is no shame in wanting, child. Only folly in pretending. You want a lad to love you.” You remain silent long enough for her eyes narrow with delight. “No. Not a lad.” She leans closer over the bank, and her smile turns terrible with it. “A knight.”
The scales along the back of your tail prickle. “Can you help me?”
“Likely.” She reaches down without warning, crooks one finger beneath your chin, and turns your face first one way, then the other. “You are fair enough for mortal work. Fairer than many that walk on two feet and think well of themselves besides. Why not sing to him? Why not call him into the water? Earth has given you gifts enough. Why do you not use them?”
You pull away from her hand. “I do not wish to lure him.”
Her mouth rounds. “Oh.” The sound is soft, but curdles your stomach all the same. “It is true love, then,” she says. “Pure as springwater. You would not stain your dear knight with a spell.” Her voice thins to a hiss. “What do you think you are doing here, if not spell-work?”
“The spell is not for him,” you say, and hear the weakness in it. “It is for me. I only need legs.”
“A spell is a spell all the same.”
She turns your bundle and lets the things fall. The pebbles, the berries, the herbs, the feather—all of it drops into the bog with a series of small, insulting plops. One hazelnut floats a moment before the water takes it.
“You may keep your trinkets,” she says. “I am not a hedge-wife to be bought with rowan and sage.”
Heat rises through you against the coldness of the bog. “Then why hear me?”
“Because I am curious.” She smiles again. “And because I can give you what you want. Under a condition,” she says.
Of course. Again, you keep still and say nothing. She seems to like that better than if you had begged.
“I will give you legs, and all that comes with them. You will wake with feet to stand on and knees to bend. You will go where he goes if you can keep pace. You will have three nights to win what you came for.”
The reeds whisper in the wind. Somewhere behind her hut a bird cries once and stops.
“If by the third night the knight loves you, the bargain is spent. If not, a soul is owed me.”
Your fingers tighten on the mud-bank. “Mine?”
“If you are dull enough.” The witch reaches into the fold of her garment and brings out a dagger. It is old and grisly, with a hilt of dark wood worn smooth by long handling. The blade is dark as well, but moonlight catches on it in a thin wet line. It looks hungry. “Or his.”
You stare at it.
“He may be given in your stead,” she says mildly. “A thrust under the rib. Upward, if you are weak in the arm. Bring him to me warm and I shall count us square.”
“Why would I do that?”
She lifts one shoulder. “Because hearts turn vicious when they do not get their fill. Because death is easier than longing for some creatures. Because on the third night you may find you love yourself a little more than him. I make room for all outcomes.”
The dagger gleams in her hand. You cannot stop looking at it. At last you whisper, “How shall I know if he loves me?”
The witch’s brows rise. “Were you not certain of it a moment ago?”
A pout blooms on your face unbidden.
She crouches at the bank then, bringing her face close to yours. Her breath smells of peat and old roots.
“When mortal men love their maidens,” she says, almost kindly, “they do not keep their hands to themselves. They part those fine legs you hunger after. They open the flesh between and put themselves there.”
A cold shiver runs the length of you.
Her smile returns, pleased and wicked. “There. That is plain enough even for a love-addled little fish.” She straightens. “Well? Do you accept?”
The word catches in your mouth. You sweep the dagger, the dark bog, the hut with your eyes. Then, her face, which has no mercy in it and no patience either. Because you have already loved him enough to come here, you say, “Yes.”
“Of course you do.” She puts the dagger down on the bank within your reach, then slips her hand somewhere inside her sleeve, deeper than the cloth ought to allow. When she draws it out again there is an egg in her palm, black-speckled and oddly warm.
You frown at it.
“Eat.”
“What is it?”
“An egg,” she says. “Do not go witless on me now.”
You take it from her. The shell is warm indeed, almost hot. “And then?”
“Then you sleep. Then you wake altered. It need not trouble you beyond that.”
It turns in your hand. “Raw?”
The witch gives you a look of withering contempt. “No, child. Put it in a silver cup and take it with honey.” She bares her teeth. “Yes, raw.”
Your eyes lower, ashamed of the question. The shell cracks easily. The inside slides thick and strange over your tongue. You swallow twice to get it down. The witch watches every motion.
When it is done, you wipe your mouth with the back of your hand and say, “How shall I find him?”
At that, something shifts in her face. Too rotten to be kindness, but it is the brief look of someone hearing a tune they know well.
“His blood is in the water,” she says.
Then she steps back, pulls the door open, and goes inside. It shuts between one blink and the next, leaving you in the bog with the dagger on the bank and the taste of the egg still clinging at the back of your throat.
You swim the way you came slowly. Moonlight makes the water mean and every root below look like a hand with the shape of something waiting. Above, the moon itself has thinned to a sickle near fine enough to seem a cut laid across the sky. It tells you that on the night of your judgement it will be gone altogether. You will hear it in the dark. His blood is in the water, the witch had said, and the current takes you at her word, carrying you through the narrow runs and back toward the broader stream where you first saw him kneel.
By the time you reach it, the bank is empty. You keep to the deeper part and let yourself drift there, belly turned uneasy by the egg, heart sore with a want that has already learned absence.
Sleep comes badly. Even so, it comes. The river rocks you. In the first fold of dreaming he leans over the bank again, all shadow and wet lashes, and this time when he opens his mouth it is not prayer that leaves it but your name. He reaches for you with a careful hand and thumb wedging under your chin. He bends and kisses you as though he has been thinking on nothing else.
Then the dream turns. Above you, something vast opens. The eye of god, grey and pale and lidless, hanging in the dark where the moon had been. Its patience is so complete the age of it exceeds the feeling of pity. Below, a pair of shears glints, iron-black and long as oars. The water thickens around you into a fat-like jelly, holds you fiercely, as the blades close with a sound no louder than a crab-shell snapping, and fire races you clean through.
Scale after scale dulls and loosens. Webbing parts. Bone groans as if gripped and wrung by unseen hands. Your tail splits where no living thing ought to split and your flesh draws apart. New joints wrench themselves into being with a wet internal crack that never seems to finish. You open your mouth to scream and swallow black water instead. Heat tears through you from spine to hip to the new-made lengths of you, all the way to ten small, useless ends where your body has never ended before. Hair roots burn. Teeth ache. Even your fingertips feel changed, as though the whole of you has been dragged through too narrow an opening and forced to come out other.
You wake choking while dawn creeps into the sky. Half on the bank, half in the wash of the stream, naked to the chill, with the dagger clutched to your breast. Air rasps into you thinly through mouth and nose, making panic strike at once. You paw at your ribs and find only smooth skin where your gills ought to flare. Sealed. Gone. You drag another breath and another, each one scant enough to frighten. The water at your side offers no help. It laps your hip stupidly, as if it does not know you.
When you look down, you see them. Legs.
Two of them, long and bare and wrong as peeled roots. Knees knuckled sharp. Feet splayed in the mud with their blunt little toes. They belong to you no more than the moon belongs to the bog. The sight turns your stomach. You put a hand to one thigh. The skin there is soft and strange, without scale or sheen or the strength of a tail built to drive through current. When you try to draw the limb in, the knee folds with a hideous ease and the whole thing jerks sideways. It feels loose. Breakable. Made badly.
Still, you have asked for them. You plant both palms in the earth and try to rise and pain bites through your middle. Your legs buckle, each seeming to choose a different direction. One foot slides out from under you. The other catches on nothing and twists. You go down hard on your hands, palms full of mud. For a while you can do nothing but crouch there trembling, hair hanging round your face, breath coming sharp and ugly through a body that no longer knows its own shape.
Morning hones itself as you kneel in it. The scent of his blood has thinned almost to nothing. In its place comes the rest: men everywhere, dead and living both. Sweat gone sour in gambesons. Split guts, horse piss, iron and smoke. The field beyond the trees breathes out ruin by the lungful.
You have three days. Three days to find the knight, make him love you, and keep your soul out of a witch’s hand. You cannot even stand. Water clouds your vision and you laugh bitterly at how it won’t let you go entirely.
On the morrow, Dunk sweeps through the edges of the battlefield after the worst of it, checking for men still breathing whose bodies might be saved or those who need a merciful hand to help them pass. His side aches badly where someone slashed him, one ear hears less than it did before the fight, and one of his sockets throbs with excess blood, but at least he’s not the one gasping his last. He keeps his eyes peeled for movement, yet when he notices a particular creature trembling at the very shore where his inept prayers were heard, he stills.
A girl. Mud-caked, naked, and—Gods—crying.
He hauls the reins on Sweetfoot at once, dulling an instinct to charge forward and holding her in a rushed trot instead. “M’lady!” he calls from horseback. “M’lady, be not afraid!”
Your eyes lift, but the rest of you dwindles immediately. Arms come to cover your head and Duncan notices you’re stricken with grime wrists to elbows as if you were trying to make your way uphill on all fours. He dismounts with a small grunt and hunches on instinct. His arms spread wide and gentle, and before he knows it he’s murmuring as he would to a skittish thing. “Easy now,” he whispers. “Easy. I vow this to you—I am no threat. My name is… Ser D-Duncan The Tall. I won't hurt you.”
The title sits oddly in his mouth when he’s half-shrunken and on bent legs. As he comes closer, his cheeks begin hoarding warmth despite him, for the shape of you is visible and evident even at this angle. Breasts plastered to your thighs billow with each frightened breath. Your belly creases in the middle and clay tears and crumbles off your knees when you shudder. He sees nothing else, but in his chest an unbearable instinct to cradle you almost overcomes him.
His head turns to the side, so he watches you only with his eye’s corner. When he’s close enough, he undoes his cape, spreads it gently over your back and lets it fall over you. He has a fleeting thought on what kind of smell it must carry and whether that matters.
Only then does he see the dagger. It is clutched in your fist, half-hidden by mud and the hunch of your body, but iron is iron. His hand stills on the edge of the wool. For a breath he says nothing. A crying maid with a blade is still a maid with a blade, and fear can make a body quicker than training.
“Easy,” he says again, lower. “You needn’t use that on me.”
You stop trembling enough to lift your face. The blade drops. Then all at once you are on him, hands closing round his waist with such force Dunk rocks back on his heels. Something reaches him through wool and shaking breath. Unintelligible mutter. Then—found me. And again, softer, urgent with respite. Knew you would. Knew you’d find me.
For a moment he does nothing but stand there with his own arms half-raised, startled clean through. Then they come round you, shy and boyish. One hand settles between your shoulders. He rubs once, then again, broad and slow, as though you are a frightened colt and his hand might smooth you into sense. “There now,” he says, because it is what comes. “There now.”
Beneath the mud and the cold reek of the stream there is a smell to you he cannot place. Something green. Something sweet. It cuts strangely through blood and horse and churned earth.
He lets you cling till your breathing eases enough to stop catching. When it eases, he gives your shoulders one careful squeeze and tries to look at your face without looking full at your face.
“M’lady,” he says. “Have you been hurt?” You shake your head against him. He swallows. “And your clothes—were you robbed?” There is a pause to that. Then you nod.
“Ah.” Dunk shuts his mouth on all the things that might follow that and does not ask them. “Well. I’ll take you to the village,” he says. “We’ll find something to put on your back, and someone to look you over.”
You do not let go, and he finds he does not much mind that. By now he is holding most of your weight besides. He means to set you back a little then, only enough to walk you to Sweetfoot, but the moment he loosens his hold your legs betray you. They fold queerly with the loose, witless give of limbs that do not know their own business. Dunk catches you fast under the arms before your knees can strike earth.
Some hurt in the low back, he thinks. Or the spine knocked wrong. He has seen men go slack in the limbs from less.
“Easy,” he says again, lower now. “I’ve you.”
Your head comes up. There is mud on your cheek, tears dried in bright tracks through it. Up close the sight of you lands worse on him than it did before. Such beauty in such a place. Such beauty at all. If someone asked him later, he would have no better answer than that.
“May I carry you?” he asks.
You nod.
He gathers the cape tight first, fingers making poor work of it. Then he crouches so you may put your arms round his neck. When you do, your face comes so near he feels the warmth of your breath on his mouth. His own has gone dry. “I will lift you now,” he says, for want of anything wiser.
One arm behind your back, the other under your knees. He brings you up. The pull in his side is vicious enough to whiten his sight for a blink, but he only grunts and holds you the tighter for it. You are light to him. Light should not be so difficult.
Sweetfoot turns her head and blows at the sight of you in Dunk’s arms. “Mind yourself,” Dunk mutters, and means the horse, and himself, and perhaps the day entire.
Getting you into the saddle proves ugly work. There is no good way to manage a naked maid wrapped in a cloak when one hand is wanted for decency, the other for balance, and his side seems set on parting company with him. He stands a moment with his jaw shut hard, then does it the only way such things ever get done—awkwardly.
“M’lady,” he says, hot-faced, “I must set you before me.” You only look at him with those wide, strange eyes and make no complaint.
He gets one boot to stirrup, hauls himself up enough to raise you after, and nearly fumbles you when the cloak slips and his forearm feels the bare warmth of your back through the wool. Heat runs through him so fast it feels wrong. He gets you right the second time by sheer stubbornness, settles you before the saddle-bow, then adjusts behind with a grunt he prays sounds like effort.
It does not improve matters.
There is no room worth speaking of. You sit before him with your hair damp and knees thrown to one side, and Dunk must put an arm round your middle the moment Sweetfoot moves or see you slide clean off. He has no notion what one does with a girl in such a fix. Horses, boys, wounds, armour, hard roads, those he understands. A maiden fair as vision and shaky in the limbs, is another matter. He finds himself hoping there is some widow in the village with a stern face and capable hands who might take one look at you and know everything he does not. Then he may ride on to Riverrun with peace in his mind.
The thought sits well enough till you lean back. A little more weight at each step, whether from weariness or trust he cannot tell. Soon your back is to his chest and your hair keeps straying under his chin. He has to look somewhere, so he looks at your hands on Sweetfoot’s neck.
Mud is dried in the lines of your palms and packed black beneath your nails. The nails themselves are pale in a way he mislikes. A drowned sort of blandness, as though the blood had only lately remembered to leave them. His hand closes harder on the reins.
What befell you? Robbed, you had said—no, nodded. Robbed of clothes and the strength in your legs. Robbed near of your wits, to be found bare and weeping on the skirts of slaughter. His mind offers up answers and every one of them is ugly.
“You are safe enough for now,” he says, because the words come and because he wants them said. “We’ll have you among decent folk directly.”
You say nothing. Perhaps doze. Perhaps you only listen. When Sweetfoot steps through a rut, your head tips back against him for an instant, and Dunk’s arm goes firmer round your waist.
Riverrun can wait an hour. Even a day, if it must. First the village. Clothes. Food. A woman to tend you. Then he will know what ought be done.
He keeps his eyes ahead and rides. When the road begins to thicken with huts and kitchen smoke he turns Sweetfoot toward the first cottage with a swept patch of yard and washing strung on a line. A hen darts from underhoof squawking. Dunk reins in, slides down, and reaches up for you.
The door opens before he can knock. A broad woman with red wrists and a face like a hatchet stands in the threshold, takes in Dunk, the horse, the cloak-wrapped girl in his arms, and narrows her eyes. “I can explain,” Dunk says, which is a poor beginning and sounds like one besides.
“Can you?” she says.
Heat climbs his neck. “I found her by the stream yonder. She’s been robbed, I think. She’s got no clothes, and her legs are none too steady. I thought—” He falters, then tries again. “I thought a woman might better see to her.”
The woman looks past him to your face. Something in hers shifts, not softer exactly, but less sharp. “Well, I am a woman,” she says. “Bring her in, then, you great oaf, and stand there bleeding on my threshold no longer.”
Dunk ducks his head and does as he’s bid. The cottage is low-ceilinged and close with the smell of onions and wool. He sets you down where the woman tells him, though not without trouble, for your legs go queer under you again and your hand catches in his sleeve with sudden force. “You are safe,” he says under his breath.
Your fingers tighten. “Please,” you whisper. “Do not leave.”
That near aches him more than the clinging had. “I’ll be just outside,” he says, for the woman is already flapping a hand at him to get out and because there is no fitting place for him in a room where a maid must be dressed. “Only outside. I vow it.”
A beat. Then, you let go. The door shuts on him. Dunk stands in the yard with a hand pressed to his side. Through the wall come the dim sounds of women’s voices, yours low and strange, the older one brisk and practical. Once there is a clatter. Once a silence long enough to make him straighten from the fence-post he had leaned on. He is thinking whether it would be madness to knock when the woman steps out at last, wiping her hands on her apron.
“Well?” Dunk asks.
“Well, nothing’s broke,” she says. “No fever that I can feel, no wound worth speaking of. She’s frightened half witless and weak in the legs, that’s all. Hungry, too, I’d say. May be she took some knock to the head. May be she was born a little moon-touched. Hard to say.”
Dunk blinks at her. “She knows her own name?” he asks.
The woman gives him a look. “She knows enough.”
That does not answer much, but before he can find a better question the door opens and you come out.
The clothes hang on you as they would on a child dressed from a dead woman’s chest: a coarse shift, a faded gown, sleeves a touch too short, hem uncertain, boots big enough to host toes twice as long as yours. Your hair has been pushed back from your face with damp hands. Your legs still look unsure of themselves. Dunk moves before thinking and takes you by the elbows when you waver on the step. “There now,” he murmurs. “Steady.”
You look up at him with such plain relief that his grip gentles.
The woman snorts softly behind you. “Take her home, then.”
Dunk clears his throat. “Aye. That is—” He looks down at you. “Where is your home, m’lady?”
Your hand comes up and closes over his forearm. “There is nothing for me there,” you say. Your fingers tighten. “Please.”
He opens his mouth, then shuts it. “I am bound for Riverrun,” he says at last. “I’ve business there. I cannot—”
“That is where I am going,” you say quickly. “The last place where I have anything. Please. Take me with you.”
Dunk stares. It may be nonsense. It may be the plain truth. It may be only the talk of a girl too frightened to be left among strangers. He cannot tell. What he can tell is the feel of your hand on his arm, the look of you trying not to sway where you stand, and the knowledge that if he leaves you here, he will think on it all the road to Riverrun and probably every road after.
The woman folds her arms and watches him make a misery of the choice. “Well?” she says.
Dunk lets out a breath. “I can take you as far as Riverrun,” he says, still looking at you. “No farther promised than that.”
Your smile is answer enough. Later, when doubt gets into him, it will be one of the things he reaches back for.
Soon after the village, Duncan finds himself about a number of tasks he had not meant to take on. He accepts the pity bundle of more garments from the woman, all of them light. He lifts you to the saddle, then goes back for Chestnut and Thunder. He loses the mark of his back, gathers his scant belongings, counts them, and thinks of the trouble of one bedroll. Riverrun lies four nights off, and his purse is too light for inns along the way. He shifts the saddle on Chestnut till it will hold you steady enough, then goes through the poor store of cloth he owns to see whether there is anything fit to spare you. At last he finds a blanket little better than rough army issue and ties it round your shoulders with a length of string.
When he is done, he steps back to look at you and nearly laughs for the misery of it. A strange girl with no place to go, less worldly goods than he has, a queer way of speaking, and legs that seem only half-convinced by land—and here he is, setting his road to her pace as though this were a sensible thing. Duncan knows well enough what sort of fool he is. Dunk the Lunk, thick as a castle wall, slow as an aurochs. Still, his mouth pulls into a shy half-smile.
“Ready?” he asks.
The world of men continues to bewilder. They kill each other relentlessly and let the bodies rot out in the fields until crows find them. They speak oddly. They wear clothes. Rough things that scratch the skin round armpits and knees, and make their beasts wear clothes too. They walk on two imbalanced legs that have less sense to them than you would ever think they have, which end with feeble little things that need the most woeful instrument imaginable to stay protected—shoes.
The pain comes on you late. At first everything is so strange that the cuts in your feet barely matter. Then, just as you get the first grasp on how to walk on those fleshy stilts, an old woman gives you a shift, a skirt that wedges itself between your thighs, stockings that roll beneath your knees, and a pair of disgusting animal-skin things that make the wound across your sole press and bleed, press and bleed. You could fit another set of those ugly little toes into them and still they’d knock your ankles raw. Duncan seems to think your wits were rumbled sideways by whatever befell you, and sighs through his nose each time you try a few wobbling steps before giving up and tossing you from one place to another. From doorstep to horseback. From horseback to ground. From ground back to horseback again. Then, the horse takes over the carrying.
None of this matters greatly. None of it rubs you wrong in any way, because your knight has found you and agreed to take you to Riverrun, of which you know only that it is overrun with rivers and mean spirits, and you want nothing to do with either. You want everything to do with him, though, so you let the beast called Chestnut carry you toward it and knock your newly acquired arse against the hard leather of her saddle.
You glance at him often, only to make certain you were right to choose him, but Duncan proves worth every bruise on your buttocks. He is prettier close by. Washed of blood, his face goes almost holy at moments—too open and clean in the look of it—then a shift of shade will catch under the brow and jaw and make a man of him again so suddenly it gives you pause. His arms are strong enough to carry a girl like you. His heart, plainly, is soft enough to help one and trust one within the space of a single hesitant breath.
That softness lives in him in sly places. Not only in the face, though the face does its share. In the stammer that catches him when he is too aware of himself. In the way he asks leave before he touches you, as though a thing may be both necessary and solemn. In how he handles even his own size like it might alarm somebody if set down too hard. You begin to see that the boyishness in him is not only a matter of smooth cheeks and dark lashes and that honest mouth. It lives deeper. Some tender piece of him has made it to his great age uncrushed.
You have no notion what he knows of love. His lips look unkissed, which strikes you at once as improbable and agreeable. Kissable all the same. So are his cheeks, if it comes to that, and the hollows under his eyes look made for the brushing of thumbs in acts of pity or fondness or whatever human girls do when they mean to soothe a man. You think, in the stupid way of girls, that it may be just as well if he knows nothing. You know very little yourself. The males of your kind are greedy, quarrelsome creatures who would bite the shine off a scale if they thought it theirs by right. The tenderest kiss you have ever given in all your life was to a trout, and that was mostly because it was dying.
Still, you know enough to know this: there is something dear in a creature so large keeping such a breakable heart inside him. Duncan feels safe to you in the way deep water once did. Not because he could not drown you if he wished, but because every part of him seems arranged against wishing it.
The road, of course, is another matter. It goes on and on, pale and hard beneath the horses, made by men for reasons men must have found clever. When there is no canopy the sun comes down bare and mean, scorching your face, your scalp, the tender tops of your hands. Dust lifts and settles in your throat. The saddle knocks under you with a steady, sour persistence, and after a while even wonder thins into boredom. You cannot understand why anyone would choose such a path. Roads have no give. They hold the day’s heat. They are full of stones and wheel-ruts and the old droppings of beasts. Water, at least, takes your shape when it carries you.
But then, toward evening, the land alters. Light begins to bleed richer colours over everything. It gathers in the grasses and tips the hedges. It slicks itself along the backs of flies until the air is full of brief, burning specks. The trunks of trees grow black on one side and warm on the other, and the far fields seem to have been brushed by something molten and low. From the height of Chestnut’s back, you see land from its own heart for the first time: furrow, ditch, thorn, moss, little stones shining in the road, the long back of the world lifting itself toward dark.
The dying sun finds Duncan too. It catches in his hair until the auburn of it wakes with red-gold hidden under it, banked fire stirred by a stick. All of him brightens: cheek, ear, the blunt line of his nose, the great slope of shoulder under travel-stained cloth. When the sun begins to go, his colours come alive. It seems unfair that a thing may grow more beautiful just when the light is going, as if it was never meant to be kept.
“M’lady?” His voice pulls you from the sky. You turn your head and find him watching you from Sweetfoot’s back. “Are you tired?”
You consider this. “Tired of what?”
He blinks.
“Sitting on a beast?” you ask.
A sound leaves him then, low and huffed through his nose. “Aye. Riding can weary a body. We should make camp soon. It will be dark before long.”
You look him over for signs of weariness, but he shows none that you can read. He sits tall enough, broad enough, with the reins easy in one hand and the dust on him as if it has been there all his life. “The road is hard,” you allow. “The beast is delightful.”
At that you lean forward and wrap both arms around Chestnut’s neck. Chestnut blows out a pleased breath and dips her head as if she agrees with you entirely.
Duncan stares for a moment. Then his mouth presses itself into a line and he looks back to the road.
“Do people always choose paths this hard?” you ask.
