and mary seton and mary beaton @huilescott - Tumblr Blog

greg: well um, on the one hand it would seem quite prudent to listen to those uh three spectral women we just met in the woods, but on the other hand, I'm not sure if they were being, you know, literal about you becoming thane of cawdor?

tom: GreEeg. Your children shall be kings.

greg: oh for sure, but uh I'm currently more interested in like -- not being involved in a murder plot currently, but...

catchaspark

californians, consider calling your state assemblymembers in order to object to the current budget proposal stripping Medi-Cal (our Medicaid) from asylees and refugee applicants except in emergencies. also, they’re agreeing to reduce the asset limit for many Medi-Cal recipients back to $2000. That number means that the maximum amount a Medi-Cal recipient who is aged, blind, or disabled can have in the bank at any time is $2000. That figure is obscenely low, and it’s actually lower by about fifty bucks than the amount they’re allowed to get each month in income.* if enacted this policy change will vastly hurt thousands of seniors and disabled people and i’m not kidding. please speak up if you can.

thecrumbez

Happy Pride Month to those two women dancing together in the foreground of the boat scene in Godzilla (1954).

I’m sorry your romantic foibles were overshadowed by a big ass atomic lizard thing.

ath3alin

so fucking humbling to be like “no I like that character a normal amount” and then you can literally feel your heart rate spike at a mention of them like a dog that just heard the word “treat”

baratheonpilled

Game of Thrones 5.03 / A Knight of the Seven Kingdoms 1.01

qi-mera

More of you need to learn about these ☝️

jadenebula

ddesole

WIDOW'S BAY 1.05 "What To Expect On Your Trip"

keyfili

SINNERS / faceless 2025 • dir. Ryan Coogler

seasononesam

this is how john got his truck

teashoesandhair

One hot and cool writing tip that I wish more people knew is... you don't have to write out people's accents phonetically. You just don't. You are not Dickens. You are (hopefully) not Rowling. There are so many other ways you can make someone's speech feel authentic to their background, or just make it clear that they're speaking in a certain accent, not limited to:

literally just saying 'he spoke with a Welsh accent'; sure, it's a bit blunt, but it gets the job done in a pinch. "He's completely drunk," he said, his southern drawl lingering on the final syllable as if to highlight the extent of the offence. Y'know, something of that ilk, but not as shit.

learning the specific vocabulary and syntax that someone with that accent might use. Sticking with the Welsh theme, because it's objectively the best accent*, there's a bunch of things that differentiate a colloquial South Walean accent, outside of our famed tendency to elongate a vowel to the point of death. The way we use prepositions (where to by is he?), the vocabulary borrowed from Welsh - saying that someone daft is twp, or something small is dwty - can easily signpost our speech as being from that specific area, without needing to type something like "'e's absolutely 'angin', man, pissed as a faaht 'e is!" Something less jarring, such as "He's absolutely hanging, he is." is just as clear. A character who says "Do you want a cuppa?" is coded or located very differently to one who says "You'll have a cup of tea, so you will."

ditto if there are specific ways that someone from a certain area might refer to a well-known concept. Regional words for mother and father, for example, or words that are class-specific; your character who calls his parents 'mater and pater' is likely inhabiting a different socioeconomic strata than your character who calls them 'mam and dad'. See if there's a colloquial way of saying 'yes' and 'no'; a lot can be signposted if your character says 'nah' rather than 'no', or 'aye' rather than 'yes'. A character saying 'couch' is inherently coded differently to one who says 'sofa'.

The reasons that writing accents phonetically is Generally Ill-Advised, In My Opinion are as follows:

quite simply, you're probably not being as clear in conveying the sounds of the accent as you think you are. Taking JK Rowling's work as the best possible example of this, her attempts at writing a Cockney accent phonetically come across like someone is chewing a mouthful of cheese curds and struggling to contain them. There's no consistency, no proper understanding of how to transcribe syllables into writing in a way that coherently conveys the accent she's trying to portray. I mean this so seriously, but what the flying fuck is: 'Well, 'e 'ad these 'ead pains and 'e was def'nitley nervous. Depressed maybe.' It's a crime, is what it is.

it's just plain hard to read. Trying to wade through sentences full of apostrophes and elision, parsing what's actually being said, gets tiresome. It asks the reader to do work that you're actively making harder for them. And that's not always a bad thing! Making readers Put Some Fucking Effort In can be very fruitful! But do you really want them to be struggling to understand every single thing that your Character B is saying for 350 pages?

which leads me onto the last point, and the most important in my mind: writing out accents like this always, always affects accents that are already in some way Othered. They're either racialised or working class, or associated with certain local regions that have negative stereotypes - think the deep South of the US, or the Welsh Valleys. They're never the 'default'. And this raises thorny questions about what the default is, what the standardised accent is, the accents that do and do not merit differentiation from the norm. You're relegating Character B to being hard to read because he's from, idk, Sunderland. You've decided that he isn't speaking 'properly', and therefore the reader needs to understand that other people think he's speaking weirdly. That, to me, is the principle issue. Because returning to JK Rowling (a sentence I hoped never to type), the only characters who speak like this in her work are working class, or they're from other countries. They're never from, you know, Surrey. Wonder why that is. And it's easy to be glib about it, but I do think it reifies class and regional boundaries in a way that's ultimately harmful.

This isn't to say that there's never a place for eye dialect in writing - Trainspotting, for example, wouldn't be what it is without it, and there's definitely a different conversation to be had when it's your own accent and you're making a deliberate point about identity by differentiating through eye dialect - but I think that the blanket assumption of 'oh shit, my character is from Ireland, I'd better type that out phonetically!' can actually be both damaging to your writing and to your character representation, and I think that instead doing the work to really understand the vocabulary, speech patterns and unique aspects of a language or dialect always makes a work feel more authentic and lived-in.

To wit, less of this shite:

There’s mony a slip, an’ I’m no losin’ sight o’ any o’ my suspectit pairsons, juist yet awhile. (Peter Wimsey, if you were wondering, and yes, that's supposed to be Scottish)

and more of this:

"Are we straight so?" "Aye, we're straight," said Jim. "Straight as a rush, so we are." (Jamie O'Neill, Irish, from At Swim, Two Boys)

*objective determination made via a sample size of one: me, in an elaborate hat.

twoseparatecoursesmeet

Playground by Lake Michigan, 1972

mangled-by-disuse

in happier pride news i actually found this deeply heartwarming

that's solidarity baybeeee

lgbtlaughs

Further context: Durham city council (Reform UK) cut funding and support for Pride. The Durham Miner's Association and other trade unions raised enough money for Durham Pride 2026 to go ahead - a direct call back to when Lesbian and Gays Support the Miners (LGSM) raised money for mining communities when Margaret Thatcher seized union funding during the miner strikes of 1984-85.

At the 1985 Labour party meet, the motion to support LGBT rights as a party was passed due to a block vote from mining unions.

Stephen Guy, the chair of the Durham Miners’ Association, said that when it became apparent Durham Pride was under threat, he took it upon himself to “encourage the trade union movement to step up and do the right thing, and stand shoulder to shoulder with the LGBT+ community […] They not only raised funds for us, but came to our communities, uplifted our spirits when they were down, and showed their solidarity.”

pseudomantis

one if my favorite gifs right now the blankest eyes ive ever seen the lights are on but no ones home. and the other thing like grooming its snout but i don't think its even aware of what its doing. i dont think either of them know anything or know that theyre alive