Appreciation post for Sam’s bandana. This also doubles as a hate post for Michael having his gross ass shoes on his bed in the same scene.
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Appreciation post for Sam’s bandana. This also doubles as a hate post for Michael having his gross ass shoes on his bed in the same scene.
rip david lost boys you would've loved Innuendo by Queen
Lucy would be a Facebook mom
“And it’s nothing but minion memes” she’d like this one
the “how far are you willing to go, michael?” cut to “to the end of time, to the end of the earth” edits are really taking me out
I mentioned it in the tags of my post about the Emerson family leaving Arizona, but I absolutely had to expand on it because I have so many thoughts about it: I find it so interesting how TLB uses vampires and vampirism as an allegory for perpetuating cycles of abuse and recvictimization. I mean obviously you have the whole Max-David/the Boys line, and I think most people have picked up on Lucy-Michael being targeted by vampires, but it goes so much deeper than that.
First up, Lucy and Michael (both targets of pretty severe abuse) immediately falling back into fucked up relationships once they get out of the abusive household is incredibly realistic. I’ve seen some posts that have been… not quite blaming Lucy for not seeing through Max, but questioning why she’d fall for him at all with the red flags he showed. And like guys… that is a well known thing that happens. Abusers have a type, and they know how to prey on people— especially if that someone has been a victim before. Nobody goes into a relationship thinking it’s going to end badly. Lucy is fresh out of a bad marriage with two traumatized kids and has no clue what to do next. Even subconsciously, she’s looking for something familiar; not safe, but familiar. Same goes for Michael, too. He’s used to being told what to do by his dad, used to “belonging” to his dad, and now that relationship is gone. He’s floundering and trying to figure out where he fits in with this newfound freedom, and he stumbles upon David, who offers control.
Let’s look at Lucy for a sec. I love Lucy. As someone who comes from a long line of single moms, I have so much respect and love for her. I absolutely love how the musical expands on her characterization, and she is such a well treated character within the story. And part of that characterization is that she is flawed, both as a person and as a mother. She doesn’t always make the best choices, she’s not always the perfect mother— and that’s okay. She loves and cares about her sons so much, and she does try to fix things for them. Which is why it’s so interesting and hurts so much that she falls for Max, red flag asshole extraordinaire. Lucy finds stability and predictability in Max, possibly even some comfort too. From the get-go she knows he’s a conservative business owner and no-nonsense family man. That boring rigidity is, unfortunately, what Lucy needs after leaving her asshole husband and fleeing with her two traumatized kids. I also think there is an aspect of Lucy punishing herself to a degree. Lucy is a former hippie, who longs to be wild and carefree again. But, she doesn’t think it’s in the cards for her anymore— she’s grown up and made her choices, and poor choices at that. She wants to be more than just a mother, but she feels she hasn’t done a good job at that, so what right does she have to be anything more? So, Lucy settles for a conservative man who’s kind enough, but who wants nothing more than a good wife and doting mother, because she feels she hasn’t been that.
Now let’s look at Michael. Oh Michael. Michael is so so incredibly lost. He’s struggling so hard with who he is and where he fits into the new family dynamic now that he no longer has to be the “protector.” He has no clue what to do now, and he’s really really struggling with that. This is completely uncharted territory for him and he panics about it just a bit— until David. Michael can find direction and purpose in David, who fills the roles of brother-dad-lover and everything else Michael could need. David offers Michael a sense of belonging yes, but also control and direction. Michael, who wants to belong to someone so desperately he’ll throw his own wants and needs away, throw his own life away, to prove he’s enough. And it’s not a good thing, not at all, and Michael needs help and stability outside of this relationship, but he won’t ask for it because he’s not used to asking for things. And that’s not even getting into the muddied consent of it all-- Michael has no clue what’s happening to him and what David did. Even if he knew the bottle was blood, he had no way of knowing that that would start turning him. David wasn’t truthful about his own vampire nature, didn’t explain to Michael what would happen if he drank, and even once Michael did start turning it took him a while to mention the whole first kill thing. David not giving Michael any choice or time to think about things— you have to drink now, you have to kill now.
And you have all of this in complete contrast to Sam! Because Sam wasn’t targeted by the vampires, no no no Sam was found by the vampire hunters, literally the antithesis of the vampires. So what’s up there, what’s the difference between Lucy-Michael and Sam?
Sam was abused, but imo in a more emotional/psychological way and most likely not to the extent of Lucy or Michael— not minimizing his trauma, just pointing out that it’s different than what Lucy/Michael had going on. So Sam’s experience with abuse was different, plus he had the role models of Lucy and Michael in addition to them protecting and shielding him from the abuse as much as they could. Sam grew up in a shitty situation, but he also grew up knowing his mother and brother loved him no matter what, and you can see that in how confident Sam is in who he is. Sam knows he’s different, knows he’s weird and queer (in both senses of the word), but he takes it in stride and is unashamed of his nerdiness. That contrasted with Michael and Lucy— who both have no real clue who they are— is so telling.