“This?” he says. “This is no hard road. It’s straight, and flat enough, and there’s no great wind to cut at us. There are harder paths than this.”
You frown. “Why would anyone take a harder path?”
“Sometimes they must.”
You consider that gravely. Men do seem fond of arranging misery into rules and then obeying them.
After another little while, Duncan says, “Keep your eyes peeled for a place to camp, if there is one you like.”
Your hand lifts before he has finished speaking. “There.”
He follows the line of your finger. There is only a thick tangle of trees and bramble ahead, with sun lying through the branches. “There?” he says.
“By the water.”
He looks again, slower this time, as if water may show itself out of courtesy. “There ain’t water there, m’lady.”
“There is.”
His gaze comes back to you. It is a look you dislike before you understand it. Careful. Mild. The look given to a creature who has said something foolish and might be frightened if the foolishness is named aloud. Pity sits in it, thinly covered.
Heat pinches under your ribs. “Beyond those trees,” you say. “Where the sun takes aim. There is water.”
Duncan shifts in the saddle. For a moment it seems he means to answer. Instead he only draws a breath and turns Sweetfoot’s head. “All right, then.”
The gentleness of it makes the pinch in you flare hotter. The males of your own kind speak so when they wish to make you small. Little thing, pretty thing, witless thing. They forget how quickly a little thing can open a throat when she has teeth and a mind to use them. How a male may reach for you in the weeds, grinning, and only know himself dead when his fingers will no longer close because all the blood has run out of them.
You say nothing. Chestnut follows Sweetfoot off the road and into the green press, Thunder trots close behind with all of the belongings clinking at his sides.
Branches drag over your shoulders. Leaves brush your face and catch in your hair. The ground grows softer almost immediately, darkening underhoof. You hear it before he does, of course: the low, glassy talk of water over stone, hidden under bird-call and the rasp of insects. A moment later Duncan hears it too. His head lifts. Sweetfoot’s ears prick forward. He urges her on a little faster without looking back.
The trees thin, and beyond them lies a small bed of grass pressed close to a clear stream running lazy under evening light. A willow grows at the bank with its long hair fallen into the water, making a green chamber beneath it. The surface holds the last of the sun in broken pieces and lets them go again.
Duncan reins in. At first, he only looks. “Well,” he says at last, quiet and baffled. “Gods be good.” You sit straighter on Chestnut’s back when he turns to you. “How did you know?”
Your chin lifts, because even though he has no right to know, you are a proud creature. “I am not so witless as you think me, knight.”
At that his face changes. The bafflement stays, but something troubled comes into it too. “I never thought you witless,” he says.
Instead of dignifying that with a response, you begin getting off Chestnut. It seems simple enough. One leg must go somewhere, then the other after it, and the ground waits below with its usual bad intentions. You slide halfway down the saddle and there the business collapses. Your skirt catches, one foot finds nothing. Your hands clutch at leather and mane, and you are left hanging from the side of the beast in a deeply humiliating fashion, breathing hard through your nose.
Duncan is there before you make a fool of yourself entire. His hands span your waist through the shift, large and warm and terribly sure. He lifts you down as if the effort costs him nothing, though you have seen the way his side catches sometimes when he thinks you are looking elsewhere.
“I only meant,” he says, setting you on the grass with more care than the world deserves, “you keep surprising me.”
You say nothing to that. Only look at him from close by, and shamelessly so. He is shy for a lad this big. It pleases and worries you in equal measure. It makes you wonder, briefly and without comfort, whether he will know what to do with you at all. Whether he knows how men put themselves between the legs of women who want them so dearly. Whether, third night from this one, the witch will have the soul she grinned for.
Before you can ask, Duncan looks away. “You may bathe, if you like,” he says. “Under the willow there. I’ll start a fire. See to some food. Water the horses after.” Then he turns from you with the haste of a sailor escaping a sinking ship.
The first thing you lose is the shoes. You wrench them off and drop them in the grass with hatred. The cut across your sole still presses when your foot meets earth, but at least it is no longer trapped against leather, forced to bleed and bleed in its own little prison. The stockings go next, or try to. They roll and cling beneath your knees like pale eels. Then, the blanket. You tug at the ties and laces and strings, cross with their stubbornness, then only angrier. Human clothes are full of tricks and no kindness. At last, with a tired grunt, you pull the shift up over your head.
Behind you, wood clatters. You look round.
Duncan stands a few feet away with firewood scattered at his boots. His mouth has parted. For one suspended moment he simply gapes. Then flush climbs fiercely round his ears, up his neck, into his face, and he drops into a crouch to gather the sticks as if they have become suddenly precious.
“M-m’lady,” he says, strangled. “You oughtn’t—Seven save me—you oughtn’t undress before a man you scarce know.”
You stare at him.
“I thought you meant to go beneath the willow,” he goes on, still looking hard at the twigs. “Out of sight. I thought—what are you doing? Have you never been on the road? Or near men? Or near folk at all?”
An instinct pinches you, strange and unwelcome, to cover your chest. You do, though slowly, and with no clear idea why. He looks as if you have done him some harm. “It is only flesh,” you say. “You have flesh too. What is so wicked about mine that you cannot look?”
He makes a small, suffering sound and bends lower over the firewood. “My flesh is—” He stops. Swallows. Tries again. “It is different.”
You glance down at yourself, then at him. “How?”
His hand closes on a stick so tightly the bark cracks. “M’lady, I beg you.”
“For what?”
“For pity,” he says, so miserably that your brows lift. “It is improper, is all. A maid shouldn’t—And I don’t mean to have you think I’m that sort of man. I am trying to do good by you.”
He sounds so nervous your annoyance falters. Only for a moment.
You pick up the shift and hold it to your chest, then begin toward the bank. Walking still feels like being made to argue with the earth. Each step must be planned, lowered, endured. Too much pressure and the pain flares white-hot. Too little and your knee goes soft. Your feet seem stupidly far away from the rest of you, little traitors sent ahead to ruin your dignity.
You stop beside him. Duncan bows his head even lower, as though your bare ankle might strike him blind.
“Do you dislike women’s bodies?” you ask.
The sound he makes then is very nearly a whine. “Please, m’lady. Spare me. I am only a hedge knight. I am trying—please.”
You huff at him. “Forgive me for tormenting you with some skin.” Then you limp on beneath the willow’s hanging hair.
There, hidden by the long green fall of it, you strip with more temper than grace and lower yourself toward the stream. This is going poorly. Your knight does not seem at all like the men you have watched from the shallows, those shore-men who seize their lovers round the waist and press them down laughing in the dark, bodies gleaming, mouths so sinful your tail once twitched hard enough to stir silt. Duncan behaves as though the sight of you is a trial set by cruel gods.
At least there is water.
The stream receives you kindly, though changed skin and sealed ribs make even kindness strange. You lie back over its cool sheet and drift where it is deep enough to hold you, looking up through the willow leaves as they sieve the last gold from the sky. The current slips beneath your new body, uncertain around the parts it no longer knows, and you let it carry what little of you it still can.
Duncan remains crouched over the scattered firewood long after you limp beneath the tree, ears burning as though someone has boxed them both. The stream talks quietly behind him. The horses crop at the grass.
He has no answer for what has just happened. None he likes, anyway.
You are strange. Stranger than any girl he has known, though known is too large a word for the few girls that ever had cause to look twice at him. Your face is strange too, in how open it is. He has not seen one so plain and easy to read since he was a boy looking down into still puddles and finding his own there. He can tell when you are baffled. When you are tired. When you are pleased. When you are angry.
Now you are angry. Likely under the willow still wearing that fierce little frown, cross with him because he turned his eyes away. That is the oddest part. Most maids, he thinks, would be angry with a man for gaping. You seem wounded that he did not gape longer.
He did gape. Only a heartbeat, maybe, before sense struck him like a thrown stone, but a heartbeat can be a mean long while when a girl stands bare in afternoon light. He saw the lift of your breasts before your arms came up, full where the borrowed shift had hidden them, and prickling with river-cool air. He saw the narrow give of your belly, the line where ribs fell into waist, the dark crease of shadow beneath. Enough. More than enough. Too much for a man meant to be gathering sticks and doing honourable things with his hands.
You asked how your flesh was different from his. The terrible thing is he would only need to stand up to show you.
That thought near makes him groan aloud. He jams another stick into the small pit he has scraped clear with his boot and starts arranging kindling with far more care than kindling deserves. Fire. Food. Horses. Bedroll. Those are proper troubles. Those can be solved with hands and a bit of sense.
The bedroll is the worst of them. Four nights to Riverrun. A purse too light for inns unless he means to arrive there hungry and horseless. He pokes at the kindling and gives himself over to a hard, practical anguish.
When the fire catches, he goes to see to the horses. Sweetfoot accepts his hand with her usual calm. Chestnut, traitor that she is, blows warm air straight into his face and tosses her head toward the willow.
“Oh, have you a new favourite?” Duncan mutters. Chestnut chews at nothing, looking pleased with herself. “Aye. Good. All of you against me, then.”
He returns to the fire with what food he has: one mangy rabbit still fit for roasting, a clutch of withered potatoes that have begun trying to become more potatoes, and bread gone hard enough to argue with a knife. He has had worse meals. Many worse. Still, he finds himself worrying whether it will be enough for a tender-mouthed creature like you, whether you are used to finer things, softer things, things served by hands that have never been black with battlefield mud.
The whole day sits oddly in his skull. Morning had found him still full of war. Blood from the day before. The sour stink of men opened for no good reason. Boys felled in the grass with their eyes gone milky and their mothers’ names drying on their tongues. He had been angry then, in a slow thick way, at killing and lords and banners and all the great heavy wheels that roll over little bodies until no one can tell what shape they had.
Then he found you by the stream, naked, half-wild with fear, concussed or close enough, begging him without quite begging to take you with him. Now you are angry because he would not stand there and leer at your tits.
Duncan understands horses better than people. Dogs too. Even mules, ugly-hearted beasts though they can be. A horse gives warning before it kicks. A dog shows teeth before it bites. People smile, weep, lie, ask strange questions, go hurt in places a man cannot see. You escape even the small customs he has managed to learn.
He lifts his eyes from the rabbit just as the wind moves the willow’s hanging hair aside. Through the green gaps, he sees you.
You are floating on your back where the stream broadens under the tree, arms spread loose on either side, legs moving slowly beneath the skin of the water. The last light scatters over you in pieces. A knee and a hip. The small rise of your belly. Water darkens and brightens as it crosses you, breaking your shape and making it whole again. Your hair fans out around your head. Your eyes are closed, mouth parted, and the stream slips between your lips as though you have invited it.
Duncan ought to look away, but the boy he is, he doesn't.
There is enough of you on display to shame a septa dead in her robes. Breasts, thighs, the place between them blurred and shown by water in turns. Yet your face holds him worst. The peace of it, the ease of it. Stripped of cloth and terror and all the hard rules that seem to trouble you, you look newly made and older than the earth together. Not human, he thinks. Then he feels wicked for it, because you are a girl, and hurt, and under his protection.
Still, you look like one of those goddesses men carved in old stones before the Seven came, the kind Duncan knows nothing about except that a wiser man would kneel or run. You look pleased to have the world off your skin. No wonder you shed clothing like a snare.
The willow falls back into place. Green covers you again. Duncan looks down at the rabbit, jaw tight, and turns it over the flame before it can make it to coal. He scolds himself too, keeps muttering Ser Arlan's little knightly preachings to tear his mind away from what boys think about, and back to what sworn swords should think about.
The stream sloshes and plops with the sound of a body being dragged out of it. There, Dunk wonders what exactly to do, because he knows well enough you are no good at walking yet, but finds himself in the grip of a strange preference. He would rather let the stumble happen and rush to help than prevent it outright, if prevention means enduring another comparison of flesh.
Soon enough, he catches you limping from the corner of his eye to the heart of his vision. You come to sit beside him much too close for his peace. The cold of the river comes off you plainly, running against the heat of his shoulder where yours nearly touches. Damp has darkened your hair and set loose drops along your neck. Before he can shift away without making it an insult, you arrange yourself with great importance and announce, “There. Modest.”
Dunk looks. Stupidly, but he does. He has never known cloth to be a thing worthy of praise. Cloth is only cloth. A courtesy. A barrier. A way for decent folk to go about the world without setting fire to one another’s ears. Yet in his want to tell you that you have done well, he stabs his own foot clean through.
The linen has clung to you everywhere it ought to have had the manners to hang loose. Breast, belly, the small inward draw of your waist—all made plainer by water and the thinness of the shift. The blanket lies in a heap too near the fire, abandoned as though wool has somehow offended you.
He holds the lump in his throat from becoming a sound. Then he reaches for the blanket, shakes the worst of the grass from it, and puts it over your shoulders with as much solemn care as if he were robing a queen. He draws it close beneath your throat and tucks one edge over the other.
“You’ve not dried yourself off,” he says. “Cold, aren’t ye?”
You look at him for a moment. Then, there's a nod, and, thank the Seven, your hands take over the keeping of the blanket at your breastbone. The lump in Dunk's throat loosens.
He busies himself with the food. The rabbit has given what it can to the pot, which is less than a rabbit ought to give and more than nothing. The potatoes have softened. The bread will have to be chewed with conviction. He ladles the thin pottage into one of his wooden bowls and passes it to you.
You take it in both hands and eye it with open suspicion. “What is this?”
“Supper,” he says.
You smell it.
“It ain’t much,” Dunk goes on, because the look on your face begins to trouble him. “Only rabbit and some potatoes, and the bread’s gone hard. Still, you ought to eat. There’s a day on the road ahead, and you’ve had naught in you since—” He stops, because he does not know since when. “A while, I’d wager.”
He expects disappointment, perhaps. Revulsion, if you are some lord’s daughter after all, though what lord’s daughter finds herself naked and half-drowned by a stream is beyond him.
Instead, you look bewildered. “You made this?”
Dunk blinks. “A-aye, m’lady.”
You dip your fingers in before he can offer a spoon. The first bite goes into your mouth carefully, as though supper may have sharp bits within it. Then your face changes.
It is a small thing, merely a lifting of brows and mouth pausing round the taste. Then you take another bit, and another, hotter than is wise, huffing through it and laughing once under your breath as though the whole notion of cooked rabbit has played some clever trick on you. Grease shines at the corner of your mouth. You lick it away with no shame at all.
“This is good,” you say, and sound surprised by your own gladness. “This is very good.”
Dunk is bewildered. It is one kind of cruelty to tease him and huff at him for trying his best at decency and failing, another to make a jest out of him and his hedge-ridden status. He looks down into his own bowl.
“Must you mock me?”
You stop chewing at once. The mouthful is too large to swallow cleanly, but you do it anyway and wince as it goes down. “Mock you?” you ask. “Why would I?”
“It’s only rabbit,” he mutters. “And mangled potatoes. You needn’t make a show of it.”
The hurt that comes into your face lands in him badly.
“I did not mean to hurt you,” you say. “Forgive me. I only meant—I would not be able to make this.” A pause. “Or start a fire, for that matter.”
Dunk lifts his head. “You do not know how to start a fire?”
You look at him a moment too long, then back into the bowl. “I’ve never needed it.”
That answer is another strange stone set on the growing pile of you. He gives a low hum and scrapes at his own supper with the spoon. “Well,” he says after a moment, rough with regret. “I beg your pardon, then. If you truly enjoy it, I am glad.”
Your eyes lift. “I do. Truly.”
Knowing it is true does something worse than the praise did. It catches him off guard and warms him under the breastbone, soft and dangerous. He leans back on one hand, taking you in. Half-smile, bare feet peeking from beneath the blanket, bowl clutched as though it contains some small wonder.
“So,” he says, because his mouth is safer when it is trying to crack an unresolvable riddle, “you’re a lady who cannot cook, cannot start a fire, and despises garments and shoes, but has some queer prescience when it comes to finding a body of water. Hm?”
Silence only, then a wide-eyed glance.
“Peculiar,” Dunk says.
“I do not understand why men wear so much cloth anyway,” you say, picking at the blanket where it sits under your chin. “What is peculiar is to have skin so feeble—”
There, your voice dies. Dunk has gone very still with his spoon halfway to his mouth. “Men?” he says.
You blink.
“You are people too,” he says, after a beat.
The words are gentle enough, but they come with a puzzled furrow between his brows, as though he is trying to set you in the proper place and cannot find the shelf. He takes another mouthful and chews it slowly. “Have you worn lighter cloth before, then? Before… all this?”
Before the stream, he means. Before the mud. Before the village woman and the borrowed gown. Before whatever thing he has decided happened to you.
Your fingers tighten round the bowl. “Lighter, yes.”
“How light?”
You give him a careful look.
Dunk seems to understand his mistake before you answer. Red returns to his ears with comic speed. “Never mind. You needn’t— That was no question to ask a maid.”
You consider him. “Do you not often see women naked?”
He chokes. It is only a little choke, but enough to make him turn his face and thump one fist against his chest. “Gods,” he says when he has breath again. “M’lady.”
“I am only asking.”
“Aye, well. Some questions ought to be asked with more care.”
“Why?”
“Because they—” He looks at you, then away, then helplessly down to his lap. “Because they put thoughts in a man’s head.”
“What thoughts?”
His mouth opens. Shuts. You lean closer, interested so plainly Dunk near suffocates on air that suddenly feels chewable in his mouth. “Do women’s bodies trouble all men so badly, or only hedge knights?” you ask.
He makes the suffering sound again. Quieter this time, but telling all the same. “I've seen women,” he says, with the grave misery of a fool walking barefoot over hot coals. “Some. A few. In bathhouses, once or twice by mistake. On the road, folk are not always private as they ought be. And, uh—” He clears his throat so hard it sounds painful. “And in places where women are paid to be looked at.”
You stare. “Paid?”
“Aye.”
“To be looked at?”
“Among other things.”
“What other things?”
Dunk puts his bowl down. You wait. He looks into the fire as if the flames might take pity on him and leap high enough to swallow his face. “Things between men and women.”
“What things?”
“Married things,” he says, too quickly.
“Only married people do them?”
His eyes close briefly. “No.”
“Then why call them married things?”
“Because I am trying to keep this talk decent,” Dunk huffs.
You frown into your supper. “Have you done them?” you ask.
It is such a rude and forthright question it strikes bone in him, though somehow it does not quite offend. His face pulls tight. The flush burns hotter, but something under it draws inward, shy and sore and young.
“N-no,” Duncan says, small.
You lean closer, as if trying to match him in secrecy lest his horses suddenly recognise human tongue. “Never?”
“No.”
“Why?”
He gives a small, helpless shrug. “I’ve had no wife.”
“But you said folk do these things without wives.”
“Aye, some do.” He groans then, low and exasperated, dragging one hand over his mouth. “Gods.”
“But you do not.”
“No.”
“Why?”
His thumb moves over the rim of his bowl. There is dirt under the nail, a split at the knuckle, the hand of a man who knows fire and reins and sword-hilts and very little of where to put himself when a girl asks him plain questions in the dusk.
“Seemed wrong, most times,” he says. “Or costly. Or I was too young. Or too big and stupid and slow to know what was wanted till the chance had gone.”
He goes quiet after that, hoping it is enough of a confession to satisfy you. Another part of him wonders what business he has entertaining the whim at all. A puzzle of a girl you are, that is for certain. Strange in your questions, in your frowns, in the careless tilt of your head when you hear a thing you cannot place.
Then a thought comes on him, tender and stupid enough to shame him: is this another chance he cannot recognise while it is being given? He lifts his face to check yours for some sign of what he imagines a lustful glance might be, though he has no real notion what he expects to find there. Heat? Mischief? Some womanly knowledge he would know when he saw it? Before he can make any proper fool’s study of you, you ask another question.
“Do you like kissing?”
You might as well have picked up a knife by the blade. “I—” His throat works. “I suppose I might.”
“You suppose?”
He breathes heavy. His skin surely can’t get any hotter, so he answers, “I have kissed.”
Your eyes brighten at that, keen enough to make him regret the disclosure at once. “How many times?”
Duncan laughs then, though there is little mirth in it. Nerves, mayhaps. Or the pure severity of you sitting there with rabbit grease on your mouth, asking after his kisses as if counting apples in a basket. He has admitted to being green and now sounds greener still. “Seven save me,” he whines.
“How many?”
“Enough to know a man should not count in front of a lady.”
“Was it good?”
The fire pops. Somewhere behind the pair of you one of the horses tears grass with its teeth. Dunk sits in deepening blushing silence.
You eat another bite. Hum, as if the flavours have managed to marry into something more delicious during the interrogation. “At the shore,” you say then, “men kiss women as if they are hungry.”
Dunk’s gaze snaps to you.
“I have seen it,” you add. “They hold them by the waist and put them down in the grass. Sometimes the women laugh. Sometimes they make sounds as if they are being bitten, but they keep their hands in the men’s hair, so I think they must like it.”
Duncan feels himself go past blushing into something worse. Stricken, feverish, and too aware of the place where his belly has kicked tight under your words. He cannot have you thinking him that sort of knight. Cannot sit here in the dark with you speaking of women pressed into grass and let his mind go where it has already begun to go.
“M’lady,” he says, and hears the plea in it himself. “I think we ought to try and get some sleep.”
“It is barely dark,” you say.
“It will be darker soon.”
“That happens whether we sleep or not.”
“Aye,” he says faintly. “So it does.”
You lick a bit of grease from your thumb. His eyes move there and away so fast he prays you miss it. “Do you want more supper?” he asks.
You smile into your bowl. “You are changing the subject.”
He smiles back, weakly. Hopes there is enough begging in it, though judging by your curiosity about every cursed thing under the moon, falling to his knees would only give you more to ask about. “I am… trying to save my soul.”
Your laugh comes out small and surprised, and it spills warm through his chest in a way that has no business being so pleasant.
“Eat,” he says. “Then sleep. There will be more road on the morrow, and you already hate the road.”
“I hate the shoes more,” you tell him.
“Aye. I had gathered.”
“And the stockings.”
“A terrible foe,” Dunk says, standing up.
“And the laces.”
“Cruel little beasts.”
You glance at him, something sharp and pleased on you. It is very difficult to keep thoughts from his head, foul thoughts, when you look like this. His heart softens a notch while the other parts of him harden, and before he is forced back to sitting, Dunk turns and tells you, “I’ll water the horses and prepare the bedroll for us.”
He does so. You follow him soon after, quiet-footed for once, and stop to eye the splay of oilcloth and old wool on the ground as if it is another human custom laid out for judgment.
Dunk clears his throat. “You should lie down. You’ve had a long day.”
That much, at least, you obey. You lower yourself carefully, one knee bending wrong at first, then righting with a frown that makes him look away before fondness can show too plainly on his face. He waits until you are settled, then pulls the blanket up over you and tucks it in at your shoulder. Only a little. Only enough to keep the night air off. His hand stills there for half a heartbeat before he draws it back.
Then he turns, draws his sword, and lays it down between the two sides of the bedroll.
It makes a good enough line. Honest steel. Cold steel. A better man than he is, perhaps, lying straight-backed where honour ought to be.
You watch him do it, and Dunk pretends not to notice.
Getting himself down beside you is less graceful than he would like. He lowers carefully, trying to favour the slash in his side, but the wound pulls anyway and a wince catches him regardless. He settles on his back at last with a breath through his teeth, one arm tucked behind his head, his body held a proper distance from the blade.
For a while there is only the fire. The horses. The soft working of water under the willow. But, of course, you must ask. “What is the sword for?”
Dunk shuts his eyes and opens them again. “For sleeping.”
You turn your face toward him. He can feel it without looking. “Are you afraid of me?”
“No,” he says quickly. “No, m’lady. It is only—” He searches for the words and finds only poor ones. “It is a boundary, like. For your honour.”
“My honour?”
“Aye.”
“Does it need steel?”
Dunk rubs a hand over his brow. “Mayhaps mine does.”
That comes out wrong enough to make him go still. He tries again before you can catch hold of it.
“I mean, it is proper. A man and a maid should not lie close without vows between them. Or kinship. Or—” He thinks of hedge knights, camp followers, drunk squires, road wives, all the world as it is rather than as septons pretend it to be. “Or some understanding.”
You hum. It is only a small sound, but it slips soft through the dark and goes straight into his groin. Pretty. Gods help him, even that is pretty. Your voice has no need of song to work on a man.
Dunk fixes his eyes on the sky. “I do not wish you to think ill of me,” he says, lower. “That is all.”
Another stretch of quiet. The fire clicks and collapses inward on itself.
