Hopefully This Improves @hopefullythisimproves - Tumblr Blog

a few days ago bf told me that a couple years ago when he played counterstrike he would respond to dudes getting angry and aggressive and hostile by saying “a kissaroo from me to you” in a slightly goofy friendly voice sort of like the voice you’d associate with a dog muppet. he said they would absolutely lose their shit every time, insisting things like “i dont want a kissaroo from you! only tall blonde girls!”. they always said kissaroo. i cant stop thinking about this

bittern

physically, yes, i could fight a bird. but emotionally? imagine the toll

stars-bean

Matilda (1996) dir. Danny DeVito

reparrishcomics

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ginger-ale-official

This owns so hard

solidsnake

betterthankanyebitch

getoutoftherobotxaviii

lmao me when they do that “we were so pure” monologue.

no, y'all wasn’t

marstheceo

right like sit down. my mom be admitting they did it too and still try tell me not to. bih… *one leg twerks out the room*

phfantasists

Ruben Martial by Alvaro Beamud Cortes – VMAN #43

onlytwitterpics

!!!!!

mackarywrathew

Trans guys droppin titty for trans girls call that a transaction.

phantomrose96

Hey you know what I think about a lot? In the ATLA episode “The Storm”, Iroh tells the story about Zuko’s burning and banishment to the men on Zuko’s ship, and they’re all shocked by what they hear. One of them says he thought Zuko had been in a training accident. The fact that Lord Ozai burned and disowned his own son was never made public to them, Fire Nation soldiers, Zuko’s own men.

But in “Zuko Alone”, when Zuko reveals his identity, one of the townspeople points to him and says (in disgust) “Hey I’ve heard of you. His own father burned and disowned him.” A random Earth Kingdom man. In a small farming town in the middle of nowhere.

The details about Zuko’s banishment were known far and wide, but not inside the Fire Nation. The Fire Nation citizens and soldiers were probably fed some sanitized version of the story wherein Ozai simply had to banish his own treacherous, cowardly son.

Zuko was hated abroad as a member of Fire Nation royalty, and hated in his own nation as a brat and a traitor.

Iroh was probably the only soul on Earth who saw Zuko as the victim.

honeybeeeb

ah i see it’s time for “me crying over zuko hours” again.

studiosaintclair

Apollonia Saintclair 890 - 20190801 Les filles de la frontière (Wild wild women)

Art books: apolloniasaintclair.bigcartel.com

Prints & T-shirts: society6.com/apolloniasaintclair

Uncensored portfolio: apolloniasaintclair.com

ofaida-deactivated20150514

You And I Nothing And Everything All At Once And Never

(via

ofaida

)

nayters

jonlybonlyfromboldlygo

andywarnercomics

In honor of Day of the Dead, here’s a repost of my comic about the San Francisco Columbarium and the man who spent 26 years restoring it.

This comic originally appeared on Medium at The Nib. Go check out my other work there.

true-me-snafu

Emmitt and the Columbarium.

siyahalbatros

Entwined…

unpretty

today i bought a chocolate bar just because i really liked the graphic design

but the bar itself is also really cool looking? i found a diagram that says exactly how big each piece is

the wikipedia article reads like an ad but i gotta say, this part in particular is pretty fun

unpretty

#why is the bar designed like that #it doesnt make it easier to eat #it doesnt make it easy to track portion size??? #this makes no sense #the slavery free thing is just a cherry on top of this weird cake

it is, apparently, intended as a metaphor for the inequality of distribution of profit in the chocolate industry

theygender

Tony’s Chocolonely’s entire thing is that they’re fighting for a slavery free chocolate industry, you guys should check them out!

andrewmaxedon

Ai Weiwei, “Dropping a Han Dynasty Urn,” 1995

An astonishingly irreverent piece of work. This triptych features the artist dropping a Han Dynasty (206 BC - 220 AD) in three photographs.

When questioned about the work, he suggested that the piece was about industry: “[The urn] was industry then and is industry now.” His statement, therefore, was that the urn was just a cheap pot two thousand years ago, and the reverence we feel toward it is artificial. One critic wrote: “In other words, for all the aura of preciousness acquired by the accretion of time (and skillful marketing), this vessel is the Iron Age equivalent of a flower pot from K-Mart and if one were to smash the latter a few millennia from now, would it be an occasion for tears?”

However, the not-so-subtle political undertone is clear. This piece was about destroying the notion that everything that is old is good…including the traditions and cultures of China. For Ai Weiwei, this triptych represents a moment in which culture suddenly shifts (sometimes violently), shattering the old and outdated to make room for the new.