If you were creating an entrance to hell, where would you locate it? Like what state/country. Need halp.
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@imturtlelyawriter
If you were creating an entrance to hell, where would you locate it? Like what state/country. Need halp.
I have to share this with yall because my same and normal friends dont appreciate it š
Wanna Play?
So basically, I wanna play a game, but first we need a little backstory...ish.
I got into the arguement with my boyfriend because he says my main characters name, Eden, is NOT a females name. Long story short I asked him some questions.
I gave him the names of every main character in my story and asked him to describe what he thinks their personality is, based solely on the names. He only got 2/8 right lol.
Here's the game: I'm going to give you the names, and you tell me what you think they are like, vise verse!!
1) eden
2) addison
3) blake
4) finn
5) noah
6) bellamy
7) alex
8) riley
my brain: here have a character idea :)
me: sweet thanks can i have a plot now
my brain:
Intro????
I want to write a faerie short story for my last assignment for class next school year. My third year. Not an SJM faerie story but a Holly Black one. Not making them perfect. Not making them too kind. A bit of mean and cruel with a dash of handsome. You know, Roiben-esque.
But can someone tell me the faerie rules and what both Seelie and UnSeelie are like??
Rules
Seelie vs UnSeelie
How they interact with humans
What they won't give you but you give them. Etc.
What not to do
Etiquette
Etc.
Thanks!!
Hello! Iām so happy youāre writing a Holly Black-esque faerie story! Her stories are so beautifully researched and I feel reflect the nature of the folklore.
Rules: (from what I recall from my studies)Ā
Never tell them your full name, or they can control you. Likewise, they will likely never tell you their full name
Do not thank them if they do you a favour. Just say you appreciate it. They feel if you thank them, you feel they are working for you.Ā
Iron hurts them, and wards them off. Carrying sharp implements made of iron on your person in faerie lands are a sign of aggression.Ā
Rowan berries can ward off faerie magic and protect you from them
You can make potion for True Sight (to see through faerie glamour) using four-leaf clovers and grass from a faerie throne, among other arcane ingredients sometimes including mandake or rowan berries depending on the recipe. Faeries can both give and take away True Sight, as a gift or a curse.Ā
They can tell a humanās feelings and the more powerful can read intentions (this is not mind-reading per se)Ā
In many stories, faeries cannot speak an untruth. This does not mean they cannot be manipulative and misleading.Ā
Walking through a faerie ring is a big no-no. If you donāt die immediately, you may walk out with horrible luck, or be transported to the faerie world. You may not know, but you will also lose time. One man disappeared for over a year, and swore he was only dancing in the ring for half an hour.Ā
You can be pixie-led. This means faeries are making you lost, often in an area you know well. To prevent or stop this, wear your clothes inside out.Ā
Seelie vs. Unseelie: this categorisation comes from Scotland. Seelie tend to be more accepting of humans, but do not mistake this for affection. Unseelie openly despise humans, and often wish for their destruction. Some align the Seelie with spring and summer, and Unseelie with fall and winter. According to the Irish, there are two other kinds of faeries, Trooping and Solitary. Trooping faeries are court fae and are often organised in large groups, while solitaries live alone or only in small family groups.Ā
Interactions with humans vary enormously, as faeries are known to be capricious. They can love you for giving them an offering, but if you donāt give them another, they may come to hate you. Blessings and curses are often freely given. Many like to torment humans for fun, or perform small acts of mischief to vex us. Others want to outright kill and eat humans.Ā
When in the presence of faeries, you will feel one of two things. If you are around kinder (Seelie, perhaps) faeries, everything will have a faint shimmer. Everything will look more dimensional. Sounds and sights are sharper, but especially smells and flavours. You will have the urge to dance and sing, and you will feel like a child again, with your logical reasoning and inhibitions lowered. If you are around malevolent (Unseelie, say) faeries, the shimmer and dimensionality will happen, but it will cause you unease at the least, terror at the worst. It will feel colder, not necessarily in temperature, but in atmosphere. The air can seem too thick or too thin. You will feel as though youāre being watched, or hunted.Ā
I hope that helped!
Oh, and never eat food they offer you in the faery realm, nor drink something. If you do, you have to stay there, because you're their guest now. Be very polite when declining said food and drinks.
@illthdar
This is some awesome information
2019 is the year y'all stop treating bi and pan women as āsecondaryā wlw
not to sound terrible but it would be nice if people who arenāt bi/pan reblogged this more since thatās most of the people who are reblogging this.
How to write about Grief:
There is no right or wrong way to experience grief. Just as there is no right or wrong way to write it. Everyone is different, each set of circumstances are different.Ā
The point of this post is to show you how different people react in different ways, and give points on how you might write that, depending on your character and story.
Reactions to Grief
Numbness: Your character may go into auto-pilot and be unable to process the events that have unfolded.
Anger: This can be aimed at other people, at a Higher Being, or at nothing in particular.
Unsteady: Your characters may be unsteady. For example, unable to stop their voice from shaking or they may find it difficult to stand.