“Do husbands and wives sleep like this too?”
Dunk's lids squeeze shut so hard they hurt.
He ought to answer. He knows he ought. It is a simple question, mayhaps, though no question of yours has proved simple yet. But he has no answer fit to give without inviting ten more behind it, each worse than the last. His side aches. His head aches. His body is a foe beside a sword that suddenly seems no wider than a blade of grass.
So Dunk lies very still and does his worst pretending to be asleep. After a moment, you hum again, as if you know perfectly well he is awake and have decided to let him keep the lie.
contents (sfw): Dunk x fem!Reader, Modern AU friends to lovers rom-com with pregnancy. Humour, angst, sexual and romantic tension, horny thoughts, fluff, jealousy.
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MASTERLIST
next chapter -> (05/06)
synopsis: The very awkward morning after accidental sleep over. They try to be normal, but get jealous instead. (Pregnancy status: 10-13 weeks, end of the I trimester).
word count: 9K
a/n: Banner by me, dividers by @strangergraphics, proofread by @hextoken! This is probably the last sfw chapter :v
It's incredibly hot. For one confused second you think the fever has climbed into the mattress and swallowed you. Your clothes stick unpleasantly along the back, one sleeve is twisted under your arm, and throat is dry enough to make swallowing feel like work. When you try to roll you can't quite manage it, because something broad and warm is lying across the middle of you.
One slow blink. Then another, and everything starts coming more shaped in the dull blue wash of the mute telly. People on the screen are moving their mouths as if language has been taken from them for the night and they've been left to mime some tiny domestic catastrophe in a room made of aquarium light.
Third blink, and your eyes drop to where you're being stranded to find Duncan's palm on your stomach. He's asleep beside you, though beside is rather generous.
He's arranged like someone has tried to fold a ladder and given up half way. Half on the mattress, half off it, head near the middle of the bed, one leg bunched under him and the other hanging from the knee down. His glasses sit crooked on his face, skewed and pressing a dent into the bridge of his nose. He's on his belly, cheek smashed into the sheet, mouth slack with sleep, and one huge hand is spread over you with such absurd possession that your first emotion about it is peace, which is aggravating.
He's asleep. He's got no idea what he is doing. Makes the tenderness feel illegitimate to enjoy.
In your lack of enjoyment, you stare, despite there being no sensible reason for it. He looks ridiculous. Too large for the bed, too young round the mouth, all poor limbs at weird angles. A lock of hair has dried wrong over his forehead. The glasses make him look like a child who fell asleep mid-homework and lost the fight to drooling onto the page.
On the top of his left cheek there is a darker speckle. You must've seen it before, surely, but something makes it stand out to you only now. A tiny brown mark set there as if someone placed it with a pin. In the dim, with his face turned loose and harmless, it becomes unbearable. Too specific, intimate and private. A place that ought to be kissed or brushed with a thumb. A detail you have no business wanting to touch.
Your hand lifts very slowly, then stops before your fingers reach him. His shifts. Duncan makes a sound low in his chest, and mutters something into the sheet. You catch no words at first, only the rough shape of them. Then, clearer, sleep-thick and almost cross: “Don' go.”
“Dunk,” you whisper. You lie there with the telly painting him blue and white by turns, feeling your body misread the whole scene with dumb eagerness. It takes the weight of his palm and calls it safety. Takes the crooked glasses and cheek mole and long leg hanging off your bed and begins building a future out of rubbish materials. "Dunk," you say again.
He doesn't wake, only frowns a little, as if disturbed by some dream too small to matter. His fingers flex once, then settle again.
You should move him. His neck will be ruined in the morning. He should go home, or at least get properly under the covers, or do anything that does not involve sleeping half-collapsed. Instead, you turn your face into the pillow and shut your eyes. For one minute, you tell yourself.
One minute of letting it be exactly what it looks like. One minute of his breath scraping softly, of your heart making an idiot of itself in the dark. You fall asleep before the minute is done.
Dunk is carrying a chair. A plain kitchen chair, too small for him, one leg shorter than the others. He carries it through a long corridor full of doors. Behind every door he can hear cutlery clinking, voices low until they boom with laugher, someone saying pass the salt. He knows, with a terrible conviction, that he is supposed to bring the chair somewhere, but nobody told him which room. Every time he opens a door, people inside go quiet, eye the chair first, then him, and fall so silent their mild embarrassment is palpable. He thinks he's arrived too early, or perhaps too late, or with the wrong object altogether.
He clutches the thing in his palm and keeps trying rooms. In some, there is already a chair, but child-sized. In others, there is no space at the table unless someone else gives it up. In one, he sees a woman's hand on the back of an empty seat that could be meant for him, or someone else, but he is too afraid to ask. He cannot see her face.
The chair begins changing weight. Sometimes light enough to carry under one arm. Sometimes so heavy he has to drag it behind himself. At one point he sets it down in the corridor and sits on the floor beside it because he is tired. The place keeps lengthening. The noises of dinner being had behind closed doors get louder and go on without him.
Finally, he finds a room with no table. Only a coat hanging on the back of a door and a small lamp left on. The chair fits there, perfectly. He puts it down and realises the short leg has stopped wobbling. Instead of comfort that the arrangement should bring, it fills him with panic. Simply because it fits. Because someone may come and tell him to leave it there. Worse, someone may come and tell him to stay.
He wakes with a shallow breath, his neck wrung in an odd direction, shoulder dead from the joint down, and his mouth tasting like old tea and a shoe-sole. His body informs him, in detail, that he has been sleeping like an eejit.
For a few seconds he cannot place where he is, nor can he move. The room is dim with a silent AM rerun of Great British Bake Off being ridiculous in the background. Dunk blinks at it, baffled, then looks beside him and goes so still the ache in his spine sharpens to a bright point.
His hand is on you, near clutching your shirt, claiming the rights his waking self would never dare claim. Underneath it your belly rises and falls softly, conducting business in secret. You are asleep on your back, face turned towards him. Fever has left you damp around the hairline. Your mouth is open enough to roughen your breathing. One of your hands is curled near your chin like a child's, and the sight of it makes something in Dunk's chest step forward before his brain can call it back.
He feels the end of the dream leaving him. The waking mind accepts this arrangement with a gratitude of an animal allowed indoors. In a rebuttal to hopeless wandering his subconscious has found a place in the dark that makes sense. There's tenderness in it married with anguish, because the loverboy instinct tells him to rub that hand on you. Wake you with a kiss to the warm temple, and a bunch of husband-like questions. He even starts, a little. His thumb moves in a tiny twitch, when Duncan realises your body is there only by interference and he's a big useless bastard caught within it, taking comfort off a sleeping woman because she failed to shove him away.
Horror arrives late but enthusiastic. He lifts the palm by degrees, as if removing a trap. It peels from the warmth of your clothes and hovers in the air. You make a small sound, and Dunk freezes again. Waits. Counts two of your breaths, then three. When your eyes, thank God, remain closed, he begins the delicate works of extracting the rest of himself from the bed.
Doesn't go too great. He's too much man for stealth at best of times, and these are far from best. His dangling leg has gone numb below the knee, and glasses have been bent against his face with one arm of them getting hooked in the bedding. His hip complains when he tries to move it. Somewhere in the chest cavity his heart is making an attempt at escape. “Shite,” he mouths to nobody.
He gets one foot to the floor, then the other. There is a quiet crack of his back that sounds, to him, like gunfire. You stir, making Dunk stand up too fast and nearly black himself out.
"Mm?" you murmur into the pillow.
"Jus' me," he says, which is possible the least useful thing ever said by a human man. He clears his throat because his voice is coming out rough for some reason. "Didn't mean to wake ye."
A long breath. "Time?" you ask with your eyes closed.
He has no idea. "Early," Dunk says. His phone is in his pocket and when he reaches for it he finds that it shares space with the thing he's managed to forget about stealing from your bathroom. He rubs the lace between his fingers once, then decides to not risk it. "Jus'—early. Go back asleep."
You shift under the blanket. "You sleep 'ere?"
The question is reasonable, which doesn't necessarily mean he has any reasonable answer for it. He can feel every bad one lining up in him, each one worse than the last. Aye, beside you, with my hand on your stomach like someone in a painting about fathers. Aye, after committing an offence in your bathroom. Aye, and if you asked me to do it again I’d probably lie down so fast I’d injure myself.
"Err—passed out," he says instead, because a lie about sleeping on a couch, which would be tremendously better than this, arrives a beat too late in his brain. "On the edge there, like an idiot."
Your mouth moves faintly against the pillow. "Mm."
"I'll make coffee," Dunk says. Leaving the room suddenly seems essential to the survival of everyone involved. "Tea for you. If your throat's still at ye."
You make another sound, already sinking back under. He takes it as permission since he needs it to be one, then turns and leaves before some hidden part of himself decides to confess to anything.
In the kitchen, he builds a case for himself. You'd said he could touch. Had taken his hand and set it there before. You were asleep. He had fallen asleep. People did worse things in the world than sleep beside someone they were having a child with, Dunk tells himself. The case is weak but technically alive, given that Dunk's brain has kindly omitted the infamous bathroom wank.
He puts water on, finds coffee, tea. Opens the wrong cupboard twice, because his mind is circling elsewhere. Soon enough the kettle starts to tremble. Dunk presses the heel of his hand onto one eye beneath the glasses and holds it there until colours bloom behind the lid. He needs to go to work later. Teach children how to throw beanbags without turning it into war. Speak to Egg, maybe. Pretend to be someone who knows what they're doing.
His hand slides to the pocket in another mindless tic. The moment his fingers meet the fabric, Dunk's mind manages to revamp booty into keepsake. The theft is now a romantic expression of unspent yearning that he forbids from tipping into concupiscence. He's a boy in it, and you're a girl in it, and in a better world with more storge poured into the cracks he'd write you a poem or a song. Instead, he remains wanting at a permitted distance, keeping useful and himself light enough to not force the frail scaffolding of things to groan under his weight. Desire, if it must exist, can be made considerate by service. So the underwear stays where it is, if only to feed the part of him that is starving decorously at the edge of the table.
He pours the tea and brews the coffee too strong. Prepares a toast he almost burns if it weren't for you appearing in the doorway. Your hair is flattened on one side and there's a blanked dragged over your shoulders. It makes you look annoyed about having a body at all.
“Up, are ye? How’re ye feeling?” he asks.
“A bit better. Less like I’ve been dug up.” Your hand comes up to wipe a glisten from under the nose. “Don’t you have work?” you ask.
He shrugs. “Second period.”
You glance at the clock on the oven. “You’re going to be late if you keep making toast at me.”
“I’m not making toast at ye," Dunk huffs.
“You are. Aggressively.”
He looks down at the plate, then back at you. Frowns a little. “Do you want it or no?”
You take the toast. “Obviously.”
That eases him somewhere he does not care to examine. He watches you nibble at the corner like someone who've hoped to be hungry and found it not being the case, and the want to stay rises in him so plainly it feels boorish. He could ring the school. Say he is sick. Say there is an emergency. But there are children waiting for him, and Egg, and a life he has been living since before your body started carrying a person partly made of him.
“I’ll go in a minute,” he says. “You’ve paracetamol there. Doctor said plenty of fluids. And rest.”
You give him a look over the plate. “Did the doctor say that, or did the app?”
Warmth crawls over his cheeks. “Both.”
A smile. “God help me.”
His shoulders loosen. “Aye, he is trying,” Dunk says.
You laugh weakly and Dunk takes it as leniency, which is dangerous, because he is exactly the sort of man to become worse under leniency. He tidies what there is to tidy since leaving without doing something feels wrong. You watch him from the counter, eyes heavy. When he finally has no excuse left, he picks up his keys.
“Text me if you get worse,” he says.
You wave a hand at him. “I’ll be fine.”
“Text me if you get worse,” he repeats, softer.
A beat. Your face yields the way children's faces yield when they realise there is no convincing him they are tall enough to reach the upper shelf themselves. “Okay,” you say.
He nods. Stands there a moment too long. Then, he makes himself go before a deranged impulse to kiss you goodbye, loving husband-style, takes root.
The kitchen keeps letting him leave after the door shuts. Like on a photograph taken with long exposure, he exists in versions separated by fragments of seconds. Dunk with keys in hand, Dunk in the threshold, Dunk with his shoulder narrowing through the gap, then already outside. Each one lags and seems to leave you time to say something before the next takes him further away. Then, the latch settles, the last of him goes with it, and you are alone with the toast.
Your head feels full of warm wool. Fever does strange things to proportion: makes an overcooked breakfast swell into domestic delusion, a repeated instruction into devotion, a man leaving for work into some small marital abandonment. You bite the burnt edge because he made it, and while scraping charcoal from your tongue you find yourself genuinely, offensively puzzled that the father of your child has left without kissing you goodbye.
By evening, after sleep and water and the fever coming down enough to gift scale back to things, you manage to demote the morning to a failure mode of a sick mind.
The next week and a half breaks itself into pieces. You work. You rest. You promise Dunk you will take it easy and then answer his texts three hours late from Lyonel's office. Every day you keep meaning to find a date for shopping and fail. First because Lyonel needs copy by yesterday. Then because Rowan wants to compare maternity bras and cries in the changing room because one of them makes her feel like an auntie at a funeral. Then because you sleep fourteen hours and wake with a headache from having done so.
He texts without complaint. Practical things, like Did ye eat? Doctor said to ring if fever comes back. Or: Apricot this week. Which seems a bit large to me but there ye are.
It gets stranger, sometimes. A picture of three children from his school standing proudly beside a mud structure that he explains was meant to be a castle and became a bunker. A blurry photo of Egg’s shaved head with the caption: He says it’s aerodynamic. A message late one evening that only says sleep well, lass, and somehow irritates you so much you stare at it for ten minutes before writing back you too, Dunk.
The nausea starts to loosen its grip by degrees, though it remains spiteful about smells. Coffee becomes possible again from across the room, never near your face. Lyonel’s cologne stays an act of workplace violence. Your own shampoo turns traitor for two mornings, then returns to the side of good. Hunger comes back in blunt, unseemly strikes. One afternoon you eat three slices of toast standing up and then feel so moved by cheese you have to sit down.
Your body keeps making announcements before you can bear to acknowledge why. Your breasts are heavier. Your waistbands leave deeper marks. The lower part of your stomach, easy enough to ignore until now, begins to hold itself differently by evening. In the morning you can still argue with it. By night, bloated and tired and mean with the day, you stand in between the hallway mirrors and turn sideways.
Nothing, you think. Then: something. Then, angrily: shut up.
You lift your shirt anyway. One gives you a version. The warped one offers another, stranger and more definite. Between them you stand multiplied, a line of women all pretending they have not noticed the same small change.
It is hardly visible. May be digestion, may be posture, may be the enormous lunch you ate because a person inside you has lately learnt to ask for food with a fist. Still, your hand goes there in a brief press below the navel while you try your best to avoid the poster-ready, motherly hold. Your fingers instead point down and have to curve sooner than memory thinks they should, because the lower belly no longer gives in quite the same way. There is enough of it now to change the route of your hand. Ordinary soft and crease have begun to pull smooth over the low swell of uterus, stretching the skin a little where it used to kink and fold when you bent. Not much. Just enough for the understanding to carve an informative path, leading from palm to brain.
You finally text Dunk on a Tuesday. Friday? Baby shopping if you’re still game.
His reply comes so fast you picture him holding the phone already. Aye! Course. Then, after a minute: Want me to drive?
You look at the message and tell yourself the warmth in your chest is the usual heartburn. Yes please, you write. If you don't mind.
Course I don't. Another bubble appears: I'll pick you up.
It is both plain and warm enough for you to have to fight yourself over not trying to stretch the conversation further. You smile at it so hard Lyonel's brows crawl underneath the curls on his forehead, then a stupid grin joins them.
On Friday afternoon you change many times. First, you discard the jeans that defy you after two buttons. It makes you wonder whether an already rising necessity to hold clothes in place with a hairband means you've foredoomed your future and the size of Dunk's baby will eventually cause your spine to fold. Sweatpants are an option for a second before you tell yourself to not give up just yet. By the end your bed is covered in garments that no longer fit for various reasons. You stand there in your bra, overheated from the work, and choose a dress because it drops from the shoulders and makes no firm claim on the waist. It solves nothing and simply declines to put a line through the part of you that keeps shifting.
Duncan is waiting by the car, one hand on the roof, looking too large and too earnest for the neighbourhood. Glasses on. Hair still damp from a shower. Jacket open over a plain shirt. He turns when the door shuts behind you.
He looks pleased to see you. Then his eyes drop, and he starts looking worse. Barely a moment, but you see the exact instant he notices the altered line of you beneath the fabric. His face goes open in a way that would be comic if it didn't land straight in the softest, most breakable place you have. His mouth parts. Hand tightens on the roof of the car. You could swear his eyes glisten, a little.
“Dunk,” you warn.
He glances back up. The red has started in his cheeks and gone all the way to his ears, and worse, he tries to shrink from it, shoulders coming in, chin dropping, as if he has been caught looking at something prohibited. You dislike it immediately. He should not have to fold himself smaller over this. So you come the rest of the way and put your arms around him.
Duncan takes the hug a second late, then carefully, like the rules of it might change while he has you. When you press in, you feel the heavy drag of his breath through his chest. It catches you in a stupid spot. Low, first, then warmly, even lower. You have missed him, you realise, with vexation that does nothing to make it less true. When you part, you stay close. Take his hand from where it has gone useless by his side and put it on your stomach.
“It’s mostly bloat,” you tell him.
But Duncan is too far gone. He has an urge to kiss you slow and grateful for it, then a thought about it not being any kind of reward for you stops him. And plenty others. “Aye,” he says, far too gently. “Maybe.”
You roll your eyes because there is nothing else to do with the pressure in your throat. He survives it, since there is a whole afternoon with you still ahead of him, and in the state he is in you will surely roll those pretty things more than once.
He smiles and opens the passenger door for you. “C'mon, then. Let’s go buy things in colours you approve of.”
The car smells of his shower gel and the paper bag of school things he has shoved into the back. You find a crumpled worksheet by your foot, half a dinosaur coloured in with what appears to be sincere violence, and decide against asking. Dunk waits until you have the belt on before he pulls away, then starts driving so slow you have a fleeting thought you'd get there on foot sooner, even pregnant.
For three streets the drive is silent. He checks the mirrors. Changes gear. Does the responsible adult act so completely you start to suspect him of enjoying it.
Then he asks, “That green, is it?”
You look down. Then back at him. "Is what green?"
"The dress."
A blink. You look down again, fully baffled. "Dunk," you say, carefully. “It’s… blue?”
He keeps his eyes on the road. The corner of his mouth goes first, dipping like it has been tugged down by a hook. Then the rest of his face starts failing around it, first around the eyes, where the folds deepen behind his glasses in a way that makes looking at him suddenly feel unwise.
The seat takes more of your weight while a smile works under your nose. “You’re fucking with me.”
“No,” he says.
“You are.”
“I only asked.” He gives one small shrug, then an innocent look so badly timed and so sweet that something in you nearly melts. Before it can, his eyes go back to the road. “Can’t blame a man for askin’.”
“You know it's fucking blue!” Both fists thump against your thighs. "No one's that colourblind!"
Dunk loses it then. A snort gets out of him first, delighted and helpless, and the hand he brings to his mouth comes too late to save anybody. His shoulders jump once. It is such a young sound from such a large man that you have to look out the window for a second to get away from it.
“Nice,” you say. “Making fun of a pregnant woman. Very brave.”
“Ah, hush, wee thing,” he says, still smiling. “You’ll have enough fun out of me at the shop.”
“Will I?”
“Aye. Put me near colours and small clothes and I’m finished.”
His ears are still faintly red from before, but now he looks pleased with himself in a way that makes irritation difficult to keep. “Good,” you say. “I hope they have sixteen shades of cream.”
Dunk makes a wounded sound. “Cruel woman.”
“You started it.”
“I asked if your blue dress was green.”
“And lived,” you mutter, fond. “Count your blessings.”
At the shop there is way too much light and a wall of things you have no right needing this early. Bottles with complicated teats, nappies in blunt white bricks, tiny socks clipped together at the cuffs for feet that are still only theoretical. At the entrance, prams stand in a row with their hoods up and straps lying open, upholstered vacancy with price tags.
Dunk goes straight for a trolley. A large one, naturally. The kind people use when they have produced twins or lost control at a Tesco.
“We don’t need a big one,” you tell him.
He looks down into it, then back at the aisles. Dunk knows this. Logic may insist there will be other shops, other Fridays, other chances to do this properly, but logic has never done much for him when something depends on doing well on the first try. “Might.”
“For what?”
A shrug. “Things.”
You look at the empty trolley, then at where he's looking. “Hard to argue with things.”
He accepts the leave and starts pushing beside you. The trolley objects to him almost immediately. One wheel has a limp, and every few steps it makes a slow, determined pull towards the shelves. Dunk keeps bringing it back with both hands and an amount of care no empty trolley deserves, matching your pace.
For the first ten minutes you are principled. You look at muslins and say they can wait. You touch a pack of newborn vests with animals stitched over the heart and put them back because wanting them this much feels premature. Then, there's a small hat with soft ears you stare at long enough for the hat to grow ugly in front of your eyes, and return it to the shelf with your jaw set.
Dunk picks up a packet of plain white sleepsuits and reads the back carefully. “Those have the fold-over hands,” he says.
You pause. “The what?”
He turns the packet round and points with one large finger. “For scratches. Says here. And Raymun said they can get at their faces with the nails.”
A swallow. “Raymun said.”
“Aye. And some books.”
A woman beside you reaches for cotton pads with the serene expression of someone eavesdropping for sport.
“You’ve been reading about scratch mitts?”
“About babies,” Dunk says, faintly injured. “The mitts were included.”
That is how the first thing goes in the trolley. Fold-over sleepsuits, white, with a little yellow sun stitched near the collar. Then muslins, because babies leak from more places than seems fair. Then a pack of tiny socks, because their size makes something in you go foolish and sore. Dunk puts in a cellular blanket after explaining, with more authority than you are ready for, that the holes are the point.
A small guilt opens under the fondness. He knows about blanket holes while you have done no reading worth mentioning. The first trimester has flung itself past in work, nausea, sleep, and a loneliness you keep stepping over because there are emails to send and copy to fix and a body to haul through the day. The rest of your attention has gone to trying to throttle the lingering horniness by looking at the calendar with your due date on it, as if staring might make the months move faster out of embarrassment.
“You’re unsettlingly prepared,” you say.
“'m not,” he says.
You lean against the shelf and look down at your feet. “You know about blanket holes.”
He looks pleased in a manner he tries to make practical by checking the price. “I know one thing about blanket holes.”
“That’s one more thing than I knew,” you say, and it comes out sad enough that Dunk stops looking at the tag.
He doesn’t know the right words. What he wants to tell you is too large and would come out wrong anyway. That you are doing enough by standing there. By letting him put a blanket with holes into the trolley. By keeping his baby and letting him near enough to have a family around the edges of it. Instead, he comes a little closer and brings the blanket to your cheek. “This one’s soft.”
Your eyes close. A smile finds its way through. “It’s beige.”
“Is it?” he murmurs. “Thought it was red.”
“Dunk.”
It comes out half-whined, laughter pulled unwillingly through the sad place, and relief goes through him so cleanly he nearly grins. He keeps it small.
“How about you put in anything you like,” he says, “and I’ll tell ye what it’s for if I know.”
After that it becomes easier to let wanting have a shape. A changing mat with pears on it goes in because you keep touching the corner and then pretending you haven’t. A packet of bibs follows, then a thermometer, then a soft hooded towel with little ears sewn into the corner. Dunk lifts it, runs his thumb over the edge, and looks at you as if asking whether towels can matter. All he sees is that you love it, so he puts it in.
The bath support takes longer. It is pale and rubbery and shaped in a way neither of you can make sense of until you read the picture on the box. Dunk looks from the baby in the illustration to the object in his hand, then down at your stomach. The movement is so careful your cheeks start feeling warm.
“For washing them?” he asks.
“For keeping them from sliding, I think.”
“Aye,” he says quietly, and adds it to the trolley as if it has become necessary now that he understands it.
He finds nail scissors next. Tiny ones with rounded ends. The hinge makes a useless little click when he tests it, and he almost drops the whole thing for the size of his fingers. His brows draw together. “They’re awful small.”
“So will the hands be.”
