i know everyone says they hate being online and i understand why and i get it and its bad and everything but (whispering like i'm at a sleepover) i actually really like being online
Cosimo Galluzzi
macklin celebrini has autism
Stranger Things
noise dept.
taylor price

tannertan36

if i look back, i am lost
One Nice Bug Per Day
sheepfilms
Xuebing Du

ellievsbear
we're not kids anymore.

#extradirty

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art blog(derogatory)

shark vs the universe

❣ Chile in a Photography ❣

JVL

gracie abrams

Love Begins
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@ilzo-misc
i know everyone says they hate being online and i understand why and i get it and its bad and everything but (whispering like i'm at a sleepover) i actually really like being online
nothing is more tumblr than having a tumblr sexyman wiki and then warn you to not find some of those men sexy because it's problematic
tip: instead of trying to sweep cut that shape you want out of a cylinder like you're using a lathe you can just tell the CAD program to extrude a spiral for you.
my helix #myhelix
found a neat typewriter font working in some newspaper archives, dated 1978. any clue what it is? any digital fonts that are similar?
i don't know if the all caps is on purpose or the design of the font
Orator (1962) [Fonts In Use · Identifont]
This font famously appeared in an episode of Columbo.
The More Loving One - W.H. Auden
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
I love a good Very Specific Resource. Here are the links to my posts about resources carefully crafted to share a specific bit of history (updated as needed)
How Fast Was the Mail - Interactive map that giving mail delivery info in the US 1882-1908, also general railroad network information
Streaming Music from Around the World - No algorithms, lots of options, amazing music nerds helping you discover more music.
Professor Shoelace - everything you ever needed to know about shoelaces
Commercial Pattern Archive - over 50,000 scanned sewing patterns dating back to the 1850s
Public Domain Image Archive - thousands of images from various repositories no longer under copyright
Medieval Murder Maps - interactive maps of murder and accidents in medieval London, York, and Oxford
Travel in Times - plan travel routes in England and Wales in various centuries
The Quilt Index - a digital repository of quilts, makers, and their stories
Louis Armstrong Archives - Some highlights from the archives and how to access the full collection from home!
RSN Stitch Bank - hundreds of sewing and embroidery stitches, their uses, their structure, how to make them, and history!
Archive of 80s mixtapes - a whole lot of tapes from the 80s and also tapes of background music from Kmart in the 80s and 90s
Feast Afrique - What started as an exploration and celebration of West African culinary heritage has since expanded to include history, language, culture, and customs of West Africa and the African diaspora.
Letterform Archive - Thousands of high quality images celebrating graphic design, calligraphy, and typography. The beauty of letters!
Historic Menu Collection - Over 17,000 historic menus, 1.3 million historic dishes transcribed. Historic popularity and price range, map it, and more.
Palestinian Embroidery - Digital archives dedicated to the preservation of Palestinian embroidery. Over 1,000+ free patterns
Black Craftseople Digital Archive - enhancing knowledge of Black crafts people (both free and enslaved) and the objects they produced.
Georgian Lady's Magazine Embroidery Patterns - Free embroidery patterns from 1770-1819
The Dutch Textile Trade Project - History and trade of textiles in the 17th and 18th centuries. Fabric types, images, data on trade.
Estonian Knitting - Bog knits! History! Techniques!
please read Teacher Grace's Earth Human Romance, wherein a bunch of young Eridians take it on themselves to write rpf
The first draft looked like this:
Teacher Grace lived on Earth, and was not cold at a temperature of 300 Kelvin even though a normal person would be. This was because Teacher Grace was not normal. Teacher Grace was going to save two planets!
“Earth Space Thrum, I would like to go to space please to stop the sun going dark. It’s extremely cold here but it’s going to get colder,” and its eye jelly got wet due to its extreme misery when it was thinking about all the human pebbles that would freeze to death.
“Okay, Teacher Grace,” replied the Earth Space Thrum. “But you can only go if you don’t have a mate.”
Teacher Grace inhaled lots of oxygen very fast because it did have a mate! But it would be so good at being in space!
“I actually don’t have a mate,” it lied. Its mate was standing next to it and started leaking sadness water.
“Okay good,” sang all the humans. “Bye, have fun in space,” and they put Teacher Grace in a spaceship.
Then its mate exploded because of the flammable Earth atmosphere.
how manual wheelchair users move (explainer for non-users)