Focusing on Others: Your character may disregard their own feelings because they are so overwhelmed and instead concentrate on someone elseās well-being.Ā
Seek out routines: Amid upheavals, your character may seek comfort in tasks that are familiar and āsafe,ā such as working, cleaning, making their bed, making absurd amounts of tea or taking a morning walk.
Pretending that Everything Is Okay: Grief is viewed as an emotion that should cease or be concealed once the funeral is over. So people mention the news in an offhand comment, then talk and laugh as if all is right with the world.
Denial: Some people deny the reality of death and convince themselves that the news is a joke or canāt be true.
Reactions from people surrounding your character:
People may avoid your character as they do not know what to say or simply canāt find the right words.
Some may even go as far as to cross the street when they notice your character approaching.
Even people that the character has known for years may act strange or standoff-ish, simply because they donāt know what to say.
On the other side of that, some people may be overly helpful and friendly.
It is not uncommon for estranged friends, family or others to suddenly reappear in a personās life after they have experienced grief.Ā
Either because those people want to offer their support and loveĀ or because theyāre being nosy and they want to be kept up to date on theĀ ādramaā.
Most people will move on from the event fairly quickly if they werenāt emotionally invested.Ā
Some people may even get annoyed at your character for still being upset weeks or months later.
When talking about the person they have lost:
Your character may recall a memory or tell a story about their loved one, these are possible reactions. (I have encountered all of them.)
Your character may being to cry or get upset at the thought of the person they have lost.Ā
The person they are talking to may become awkward and avert eye contact when your character brings up the person they have lost.Ā
Others may ask or tell your character to stop talking about the person they have lost. They may roll their eyes, cough awkwardly, or cut off your character mid sentences so that they can change the subject.
Some people may ask inappropriate questions about the circumstances in which the characterās loved one passed away. Depending on the personality of your character then may react differently.Ā
Other things to note:
Grief is not constrained by time.Ā
One of the main problems with grief in fiction is that a character is typically heartbroken for a couple scenes and then happy again. But grief does not evaporate because the world needs saving.Ā
Allow your character to wrestle with their grief.Ā
Your character may feel guilty.Ā Your character may feel a twinge of guilt when they laugh or have a good time with someone else; when they do something to remind them that theyāre alive, and their loved one isnāt.Ā
Grief is a game changer. A previously outgoing character may withdraw and isolate themselves. Some people may take grief and/or bereavement as a sign that life is too short; they may make big decisions in an attempt to make themselves feel better and grow away from their pain.
Sometimes grief can help you find your purpose.
At first grief can be all consuming. It hurts and you canāt really control it. It may seem unrelenting. Eventually the grief will become easier to deal with, your character may find the days to be better, but that doesnāt mean that when the grief hits it doesnāt hurt any less.
For most people, grief never really goes away.Ā āSometimes you have to accept the fact that certain things will never go back to how they used to be.ā
It is rare that a person will ever give a long speech about their feelings, a lot of people struggle to even find the words. But thatās okay. Show the reader how your character feels, rather than just telling them.
Donāt pause the plot to deal with the aspect of grief. This could overwhelm the readers and drag the pace down. In reality, life doesnāt just stop due to grief, the world keeps spinning and things still need to be done. Use the characterās grief as a backdrop for the storyās events.Ā Ā
Yes, grief affects the characterās day-to-day life, goals, and relationships. But it shouldnāt drive readers away or stagnate the story. Instead, should engage readers and produce empathy that keeps them turning pages.
You donāt need to tell your readers that everything will be fine. You donāt need to provide all of the answers.
āSkirting grief and treating it lightly is easy. But by realistically portraying it through a variety of responses and its lasting effects on the characterās life, readers will form a connection with your characters.ā
How To Write A Book Pitch
This is what you say when someone says āwhatās the book about?āāa paralyzing question, and you need a compelling answer.
If you donāt know where to start,
A very basic formula for a book pitch can go something like thisā
Character, conflict, setting, hook
Character
Most pitches start with character.
A charming cyborgā¦
A relentless assasinā¦
A battered detectiveā¦
(Try to keep it to one interesting character, too many characters at once can be confusing.)
Conflict
This is the problem your character faces. This is whatever your plot is.
ā¦gets stranded on marsā¦
ā¦falls in love with the man sheās supposed to killā¦
ā¦uncovers a dangerous secretā¦
Setting
ā¦in a world ravaged by famineā¦
ā¦lost in an unforgiving seaā¦
ā¦at an elusive liberal arts collegeā¦
Hook
THIS is the part that is tricky, because thereās no easy formulaic way I can suggest you end your pitchābut you should have a hook, something snappy that pulls you in.
Example:
Under this formula, the pitch for my novel, āThe Runawayās Promiseā would look something like thisā¦
Creative foster kid Beverly wants nothing more than to run away from her fatally dull small-town home. In trying to make an escape plan, she gets caught in a dangerous town secret that threatens to keep her there forever.