He thinks about this. Hands smaller than his thumb, fingers with nails already growing, a whole person arriving with edges that might hurt themselves. He puts the scissors in without another word.
By the end of the second aisle the large trolley has become reasonable. It holds cotton, towelling, small devices, pale things, soft things, proof that wanting can be sorted by category and carried on wheels. You walk beside it feeling a little less foolish each time something else goes in.
Near the clothes, you find two rompers in the same unfortunate family of colours shops invent to distress men. One is pale sage. The other is grey, which feels like cheating even to you. You hold them up against each other.
“Right,” you say. “Test.”
Dunk stops pushing. The trolley wheel makes one last crooked attempt at freedom and knocks his shoe. “Ah, here.”
“No fear. Just tell me what colours these are.”
He looks at the rompers. Then at you. Adjusts his glasses. Then back at the rompers with a focused dread, like he's been asked to defuse something in public. “That one’s grey,” he says.
You cock your head to the side. “Which one?”
His hand hovers, then retreats. “The left.”
“My left or your left?”
He catches his lower lip between his teeth, fighting a smile so broad it puts a dimple in his cheek. “See, that’s dirty work.”
Through the heat fighting its way up your body, you tell him, “Answer the question.”
He squints. Actually squints. A flush begins blooming on his neck with great sincerity. “The one with the buttons.”
“They both have buttons.”
Dunk makes a pained little sound and opens his hands at the rompers, genuinely wronged. “Why would they do that?”
You grin fully. “Because they hate you.”
He breathes out through his nose and takes a step back, stretching the rompers farther from his face, trying for solemn resourcefulness to outdistance his own eyes. “That one is green.”
You look at the romper in your right hand. “This one?”
“Aye.”
“It’s grey.”
His eyes close briefly. “Then the other one’s green.”
“The other one is also sort of grey.”
“That’s cheating, that is.”
A snort gets out of you. The sound of it softens him visibly, though he tries to hide it by taking one romper from you and studying the label. “Sage,” he reads, offended. “Sage is a herb.”
“It is also a colour.”
“It should pick a trade.”
“Do you want the herb-coloured one?”
He looks between them again, then gives up with an honesty you find more damaging than success. “I like the one ye smiled at.”
There is very little to do with that, so you put both in the trolley and move on.
Then, an aisle you find to be a promised land once your eyes rest on the pregnancy pillows arranged in a soft heap. Great curled things, moons and commas and pale sleeping beasts. You press a hand into one and your whole body produces a quiet report in favour. Your hips, back, stomach, and some miserable hinge inside the pelvis all vote yes before you have opened your mouth. “God,” you say. “I need this.”
“Put it in,” Dunk says immediately.
“It’s enormous.”
“So is the trolley.”
You shake your head. “You were waiting to be proved right.”
His lips press together. “A bit.”
You lift a crescent-moon one. It is heavier than expected and shaped to humiliate. Dunk takes it before the second struggle can begin, fitting it into the trolley. It clearly makes you happy but, privately, he hates the pillow with unreasonable bitterness. He feels replaced by stuffed cotton before he has ever been given the job. It is a wicked thought that arrives fully formed anyway: you would not need that great curled bastard if he were allowed to lie where he fit best. The notion burns him so badly he nearly steers into a stack of baby baths.
“You alright?” you ask.
“Aye,” he says. “Wheel’s gone funny.”
“The wheel has been funny since we came in.”
“Aye. Getting worse.”
“Mm.”
The cots are at the back, in a quieter section of the shop with softer light and shelves arranged as if noise would be wrong here. The air smells of new wood and packaging. Little beds stand made up with tiny mattresses and fitted sheets, each one offering a shape to a future that still refuses to hold one for long.
Dunk slows before you do.
There are white ones, natural wood ones, one painted a soft green he wisely does not comment on. Some have drawers underneath. Some turn into toddler beds, according to the cards clipped to the rails. Mobiles hang above them in felt clouds and bees and moons, waiting for somebody sentimental enough to set them moving.
Dunk is that somebody. He reaches up and flicks one with the back of his knuckle. Three small geese begin a lazy circle over an empty mattress.
You watch him watching it. His face has gone quiet in a new way. Earlier he had been pleased, embarrassed, bullied by colours, proud over his research. Now something has pulled him inward. He walks between the cots with the trolley forgotten behind him, barely touching but looking at everything. At one cot, he crouches. His elbows fold over the rail and he peers down into it as if something might already be there if he looks gently enough.
The size of him beside it makes them look like they are meant for dolls, not children. His knees are too high, shoulders too broad, hands folded together like they are too clumsy to be trusted here. Still, the picture settles somewhere tender and inconvenient. This man, bent over a small empty bed, trying to imagine the weight of a person who has so far existed mostly as symptoms, measurements, fruit comparisons, and trouble.
In Dunk’s mind, small beds have chipped rails. Metal corners. Blankets that belong to many children before they belong to more children. He remembers rows of them more than he remembers a single one that was his. Some were too short before he had the language to complain. Some had screws that worked loose. One mattress dipped so badly in the middle that every baby placed there seemed to be sliding towards the same tired hollow. He has no clean memory of being put down in a cot chosen for him before he arrived. He cannot say whether there was one big enough by the time he needed it. There were beds. There were places to sleep. That is a thinner thing.
This one could be picked. Paid for and built before the child came. Waiting with its screws tightened by his hand, its mattress level, and sheet clean.
Your palm appears on his shoulder. “Do you want to buy one today?” you ask.
Dunk looks up. His glasses have slipped a little. “Is it not too early?”
“We’re three months in,” you say. “So technically it isn’t.”
He takes that in like you have granted legal permission for a feeling. His hand stays on the rail. “Could I buy it?” he asks.
“The cot?”
“Aye.” His thumb moves along the wood, then stops, because even touching it too much embarrasses him. “Any one you like. I’d like to buy it. And build it, if that’s alright.”
For a second you have no answer. He looks too ardent asking. Too exposed in the shop light, crouched there amongst rabbits and laminated warnings about safe sleep. The request has come out of him plain, but whatever sits underneath it is large enough to make speech seem like the wrong tool. “Yeah,” you say, softer than intended. “Sure.”
His eyes stay on your face.
“You can pick,” you add. “They’re all pretty to me.”
Dunk looks back into the cot. The geese above the next one have slowed almost to stillness. He nods once, serious as anything, and wraps his fingers round the ribs of the rail. They barely fit there. "D'you like geese?" he asks.
"I love geese," you tell him.
So it's the one with geese. He pays for it separately, then packs everything into the car with the pregnancy pillow wedged behind your seat so poorly it keeps nosing the side of your head all the way home.
Back at your place, Dunk gives you the lightest bags with such poor subtlety that you almost object, then don't. He takes the rest himself, most of it coming in bags that cut into his fingers. When you unlock the door, he is pink in the face and pretending this has cost him no effort at all.
The cot pieces spread across your floor in pale wooden lengths. Screws go into a little bowl. Instructions flatten under Dunk’s palm. He takes his glasses off once to wipe them, puts them back on, and lowers himself to the carpet. You leave him to it and go to the kitchen to make supper out of what can be warmed, cut, or forgiven.
Both things take a long time—supper because a great part of the ingredients makes you feel nauseous upon being cut open, the crib because it is, after all, a rather small object in Duncan's hands. He lays its organs out grouped by the order of assembling, swears a little at the bits and bobs and makes it sound charming enough to worsen the nausea.
You manage pasta, a pan of jarred sauce, and a salad so basic it almost resents being called one. The cucumber is fine until the knife opens it and releases that wet green smell directly into the back of your throat. Onion is impossible. Tomatoes look slimy inside. You stand there breathing shallowly through your mouth, stirring with one hand, watching Dunk through the counter gap while he hunches over the cot and tries to make two pale pieces agree with each other.
It provides you with some inward facing bother, having him there on your floor building furniture for your child. Your body floods itself with hormones and your brain, given one inch of fabricated domestic bliss, takes the whole mile at a run. Him shirtless over the same pieces, sweat caught down his back. Those stupid glasses fogging for reasons caused by different kind of effort. His hands made rougher by wood and screws, touching you after. His face close to yours and his breath smelling of the exact day he has had, and you being able to tell because one can about a person who is theirs.
The pan spits. You look back too late and catch the heel of your palm close enough to heat that pain flashes up before the burn can settle. “Shite,” you hiss, yanking your hand back.
Dunk looks over immediately. “Alright?”
“Fine,” you say. “Just… stupid.”
He keeps looking for another second, then a screw betrays him by rolling under the cot frame. He crouches to retrieve it, one palm braced on the floor, and his shirt rides up at the back.
A narrow strip of lumbar area shows above his jeans. The spine dips cleanly in the middle, framed by the strong cut of obliques at either side, the whole place looking made for hands in a way that feels medically unjust. For holding. For squeezing until your fingers leave shape behind. Suddenly you think of tongues on skin, nails dragging red, his body, specifically, bowing forward under pressure. Your neck feels hot.
The tap goes on. Both hands go under the cold water, including the one that has no reason to be there. You press wet fingers to your throat after, then lean over the counter between the kitchen and the living room, letting the edge hold some of your weight while you try to make your voice even. “How’s it going?”
“Near done,” he says, and steps back with the screwdriver still in his hand.
There is a cot. Around it, the floor is all torn cardboard, folded instructions, plastic sleeves, and one runaway screw. But in the middle of your living room there is a baby bed now, pale and square, looking absurdly small with Duncan standing beside it. He gives one rail a testing nudge.
“Just needs the mattress in,” he says. “Then that’s it, I think.”
To make a point, he reaches up and flicks the mobile. The geese begin their slow circle over the empty space.
You swallow. Smile. “It’s lovely,” you tell him. “You hungry?”
“Aye,” he says, immediate. “Always.” Then his face does a delicate guilty rearrangement. “I’ve a bit for work to do, if I’m stayin’ a while. After I eat. If that’s alright.”
You shrug first, because doing anything else would reveal too much, and pass him a plate. The two of you end up on the couch with the food balanced where it can be balanced. Dunk eats fast, then catches himself and tries to eat slower, which only makes the whole performance worse. He hums through the first few bites. Terribly. Full-throated enough that you nearly ask whether the pasta has inspired him spiritually.
Instead, your body chooses to focus on something more harrowing. He likes it. He likes the food you made in a kitchen with your wet fingerprints still on the counter. This should be ordinary. It lands somewhere below ordinary and starts making trouble.
You get through half your plate before the smell and the day and the stupid little geese overpower you. “Do you want the rest?” you ask, offering it over.
Dunk looks at the plate with plain interest, then at you with stronger principles. “You might want it later.”
“I won’t.”
“You might.”
“Dunk.”
“I’m not scrounging off a pregnant lady, lassie.”
For a second, there is only your stare on him and his enormous moral firmness over three forkfuls of pasta. Then you sigh, defeated, and set the plate back in your lap.
It is fucking weird. So domestic it becomes weird. The ability to sort him properly slips when he is on your couch like that, in your flat like that, eating like that. Part of you cannot understand why the natural progression is running late, one where after supper he is under you, naked and bitten in places not-so-private, so others can see he's spoken for. The cold thought you have been harbouring all this time makes its attempt and struggles to squeeze through.
He is doing it for the baby. He is here for that.
Before you can say anything a normal human might, Dunk leans over the side of the couch for the paper bag and pulls out a clipped stack of worksheets. “Mind if I do this?”
“What is it?”
“Maths assignments.” He shrugs. “From first class,” he adds, as if that explains anything.
You frown at the pages. “Why is a P.E. teacher checking maths assignments?”
“I, uh—maths teacher’s sick. She asked me,” Dunk says. You keep staring at him as if he has just claimed a secondary profession in dentistry, so he smiles and adds, “I’m not that thick, luv. I can manage some first-grader mathematics.”
“Oh… y-yeah, I know.” You shake it off, or try to.
Your brain swells unpleasantly in the quiet that follows. You may not have the best nose for men; that has been proven in several educational instalments. Most of them turned out to be relationship dilettantes with nice-smelling smoke screens. Once the fog came down, you were either dumped or forced to do the dumping for the sake of your sanity. This tactic, though, you know. Damsel in distress. Works exceptionally well on men like Duncan. A nasty little element of your upbringing crawls out then: your mother’s voice, sweet and sour, telling you to always assume the worst of women when precious male specimens are near.
Instead of throttling it, you blurt, “Is she pretty?”
Dunk sucks in some air. “W-what?” You stare at him. He looks genuinely thrown, which somehow makes it worse. “I—I dunno,” he says, blinking. “I guess so? I don’t know, she’s just… a teacher. My colleague.”
Troubleshooting, now. Now, your heart screams. You could say sorry and blame it on being partially brain-dead from nausea. You could apologise and take the hot little shame that comes with blurting something ugly out of nowhere. It is only that the thought of someone else batting her lashes at him does no favours to your stomach or anywhere lower.
You wonder if uterine envy could be a thing, then make yourself worse by staring at the mark on his cheek. It rises when he squints at you. Others must notice it too. Others must notice him, period, because how could they not? They must gape, ogle, crane their necks, lay their palms on his forearm, giggle and lick their lips, willing his eyes to settle there. You wonder if Dunk looks at other women’s lips. If he blushes around them. If he goes warm and clumsy and pleased because someone with normal hormones and a flat stomach asked him for help with sums.
It makes you sick clean through, and before you turn green enough even he would be able to name the colour, you say, “You should ask her out.” Hate yourself in the same instant.
Something in you, meaner and more managerial than the rest, decides to treat the wound as excavation. Dig yourself out by handfuls. If the crush cannot be starved, maybe it can be given walls. Maybe this is simply better. His kindness has become too hard to stand near without misreading it, and every new interval between you feels less like space and more like a test you keep failing in private. If Duncan had someone else in his life, there would be a line thick enough for even your stupid heart to see. A woman from work. A nice one. One who asks him for help with maths and gets his baffled smile over worksheets and no complicated biology grafted to it.
It tastes vile. Hurts so cleanly you almost respect it. Still, you push through, because the alternative is sitting here pregnant and jealous over a woman whose face you have never seen.
Dunk stares at you as if the sentence has reached him in another language. The worksheet in his hand bends slightly under his thumb.
“I mean it,” you say, though your mouth has gone dry. “You don’t owe me celibacy, Dunk.”
His head pulls back a fraction. “I never said I did.”
“No, I know. I’m saying you don’t. We’re still human, aren’t we? We shouldn’t put our lives on a hook because something unplanned happened.”
He says nothing.
You hate this. Hate yourself for sounding sane. “And I’ve been thinking about it too, so maybe it’s a good moment to talk about it.”
That lands. Colour rushes up him so fast it could be fever. Neck first, then ears, then the blunt handsome planes of his face. His fingers crumple the edge of the paper.
“You’ve been—” He stops. Starts again, rougher. “H-how d’you even imagine it?”
You blink, genuinely thrown. “What do you mean?”
Dunk panics, a little. First, because he wants no maths teacher. He has no vacancy anywhere for a maths teacher, pretty or otherwise, no matter how kindly she asks him to take home sums. Secondly, because the thought of anyone coming near you, especially now, makes all the hairs on his body lift in a way he doesn’t like. His chest gets hot. His stomach makes a brave attempt at returning pasta to sender. Some filthy old part of his brain stands up with a club and says: who, exactly, in their right mind, would come close to a woman carrying his child?
The thought arrives first. Primitive, ugly in the teeth. His before he can make it decent. Then air gets in. He drags enough of it through his nose for the mind to take over from the animal. Reluctantly, miserably, he can see the reason in what you are saying. You owe each other honesty and the baby care and some version of friendship that can survive the strain. You do not owe each other the shape of a marriage neither of you agreed to. He counts his blessings, sourly, that the matter has come up now and not seven weeks earlier, when he would have had no claim to even the raw little fury currently making a fool of him.
He looks down at the worksheet. The child has written seven plus five equals eleven. Dunk feels an unreasonable sympathy for the error. “I mean,” he says slowly, “I don’t know how I’d imagine it. That’s what I’m askin’.”
And there it is: the feeling that you have stepped wrong. Put your foot through some tender, rotten board in the floor and now the whole room has heard the crack. You sit up a little, though your body protests it, and gather a blanket around your middle as if that might put things back where they were.
“I haven’t planned anything,” you say quickly. “I only mean… naturally. If it happens. I’ve less chance than you now, obviously, but if something—or someone—happens to be interesting, I’m saying you can.” Your mouth has started running and there is no catching it by the coat. “I’m just saying you can date. That I wouldn’t mind," you lie through your fucking teeth.
Dunk only looks at the papers in his lap. If you stop talking now you are going to cry, and crying over this would make it true in some way you cannot afford.
“I don’t know,” you say, worse now, softer. “I suppose I’m saying you can if you want to. Not that you need my permission, Christ, that’s not what I mean. Just in case you were wondering. Unless you weren’t, then just—ugh.” You press the heel of your hand briefly to one eye. “Forget I said anything. I’m sorry, I’m just—”
“I get it, lass,” he says. Quiet.
You lower your hand.
He smiles at you, and it is so sad your whole jaw goes tight enough to click. “It’s fine,” he says. “I will… keep you posted.”
There is a little hum in your ears. You make yourself smile back. Wide. Awful. Pulled so hard it feels as if someone has hooked thumbs into the corners of your mouth and stretched.
“Yeah,” you say. “Me too. All right. Great. That’s all I’m saying.”
Dunk nods. Looks back at the worksheet. Picks up his pen again.
The telly murmurs low. His pen scratches red ink over paper, and the relief of both of you having behaved so reasonably is horrendous.
contents (nsfw): Dunk x fem!Reader, Modern AU friends to lovers rom-com with pregnancy. Humour, angst, misunderstandings, Reader is having a hard time, Rowan is a good friend, lots of yearning, underwear theft, scent kink, masturbation.
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MASTERLIST
next chapter -> (29/05)
synopsis: Aftermath of the failed proposal with life kicking Reader's ass a bit. Thankfully she has Dunk to help her, but who will help Dunk? (We are something like 8-10 weeks in with the pregnancy).
word count: 9,7K
a/n: Banner by me, dividers by @strangergraphics, proofread by @hextoken! Happy birthday to the Birthday Anon, I hope you like panty sniffing done by sad boys :3
In Duncan’s mouth Will you marry me? is actually Should we marry? said with the conviction of someone asking directions. And that, perhaps, is what does it in the end.
Because you have felt everything these last two weeks with such abhorrent intensity already. Tired enough to resent objects. Always hungry and then disgusted mid-way through the meal. Sick in sly little turns that don’t reach vomiting and therefore cannot even be dramatised properly. Your tits ache. Your stomach goes queer at smells that used to be your own kitchen. On top of all that, you have heard the heartbeat for the first time and nearly climbed into Duncan’s ribs from the force of it, and then scowled a little for how naturally it came.
He took you home. He sat on your floor and worked your feet in those big careful palms until your bones melted. Neither of you said a thing about it, because a gesture like that only stays innocent in the hands of very unawkward people, and you are not those people.
When he draws an actual ring, and one that looks insultingly as though he has thought of you in the choosing of it, you feel too much to sort cleanly.
The thing itself is dear. You would wear it. You might have loved being given such a thing under a different sky. But the frame round it spoils the first astonishment. It comes to you freighted with duty, with fright, with his giant impossible goodness, and you hate yourself for the sharp bright flicker in you that wanted, for one deranged second, to say yes simply because he looked so earnest asking.
You cannot tell him any of that in the moment. If you open your mouth you may cry, or accept, or ask something humiliating like whether he means now or only because of the baby. Some mean little girlish organ inside you had wanted to be chosen and now cannot tell whether this counts—it must be what all this searching has been about. Your body, traitor that it is, chooses for you.
It sends the whole knot of feeling out the wrong door. A laugh comes on you so hard it near doubles you. By the time you clap a hand over your mouth it is too late; another peal gets out, then another, and your eyes are stinging with water. And it doesn’t just come because the whole thing is ridiculous, though God, from one angle it is. You are laughing because it is unbearable and because if you do not laugh you may do something much worse, like take the ring and break your own heart with it.
He sits there on his heels and stares at you like he’s ashamed of existing, so you troubleshoot instead of being honest with anyone in the room. Wipe those tears and ask him if he’s lost his mind. Not because you think so, just to check if the child is going to have two lunatic parents or just one.
You’ve a hunch neither of you is fully sincere or fully at your wits, because how can one be when things are happening this fast and with no pause in sight. He asks if you’re angry, and you tell him no despite being, a little. It is an odd thing to be proposed to and feel as if what’s being offered is the mind’s emergency measure rather than the heart’s own movement; comfort a person produces because they cannot reach the wound itself and so place something useful nearby and hope it helps. Maybe not angry exactly, then, but faintly soured by it. Your mother would laugh herself sick at the whole arrangement, so both the proposal and the baby go straight into the enormous drawer of things you will never tell her.
You answer a half-measure with one of your own and tell him the ring is pretty. Then, because cruelty is sometimes only honesty in shoes, you add that he ought to keep it for an actual wife. At that Duncan looks so gravely stricken you almost take it back, but then you put it on the day being too full of feeling for either of you to know what to do with it, never mind all of it together.
When you linger on the fact that you’ve just been proposed to by a man you know hardly anything about and who knows hardly anything about you beyond what friends of friends know about each other, he says possibly the first true and sensible thing all evening. He asks if you can hang out. And for a great many reasons you are glad.
It is a good idea not to live estranged. It will be good for the baby, when it finally arrives, to find parents who know something of each other beyond preferred lager and whose turn it is to get the next round. And despite part of you shrinking from the performance of it and all the little consequences that follow—shop girls smiling at the poor doomed pair, strangers deciding what you are to each other, the whole world eager to drape a shape over you before you have made one yourselves—some tiny romantic crumb in you howls at it all the same.
Because there is devotion in Duncan. It lives in his eyes and hands and shoulders, in the slight lop of his mouth when he looks at you now. Even if it is only for the baby, you decide you can live inside it for a while. Better, perhaps, to rent a shabby house than remain homeless.
Silence, for a while. He sits next to you, making the sofa dip so your hips slant with it. The box turns in his fingers. Finally he snaps it shut and pockets the ring. He sighs from somewhere low in himself, tips his head back and says, “I should probably go. Will ye be all right?”
“Mm,” you say. “It’s like living in a perpetual hangover. I’ll be fine.”
He nods to that, then gathers himself off the couch and points vaguely at the door as if he has to persuade himself towards it. There is absolutely no reason for him to stay. You are fully capable of boiling your own kettle and feeling odd in your own flat. He gets as far as the door before you stop him. “Hey, Dunk—”
His head lifts. “Aye?”
“How did you know about pregnancy weeks?”
“Oh.” He shifts a little. “I told—” He swallows, suddenly looking as if this may have been a tactical error. “I told Raymun. Hope that’s all right?”
“I told Rowan,” you say. “I guess we’re even. So?”
That brightens him a little. “Raymun showed me an app.” He is already pulling his phone out. “Look.”
You drift closer while he opens it. He shows you a pastel little diagram with the baby floating in a black oval like a bean in space. “Sweet pea now,” he says, with such fondness it nearly short-circuits you. His thumb taps ahead. “And that’s next week. Then that one.”
You look at the screen, then at him while he doesn’t notice. He is completely engrossed. He starts telling you what vitamins the app says you should take and what it recommends for nausea, and by then you have to snort.
“Okay,” you say. “I’ve seen enough. You can go now.”
He sinks a little at that. “D’ye mind it?”
“No.” You shake your head. “It just feels strange that you’ve been out there with Raymun nailing logistics while I’ve been talking to Rowan about everything except the logistics and trying to figure out how to sell Lyonel’s booze. Not exactly pregnant behaviour.”
Dunk goes solemn with that, the way he does when he thinks he has been handed a job. “I can do the logistics,” he says. “If ye want.”
You stare at him for a beat. It does offer to take something off your back. Then, just as quickly, the other side of it rises: handing him the weight of it all, letting him get practical and useful and necessary, and knowing the arrangement has an end point. Something in that feels wrong. Unfair to him. Unhealthy for you.
So you smile, a bit tight. “I’ll get the app too.”
He studies your face as if checking whether that is a real answer. “Right.”
“But I don’t mind that you’re interested,” you add. “It’s nice.”
That softens him. He nods, pockets the phone, hesitates a moment, then bends and kisses your forehead. “Sleep well, lass.”