frequently when i’m out and about with someone walking, they can’t anticipate what path i will take and therefore they’re in my way pretty frequently. this is fine! i can politely ask them to step to the side. but it makes me think about how little non-wheelchair users understand the way wheelchair users move. as someone who used to walk everywhere, it was an adjustment period for me to figure out how to navigate the world in a chair. here are some things that didn’t occur to me so that you don’t cut off your friend right as they’re building momentum to go up a ramp 😆
for context, i use an active manual chair. the world is very different in a power chair. even among active manual chair users, there is a huge diversity in physicality and strategies for getting around. this is a general guide that i think will apply to most manual wheelchair users. i’m starting super basic and getting more complicated as i go.
———
1. manual wheelchairs are a momentum game. it is very easy to maintain speed and direction. but speeding up, slowing down, or turning, is hard. one thing this affects is if we’re on a wavy sidewalk or other twisty-turny walkway, that is a pain in the ass and i am taking as straight a path as i can.
2. wheelchair users also have to pay attention to the slope and condition of the pavement, so our path somewhere will be different than yours, even if we’re taking the same route to the same place. for example, i usually have to go down slopes straight, not diagonally, to avoid tipping over sideways. one area this affects is crosswalks. many intersections have one curb cut for both roads you could cross, which means i will go down curb cuts to a crosswalk as if i am aiming for the middle of the intersection.
your path in orange, mine in blue. to you it seems indirect, but to me it’s the path of least resistance.
i also will be building speed in the second half of the crosswalk. this is a much easier way to tackle a ramp. if i approach with momentum, i won’t have to drag myself up the slope once i get to it.
3. building momentum and maintaining it is only half of the job. the other half is stopping. manual wheelchairs cannot stop on a dime if they’re moving with any kind of speed. if i tried to stop immediately when going downhill, i would fly out of the chair. so don’t walk right into the path of a wheelchair in motion and then stop! i will have to turn to the side very quickly and hope i don’t tip. i can’t tell you how often parents pushing strollers will stop their stroller directly in my path and then get offended when i am alarmed and turn sharply to avoid hitting their child. from their perspective, i was being careless and going “too fast.” in reality, normal walking speed takes a few feet to slow down from and stop.
4. in terms of slope. see this street in san francisco?
i can’t go down this street, it’s way too steep. i would give myself friction burns on my palms trying to control my speed. if i was in a situation where there was no avoiding this street, like in an emergency, i would be breaking my straight-slope rule and zig-zagging in the middle of the road.
this would require several zig-zags back and forth, more than the four that i drew. i also could not go up this road other than with this method. up or down, i risk tipping over sideways if i’m not careful.
4. in a similar vein, consider terrain. slopes with grass or carpet take huge amounts of energy to get up. this grassy hill isn’t insurmountable, but it would take me like thirty minutes to get up there. honestly i would probably go backwards, because it’s easier to pull yourself up a slope than push yourself.
other types of terrain can be completely immobilizing, though. this decorative gravel pathway is beautiful, and inaccessible to me. my casters (front wheels) simply will not go through that.
5. in terms of walkways and obstacles. if there’s a deep gap in the pavement lined up the way i’m going, and it’s, say, an inch wide, that is an obstacle for me. my casters are one inch wide, and my back wheels are an inch and a half. i’ll get stuck in it like a train on a track.
i have to straddle this, even if it means being too close to the middle of the sidewalk and preventing us from walking side by side.
similarly, if a crack is greater than an inch high, i’m gonna wheelie over it. at two inches, i have to. a wheelie may require a change in speed, either faster or slower depending on the person.
i have 4 inch casters, so a lip as little as 2 inches will stop me in my tracks. a lip as little as one inch, hit with any speed, can knock my casters out of square. casters can get knocked out of alignment pretty easily depending on the chair. i’d rather not have to pull out an allen wrench and a level, so i’m gonna wheelie.
this happened when i hit about a 1.5” lip on a pavement crack when i was going downhill at maybe 3mph.
6. putting it all together. see how diagonal this crack is?
this is another situation where i have to go straight relative to the slope. because that crack is wide, it will probably also require a wheelie. if i tried to approach that straight relative to the sidewalk, my left caster would get up the slope, i’d wheelie, then my right caster would land in the crack. i have to go this way.