And then you look at the Frog Brothers of it all. Literal vampire hunters, who within minutes of meeting Sam decide he has what it takes and try to recruit him to fight against monsters. Who, from the get go, are extremely open about everything that’s happening. Who literally give Sam all of the information and weapons he’d need to not be a victim. The Frog Brothers give Sam all the information about who and what they are, what they want, and then give Sam time to come to his own decision about the whole “vampire” of it all. They don’t force him into vampire hunting, just say “hey, take and read this and make your own choices about it.”
It’s just so interesting that even though, yes the vampires and the hunters are opposites, you don’t even realize how opposite they are and how subtle it actually is. The Frog Brothers outright telling Sam they’re hunters vs Max and David not telling Lucy and Michael until it’s too late. The Frog Brothers giving Sam time and space to deal with everything vs Max and David forcing Lucy and Michael’s hands and putting a deadline on things. The Frog Brothers wanting Sam to join them so they can help and protect others vs Max and David wanting Lucy and Michael for selfish reasons. The Frog Brothers literally handing Sam weapons and information so he can protect himself and his family vs Max and David actively wanting to make Lucy and Michael worse and make them hurt other people.
Me when the bit is revictimization and cycles of abuse, but how the cycles can be broken if someone has a proper support system that offers them information and ways to get out.
These are my children and I love them dearly.
The fastest way to accomplish The Project is to cease being afraid of The Project. The Project cannot maim you. The Project cannot kill you. The Project is more afraid of you than you are of it. It is okay if The Project turns out differently from how it was in your head, and it is okay if it has flaws. You are capable of engaging with The Project.
fanart from a few months ago of You're a Mirror I Cannot Avoid by @ohaubergine !!
I understand why some people think Kara killing Krem at the end invalidated what she spent the whole movie telling Ruthye—but hear me out
Krem didn't deserve to live. He was a pedophile, a murderer, and a sex trafficker
Kara Zor-El knew that he shouldn't be allowed to live bc he'd just keep doing what he was doing
But does her murdering him in place of Ruthye invalidate her teaching Ruthye "murder is wrong"?
Well, no bc i dont rlly think the message was "murder is wrong"
It was "dont let your grief and rage consume you"
If Ruthye had murdered Krem in her grief and anger it would've consumed her. Kara didnt want her to live with that. She sacrificed a part of herself to kill Krem, so Ruthye wouldn't have to be the one who did it
Yes, Krem was a piece of shit who deserved to die
But that doesn't mean the 13 yr old girl whose entirely family was murdered should've been the one to kill him. Lets not put that on her to do. She shouldn't have to. Kara knew that, its why she did it instead
the silent scream made the whole thing, like, grief so overwhelming she’s going to burst, about being so full of sadness and rage all while knowing that to release that grief is to hurt those around her, because her scream, one that anguished, would level buildings, so she flies to space, screams into a void that sucks out everything inside of her, and is enveloped by the cold emptiness, because to feel her grief is to do harm, so instead she holds it inside and slowly cracks underneath it all, has the breath stolen from her lungs, ribs cracking under pressure, endless silence, nothing she can do does anything
WE ARE DOWN TO THE FINAL STRETCH FRIENDS
10 days til the Lost Boys Cast Album drops
10 days til the Lost Boys Cast Album drops
‘capitalism works’ factoid actually untrue. the 62 people who own half the world’s wealth are outliers and should be eaten.
Absolutely nuts how they made up a number for this satire post and the correction is that reality is *more absurd* than the number they chose
no i’m afraid it’s even worse than that. 62 was correct in 2016 when the original post was made.
Reblog with the Queen song that you go so hard to that it could probably revive you from the dead
Radio Ga Ga and Somebody to Love
’39, Let Me Live, Was It All Worth It, Who Wants to Live Forever….the list goes on…
"what if my boys can mean the world to me / and i can matter too. / what if that fearless girl in me / can exist in all the things i do. / what if it all can be / up to me?" hey what if i exploded actually
HAPPY WILD DAY TO THOSE WHO CELEBRATE !!!
not everything is getting worse. at least you don't hear high hopes by panic at the disco every day anymore
i don’t know if we talk enough about armand’s original baggage being that he was a child prodigy so good at art everyone thought it was a religious miracle. like before any kidnapping or torture took place he was being told he was specially chosen by god to draw so well he needed to die. at like age 11