You close the door behind him and groan into the empty flat at the whole ridicule of it. At the proposal. At the app. At the forehead kiss. At the fact that you are now painfully aware of how tender he was with your feet, and wonder why in God’s name your brain insists on filing that under some deranged version of an erotic encounter.
With the next appointment scheduled for two weeks from now, you half-ass the promise of hanging out by merely keeping Dunk in the loop. It is mostly texts and short calls. Between work and Rowan, who has fully surrendered to the role of pregnant wife-to-be, it is all you can manage.
You meet her twice for breakfast, partly to compare symptoms and partly for girl talk, though those two things keep bleeding into each other. Pregnancy, you learn, comes in all flavours and tempers, because Rowan is your mirrored opposite in nearly everything. She is fidgeting, restless, forever adjusting in her chair, forever talking, forever midway through choosing flowers or dresses or napkins or whatever fresh circle of hell weddings contain. She has colour in her cheeks and too much life in her limbs. You, meanwhile, are so tired you could put your head down in the jam and sleep there.
“I’m serious,” you tell her over tea and toast on the day of the second appointment. “It’s like my body has decided this body no longer matters. We are now focusing on making a new body, so all my energy goes into this.”
Rowan laughs so hard she nearly snorts tea. “I did read that, actually,” she says. “That it can hit you like that. Rotten luck that it picked you, though.”
“Cheers,” you mumble through the sore in your throat from all the other things you don’t talk about.
“How are you even managing work?”
You sigh and drag your fork through egg you no longer want. “Well. I suppose Lyonel thinks I’m burning out, because I fell asleep on my hand the other day and he actually looked concerned about something for the first time in his life.”
Rowan blinks. “Hang on—you didn’t tell him?”
Your face wrinkles. “That I’m pregnant and will most likely go on maternity leave in a few months and suffer the consequences of it? Not yet.”
She gives you a fond, patronising look over the rim of her cup. “You do know you’ll have to stop work at some point, right?”
“Part of me knows it, yes. For now I can’t. And you should be glad, because your future wife status depends on it.”
Rowan scoffs. “One of these days Lyonel’s cologne is going to make you puke on his expensive shoes and he’ll send you away before you get any say in it.”
You grimace. “Duncan says it passes. That the first few weeks are hard and then it gets a little better.”
She goes still and just blinks at you. “I’m glad you have another pregnant hen to seek advice from.”
“Fuck off,” you mutter. “He’s just… engaged.” As soon as it leaves your mouth you can hear the irony of it. “As in dedicated,” you correct, a beat too late.
“What was that?”
“Nothing.”
“No, no.” Rowan points at you with a bit of sausage. “That there. What was that?”
You go quiet, shoulders tightening, and pray uselessly into your tea, god no, god no, god no.
She sees it land. Her eyes narrow. “Did Duncan—?”
Playing dumb proves to come with more effort than grace. Still, you try: “Did Duncan what?”
“What did he do?”
There’s no way of saying it without getting berated, so you mutter it into your tea first and have to say it again. “He proposed.”
Rowan freezes, then grabs both your hands off the table and turns them over, inspecting them as if evidence may yet materialise there. “I see no ring here, though,” she says, a little panicked.
“Well,” you say, pulling a face, “I said no.”
That gets you a full scowl. “Why the fuck would you say no? I thought you liked him.” Under her nose, she adds, “You liked him enough to fuck him.”
You scoff and yank one hand back. “I don’t fucking know him. He’s just been… there for two years, and I know nothing beyond what team he cheers for and that he’s friends with Raymun because they met down the fucking pub. That’s it, Rowan.”
Her face softens then, annoyance giving way to something careful. “Hun. I know it’s backwards. I know it’s not ideal. But have you thought this through? Maybe it wouldn’t be so bad. He’s a good lad, and he likes you, and—”
“I cannot think of a worse thing than baby-trapping a guy who’ll look back and resent me years on,” you cut in. “Call me a thick-o, but I don’t want to be proposed to because I got accidentally knocked up. I know it’s noble. I know it.” You stare down at your plate. “It’s just… not what I want. Ugh, it’s insane, right?”
Rowan goes solemn at that. For a second she looks as though she is about to tell you she knows a thousand worse fates than this, and you are sure she does. Then, she reins herself in. “It’s not insane,” she says. “And I get it. I’m proud of you, actually.”
You look up.
She shrugs, picking at the handle of her cup. “You’re right. We don’t have to do a thing just because there’s a path worn into the ground for it. It’s only—” Her mouth goes a bit crooked. “I’ve spent half my life being dead set against this sort of carry-on, and now that I’ve gone and done the properly transgressive thing of following the path, it feels disgustingly right. So I forget, sometimes, that not everyone’s built like me.”
“Thanks,” you say, and mean it. Inside, of course, the truth is more embarrassing. You do want it. You just want it with a hundred conditions attached, a whole chain of stupid ‘buts’ clamped round the ankle of it.
Rowan lets the silence sit only a moment before she tilts her head. “Are you all right otherwise? Apart from the obvious.”
You cringe and cover half your face, as if anyone in the café might read your mouth. Then you lean in and whisper, “I’m… weirdly horny.”
She gapes at you. “Don’t piss me off.”
“What?”
“Well, that, for one, I envy.” She sits back with a huff. “I’ve been feeling all sorts of gross about it, and whenever Raymun gets ideas I swat his poor arse off.”
You shrug, self-conscious enough to stare into your tea. “We should maybe swap then.”
“Well, have you thought about Duncan?” Rowan asks. “You’ve already done it once, so—”
“Christ, Rowan.” You drop your hand and stare at her. “How do you imagine this going? Hey, I won’t marry you, but we can fuck, how about that?”
A grin twitches at her mouth. “I can’t imagine him saying no, to be honest.”
“That is not the point.”
“No, but it matters.” She points her fork at you. “You already know you don’t hate sleeping with him. He very clearly didn’t hate sleeping with you. The pair of you have been carrying on like two Victorian widows over one drunken shag, and meanwhile here you are whispering across your breakfast that you’re horny.”
You groan and rub at your forehead. “You make everything sound revolting.”
“I make everything sound exactly as it is.” Rowan chews, swallows, then says, “You don’t have to make it tragic just because it’s awkward.”
“It would be tragic,” you mutter. “He proposed. I said no. That tends to put a dampener on things.”
“Did you say no because you don’t want him?”
You go quiet.
Rowan arches her brows. “Well?”
“No,” you admit. “I said no because I don’t want that version of it.”
“There you are, then.”
“There I am nowhere,” you snap, feeling warm in the neck. “What am I meant to do? Ring him up and ask if he fancies helping me through some sort of hormonal collapse?”
She snorts. “Put like that, maybe not.”
You give her a flat look.
Rowan softens again. “I’m only saying he’s not some random man off the street. And you’re already tied to each other now, whether you marry or not. It’s not wicked to want a bit of comfort from the father of your child.”
You stare at the dregs in your cup. “You say that as if it’s sensible.”
“I say that as if you’re both making this harder than it has to be.”
There is enough truth in that to irritate you properly. You sigh, push your plate away, and mutter, “Maybe I should just reinstall Hinge.”
Rowan laughs from the throat. “Aye, brilliant plan. All the amazing options that start knockin’ once you announce you’re pregnant. Lovely, hope you like oddballs.”
You sigh.
“Wait till you start lactating,” she adds. “That’s when the real ones come out.”
“Oh, shut up,” you groan.
She is still laughing when you glance at your phone and swear. “Bollocks. I’ve got to go back.”
You shove your chair back, gather your bag in a hurry, nearly knock your spoon onto the floor, fix it, then make for the door before doubling back because leaving Rowan with only a wave feels wrong somehow. She is still sat there, one hand over the almost non-existent curve of her stomach in that absent new way of hers, when you bend and wrap your arms round her.
“Thank you for being pregnant at the same time,” you murmur into her hair. “I think I’d go mad without you.”
Rowan squeezes you hard round the ribs. “You’re still mad,” she says, getting a laugh out of you. She tips her head back to catch your eyes. “Go on, then. Before Lyonel sends a search party.”
You kiss her temple. “Love you.”
“Yeah, yeah. Off you fuck.”
You leave smiling, then rush the whole way back to work with your bag slipping off your shoulder and your stomach sloshing tea in protest.
At the office it feels as if Lyonel has taken a bath in musk while you were gone. He gives you a long look the minute you step in, eyes skimming you head to toe with all the tact God forgot to put in him.
“You look a bit sickly,” he says. “Maybe I shouldn’t let you out for lunches.”
You show him your tongue for lack of a better response and drop into the chair opposite his desk.
He only grins and shuffles the mock-ups closer. The cider campaign has spread across the whole surface in glossy disorder: bottle shots, orchard photos, two possible taglines circled in red, one moodboard full of damp gold light and apples split open with their insides showing. Lyonel taps one of the layouts with a ringed finger.
“This one looks like we’re selling grief,” he says. “Which, granted, we often are, but I’d prefer it if the customer only realised that after the second bottle.”
You snort and pull the page nearer. He is happy enough after ten minutes of rearranging copy, swapping a photograph, and vetoing one slogan with the explanation that it sounds ‘like a priest trying to flirt.’ By the time you get him to approve a version, you are almost enjoying yourself.
Then he reaches for the vape. Your tongue clicks against your palate.. He pauses with it halfway to his mouth and looks at you over the top of it. “What?”
“Could you maybe… not smoke that inside?”
His brows lift. “Smoke?”
“You know what I mean.”
He studies you another second, then sets it down. “Touchy.”
“And just reminding you,” you mutter, looking back to your notes, “I need to leave earlier today.”
That earns you another look, sharper this time. Suspicious, interested and irritatingly awake. “Doctor’s visit again?”
You do not look up. “Yeah.”
“Should I be concerned about you?”
“No,” you say. “Why?”
“Well.” He leans back in his chair a little. “You are either being diagnosed with cancer or pregnant, and both options are terrifying.”
Your head comes up so fast your neck nearly cramps. You say nothing. Only stare.
Lyonel’s mouth shifts. Absurdly, horrifyingly knowing. “You think I’m entirely self-absorbed,” he says. “Fair enough. But I do see things.” His voice drops a little. “Are you all right? Honestly.”
You blink at him. “Lyonel.”
“Am I right, then?” He reaches over and lays his hand over yours where it rests on the notes. The gesture is so uncharacteristically gentle it alarms you more than the question. “Am I such a terrible boss,” he asks, “that you’re keeping important things from me?”
You swallow. “These are private things, though.”
“Well, we’re friends too, I’d hope.”
You hesitate, then say, small, “Option B.”
Lyonel goes still. For one second his face is unreadable. He turns it over in his head, all of it, faster than should be possible. Then, his grin breaks wide and sharp.
“Is it with the giant?” he asks. “You are going to have a terrible time pushing that out of you.”
You choke so hard your eyes water. Between denial and laughter, what comes out is, “How the fuck did you know that?”
“Please.” He flicks his fingers. “Let’s say I could smell how wet between the legs he was for you.”
“You are disgusting.”
“And yet correct.”
“I’m reporting you to HR.”
“We have no HR.”
“To the unions, then.”
Lyonel laughs outright at that, all pleased with himself. “Go on. Tell them your decadent employer guessed you got knocked up.”
You cover your face with one hand. “I hate you.”
“No, you don’t.” He tilts his head. “So. Duncan.”
You groan.
“The teacher. The very large one. Earnest eyes. Built like a provincial war memorial.”
“Oh my God.”
“He does have the look of a man who’d apologise to furniture after walking into it.”
“He is a nice person,” you defend, not knowing exactly why.
Lyonel catches that and his grin turns sly. “Ah. There she is.”
You glare at him. “Don’t.”
“Have you told him?”
“Yes.”
“And?”
“And nothing. He knows.”
“Stunning. Riveting. You ought to write fiction.”
You drag in a breath through your nose and let it out slowly. “He’s been decent.”
Lyonel’s face softens by a hair. “That matters.”
You nod.
He toys with the vape without lifting it. “So tell me. Is this good news or bad news?”
You look down at the papers, then at his hand still near yours, then away. “It’s just news,” you say. After a beat, quieter: “And I’m keeping it, so I guess we can tip that toward good.”
Lyonel laces his fingers together and exhales through his nose. “Can’t believe you’ve made me an uncle. I think I’m too young for that.” His hand reaches for the vape again by instinct. You give him a look. “Right,” he says, abandoning it. “Sorry.”
That surprises you almost as much as the earlier concern did.
He folds his arms over his chest and watches you for a moment. “If you need anything, you come to me.”
You huff a laugh, slightly phlegmy. “I’ll remember that when it’s time to change a nappy.”
“I don’t think the daddy would like me doing that, pet.”
Briefly and with some fatigue, you think about correcting both the pet and the easy assumption that there is now some shared domestic future between you and Duncan that other people can see from the roadside. In the end you only say, dryly, “I suppose not.”
He lets you off the hook, at least for now. The work gets finished early as promised, and by the end of it you feel—and likely look—wrung out enough for Lyonel to mutter only, “Good luck,” on your way out, then give you a smile you decide is almost disturbingly sincere.
It is early enough still for the sun to play hide and seek between the clouds. Every time it slips out it goes suddenly warm; every time it vanishes it turns bitch-cold again. You cannot tell whether spring is truly this changeable or if your body has simply gone mad. Your back feels damp under your clothes, in turns hot and clammy, and you hurry to the clinic while trying very hard not to examine the faint butterfly feeling in your stomach at the thought of seeing Duncan.
He is already there when you arrive, and for one idiotic second all you can do is look at him. He is in full P.E. teacher attire: shorts meant to hit a normal man at the knee and which on him land somewhere between above-knee and mid-thigh, a big sweatshirt with some washed-out print across the front, and, as usual, a piece of vision aid that should by all laws of God and man do nothing for you and somehow does. He turns when he spots you and his whole face alters around it.
“Hey,” he says at once. “You all right?”
“Why does everyone keep asking me that?” you mutter.
His mouth twitches. “Well. You look a bit…”
“A bit what?”
He eyes you with care. “Tired.”
You give him a look. “I fucking am. I’m making a child while working and remaining part of society.”
He chuckles, low and warm. You stop then, look him over once more, and narrow your eyes. “Why do you look like you’ve run from school?”
“I did run from school.”
You bark a laugh, and the day improves by a small but measurable margin.
The doctor is the same as last time, only mildly less tense, as if you have all now agreed this is really happening and may as well proceed like adults. He asks a lot of questions, looks through your results, and does another scan. The heart is still there. Still beating far too fast for something the size of a whatever-it-is-now to be allowed such force. This time Duncan is less struck dumb by it. He puts an arm round your shoulders and keeps his mouth pressed to your temple through half of it, like this is normal friends behaviour. You let him.
“Nine, maybe ten weeks,” the doctor says after a while.
Duncan, without missing a beat, goes, “That’s a kumquat, I think.”
You turn your head just enough to stare at him. “A what?”
“A kumquat. Or near enough.”
The doctor laughs. “Your—” he pauses, obviously thinking better of whatever word he was about to use, “—the father has been doing his reading.”
“Clearly,” you mutter.
The doctor talks you through what to expect over the next weeks, confirms the nausea is normal, then stops and looks at you more closely. “Have you a cold?” he asks.
“What?”
“You look a little feverish.”
“Great,” you say. “Another thing to add to all the other things.”
He takes your temperature, peers at your throat, asks a few more questions, then rules that yes, on top of being pregnant, you are also simply ill. You lie there thinking that if the female body is such a miracle of design then the designer ought to be taken out and shot.
You get slightly berated for trying to carry on as normal. Duncan gets visibly worried beside you, which is more annoying than it should be because it lands warm all the same. The doctor prints another picture. This one Duncan takes before you even fully register it exists.
“You can keep that one,” you tell him as you sit up properly again. “We’ll swap. One for one.”
He looks at the printout like it might dissolve from sheer luck. “Aye?”
“Aye.”
That seems to please him so much he goes quiet.
By the end of it all the doctor is writing things down, updating dates, reminding you to rest, and then, with the authority of a man who has decided enough is enough, tells Duncan to take you home. You lift your head. “She’s in the room still.”
The doctor only waves a hand as if this changes nothing.
Duncan nods. “Aye. I’ll take ye. Came by car.”
You turn to him. “Why are you by car?”
“I’ve shopping in the car,” he says.
That is so obviously not the whole truth that you narrow your eyes at him, but he only holds the scan picture carefully by one corner and avoids looking guilty by sheer force of size.
He manages to get you into the car without much trouble, stops by the pharmacy to get paracetamol because by now he knows it is the only relief pregnant women are allowed, and ignores all your whines and huffs about how you are going to be fine and he should not fuss. And it is not that Duncan is cross with you. It is only that, in the two weeks between the last appointment and this one, you have managed to see him exactly zero times, push Raymun’s cider business so far ahead it is nearly on the shelves, and get yourself ill enough that Dunk knew something was up the minute he laid eyes on you.
His own two weeks have not exactly been light either. Half of them he’s spent wondering how much of his presence would count as help and from what point on it would just become foisting himself on you because he likes the idea of being near. The other half has gone on Raymun, who is near frantic over Rowan not wanting much done to her except the rubbing of her back and the fetching of impossible things, and on Egg who says things in that level little voice of his that sit in Dunk’s head for hours after. That Daeron fell asleep in a chair with a cigarette still going. That Aerion told him if he is so clever he can start paying rent, then emptied Egg’s schoolbag out on the floor to see whether there was anything worth selling. That Aemon stopped calling. That their father is due back and everyone in the house is acting like weather before a storm. Egg says all of it with a shrug that is far too old on him, as if he is only reporting on the state of the bins. Duncan keeps having to stand there and answer like a teacher and not like a man who wants, quite badly, to go round and start dragging grown males out by the hair.
So Dunk has been carrying that as well, turning it over with no good answer to show for it. Because if he pushes too hard, Egg will only shut up and look at him with that old little-man face of his. And if he lets it lie, he feels like a coward. It leaves him in a state he knows well by now: worried in three directions, sleeping badly, and making plans for other people because it is easier than admitting he cannot sort the ones already in his hands.
By the time he pulls up outside your place, he has worked himself into a quiet state about it. As pure rage is alien to him, it lingers in the area of a thick, stubborn worry that sits in his throat and will not shift. He goes round to the back, reaches into the boot, and gathers the bags before following you to the door so naturally it is clear he has decided this part without consulting you.
You glance back over your shoulder while digging for your keys. “I take it you’re coming inside?”
“Aye,” he says. “And you’re going to bed.”
You frown at him. “It’s four in the afternoon.”
“Which gives you plenty of time to rest.”
Your shoulders go stiff. You fold your arms across yourself. “Do not order me around.”
“I’m askin’ nicely,” Dunk says. Then he adds, “But you know damn well I could pick you up and put you there myself.”
That stalls you for a second. Just enough of one that he almost smiles. Then you unlock the door and let the both of you in.
Inside, he sets the bags down by the kitchen counter. You turn on him with your arms still folded, but there is less heat in it now. “Are you angry with me?”
“No.” He shakes his head. “But I don’t like bein’ away for two weeks and findin’ you like this.”
Your face does something small and crumpled. Your eyes begin their glimmer, and panic goes through him so quick it near makes him breathless. “Ah, shite—no, lass, I didn’t mean—” He comes to you, hands half-lifted. “Sorry. Sorry. Don’t do that.”
You huff a weak laugh that sounds one bad inch from tears. “I’m not doing anything.”
“Aye, well. Stop it anyway.”
Another little breath goes out of you. You rub under one eye and lean your shoulder briefly against the wall. “It’s fine,” you murmur. “Maybe I really am tired.”
Dunk softens straight through. “What d’you need?”
You think on it, then sigh. “I guess bed isn’t the worst idea.”
“There we are. D’you want to eat something first?”
“No,” you say, with the grim conviction of the truly afflicted. “Everything’s disgusting.” A beat. “You could make me tea, though. And for yourself. If you want to stay a bit.”
He nods. “Aye.”
You point vaguely down the hall. “I’ll see you in the bedroom, then.” Then you stop. Turn back, and squint at the bags by the counter. “Dunk?”
“Mm?”
“What’s in those?”
He goes sheepish, and because there is so much of him, it shows everywhere. “Bought some food I read’s good for you,” he says. “And tea. And some…” He glances at the bags. “Baby things. Since you were busy.”
You stare at him. Actually choke a bit on the start of a reply. “That’s… uh—”
His stomach drops. “Too much?”
“No, no.” You shake your head fast. “I just—never mind. What did you get?”
It steadies him some. He crouches by the bags and starts pulling things out with dour practicality. Crackers. Ginger tea. Clementines. Yoghurts with that miserable healthy look food for pregnant women always seems to have. Then the baby things. A packet of little socks. A soft blanket. Three tiny vests. And, with all the certainty of a man unveiling a sound decision, a few bits of clothing in what is, to him, plainly green.
“It’s because we don’t know what it’s goin’ to be yet,” he explains. “Neutral, see. And I like green.”
You take the little romper from his hand and just stare at it. Your face pulls tight in a way he recognises on the spot. He is about to be roasted. Oddly, he finds he does not mind that at all. In fact he waits for it with a kind of interest.
Instead, you look up and say, “Can I see your glasses for a second?”
Dunk frowns. “Why?”
“Just gimme them.”
He bends down enough for you to pluck them off his face. The room blurs. You put them on and mutter, “Jesus.”
Then, you hold up the romper with theatrical concentration and inspect it. Dunk has to lean back and squint uselessly to see anything at all. You look strange in his glasses. Endearing too, though he wishes very much he could see you properly. The frames are too broad for you and the lenses blow your eyes up enormous. Worse still, you are wearing something of his, however briefly, and that does something ill-advised to the inside of him.
You smack your lips. Sigh. “Nope. It’s not the glasses. Still poo-coloured.”
Dunk blinks at the blur of you. “What?”
“This is not green, you goof. This is shite-coloured.” You hold the thing up between two fingers. “Who makes baby clothes in this shade? Duncan—are you colourblind?”
“It is green.”
“It is absolutely not green.”
“It is.”
You grin so wide he can hear it in your voice. Then you laugh, loud and helpless, and because of course he does, he starts laughing too, though he still feels entirely right. “It’s green,” he insists.
“It’s baby diarrhoea.”
“That’s still under the umbrella of green.”
“Jesus Christ.”
“Give us those back,” he says, reaching for you at last because this has gone on long enough.
You dodge half a step, still laughing. “Clearly they don’t help you at all—”
But he gets an arm round your middle anyway and pulls you in. Just enough. Enough that your laugh shortens against him. Enough that his face lands close to yours, too close for his peace and too blurred for his comfort. He can barely make out the shape of you now. Only the warmth of your body, your breath, and the faint line of your mouth.
Then, your hand comes up and settles on the back of his neck. “I love your enthusiasm,” you say, softer now. “But can we go shopping together? I promise I’ll make the time.”
Dunk closes his eyes at that. Just for a second. Lets the touch be there and himself experience the warmth seeping from your skin to his throat. His thumbs move once over your waist as if they have thoughts of their own.
“Mm,” he says after swallowing. “Can I get my glasses back now? I’ll snap my neck without them.”
You huff a laugh and slide them back onto his nose. He feels the familiar weight settle. When he opens his eyes again you are still there. Close enough to punch his nose with the smell of butter and clementine zest.
“Will you be good and go to bed now,” he asks, “or do I’ve to make you?”
You step out of the embrace, roll your fucking eyes, and at this point Dunk hates the way Pavlovian responses work in his own body. Then, you turn, march off toward the bedroom, and despite Duncan knowing this whole evening is going to be quite literally hard for him, the pinch he’s been carrying at the back of his neck loosens one notch.
So he makes the tea. Thinks a great many things about how to survive this without making a complete idiot of himself, and then remembers this is what he wanted. He steps through your flat with the odd sense that your corridor accommodates him better than his own, then finds the bedroom door wide open, the telly on so low it is nearly only light. And you—on your back in bed, over the duvet, lousily half-covered by a throw and still in your clothes, with one shoe on as if you lost the will halfway through the job.
He sets the mugs down on the bedside table and stands there looking at you for a second longer than is useful. Your hair is all over the place. One arm’s flung out. You look less like a person who has gone to bed than one who has been dropped there by invisible force.
Dunk crouches and reaches for the shoe. Your foot twitches in his hand. You stir, make a small sound, and he says, low so as not to startle you, “Look at ye. Didn’t want to go to bed and now you’re near droolin’ into the pillow, hm?”
Your eyes stay shut. “I don’t drool,” you mutter.