(also lol at the trash can blocking the curb cut)
these are just a few things to keep in mind when walking about with a wheelchair user! ofc the best strategy always is just to listen when someone asks you to move out of their way 😆 but i think being able to anticipate movement a little better will help it seem less random. feel free to ask any questions!
actually now that I think about it a shirt that says "unalive censorship" would go hard
Helen Whitaker, England
" Sycamore Seed "
Glass , copper and brass
It’s okay
Holy SHIT
if I see one more "why age verification is bad" post that doesn't even bother to mention that locking young people out of huge sections of the public sphere - literally the stated goal and primary impact of this shit - is wrong in and of itself I will simply start hitting people with bricks
yes yes biometric data privacy blah blah adults can hypothetically by harmed by this too. what about the immediate and deliberate and not at all hypothetical harm to youth. why are you acting like a potential data leak about what your face looks like, which if it ever happened would at least be generally recognised as a problem, is a more serious issue than cutting millions of people off from information and community and public expression which is happening right now in the open with large scale support
it's got the stench of fucking "banned books week" on it. thousands of adults congratulating themselves for reading books literally no one is trying to stop them from reading while doing nothing to improve access for the young people who are the ones actually having those books made off-limits to them.
[normal person voice] as we all know, the public sphere consists largely of strip clubs and pools of glowing green acid
Some day I aspire to the level of the one-word abstract
WE GOT ANOTHER ONE
Happy late new year from my two favorite idiots 🧡💙
ngl it's been incredibly wild to me watching the Martian blow up and then Project Hail Mary blow up even bigger when I previously knew Andy Weir from a webcomic where he dates Satan, who had previously secretly been Frances Folsom
Oh if you remember C&A and didn't know it was the same guy, it gets better
The whole science team was there as well. The same set of usual suspects we had at our weekly status meetings. Stratt, me, Dimitri, Lokken, and our latest science addition, Dr. Lamai. Oh, and no science team would be complete without a gambling-addicted swindler, so Bob Redell was there too.
Claude not being able to see has resulted in them gaslighting me hard when trying to get their help to sort out a visual bug
I'm working on a factorio mod that has a cooling mechanic, which required a new set of heat pipes (while of course 'transferring cold' and 'transferring heat' are fundamentally the same operation looked at from the other end, the basic problem is that base game heat pipes cannot go below their default temperature of 15 C, so using them between entities at sub-zero temperatures would not work; 'cryo conduits' are just heat pipes with a different minimum and maximum temperature)
i wanted to recolour them, and while there's built-in support for taking in-game graphics and applying a tint to make a recoloured version, that didn't look right (at first I thought the problem was that there was too much red-orange in the base image for tinting towards blue to work. the real problem was different). So I went ahead and did the recolours manually using image editing software, but the game did not display my recoloured images, they always looked the same. In the process of trying to debug it, Claude's conclusion (based on comparing average rgb values of images) was that it was a perception error and the game was displaying my recolours, it was just too subtle for my shitty human eyes to notice (phrased differently).
depicted above, the first two examples are the tinted version and the manually recoloured version that claude thought were too subtle to tell apart, and the third is the thing being displayed in-game that was, notably, neither of those. but most definitely not the recoloured version.
The actual answer, which my human brain arrived at, was that the cryo pipes were always getting displayed as their glowing versions, which I hadn't provided recolours for because glowing is supposed to happen above 350 C which the cryo pipes couldn't reach in the first place. (but, as Claude figured out, when max_temperature is lower than minimum_glow_temperature that logic doesn't work correctly and instead it just goes maximum glow all the time)
it's all very mary's room when you think about. sure, the ai may be able to tell you the exact value of the blue channel of an image, and might have been trained on every book ever written on colour perception, but still can't really understand the blueness of blue...
i suppose a more amusing phrasing for the last post would've been 'At long last, we have created Mary from the classic thought experiment Don't Put Mary in Mary's Room'. ah well