Someone said it on twitter and I HAD to do it
I apologise in advance!
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@ifoughttime
Someone said it on twitter and I HAD to do it
I apologise in advance!
He gets me šāāļøš
Park Chan-wook is chasing the pantheon
"This will be the best job interview ever. Slay them all!"
No Other Choice (2025), directed by Park Chan-wook, cinematography by Kim Woo-hyung
the older i get the more it's terrifying to me how much child surveillance is normalized. scared for your child's mental health? here's more tools that will make them feel even more watched at all times. child is experimenting with their gender identity while away from you? we made it this other adult's job to surveil them for you. kid is "enjoying" their "free time" instead of doing homework? we've put parental controls on the things that they like so that you can monitor their private time. like can we fucking stop
Louis de Pointe du Lac & Lestat de Lioncourt The Vampire Lestat 3.06 Montreal
Louis is so diabolical for this
i hate how they market alexa as aĀ āmember of the familyā like thatās SO fucking blatantly insidious and terrifying also if i wanted an untrustworthy/cold/emotionless machine in my life iād just talk to my fuckin fatherĀ
āGuys stop bullying my wiretapā
#did we all collectively forget why Big Brother was called that
i love this toxic bitch
they need to invent the opposite of an nda called an fda where u have to tell everyone everything
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alcohol
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mental illness
At a time when Netflix is getting roundly criticized for forcing its shows to treat the audience like we have all of two brain cells to rub together, The Vampire Lestat is out here volleying everything from 70s gay references to 1700s Dutch Republic references at the speed of light while saying, "You don't get it? Well, that's a fucking you problem."
And I love that for us.
Wednesday the 15th. What an excellent day. Middle of the week, middle of the month. Truly, we are in the middle of things.
The Invite is the best movie out there!! Art of cinema is so back!
Oliviaās direction and the usage of walls, windows, and mirrors is impeccable and so beautiful. Itās shot on film. Please go watch on a big screen, youāll not regret it.
ā 9 films directed by women that I can't wait to see this year! [Part 1 is HERE]
MILO (dir. Nicole Garcia) SWEETSICK (dir. Alice Birch) TIME AND WATER (dir. Sara Dosa) THE INVITE (dir. Olivia Wilde) THE GALLERIST (dir. Cathy Yan) COUTURES (dir. Alice Winocour) MONTREAL, MY BEAUTIFUL (dir. Xiaodan He) ROMERIA (dir. Carla Simón) WICKER (dir. Eleanor Wilson)
i can't find a single post to reblog so i'm just gonna say it: i think that the invite (2026) is the best movie of the year so far and it's so great to experience it in room full of adults so if you can see it on the big screen please do
not enough people are talking about The Invite 2026 on this site. which is insane cause tumblrinas are the people who should be talking about The Invite the most!!!!!!!!!!!!!!!
really struck by how claudia grieving madeleine seems to be the thing that gets most to lestat during the seance. he only starts to cry when claudia tells them that she canāt find her companion, thatās sheās been alone this entire time. and of course this is what would get to him. the thing he fears the most is loneliness. so knowing that his daughter found a companion only to lose her again in death. itās devastating
That was infact his worst fear.
IT HURTS SO BAD
genuinely open to disagreement but delaineyās pained delivery of ābleak⦠black lifeā felt like the anti-black insults she was hurling at louis were intentionally loaded with her own grief. especially with her comments that claudias jealous that louis gets to wallow and love and live.
louis gets to be black and desired, cherished and wanted with his whole personhood. louis gets to fuck up, be fucked up, forgive and be forgiven; he gets to be black and a whole person. claudia is disabled into helplessness by her little girl body that seems to keep signalling people to treat her like a boxed doll. its not a coincidence that she gets louis to plot against lestat by telling him heās a kept thing, telling him he is all the things she experiences. the anger in her voice when she calls louis a slave, it feels situated against the incessant inertia she was always running on because she had no other choice.
in nola, its claudia micromanaging with an eye and ear on everyone. she nurses louis after the drop, she maintains the thread of their plotting. in europe, its claudia learning the languages, claudia keeping up the story, claudia maintaining hypervigillance. she notices the bombs about to blow while louisā being woeful and hallucinating lestat. louis gets to be lost in lestats eyes; louis gets to dance with humans in romania; louis gets to run around paris āout on the streetsā while shrugging off armands warnings. louis gets to be careless, gets to be oblivious, gets to drown in his pain and still be protected and unconditionally loved. what louis couldnt even give her
the blackness claudia navigates her life with is so radically different from louisā that it makes a lot of sense that she so ardently hates his