The words come out rough with rasp. You hear it too. Your eyes blink open a slit. “Oh my God,” you croak. “Maybe I am sick.”
It is another misfortune to Duncan. He keeps his face straight with effort, thumb still hooked at your heel while his brain trips over the sound of you all husky and wrecked with sleep. “Aye,” he says, a bit too quickly. Then, gentler: “Think maybe ye are, lass.” He gets the shoe off and sets it aside. Sits on the edge of the bed. “D’you want to change?”
You give a tiny, miserable shake of the head. “No. Please don’t make me move.”
A smile pulls at him. “What if I move ye?”
You make a thin, put-upon noise, but let him shift you all the same. Duncan slips an arm behind your back and another under your knees and lifts just enough to get you where you ought to be, then works the blanket and covers around you properly. You are warm through your clothes. Too warm. By the time he has you tucked in, the tea is set by your bed and you are sunk deeper into the pillow with the loose, dazed look of someone whose body has decided the argument is over.
“You’re a saint,” you tell him.
God save him. He wishes he were. Instead he sits there hearing your voice make that shape for him and wonders what other praise would sound like in it. What it would sound like if he had earned it with his fingers. Or his mouth. What it would sound like repeated around a yes because you could not do much else. He sits there wishing for his body to seize all blood circulation, or better yet, for a fucking aneurysm—anything to stop the attention gathering between his hips.
A swallow he manages to force through comes out loud. He tucks the blanket once more near your shoulder though it needs no tucking. “You gonna sleep?” he asks. “Mind if I take a shower?”
You blink up at him. “Course not.” Your voice catches again and comes out worse. “You don’t even have to stay if you don’t want.”
Dunk clears his throat. “I want to.” You look at him a second, tired enough not to make much of it. He adds, because he has to add something, “Just—been at school all day. Clinic after. Feel a bit grubby, is all.”
“Mm,” you rasp, already halfway gone again. “Help yourself.”
He nods though you have shut your eyes by then. Stands. Looks at you once, then makes himself turn for the bathroom before he does something catastrophically foolish, like climb in beside you just to see if you would let him.
When he closes the door it dawns on him that he’s somehow found his way to the promised land. In this bathroom lives the answer to why on earth would a human girl smell like the inside of a biscuit packet and Duncan’s gonna find it as if his life depends on it.
So he starts with whatever bottles and jars are lined along the sink and stacked on the shelf. Uncorks the perfume and wedges his nose into the caps because spraying them outright would be difficult to explain to someone who’s got a newly acquired hound dog sense of smell. One of the creams carries a faint scent of biscuit, another of clementine peel and one of the flacons has something soft in it that must live somewhere at the base of your throat and wrists. Bits of you are in all of it, but none of them are exactly right. That makes Dunk think you are the secret ingredient to all of this and do something the products cannot manage on their own.
Resigned, he puts everything back where he found it. Then, he bends to one of the lower cabinets for a clean towel and gets confronted with your laundry basket. He gasps softly.
Some wicked ounce of boyhood, still alive in him despite the years and the schooljob and his giant responsible body, lifts its head and tells him to have no respect for himself. It makes him double-check if he’s closed the door properly. What happens next he will later attempt to class as an accident of momentum and circumstance and weak moral judgement. In one unconscious fit of getting afflicted with dick-for-brains and heart-for-dick, he sends his rational mind on mandatory leave from decision-making and lets himself be tempted by the crumpled knot of lace at the top of the heap. Watches his own hand reach for it like he’s watching someone commit a crime from three feet away, and presses it to his face.
His mouth hangs open. The minute he’s muzzled, all the blood in him remembers. His body gets thrown straight back to that moment when he had his nose buried in it and your pussy was underneath the cloth, and he was drunk and you were too, and there was a heft of your ass between his fingers and your thighs on his shoulders.
He finds it there. Gone darker, closer, headier, with tang at the edges. Slightly overripe, like fruit tipped past perfect and threatening to spoil if nobody is bold enough to get at it in time. It is a note more maddening than what you carry at the throat and Dunk wonders if there is more to a scent than creams and oils and perfume and sweat. He wonders if it’s something truer than heat at the loins and if it’s possible that you’ve made yourself into a complex thing he may spend his life trying to disassemble and inevitably, fail.
Events fold down on him. One second he’s back to the first night so completely he fears the hard-on rising in his pants has all to do with the memory of fucking you. Then, his chest suffers a full-on assault of the smaller things: your hand squeezing his at the clinic, the same hand at his neck, you laughing, you crying, you in his glasses, your forehead glowing with the mild fever and your feet going soft under his fingers and your voice gravelled in a throat that’s sore and from there his name is being croaked out so intimately his body gives a small helpless hitch.
“Christ,” Dunk whispers. He blinks and finds himself breathing you in like a sinner with his cheek nearly brushing the cabinet door and his palm deep beneath the waistband, fingers wrapped round his balls like he’s trying to make the boner go back where it came from. “Fuck—”
Some bastard reasoning in him is winning the argument. The point, supposedly, is to get his body out of the way so he can go back into your room and be decent amongst all the little things you do that are slowly becoming insufferable.
At some point all the merged parts of him begin to work against him and feed him conjured images. When he moves his hand to the base of his cock, in his dick-for-brains it is your hand. He slides the fist down to the tip and near hears you saying you’re doing so well. Humming. Cooing at him in that hoarse voice. Speaking his name, his full name, saying Duncan, calling him yours, giving him a place to belong to, telling him he’ll be a great father and all of that straight to his ear, so close your mouth brushes his earlobe.
He’s got no idea why any of that would happen, because Dunk has never thought of himself as neither heartthrob nor cuntthrob. He’s simply a throb for girls with nice necks and tits that go heavy when the bra falls off and hips that spill over surfaces they are pressed to, and when he thinks of all of this he’s becoming wetter and wetter between the legs. So wet that the shameful act of jerking off with a mouth full of your underwear acquires a sound, and he gags himself tighter.
The effect is him becoming quieter and even more turned on, because between his mouth and palm your knickers warm from his breath and strengthen their hold on his sinuses. Make his toes curl in his socks. He goes faster and faster, and prays for you to let him, at least once, to make love to you again, for you to plow your nails through the meat of muscle on his back when he’s eating you out, to let him wipe under your eyes with his thumbs and play with your hair and grant him the image of your cum face, and then Dunk is fully gone.
He gives in to what his body has wanted all along and what his brain has never let him entertain cleanly. The made-up you at his ear gets bolder, filthier, meaner in all the sweetest ways. He hears you tell him put a baby in me and it is so hot to him his wish for an aneurysm near materialises, only in his cock.
“Jesus—” he chokes into the lace.
He fumbles himself out of his shorts, hissing when the rough fabric catches on the tender head, then sprawls over the cold porcelain of your sink like he’s trying to survive a wound. One hand works him in short frantic strokes while his mouth keeps filling with your knickers and your scent and all the stupid rotten things he has made of both.
Your name spills out first. Then lass. Then please, said to nobody who is there to hear it. Then, Duncan loses the last of whatever little dignity had kept him upright through this. He mutters to you in scraps. Please. Let me. Ah, Christ. Good girl. Little torn-off bits of talk, pathetic enough to shame him if shame were not already queueing up outside the door.
He comes with his face turned into his own forearm, teeth sunk hard into it to stop the cry. The force of it goes through him so sharp his knees near give and he has to catch himself on the sink. For one blind second he can hear nothing but blood and breath and the wet drag of his own hand finishing the job while his cock pulses itself empty under his fist.
When he can see again, the first thing he does is look at your knickers. They are damp with his spit. He stares at them in full mute horror, then jerks his eyes round the room in a panic to check whether he has sprayed anything impossible to clean. Sink, mirror, tiles, floor. He finds spots and deals with them in a rush, yanking toilet roll loose with one hand while the other still shakes with the last of it. Shame keeps punching him like a heavy boulder.
He starts the shower, strips, and thinks only that at least his dick is down now. Under the water he just stands and lets it run hotter than is sensible, hoping the last of the tension will leave him and go down the drain. He uses only the plain bar soap to clean himself because reaching for any of your fancy bottles would be begging to get trapped in here for another round of disgrace if any one of them smells even faintly of you.
When he steps out, he sees the knickers where he left them. That is when he permits himself one more second of possession. He palms them, pushes them deep into his pocket, and spends the whole walk from the bathroom to your bedroom convincing himself he did not do it.
There, he finds you asleep. One arm under the pillow, mouth parted, the blanket kicked low again since your body has elected fever on top of everything else. Dunk smiles to himself. Goes to the free side of the bed and sits, careful not to jostle you. Then, because his own back is one long complaint from the day, he stretches both arms over his head and lets out a slow breath through his nose.
From behind him comes a hoarse little hum. “Biiiiig stretch.”
He chuckles, caught, and turns to look at you. Your eyes are open only a slit. Glassy. Cheeks and forehead shining. But your face has gone calm in sleep, none of the strain from earlier left in it.
“You all right?” he asks.
“Mm,” you say. “You?”
That throws him for half a beat. “Aye. Why wouldn’t I be?”
You blink slowly. “You’ve been brooding since the doctor’s.”
He stares at you in silence, surprised enough that he forgets to hide it.
“I’ve eyes,” you mutter.
Dunk huffs once through his nose. “Do ye.”
“Mm.” You shift a little deeper into the pillow. “You wanna talk about it?”
For one dangerous second he thinks of all the things he could say that have you in the middle of them. The biggest of them is there like a bad tooth: that all of this has him half split open with gratitude and dread, and that a fair bit of the dread comes from the fact that he has never had a family without the word broken nailed to it.
He could tell you that. He could tell you he does not know how to speak of being left without making it sound like a plea for pity, and that the thought of pity from you makes his skin crawl even though it would be yours. He could tell you the whole thing feels so enormous to him because nobody has ever stayed by right, only by accident or habit, and now there is a child in the middle of the future asking to be counted before it has even got limbs to speak of. All of that crowds up and stops at the back of his teeth. Then his mind swerves, thankfully, into ground more fit for human use. “There’s this…” He scrubs a hand over his mouth. “This kid in my school.”
You nod a little to show you’re listening.
“He’s a good lad,” Dunk says. “Bright. Bit odd, but in the right ways. Small fella. Carries himself like he’s forty.” He glances at you and finds your eyes on him despite how tired you look. “Home’s not… simple for him.”
He picks at a loose thread on the blanket. “He says things. About his brothers. His house. Just drops them in like nothin’. One of them smashed up his schoolbag. One of them shaved his head drunk and nicked him. Their da’s due back and the whole place sounds fit to burst when he talks of it.” He pauses. “But he says it all like he’s listing what’s in the fridge. Then looks at me as if I’m meant to know what to do with it.”
Your hand moves under the blanket and finds his where it rests on the bedspread. He goes quiet.
Then: “I don’t—” Dunk says after a moment. “Know what to do, I mean. Not really. If I push, he shuts up. If I don’t, I feel like I’m lettin’ him down. And he’s only a child.”
You rub his knuckles once with your thumb. “He talks to you,” you say.
“Aye.”
“That’s not nothing.”
He glances down at your hand on his. Small against big. His fingers still a bit rough from gym equipment and steering wheel and all the other ordinary uses of them. “I know,” he says. “Still doesn’t tell me what I’m meant to do.”
“No.” Your voice catches and roughens worse. You clear it with a tiny wince. “Sorry, no, that’s not useful.” You shift a little under the covers. “Can you ask him? Not what happened, I mean—whether he wants you to do anything. Whether he wants you to step in at all.” You pause. “And if you can’t ask him, maybe you measure it by feel? There’s probably a moment where it stops being his business to manage and becomes too much for a kid. Do you feel like it’s there yet?”
A laugh almost gets out of him at that, though not from mockery. More from the shock of finding something solid in what he had thought would be only kindness. “Christ,” he says softly. “Maybe.”
“I know absolutely fuck-all about children,” you add, and his mouth does twitch now. “But I know a bit about people trying to act as if things don’t hurt when they do.”
Dunk turns his head. You are half gone with tiredness, eyes barely open, throat a gravel, and still there is that effort in you, the reaching. More than just to soothe him. To actually think it through on his behalf.
“And maybe talk to the father, if he’s not the source of the problem,” you murmur. “Or someone else in the house. But ask the boy first if you can. Let him have that much.” You blink slow, fight your way back up for one more second. “I don’t know if any of that’s useful.”
He sits with it. “It is,” he says. “Thank you. That does help.”
You nod a little into the pillow. “Dunk, you can tell me things. We’re stuck together, and I keep whining to you about every little thing that happens to me. I don’t want it to be one-sided. Wouldn’t be right.” For a second after that you drift, and he thinks you are gone. Then: “Hm, what’s his name?”
“Aegon.”
One eye opens a bit more. “That’s awful.”
Dunk laughs properly, quiet enough not to shake the bed. “Aye.”
“Poor child.”
“He likes Egg better.”
“I like Egg better too.”
You shut your eyes again. Your hand stays where it is on his for another few breaths before going loose with sleep. Dunk lets it lie there till the weight of it changes. Only then does he ease his own hand free and sit beside you in the low hum of the telly, listening to you breathe and feeling, for the first time that day, a little less trapped inside his own head. He doesn’t even know when it happens so that his body folds on the mattress and cheek touches the pillow.
contents (sfw): Dunk x fem!Reader, Modern AU friends to lovers rom-com with pregnancy. Smidge of angst, humour, banter, Raymun being a good friend, Egg cameo, lots of feels and yearning, one 🤏 foot massage :3
*Mo chailín daor -> My dear girl.
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MASTERLIST
next chapter -> (22/05)
synopsis: Aftermath of the telling, Dunk's reaction to it and their first doctor's visit! From this point forward I will be marking how pregnant Reader is so this time we are 7 weeks in :)
word count: 8K
a/n: Banner by me, dividers by @strangergraphics, proofread by @hextoken! I promise this will make sense. And just a reminder, taglist is ofc open.
Four hours is a long time when your own mind has turned mutinous. In that span you change it three times. First you think you will tell him and get it over with before fear can grow roots. Then you decide you absolutely will not, because there is no reason to drag him into a thing you have not even managed to hold properly in your own two hands yet. Then you circle back again, because this is not a leaky tap or some other private disaster to be handled with paper towels and a grim face. By the end of it you have drafted six versions of nevermind and deleted all six, because none of them land. They all sound like lies written by a woman already half inside a larger one.
On Rowan’s advice you buy two more tests from different brands, as if science might be bullied into contradiction by variety. (It is not.) Both come up positive. Each time the waiting strips you raw, and each time you realise with a small shock that you are hoping for the same answer. Tea appears in your hands by the mugful. You drink so much of it that the taste goes flat. You call the clinic and make an appointment in a voice that sounds, to your own ear, entirely like somebody else’s.
Half an hour before he is due, you stand in the hallway between the two mirrors and practise expressions. Smiles, mostly. Calm ones. Reassuring ones. Ones that might survive a first glance. There is nowhere else to hang the mirrors, so one faces the other and sends your reflection running off in crooked ranks behind you. One gives you the plain lie. The other, older and faintly warped, gives it back with a twist: the smile goes distorted at the edges and even though there is nothing human-looking about it, this reflection feels more accurate than the first one. Your mother got rid of nearly every mirror in the house when you were a girl, so you keep these two out of something that feels, on bad days, a little like spite.
By the time he knocks, you are still caught between, watching an infinite number of your own hands rise and fall a fraction too late in that dim iridescent tunnel. Once the door opens, your nerves are humming so hard you barely register that he is nervous too. What you notice is the dampness at his temples, the way he has clearly come on foot through weather that cannot decide what season it belongs to, and his eyes—enormous behind the lenses, fixed on you with such helpless attention that avoiding them is impossible.
In the kitchen he looks like he’s bracing for catastrophe and trying to be decent about it. When his mind starts lurching toward the most embarrassing possibilities, something in you gives up on finesse and reaches for blunt force instead.
The word pregnant leaves your mouth, and Dunk’s face goes blank.
It empties, as if every expression has left. You tell him you think you would like to keep it, and still he gives you nothing. He stands there petrified while your own pulse goes at you like a fist on a locked door while something monstrous is chasing the fist’s owner. You are squeezing your cup so hard a cramp catches in the little muscle of your palm and makes your smallest finger twitch. The pain finally forces sound back into you.
“Dunk?” you say, because the silence has turned mean. “Are you with me?”
That brings him back. A visible moment of him stepping behind his own eyes again. He looks at you and then something softens so completely it startles you. He takes the cup from your hands, puts it aside, and then he is all shoulders and arms and chest, gathering you in with such force and certainty that your own body gives up and makes more tears. He smells of damp air and anxious sweat and the cold he has carried in from outside. Some bit of weather still clings to him. He keeps thanking you, and it takes you a second to understand why.
He is happy.
It goes through you strangely and ungently. He says he is happy and hugs you tighter, and your eyes sting all over again because of course this is how he would do it, with gratitude so plain it makes your ribs feel poky. You could say I’m glad it’s with you. The truth stands there ready enough. Yet what comes out is softer and more defended, something about there being worse fates than this. He does not seem to mind. Or perhaps he minds and forgives it instantly. When he says you will make it work, he says it with such simple conviction that your brain, treacherous thing, takes him for safety and holds onto him.
“So, um—” you begin after a while, your mouth half lost against his sweatshirt. “Do you want to talk stuff?”
“Mm, stuff?” Dunk hums above you. “As in: rules?”
You shrug as best you can inside his arms. “Yeah. Like… do you want to come to appointments and all that.”
He draws back a little. “Course I do. When’s the first one, then?”
“In two weeks,” you say. “A proper check.”
“I’ll come,” he says with negative amounts of hesitation. Below zero. It should maybe worry you, how quickly he slots himself into the sentence. Instead it eases something jagged.
He studies your face a moment longer. “You scared?”
You let out a breath. “Shitless. My mam was… difficult.” The word seems thin and insufficient. Dunk takes it as if it weighed much more.
“But you’re a great woman,” he says, and the seriousness does a great many things to your stomach. “And I’m not too bad with kids. Ah, worst case, we raise a criminal.”
A laugh does get out then, surprised and wet. “You’re so silly.”
He smiles in the smallest way, as if he is pleased to have earned it and trying not to crowd the moment by showing too many teeth.
You talk a little longer after that, though nothing in it feels as large as what has already happened. Bits and pieces. Practical things. He asks whether you have eaten. You lie and say enough. He does not call you on it, but his face says he knows better. The room slowly returns to itself around you and all of it looks absurdly normal.
When he finally gets up to leave, he does it with the air of a man pulling his own hands off something he does not want to let go of yet. There is no argument in him about going, only reluctance. All his heartstrings look yanked tight under the skin. He passes the mirrored gate and you watch endless versions of him stepping through, each one smaller and less true to the original. At the door he stands still a moment, looks like he’s about to say something, then his fingers drift to your face where strands of hair have caught in your brows and between eyelashes. He touches your forehead and swipes them to the side. You feel the tiny drag as he frees them, a ticklish sting across your eyelid, delicate enough to make your eyes threaten water for reasons that have nothing to do with pain. Then, he smooths the rest behind your ear and says, quiet and certain, “We’ll be all right.”
You smile at him. His hand ends up at your neck. It’s warm and a little damp. The urge to kiss you arrives whole. The same bad, blinding urge he had that first night at the pub quiz, when wanting had first stopped feeling abstract and started feeling like a thing with weight and momentum. It comes to him now with a sentiment that it would fix something, ease something, set the whole world a little straighter.
He stops himself before the thought can get any further than that. “Sleep well, lass,” he says. Only lets his thumb brush once beneath your ear, and after that makes himself go.
Dunk does some walking before he realises he’s headed not home at all. He’s torn between running while screaming and going somewhere to get blind drunk. The news sits in him, so huge, his chest feels swollen with it. Before he chooses either option, phone materialises in his hand and he’s texting Raymun: you up? Need to ask ye somethin.
He gets back fast. Aye. Usual place in 10?
Dunk is already turning before he finishes reading. Halfway down the next street he sees Raymun coming from the other end, coat half-buttoned, hair in the state of someone who’s been stuck on the couch doom-scrolling. For one mad second Dunk nearly shouts it across the pavement, but stops himself out of worry for his kneecaps.
“Oi!” Raymun calls. “I’ve only got an hour or so. Rowan’s asleep, but if she wakes and I’m not there she’ll be raging.”
Dunk hugs him. “Aye, won’t take ye long,” he says. They head for the door and Dunk asks, “She up your arse this much?”
“Nah, she’s just scared a bit,” Raymun says. They go to the bar and order. Once they have the pints, Raymun carries on, abashed in a small happy way. He scratches the back of his neck. “I am too, honestly. Scared, I mean. Everythin’s goin’ well, but why would I have everythin’ goin’ well for once, I dunno.”
Dunk nods thoughtfully. He’s scared too, but for many more reasons than Raymun. “And Lyonel?”
“He’s a bastard, but a good one.” Raymun lights up a little and laughs. “Came to see the orchard. Met my grandfather. Got so drunk he nearly had to crawl out. Apparently they love each other now.”
Dunk laughs at that and drinks his beer. Raymun looks at him and frowns. “Dunk,” he says. “I love seein’ ye, mate, y’know I do.” He sets a palm on Dunk’s shoulder. “But did ye make me risk me life to ask about Rowan and the cider business?”
“Aye, no, I didn’t,” Dunk says. He says your name first, just to have it hanging there in case he decides to coward out and tell Raymun only half of the truth. But Raymun looks at him with such friendly, tolerant eyes it all spills out of him. Dunk takes a big breath and looks somewhere past Raymun’s head, to a vintage poster saying Guinness is a whole meal. “After that night at the Storm,” he starts, “we slept together. Spoke of it little after. She gave me a free pass.”
Raymun’s face shifts the more he hears. “Free pass?” he asks, trying hard to balance eagerness with outrage. Dunk nods. Raymun lowers his voice a bit. “So nothin’ came of it?”
“Ah, somethin’ came of it,” Dunk says. He winces, then makes himself look at Raymun. “She’s pregnant now. Just told me.”
For a moment Dunk hears how it sounds once it’s said to somebody else. Deranged. Frightening. Faintly impossible. More than any of that, right. Once he says it, it belongs in the world and fits there, and despite all the crooked bits of it, Dunk likes the sounding of it.
Raymun’s face lags. He is clearly searching for something to say, but his mouth cannot seem to keep pace with the options. What he lands on is, “So that’s why Rowan was so strange when she came back.” He looks at Dunk long and hopeful. “Are you—?”
“Happy?” Dunk says, and makes him suffer a second longer by taking another sip of his beer. “Aye, mate. Nearly cried right there.”
“And you guys—?”
“No, just—” Dunk shakes his head. “We keep it where it is. Just parenting together.”
Raymun frowns. “Duncan.”
“What?”
“You absolute gobshite.” Dunk cuts him a look over the rim of his pint. Raymun leans closer, drops his voice. “You ought to tell her.” He makes a helpless sort of face, pleading and disbelieving all at once.
“There’s naught to tell, Ray,” Dunk says. “We slept together, she remembers nearly none of it. She asked could we still be friends. I ought to keep that more than anythin’ else.” He can see exactly how little Raymun approves of this. There’s a pause, and Dunk sighs, sinking a little on the stool. “But I’ve just told her we’re gonna be all right, and then it hit me I know piss-all about children that aren’t grown enough to get in a mud fight at lunch.”
Raymun barks a laugh. “Well I don’t know much about that either.”
“How far in is Rowan, then?”
“Ten weeks? Eleven?” he says. “Somethin’ like that.”
Dunk leans in as if they are discussing something unthinkable rather than pregnant women. “Well,” he says, “what’s she like?”
“Oh, fussy.” Raymun huffs, all fond. “Mean to me one minute, then she wants her neck rubbed. Sweet enough in the evenings, cranky in the mornings. Eats a lot, but I think it’s more because she reckons she ought to than because she actually wants to. The kid’s a Brussels sprout, but her back aches sometimes like it’s an elephant.”
“Brussels sprout?” Dunk mutters.
“Aye, look—” Raymun whips out his phone and opens an app all done in pink and peach colours. “I’ve got it all here. Gonna be a plum soon.”
Dunk stares at the screen with the grave attention he usually gives lesson plans and suspicious rashes on children. “That’s a stupid system.”
Raymun snorts. “Why?”
“Because plums vary, don’t they? Brussels sprouts too. One sprout’s small, another’s near a tennis ball if you’ve bought badly.”
Raymun laughs into his pint. “Aye, all right, fair point.”
“And why food at all?” Dunk asks. “Why’s it not somethin’ useful?”
“Because women would kill whoever made the app if it said your baby is now the size of loose change,” Raymun says. “How far in is she?”
Dunk frowns. “Three weeks?”
Raymun blinks at him. “Three weeks since what?”
“Since it happened.”
“That ain’t how it works.”
Dunk looks genuinely affronted. “How else would it work?”
“It counts from the last period.”
Dunk stares. “That’s stupid too.”
“Aye, maybe, but that’s what they do. So if it was three weeks ago…” Raymun squints at the screen, thumb moving. “She’s what, four? Five weeks, maybe.”
“How d’you know that?”
“The doctor told us,” Raymun says. “And I read.”
Dunk gives him a look over the rim of his glass. “You?”
“Fuck off,” Raymun says mildly. “Here. Four weeks.” He turns the screen. “See? Poppy seed. Rice grain. One o’ them.”
Dunk peers at it, then lifts his hand and tries to pinch the air at the size of it. His fingers wobble before they even get close enough. “That can’t be right.”
“It is right.”
“That’s not even a size. That’s debris.”
Raymun laughs so loudly the barman glances over. Dunk keeps staring at the app as if the grain might enlarge under pressure. A whole child. At present, apparently, smaller than a thing stuck to the side of a pot.
“What d’you do,” he asks after a moment, “when a woman’s fussy?”
Raymun rocks his pint a bit. “Hit and miss.”
“That helpful, is it?”
“I’m serious. You’ve got to offer options. Tea. Toast. A lie-down. A walk. Neck rub. Blanket. Open a window. Close a window. Then she picks one and tells you the other six were stupid.”
Dunk absorbs this with a solemn nod. “Right.”
“And sometimes,” Raymun adds, “she’ll say nothin’s wrong, and somethin’s clearly wrong, and you’ve just got to stand there and keep bein’ useful till she decides what it is herself.”
“Sounds grim.”
“It’s grand,” Raymun says at once. “Just grim sometimes.”
Dunk drinks. Thinks. Looks again at the little grain on the screen.
Raymun lets him sit with it for a minute, then says, “You’re really not gonna pursue this, then?”
Dunk’s mouth shifts. “Pursue what?”
“The girl.”
Dunk rubs at the label on his bottle. “Ray, look at it from where I’m stood. I’ve got more than I thought I would already.”
Raymun goes still at that.
Dunk shrugs, uncomfortable under his own honesty now it is out. “She’s keepin’ it. She wants me there. I’m there. That’s—” He stops, because even saying it plain makes something hot move up in his gut. “That’s grand enough to knock me sideways. I’m not gonna start askin’ for more and ruin the lot.”
Raymun looks at him for a long moment with something that understands too well. “Aye,” he says in the end. “I get you.”
Dunk huffs once, humourless. “Do ye?”
“I do, actually.” Raymun tips his glass against the bar top. “But still. You’ve a bad habit of folding yourself up to fit whatever room you’re in.”
Dunk glances at him.
Raymun does not push further. He just nudges the phone back between them and says, lighter now, “Anyway. Your one’s currently a grain of rice, give or take. So maybe start there and work your way up.”
Dunk looks at the tiny white shape on the screen again and feels, all at once, terrified and absurdly proud. “A grain of rice,” he repeats.
“Aye.”
He nods to himself. “Right.” Then, after a beat: “I’ll need that app.”
So Raymun helps Dunk install the app. He recommends Dunk books to read and websites to check out. Apparently there is an Instagram profile run by a dad for other dads and Raymun makes Dunk follow that account. They sit until Raymun gets a text from Rowan that consists of five question marks and that’s a sign enough that Raymun has pushed his luck tonight. They hug tight goodbye, and Raymun gives Dunk one solemn look, and says, “Mate. I didn’t say congratulations. So—congratulations. Yer gonna be a dad, ain’t that somethin’?”
“Aye, that’s somethin’,” Dunk says. He clasps Raymun’s shoulders once more and then they go their designated directions, Raymun much faster than Dunk. At home, Duncan falls asleep lulled by lager and a strange certainty that all will be well and tells himself that for now things are solid, because grains of rice are at least roughly all the same size.
He eases into the rest of the week slowly. Texts you sometimes to test the waters, and you always reply, even if only to tell him work is hectic. Once, he goes as far as to send you a goodnight message, and to that you send back sleep well, old man, which makes him slightly warm in the ears.
With less than a week before the first appointment, he gets a bit antsy. Checks the app often as if the babe’s not gonna transform from a grain of rice to a sweet pea unless he monitors it. Egg finds him, curious as ever, sat on the courtyard bench with a nose wedged into his phone and as kids do, just plops beside him and looks over his shoulder.
“What’s that?” Egg asks, peering at the screen.
“Nothin’ that concerns you,” Dunk says, angling the phone away. “Don’t you have class?”
“I’ve a free period.” Egg tips his head. “Don’t you?”
Dunk only sighs at that, which is answer enough. Then he notices the plaster on the side of Egg’s head. Small thing, flesh-coloured, just above the ear. “What happened there?”
Egg reaches up and touches it as if he had forgotten. “Daerion was drunk shaving my head and got me a little.”
Dunk goes very still. “He what?”
Egg glances at him. “A little,” he repeats. “It’s fine.”
Dunk looks at the bandage a second longer than he ought to. “You all right?”
“Yes. All men cut themselves shaving at least once,” Egg says with maddening calm. “And I’d still sooner have him do it than anyone else. Aerion would take off more than a slice.”
Dunk’s hand curls into a fist on his knee. He makes himself loosen it. “If you want to talk more about it,” he says carefully, “or want me to do anythin’, I would.”
Egg shakes his head at once. “No.” Just that. No.
Then, his eyes drop to the phone again. He squints at the pastel nonsense on the screen, the little fruit icon, the week count. When he speaks next it is with grave interest. “So you’re going to have a baby?”
Dunk lets out a slow breath. “Jesus.”
“With whom?”
“What business is it of yours?”
“None,” Egg says. “But it’s happy news, no?”
Dunk cannot help the way his mouth shifts at that. “Aye. It is.”
Egg absorbs this. “I didn’t know you had a wife.”
“I don’t have a wife.”
Egg turns his whole face up to him. “Then who are you having a baby with?”
“A girl,” Dunk says, already annoyed with himself. “A woman, I mean.”
“Well why isn’t she your wife, then?”
There is a pause in which Dunk comes up with three possible answers and believes none of them. “Because things are…” He trails off. “They’re as they are.”
Egg watches him with open disbelief.
Dunk rubs a hand down his jaw. “What?”
“Well.” Egg shrugs, but only with one shoulder, a gesture he has plainly stolen from some older brother. “Is she going to be your wife, then?”
Dunk hangs there for a moment. Then, against all dignity, he hears himself ask, “Should she be?”
Egg’s brows pull together. “Are you asking a seven-year-old that?”
Dunk snorts despite himself.
“Are you even an adult?” Egg goes on.
“Mind your business,” Dunk tells him. “And don’t test me.”
“I’m not testing you,” Egg says, affronted. “I just think if a woman is making a baby for you, you ought to make her a wife. That’s what my father says.”
It lands quite hard, despite Dunk not wanting to admit it. He looks back at the phone, at the sweet pea where the grain of rice had been two days ago, then at the yard in front of them where a football lies abandoned in a patch of weak sun. “You really think so?” he asks.
Egg nods at once. “Yes.”
Dunk studies him. “And what would you know about it?”
Egg sits up a bit straighter. “Plenty.”
“You’re seven.”
“And you’re ancient,” Egg says. “That doesn’t seem to be helpin’.”
Dunk laughs under his breath and shakes his head.
Egg, encouraged, presses on. “Besides, you strike me as husband material.”
Dunk turns and stares at him. “How d’you know phrases like that?”
Egg gives him a look that is nearly pity. “I’ve told you already. Girls like me.”
“Oh, have you.”
“Yes. One of them said it.”
Dunk huffs. “One of the girls in your class called you husband material.”
“Not in my class.” Egg looks faintly smug now. “An older girl.”
“Jesus wept.”
“She said I was serious and had nice eyelashes.”
At that Dunk gives up and laughs outright. Egg allows him a second of it before returning, with brutal efficiency, to the matter at hand. “So,” he says. “Are you going to marry her?”
Dunk looks down at the app again, though he is no longer reading a word on it. The question is much too large for a child to have asked. Too simple too. “I don’t know,” he says.
Egg accepts this more easily than any grown person would. “Well. You should figure it out before somebody else does.”
Dunk blinks. “What’s that mean?”
Egg shrugs. “Women hate waiting.”
Then the bell goes sharp through the yard. Egg hops down from the bench.
“You’re late,” Dunk says.
“I know.” Egg starts off, then glances back. “Congratulations, anyway.”
Dunk is still sitting there like he has been hit lightly over the head. “Aye,” he says after him. “Thanks.”
Egg nods once and heads inside. Dunk stays on the bench a minute longer. Husband material, says the seven-year-old oracle with the cut by his ear and a father rich enough to make rules for schools. Dunk rubs at his mouth, thinking of you and your frightened face in the kitchen and your voice saying I think I’d like to keep it.
By lunch he has not stopped thinking of it. By the end of the day the thought has rooted. By evening it has become a plan stupid enough to feel, in certain lights, almost noble. The next day he guts his savings account a little and goes to buy a ring, hoping one of the clerks will have hands like yours so he can judge the size properly, all while telling himself he probably will not do it anyway.
The woman who comes to help him has hands near enough in size to serve, though Dunk rules them inferior for reasons he cannot explain without sounding unwell. The fingers are the right sort and the knuckles show a little, same as yours, but yours are prettier. He spends one full stupid second wondering whether prominent joints are a thing men are meant to find attractive, then gives it up. He likes them. That is enough. There is no committee to answer to.
He picks something modest, but good. Gold band, blue stone. Not too grand, and not mean either, just a ring a woman could wear every day without fearing it. When the clerk tells him it is a lovely choice because it matches his eyes, he nearly puts it back from sheer discomfort. Then, because the whole exercise has already cost him his dignity, he asks if she would mind trying it on so he can see the size on an actual hand. She giggles at that and goes pink all over in a way that confuses him until it is too late and she says, “She’s one lucky lady.”
Dunk chokes on his own breath a little. Lucky does not strike him as the word for any of this, though he considers himself to be.
For the days after, he keeps the box on his bedside table like a thing under observation. As if its mere presence might declare itself either a brilliant idea or proof of damage to the head. It says nothing, of course. It only sits there, square and shut, while he glances at it every morning and every night and feels his pulse do odd things.
On the day of the appointment he wakes sweaty, nervous and giddy all over. Before he can think better of it, he sends you a gif of a wriggling cat.
You text back: I know. Glad one of us is excited, I’m NAUSEOUS and I have to go and do bloodwork in half an hour.
Dunk smiles at the screen and writes: If you puke you get a free pass on it.
You react with a laughing face, then send the clinic pin and the hour, neither of which he needs because he has both memorised already.
What feels odd to him, and then odder the longer he sits with it, is not seeing you for two weeks. A few messages, a few careful little exchanges, and that is all. He knows Rowan and Raymun are by now attached at the hip. He knows every arrangement is different and that this one is barely an arrangement yet. Still, some part of him resents missing the small things. He does not even know what small things there are to miss. Only that there must be some, and that they are happening without him.
At the clinic’s main hall he spots you before you spot him, though that might only be because he has been scanning every face that comes through the glass like a dog waiting at a gate. You walk in with your coat unbuttoned, bag slipping off one shoulder, tiredness written plain across you. Frazzled too, a little. Hair not entirely obeying. Mouth set as if the day has been giving you tasks since dawn. Lovely all the same, so much so it makes something in him go weak and witless.
You are halfway through saying hi when he decides to just hug you. A small sound leaves you when he tightens, and Dunk jerks back half an inch. “Shite. Sorry,” he says, sheepish. “Too tight?”
You swat him once in the chest, light. “If I puke, it’s on you now.”
That gets a grin out of him. “Fair enough.”
You are smiling too, faintly, and there is enough of the old ease in it to settle him some. Only some.
Inside, the waiting room smells the way fluorescent lights look. You sit shoulder to shoulder in plastic chairs with a poster about folic acid looking down at you from the wall. Dunk keeps his knees wide because otherwise there is nowhere for them to go. You keep fiddling with the strap of your bag. When the nurse calls your name, your hand finds his before either of you says anything about it. Your grip stays, and tightens once they get you both into the office.
The doctor is kind in the brisk, practised way of a man who has seen every human feeling come through his room and does not make a spectacle of any of them. He asks a run of questions, checks your details, glances over the bloodwork from earlier, and then starts building the shape of it all aloud. Last period. Cycle. Symptoms. Nausea. Tiredness. Any bleeding. Any pain.
You answer well enough at first. Then he says, “So that would put you at around seven weeks,” and your whole face turns to him.
“Seven?” you ask. “How is it seven? We—” You stop only long enough to look annoyed at having to say it in front of a stranger. “We conceived about five weeks ago.”
Dunk, still holding your hand, says, “It doesn’t count from that.”
Your head turns to him so fast he nearly feels the movement in his own neck. “How do you know that?”
The doctor laughs under his breath, a touch sardonic. “He’s right. We date it from the first day of your last menstrual period, not from the day you had sex.”
You stare between them as if there is nothing worse in this world than being mansplained pregnancy.
Then the doctor says something about your husband being well informed, and both of you answer at the same time.
“He’s not my husband.”
“I’m not a husband.”
The doctor looks up over the file. There is half a smile at one corner of his mouth. “Okay,” he says, drawing the word out only a bit, and leaves it there.
He explains the next part carefully. At this stage, he says, there may be cardiac activity visible, but he cannot promise it. Sometimes it is there. Sometimes it is simply too early, even when dates look good on paper. Either way, there would need to be another scan later to confirm development properly. He says parents often like to look if there is a chance. He says it gently, as if offering rather than insisting.
You nod. Dunk nods too, though his throat has gone tight again.
The doctor gives you time to get settled. There is a screen pulled, instructions spoken in the same calm voice, a sheet draped over your lower half. It feels intimate in the clinical sense, the way hospitals are intimate: by necessity, routine, and asking a body to become information. When you are ready, Dunk is brought back near your shoulder, where he can see your face and the monitor and not much else. He is grateful for that. It keeps his attention where it ought to be.
The colour has drained from your face a little, so he takes your hand again.
The room goes quieter than it needs to for a moment while the doctor works. There is the soft scrape of equipment, a few words of warning from him before anything uncomfortable, your small breath through the nose. Dunk looks at your face, then at the ceiling, then at the monitor because he does not know where else to put the force of his attention.
At first the screen means nothing to either of you. Grey and black shapes. Grainy weather. The doctor angles things, measures, adjusts. Then, he points.
“There,” he says.
You squint. “Where?”
He shows you. A small dark sac. A tinier thing within it. Not a baby in any storybook sense yet. More the idea of one. A start. A shape. Dunk leans in without meaning to with your fingers gone hard around his.
The doctor measures quietly, clicks a few things, studies the image. Then he stills. “And yes,” he says, softer. “There’s cardiac activity.”
For one beat neither of you reacts, perhaps because the sentence is too technical to mean what it means. Then, he turns on the sound.
It’s fast. Thin and rapid and busy. More like a trapped flutter than anything grand. Still it fills the room and packs your ears with it. Dunk feels your hand convulse in his.
Something passes over your face that he doesn’t have vocabulary for because there are too many pieces in it. Fear, wonder, bewilderment, some old grief maybe, something opening and other things closing. His own chest seems to go hollow and full at the same time. That frantic little sound keeps going, absurdly quick, belonging to nothing he can see with ordinary sense, and yet there it is. A baby. A grain of rice with a heart already hard at work.
The doctor, wise enough not to crowd the moment, talks you through the practical bits while you both struggle to rejoin the earth. Measurements look appropriate, he says. Dates are rough but seven weeks is reasonable. Bloods are fine from what he can see so far. He tells you what to watch for, what matters, what does not, when to come back. He prints a picture that barely resembles anything and hands it over with absolute seriousness.
Dunk looks at the printout, then at you, then back at the picture. “That’s—” he starts, and fails.
You laugh once through your nose, shaky as all hell. “Yeah.”
You leave quietly. Remain quiet throughout the waiting room walk, as if you were both shown the truth about the universe and it turned out to be Lovecraftian. Only when you reach the corridor does Dunk finally manage, low and thick with it, “That were fast.”
You make a helpless little face at him, still clutching the printout. “Christ, I near shat myself.”
Dunk blinks. “Thank Christ for that near because on that you wouldn’t get a free pass.”
You break so suddenly into laughter that for a second Dunk only stands there, startled and relieved by it. Then the sound tips strange. Too sharp and wet. Your face folds as quick as paper in water and before he can make sense of it you are crying outright.
He panics a little. His hands come up uselessly, hovering. “Ah, shite—lass—”
You spare him the choice by stepping straight into him. The impact is soft but wholehearted. Your face goes into his chest, and a second later his jumper is taking the brunt of it. Dunk folds his arms round you. He has seen this kind of overwhelm a hundred times on children—how a thing grows too large inside them and has to come out the eyes or the nose or the whole body. So he does not ask what is wrong, only steadies you and says, quiet as he can, “You’re bate, aren’t ye? Want me to take ye home?”
You nod against him and make a miserable little sound. “Yes.”
So he does.
In the cab you sit in the back with your head on his shoulder and the printout held between you. Neither of you says much; you just look at it. Then at each other’s hands around it. Then at it again. Dunk likes the silence of it. It feels full rather than empty.
At your building he gets out with you by instinct and only then realises he should likely have booked the taxi with a stop for him after. But at the door you turn, wrung out and tired and all softened by the crying, and ask, “Do you want tea?”
He nods. Follows.
The minute you get inside it is as if the last of your strength runs out through the soles of your feet. You make it to the couch, then drop there in your coat and shoes and everything, one arm flung over yourself, the other still holding the printout. “I’m sorry,” you mutter without moving. “I know it’s rude but you have to make the tea.”
Dunk laughs under his breath. “Aye, grand.”
He puts the kettle on, finds mugs by guesswork and memory, and when he comes back you are sprawled across the couch exactly as he left you, still staring at the picture, one hand now over your belly.
Dunk passes you a cup, then sits on the floor by where your feet are on the sofa. “How does it feel?”
“Strange,” you say. “Like—nothing’s happening yet and you can’t tell. But it feels different. It’s hard to work with this in my head.”
“D’you need to keep working?” Dunk asks.
“Aye, I’d rather, for a while longer. Lyonel is a complete cunt sometimes though, and he keeps smoking that fucking candy vape of his and it’s foul.” You take a sip and grimace faintly. “Everything in that office smells of melted sweets and cologne. I swear to God if I’m sick on one of his mood boards I’ll call it performance art.”
That makes Dunk laugh, but the laugh fades quick because his eyes have drifted to your belly again, and you catch him at it. “You can touch it if you want.”
He looks up. You set your tea aside, reach for his hand, and place it low on your stomach. There is something in the gesture that snags briefly in your head, some half-memory of him there before, as if his touch is known to that part of you already. “Here,” you say, blinking through it.
Dunk goes thoughtful and very gentle. His hand barely weighs anything there at first. Only when you press it in a little more does he let it settle proper. There is no chance of feeling anything from the baby yet. Still the whole thing seems suddenly enormous to him.
“How big’s it going to get?” he asks through a thick swallow.
“Like—” You lift your free hand and sketch the shape in the air over yourself, the round of some future you. “This big? Maybe bigger, given it’s you.” A beat passes. Then you say, “I like how you didn’t question the parenthood issue at all.”
Dunk frowns. “Why would I?”
“I don’t know. Any other man I know would.”
“Well, did ye sleep with anyone else?”
“No, you prick,” you scoff.
He grins at that. “And are ye still happy-adjacent?”
“Yeah.” You nod, small with it. “Closer and closer to just happy.”
He sets his tea on the floor and turns a little more toward you. His hand stays where it is. Only his thumb moves, once, absently. “I didn’t know ye wanted a baby.”
“I didn’t,” you say. “It just… happened.” Another beat. Then, under your breath: “I didn’t know we’d been that reckless.”
An ugly thought passes through Dunk so fast he hates himself for it even as it comes. “Did ye think about—?”
“For about ten seconds,” you admit. “Then I thought about keeping it and that won.”
“Would ye tell me then?”
“No,” you say.
Dunk thinks on that and cannot sort his feelings cleanly enough to name them. “Why not?” he asks.
You weigh the answer before you give it. “It would hurt you,” you tell him. His face does absolutely nothing with that, which is frightening enough for you to shift. Trying to catch his eyes, you say, “Hey, Dunk.” Your chin wrinkles a little with it. “You cross with me for that?”
“No, no.” He forces himself to keep looking at you. “Just… odd, thinkin’ all this might’ve passed me by.”
“Well, it didn’t.”
He smiles then, faint. Breathes out through his nose. “You’re sure I’m the father, right?”
“Oh, sod off.” You roll your eyes and this time Dunk has to look away for plain reasons of being a man with functioning blood.
He settles his head against the couch near your calves and asks, “Anythin’ else botherin’ ye, lass?”
You think on it for a moment. “My feet ache. That’s it. End of complaints.”
He hears you loud and clear. Turns some more until he is sat cross-legged on the floor opposite you and reaches for your foot, and you are so stunned by the smallness of the gesture that you do not even protest. He plucks a shoe off you and side-eyes it briefly, sees it is a bit mangled, and remembers it is him who had mangled it in his fist. Underneath there is pantyhose, black and sheer, and your toes in it look slightly drained of colour and squished by the flat’s tip.
He takes your heel into the hollow of one hand, and the other he wraps round those poor toes and presses them towards the dorsum as the joints go naturally. They creak and pop and all of that makes you hiss and try to steal the foot away from him, but Duncan holds your ankle and mutters, “Sorry. Sorry, lass, I’ll be more careful.”
To prove it he stretches his fingers higher, towards your shin, wedges them under the trouser leg and squeezes a little. The muscle under gives. Your foot grows heavier in his grip and he gets back to work.
This time slower. Thumb pressed into the ball of your foot through the nylon first, then the arch, then the tender seam where the heel meets the rest of you. He is sage about it, and patient. He uses both hands as if this is some practical thing deserving his whole attention, and maybe to him it is. Your breathing starts changing before either of you remarks on it. Little sounds leave you, barely even sighs at first. Just the body giving up its complaints one by one.
Dunk keeps his head bent. Watches what his hands are doing. Feels the fine drag of the tights under his thumbs and the shape of your foot inside them and the warmth building where he holds you. It should be ordinary enough. A foot is only a foot. Except yours is not. Yours has an ankle made for his fingers to near meet round it, and an arch that jumps sometimes under his palm, and toes painted in some colour he cannot name in this light. He is trying very hard to be decent about all this and feels, with increasing inconvenience, that decency and his body are once again after wanting different things.
He kneads the sole more firmly and your head tips back against the couch. Eyes shut. Mouth goes soft. You have simply stopped guarding yourself and left him alone with the effect he is having, which is very dangerous to Dunk’s head.
He thinks of what Egg told him and what Raymun told him and cannot say whether either of them are right about anything, but the ring box in his pocket keeps prodding his hip through the fabric and he is painfully aware of having bought it. He’s so aware of it he could scream.
The more he touches you the more he wants to. Your calf. The back of your knee. Both your legs over his shoulders. That is the plain truth of it in a moment that ought to be tender only and Duncan wonders if he could keep it this way if, by some odd twist of fate, he’d get lucky.
When he deems the first foot done, he sets it back on the couch and takes the other one up. Does the same job there, a little quicker only because his nerves start misbehaving. By the time he is finished you are near dozing, and with that his chance seems to be slipping too. So he shuffles across the floor, closer to your face, reaches for his pocket and, very softly, says your name.
“Mm?” you stir. Your eyes creak open.
He fumbles, swallows, runs a hand through his hair. Then finally opens his fist in front of you and says, “I thought maybe—for this, I mean. Should we marry? I bought ye a ring. To do it proper.”
You go so perfectly still save for your eyes, which widen and shrink and then widen again. Your chest expands around a breath and Dunk thinks his shirt has gotten soaked clean through under the jumper from how nerve-racking this is. When the moment stretches he contemplates if he has offended you with such a piss-poor proposal and realises he could have done it more proper and he would have liked to do it more proper.
Instead of saying yes or no, your cheeks swell and the skin pulls tight over your temples as you try and try but nothing comes of it, and then you blow air through your pursed mouth, clearly aiming at not laughing and failing spectacularly. You choke a little. Giggle and then cackle and then wheeze with a hand over your eyes. Finally, you sit up and set your hands on his shoulders.
“Dunk,” you say, still breathy. “Have you lost your mind?”
Not yet, but he might. Of all the things Duncan could say like no, or why, or maybe? or don’t you like the ring?—what comes out is, “Are ye cross with me now?” because that is the part that matters most.
Your face softens at once and you shake your head. “No,” you say. “Not cross. Just… baffled. We don’t have to do this, you know. It’s not fucking regency era.”
“Aye,” Dunk says, because he supposes it isn’t. He mutters an apology, lets out a sigh heavy enough to bend him with it, then scrambles up off the floor and sits beside you on the couch. You take the ring from his hand and trade him the scan picture for it, turning the little thing between your fingers while he holds his breath, just a bit.
“It’s very pretty,” you say at last. “You should keep it for someone you actually want to marry, you know?”
But I want to marry you, Dunk thinks, with the plain helpless certainty of a child thinking a thing. Or maybe wants is too quick a word for something that has come over him this hard and sudden. He does not know. In that moment it feels true enough to hurt. Maybe he is too done in by the day, and by the last two weeks, and by everything everyone has told him—from a seven-year-old to a thirty-something man. He wonders whether men ever wise up at all, or only get stupider with age.
“Aye,” he says. Then he goes quiet a moment. Then: “D’ye think we could meet more often, though? For appointments and—I dunno.”
You nod and put the ring back into his hand, and he bloody does not want it back.
“We can hang out,” you tell him, nodding. “Go baby shopping together, and stuff. Yeah?”
“Yeah,” Dunk says, forcing a smile into place. “That’d be grand.”
I’m very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very tired.
dividers by uzmachiato and batsydividers banner by me
viktorxfem!reader
Note: Since it kind of takes place in Deep Water series universe (it's honestly such a cool series!!) — The merfolk are called Undines, and they have two set’s of everything...
Fish hater to fish lover TRUST.
Your nerve-twisted stomach let out a angry gurgle, and you were sure the others heard it loud and clear. The hollow feeling inside threatened to bubble up and splatter across the glass of the transport pod that was taking you to your new home. You sank deeper into your seat. It was cold and metal and made your butt ache. You felt raw, annoyed and oh, you hated the sea.
It made the tiny hairs on your arms stand up, your insides coil like an octopus around a rock, and your pulse thud against your skull. The vast emptiness of it, the promise of a hidden presence, and the fish… Cold, slimy, and the only source of protein out here, eaten over and over for years. In porridge. In soups. In stews. Fried and fucking filleted—it didn’t matter much. Because it was all that there was, and all there ever would be for the likes of you.
So you jumped ships. Or cities, since you’d never seen land and pirates were just another story of the past you were fed as a kid.
Like the rest of the group being hauled through the depths, you were headed to the village Mira and the others had built. A place you'd only heard about. The so-called new world capital where Undines and humans were supposed to live together.
Since the Undine attacks on the cities, Beta had become overcrowded. Food was scarce. Whoever was in charge tried their best to make things liveable, but it would take years to build any kind of rhythm that even vaguely resembled normal life.
And the worst part? The village was off-limits to regular people. Only the most skilled engineers, scientists, and specialists were allowed in to help turn it into a real city. So far, only about thirty humans lived there, along with a group of Undines who followed Arges—an Undine who had mated with Mira and started it all.
You looked around at the others in the pod. Jayce was there. The golden boy of Beta City. A scientist bursting with so many ideas he would’ve swum there himself, if not for the deadly water pressure at this depth. There was Sky, a woman around your age, with enough botanical knowledge to make her essential for the underwater garden initiative. And then there was you.
An artist.
Laughable, really. In a city full of builders, fixers, and droid-makers, there was you. People told you your profession was obscene. Everyone had to work for a bowl of fish porridge, and everyone had to be useful. And you? According to many, totally useless. But you couldn’t—wouldn’t—bring yourself to piece together gears and weld things for a living.
Which made it all the more surprising when they chose you to go.
You. With the best of Beta.
A webbed hand slid across the glass outside the transportation pod, and you jumped, ripped from your thoughts. Jayce pressed his face closer, mesmerized by the large blue Undine guiding your vehicle toward the village.
You had chosen to sit in the back. On purpose. Nothing about the Undines made you feel safe. Their clawed, webbed hands. Their solid black eyes with no sclera. That alone was enough. Add sharp, pointed teeth and it was a hard no from you.
Most of them were about thirteen feet long, though you’d heard rumours of ones nearly nineteen feet, with eel-like tails that curled around themselves and fins and not one, but two sets of gills: one on the neck and one along the ribs.
Nothing about them felt human. And you didn’t want to imagine what it would be like to be in the water with them.
On the other hand — you wanted to work with them.
You liked the idea of the free city, of Undines and humans living together. You just couldn’t help that they also represented everything you were afraid of. It was a truly difficult situation to be in, especially when the sole reason you’d been chosen was to serve as an ambassador to the Waveriders—Undines who lived closer to the surface and had never seen a human before, but were known as an art-loving nation.
The more you thought about it, the faster your heart beat.
Were you really an ambassador… or a sacrifice?
"It's pretty easy. We need you to woo them with some art and convince them that humans are nice, and that they can join the commune," said a red-haired woman. Mira.
You were in a large glass-and-metal bubble, with an opening below for the Undines to enter. It was one of many such bubbles, all connected by twisting corridors, floating just close enough to the surface for the constant rumble of storms above to be heard. Storms that still made it impossible for humans to live topside. At least for now.
But Mira had a plan: to build a city partially above the surface, inside a protective bubble that could withstand the unpredictable forces of nature. Tornados the size of cities, hail like metal balls—this place would endure it all. It would crawl across the surface, merge land and sea, and offer a new beginning for everyone.
But—and there was a big but—they needed the help of the Waveriders.
There were many species of Undine. The Deepstriders, who lurked in the crushing depths. The regular Undines, who populated the village in a variety of shapes and colours. And then there were the Waveriders—Undines who lived near the shore, where the humans planned to build. By default, they hadn’t seen many humans in years, simply because they couldn’t dive as deep as the others.
They lived in cave systems, on white sand beaches, collecting shells and forgotten trinkets humans had left behind before retreating to the depths. They loved to hoard, to decorate their spaces. They were unpredictable and fickle, like the weather above. They leapt through waves like dolphins and were the fastest swimmers of their kind.
Winning them over wouldn’t be easy. Arges had suggested they put forward their best shot right away.
The initial plan was to shower the Waveriders with trinkets—human-made things they might find beautiful. But that proved difficult, especially after the fall of Alpha. There were no artists left to repair the broken pieces in a way that didn’t scream “a welder fixed this.”
So, after much thought, they chose a different approach. They would send an artist instead. A living, breathing human who could create with their own hands. Something the webbed fingers of the Undines struggled with. Painting, sculpting, delicate detail—these were things they could only admire, not replicate.
Simple, right?
Except you'd be sent alone.
You didn’t know how to do any of it underwater.
And you were scared shitless of the Undines.
It was one thing to see them from afar.
It was something else entirely to stand before them. Up close.
_
Now, in the bubble where you spoke with Mira, her mate poked his head in, observing. His face was somewhat human-like, but larger. Everything about him was larger, really. Wider, and scaled, except parts of his face and torso. He had fins that fluttered whenever Mira touched him, and long black hair that curled in the water.
Each Undine seemed to have a tentacle of sorts at the back of their head, something that could connect to a human and allow them to breathe underwater. It was a deeply personal matter for many, and while you recoiled from Undines, plenty of Undines also thought humans were weird, gross and wouldn’t dream of touching one with their breathing tentacle, thank you very much.
And vice versa, you thought.
From what you observed, only mated couples or close friends did it. Most preferred to use the rebreathers Mira had designed, which filtered the air in the water.
You hadn’t tested yours yet. You were supposed to try it soon, take it for a spin, and begin visiting the Undine parts of the village to get familiar enough to carry out your mission.
You could have said no when Mira explained the task. You could have said no when they zipped you into a wetsuit and strapped the rebreather onto your head.
But that would’ve meant going back to Beta. Back to a life where being an artist was seen as selfish, useless, even obscene. And you’d much rather be around things that unsettled you than be the person who unsettled everyone else.
So you went in. Slowly. The water was thankfully clearer than what you were used to. A school of fish swam lazily around the bubble’s exit and scattered when you dipped your head below the surface. The big blue Undine was waiting for you, ready to help guide you down to the village.
And you nearly jumped out again.
It was easy to forget how massive they were. On land, they were strange. But in the water, they were immense. He could’ve wrapped his entire tail around you like a snake, and all you wanted in that moment was to run—run—run.
“Easy there,” he said, his gills flaring as he took a deep breath. “I can smell your fear.”
Before you could reply, Jayce splashed in behind you. He was so excited to see the underwater part of the village that he almost kicked you in the shoulder. He looked awkward in the wetsuit, and you tried very hard not to look down.
Sky followed right after, and soon all four of you were diving toward the spiral stone buildings crafted by the people of the water.
“Oh, I love the yellow ones!” Sky squealed into her mask, her eyes tracking a golden Undine passing by. Oh course you do, you thought. But she was right. He really did reflect the light beautifully, but he was still far too fish-like for your liking. You weren’t ready. In fact, you terrified. But you were going to do it anyway.
Viktor was never a great swimmer, not with his malformed caudal fin.
One side of his tail was shorter, making it impossible for him to move like the rest of the Undines. It also meant he tired easily and was never particularly fast. He lived in the shallow caves near the surface, like others of his kind, but even they could dive deeper than he ever could.
Still, he dove. Searching for scraps and underwater treasure, digging through the things humans had left behind: metal ships, flooded dwellings, meatless carcasses with coral for brains. The only kind of humans he’d ever seen were small, white skeletons with useless double fins that did nothing for swimming.
No one from his people had seen one alive in a very long time. And that, honestly, was for the best.
They had their underwater bubbles now, and he had his modest cave—where he was currently hauling in a slightly clunky metal box. His newest fascination were those mechanical animals made by humans. He liked taking them apart, teaching himself how to disassemble and reassemble the strange, rusting machines. Sometimes he traded for parts from the deeper waters he couldn’t reach. And after years of trying, he had finally managed to turn one of the creatures on.
It screeched, letting out a horrible noise that made the fins on his head flatten. But he was pretty sure it had been speaking human language. Either that, or it was broken. Still, he was confident he’d fixed it properly. He always fixed things properly.
Now it roamed his cave—past weaved baskets filled with parts, a tangle of kelp ropes used for hanging storage, and piles of rocks and shells not chosen for their beauty, but for their usefulness. He wasn’t like the others. He didn’t collect pretty things. He collected tools.
Things to build with, things to trade.
Shallow waters didn’t offer much in the way of food, and he was a terrible hunter. Too slow for large fish. For a long time, he barely scraped by, at least until he began trading with Silco. He constructed odd devices, repurposed scrap, and in return, Silco gave him fish and salvage from the deep. It was a comfortable life—for him. A pitiful one, according to his blue-finned daughter. But he managed.
He was doing fine.
"You sure look lonely in here, mister” said said blue-finned daughter, swimming into his hideout. He’d have preferred if she didn’t. But it wasn’t like he lived in the well-guarded cave systems with the others. He lived here, alone. An underwater cave far from the warm currents, with little air and only enough space for his tinkering.
It was fine. Truly.
“Is there anything you need, Powder?” he asked.
She huffed, releasing a stream of angry bubbles from her gills. “I told you already. It’s Jinx. J-I-N-X. Really, for someone so smart, you’d think you’d remember. Or maybe all those years fiddling with stinky human junk turned you into a blobfish.”
Despite her words, she swam closer, breaking the surface and eyeing the metal animal as it rolled along the rocks, sorting things.
“Don’t touch him,” Viktor said calmly as her webbed hand reached out. “Water damages them.” He added, watching her from where he was trying to pry open his newest find. No luck. He sighned.
She pouted, then pushed off a nearby stone, sending a splash right at him. A dick move, he thought. But he didn’t react.
“The old man wants you to run an errand”
He furrowed his brows. They were thick and faded into amber-coloured fins at the ends. “Ehh… I don’t think so.”
“And I don’t think that’s negotiable,” she croaked, grabbing a small rock and chucking it at the machine. It chirped in alarm and snapped its top shut.
“I don’t do errands. You forgot?” He raised his tail from the water, displaying his deformed fin.
“Yeah, well. This time you do,” she said, circling him. Her long, blue braids wrapped around his torso.
He hummed. “The answer is still no.”
He dove before she could mess with more of his things. It worked, she followed.
He swam towards a particularly interesting coral formation, scanning it for sea urchins. Their dried needles were useful for detail work; his hands were far too large and clawed for anything delicate.
She swam above him in slow loops.
“And what if I told you we could fix that fin of yours?”
The low hum of the transportation pod made you nervous. A hard pat on the rounded tin and you nearly whined. Here you went again.
"Good luck out there, we’re counting on you!" Mira shouted so you'd hear her before the pod was lowered. The coordinates were already typed in, and for half the journey, you'd be accompanied by the blue Undine. He was… alright. You didn’t exactly like him, but he was polite and committed to the cause.
The first thing they did when you climbed inside the village was fit you with a translation chip so you could understand the Undines. A matching chip was handed to you to offer the Undine who was supposed to speak with you. Her name was Mel. You’d been warned: although Waveriders were smaller than the village Undines, she was still a female—and those were usually twice the size of males.
You were meant to negotiate a deal and sculpt a head of the ambassador to demonstrate your work. You’d be granted a small workspace in the cave and some clay. That should’ve been enough to impress them.
One problem. Arges wouldn’t be going with you. His extra-long fins wouldn’t fit inside the delicate cave systems and might damage the coral they considered sacred. A human would have to do.
He knocked on the glass to get your attention and pointed toward a bloom of jellyfish ahead. Their translucent bodies jiggled with each movement. They didn’t move out of the way, and a few of them slimed themselves across the glass like lazy cats refusing to be nudged off. When you finally cleared the cloud, beams of light filtered through the water.
You were closer to the surface than ever before.
“I’ll be leaving you here,” his voice boomed.
“What? Already? I thought it was further,” you argued, pressing your hands to the glass. “I don’t even see the caves yet.”
“The pod will take you the rest of the way. I can’t go further,” he said, pointing down with his massive tail. The long, lacy fins brushed the edge of a coral reef. The colours shimmered blue, tinged with red and pink. Tiny yellow, silver, and blue fish darted between kelp that reached its long arms up toward the sun, high—so impossibly high—above.
You had never been this close to sunlight.
Your heart clenched. Maybe the ocean wasn’t so bad after all.
“I wish you luck, human,” he said. “The Waveriders are fickle, but they are honourable. They shouldn’t harm you, if you give them no reason to.”
Shouldn’t. Not wouldn’t. Noted.
And then he left.
As the pod hummed and whirred again, you realized—it was the first time in your life you were truly alone. The cities were packed like sardines. You could hardly shower without someone on the other side of the curtain. But here… here, surrounded by nothing but water, everything had a purpose. Each fish swam like it knew exactly where to go. It was a dance, and you had a front-row seat.
It wasn’t that bad. Even if the Waveriders found you lacking and sent you back—or worse, killed you—you could at least say you’d saw this. And if the pod sank? At least your grave would be visited. Maybe a crab would move into your skull. It wasn’t that bad.
That’s what you told yourself, taking a few slow breaths.
Your eyes followed a turtle drifting past the pod and you seemed to calm down.
Tud.
“What?”
Another loud bang.
“Fuck.” You sat up, checking the controller. Everything seemed fine. The pod was on track. You still had at least an hour before arrival.
Then what was that?
A flash of yellow. Gold? Amber?
A bright color, a mockery of the sun you’d never seen.
Then a louder crash.
A claw scraped against the metal.
A flash of translucent fin.
Not the familiar blue.
Before your brain could name the colour of your assailant, the glass cracked like an egg.
The sound was… pleasant, almost.
Then came the cold.
And then, you were drowning.
Maybe this was your resting place, after all.
He yanked the human out of the shattered shell. He’d seen those pods before, always filled with strange white skeletons. Never attached to flesh.
But this one had. Slumped and weak in his grasp.
He shook her. Her head lolled to the side. A few bubbles escaped her mouth. Then he remembered—humans don’t have gills.
He needed her alive. At least until Silco came, so he did what seemed right. He pinched her nose and pressed his lips to hers.
The scent of fear hit his gills—the final thing the human had felt.
Another breath, hoping it would stay. He didn’t know how often humans needed air, but he hoped this was enough. He swam fast toward his cave. Even with his damaged fin, the currents were familiar here.
He had to stop a few times though, to breathe life back into her.
She was strange. No gills. No scales. No tail. Her hands were small and soft. Fingers not webbed. Her skin had no texture and he though it was almost slimy. He hated the way it felt under his fingers.
He held her by the waist. His hand nearly wrapped all the way around. He kept her close enough not to drop, but far enough not to feel too much of the softness.
Once inside of his cave, he dragged the human out of the water and laid her down on the cold rock. There was not much dry space, and he had to be careful not to wet his treasures.
No movement.
Now what?
She didn’t smell dead.
But what did a dead human smell like?
He couldn’t be sure.
First, he had to get the water out of his own lungs and that was unpleasant. He leaned to the side, retching out seawater in waves. The shift from gills to lungs always made his chest ache. The dry air burned.
Breathing like this, land breathing — never came easy. He wasn’t sure if that was normal or not, and he had no one to ask.
He slithered out of the water and to the human and gave her a gentle nudge. Her head rolled.
More air, then? He lowered his head to listen
One heartbeat. Just one.
Wait.
Weren’t there supposed to be two?
Was she dying?
He shook her again—carefully. For a creature his size, even “gentle” could break her.
Then, the eyes opened.
The mouth followed.
A high-pitched, horrible sound escaped her.
The human squirmed away.
He pressed his webbed hand over her mouth in an attempt to silence the noise.
If she screamed now, everyone would know he’d gotten to her before the ambassador did. It was a stupid plan—Silco insisting no one would suspect him, of all people, of kidnapping a human.
Now he had to keep her quiet. Keep her alive and wait for the handoff.
The human bit down. Flat, dull teeth against the soft webbing of his hand.
He hissed and flinched back, tail slapping as he pulled himself into the water. More from surprise than fear, but he could never be sure. The females of his kind were aggressive, and for all he knew, humans could be the same. He was ready for a fight if he had to be.
Although—he looked up at her.
Wet. Terrified. No claws, no spikes. Nothing to attack with.
He bit the inside of his cheek not to laugh.
And then—
she hissed back?
Achoo!
You couldn’t hold the sneeze any longer.
And then, this motherfucker hissed at you.
A fucking fish-man with an attitude.
You swatted your hands at him and flipped him off, and he responded by flattening his face fins like a pissed-off cat. He awkwardly mimicked your gesture with his webbed fingers, then thrashed his tail once, sending a splash of cold water straight at you.
“Fuck off!” you shouted, grabbing a nearby rock and hurling it in his direction. It missed.
How the hell did you even end up here?
You remembered the pod cracking. A flash of gold.
And then… that fucker had kidnapped you.
This definitely wasn’t the ambassador. Even you could tell the difference between male and female Undines. Their torsos were mostly human-like, and this one? He was small. Scrawny. Definitely not the big boss lady you'd been promised.
“Shoo! Shoo!” you yelled, trying to scare him off, though you were probably more scared yourself.
When he swam closer again, you gasped and scrambled backward, pressing yourself against the back wall of the cave, flattening over baskets stuffed full of mechanical junk.
A moment passed, when he was not moving, and your eyes were adjusting and then…
It was all yellow.
His tail shimmered in a warm shade of sunflower petals, like the ones you’d only ever seen in books. But the scales were iridescent; they caught the light, captured the shadows, rendering the colour deeper. Amber like, with hints of crimson-red and coral-pink.
The colour melted off him.
Off the long tail and snaked along his torso, off the translucent fins laced with tiny lilac-blue veins, and back onto the water.
It travelled, reflected in the ripples he made, carried by the glow of the fluorescent plants lining the cave. Droplets slipped from his pale, dotted arms and struck the stone you stood on. The light reached you, spilled onto your skin and tinted it in yellow freckles.
It was how you imagined the sun might feel, if you ever got to see it.
The cave was small. There was nowhere to hide.
And for just a second, you thought he was beautiful.
Maybe, if you ignored the tail. If you looked past the pitch-black, otherworldly eyes, you could almost see a man. His warm brown hair clung to his neck and shoulders, curling at the ends. Not as long as the other Undines, you noticed that.
And then you wondered why you noticed it at all.
Maybe, before you died, your brain just wanted to remember something clearly.
Maybe it wanted to believe that the sun had finally come for you in disguise.
There was no point in talking to her, he thought. She wouldn’t understand a thing.
He watched as she started to screech, it sounded just like the metal animal he had dragged into the cave. He couldn’t decide which was worse, but the longer he listened, the more his head throbbed with pain. He had to leave. He needed to find Silco and let him know the human was alive.
He swam back, eyes still locked on her, as she stumbled into a basket of his belongings, messing up his organizational system. He wasn’t a neat freak by any means, but in his chaos, he knew where everything was.
Then his eyes fell to her webless hands, and his brows furrowed. Those hands… they could open some of the metal shells he couldn’t. He could make her do it—so he could examine them later. But how?
He slowly lifted his hand from the water. She flinched.
Right. He was still bigger than her. That was unusual.
He was a small undine, the perfect size for mating…if not for his tail and his colour. Even if his fin were intact, no one would choose him. Yellow undines—lucky undines—signalled the end of a generation. A good omen for the family, but a curse for the one who bore the scales. His tail would always be visible in the water, marking him as a poor choice.
He disliked his own coloration. Even in the dim cave, he reflected every bit of light.
Not that he cared much for mating, anyway. In his kind, mates were taken for breeding, and females were larger, strong enough to tear their partners apart during the act, as per custom. He, at his size, likely wouldn’t survive it.
So looking at a human female was strange.
She was smaller than the undine females. Achromatic compared to the vibrant colours of his people. Clawless, finless, tailless. Even more helpless than him.
At least he could hunt. At least he could breathe underwater. But her? Slim chance.
She seemed calmer now, as he snapped out of his thoughts. She was staring at the light dancing off his scales. He tilted his head. Was this interesting to her? Were his iridescent scales… captivating?
He shifted slightly, casting more colours on the cave walls. Her eyes sparkled.
His gills twitched. His eyes widened.
What was that? Why did I—?
He forced the feeling down and shook his head. Strange thought. He didn’t care.
What he did care about were her fingers. Those fingers could open the metal shells and he wanted to see what was inside.
He slowly pulled himself onto the rock, watching her reactions. She didn’t move. Her eyes were still on the lights.
For a fleeting second, he felt proud. A warmth spread from his cheek to his chest. He reached out his hand again, slowly, making sure she saw every motion. Then, gently, he took her wrist.
Her arm was so small, he could wrap his fingers and thumb around it easily. He brought it close to his face—
She yanked it back.
Alright. Not that close, then.
Maybe his teeth startled her? They were sharp, sure, but not unusual. Unless—wait. Humans couldn’t be toothless… right?
He winced at the thought. This was getting worse by the second.
Still, he opened her hand and pressed one of the metal boxes into it. Then he pointed to it with his chin and retreated back into the water.
She made a sound again. He scrunched his nose.
He mimed opening an imaginary box with his hands. It took her a moment, but then—finally—she understood. It was harder than he thought, even for her nimble fingers, but he hummed approvingly.
“Smart girl” he said aloud, knowing she wouldn’t understand.
Then she dropped the metal box.
He inhaled sharply, eyes snapping to her. Her own were wide, mouth open, cheeks flushed with a color he didn’t recognize. But he wonderer
—
Did she… understand him?
Horror twisted in his gut. He turned and… fled. slipping into the water and swimming far from that cursed cave, far from those startled eyes.
He must’ve imagined it. Right?
Right?
He had to find Silco. Fast. Then he could be rid of her.
Opened boxes or not, he didn’t want to see that expression again.
His gills fluttered shyly at his neck, and he smoothed them flat with his hand.