Iām not big on formulas but this oneās solid. Who is the focus of the book? What is the challenge this object of focus must face? Where does this conflict take place and what is the context? And as for the hook, why is there no easy or obvious solution to the conflict at hand?
writeblr introduction
So, Iām finally writing an introduction, huh? Iām Sage (she/her or they/them; doesnāt matter which pronouns, I use both) a 17 years-old (less than half a year to my 18th birthday, though) writer! Iām Polish, currently learning to become a landscape architect, so I know a thing or two about working with plants
I have a lot of WIPs, but theyāre mostly fanfictions. I actually like writing them; itās a bit easier and I think that itās a good example for learning and becoming better at writing (especially if ā like me ā someone isnāt native in English).
When it comes to original works, I doĀ have a few:
untitled; In a world where everything is ruled by the Royals of the Thrones, there are a lot of legends. Most of them are just stories, older than the kingdoms, older than anyone could think. But there are two newer, one about a princess that left everything behind, disappearing into nothing and second, about a Throne long forgotten.
untitled 2.0; honestly for this i only have like 200 words, but itās roughly based on the legend of the Grand Duchess Anastasia Nikolaevna so yeah
and my biggest one:
constellations; The Stars have Children. Some of them are better, some of them are worse. Most of them, however, grew up to become important people that changed the world. So when a Child of Proxima Centauri goes on a murderous spree, other Children have to stop them.
Honestly, Iām kind of bad at summaries, I promise, theyāre more interesting than that. I also have a side blog for constellations, where I reblog stuff that I may need later in it (@constellations-brain-dump). My main Tumblr is @starduststyxā, so I may follow you from it!
What Iām looking for?
Mainly resources, prompts, AUs, research stuff, world-building⦠honestly, a little of everything would be great!!! You canāt learn with only staying within a few things, Iām opened to almost everything! (The only thing I canāt stand are horrors, Iām not the type that would read/watch them). So, letās say:
writing resources
writing advice
writing memes
prompts
about your writing
anything about your novels or writing process
moodboards
OC info
playlists you write to
world-building
research stuff
AUs
Donāt be scared to write to me!!! Iām actually a bit anxious when it comes to talking to people, but I actually love to talk about my works and listen about works of others!
If you reblog or like, I will follow you from my main tumblr (once again, itās @starduststyx !!
So once again, hello and I hope Iāll stay here for a while!!
Nice to meet you! Your Constellations sounds amazing btw!!
oh, the girls of moonlight, with their witchcraft books, dark hair and black dresses, sitting outside in a full moon just to watch their queen rise, on her full glory. they have notebooks full of drawings of the creatures of the shadows, and they protect them with spells casted under the night sky.
oh, the girls of sunrise, whispering softly in your ear as you wake up, with they sleep-drunk smiles. their blond hair and pink lips lighted by the delicate sunl of the first hours of the day, the smell of fresh coffee and bread in their kitchen, and all of the calmness of the dawn are in their souls.
oh, the girls of noon, eating in fancy restaurants in lunch time, waiting to go back to work as they look through the window, thinking about the electricity and tiredness of the city. they have a nude lipstick on while reading a science book, and their jazz are louder as the sun shines brighter, peaked on the sky.
oh, the girls of the sunset, with their kind yet angry eyes, watching the pink and orange color the world. they write poems about non-lived romances and wishes for the day they will be real. old indie plays on their cellphones as the sun goes down, and the golden of the world lift up their souls like god lifts up humanity.
Sunrise on the outside, moonlight on the in āļøš
night sluts
theyāre called vampires
All hail night sluts with pointy teeth
ā¤ļø: whatās the working title? š§”: what were previous working titles/ideas? š: what is the title based on? š: how long have you been working on it? š: how has the idea changed between starting it and where it is now?
ā¤: the title is Generation 6
š§”: we actually always knew we wanted to call it Generation 6, the hard part was working that into the story š
š: the title is based on what we used to call our game when we were kids, which is what we've turned into this story. We worked in the title and I'm hoping to share it soon so you can find out what it's all about šš
š: we started our wip a little over a year ago. We both ended up taking a break for about two months before we found our motivation again.
š: it has changed drastically since we first started, I hardly recognize the original idea š but it's a change for the better this time.
Writblr opinions needed!
Sometimes I get a faint-fuzzy idea that would make an interesting new WIP, but I always cut off the thoughts because I jokingly tell myself I need to focus on my current WIP.
I feel like itās good to focus on the one WIP but I also feel like Iām losing other potentially wonderful ideas by doing this.
Do you guys try to focus on one or just let yourself run with every idea that comes to mind? Whatās your take/ experience with this?
I keep a couple at a time, prioritizing one over the others, which I call back burner WIPs. Like, I want to make progress on them, but they're not as pressing. Otherwise I find myself getting bored. Multitasking has always helped me focus, but I think it's up to what works best for you as an individual writer.
I only do one at a time but thatās because my brain gets angry if I stop and move to something else and I end up giving up on them all. But I do keep notes for all my ideas. Characters, plots, and even just vague cute thoughts that way I can be reminded of what I wanted to do but still focus on my main WIP series.
I idea hop, but I also finish nothing, so take my two cents as you will
I write every idea I have just in case. I write down whatever scene I have in my head and then I put it to the side and continue my current wip. I dont want to waste any ideas I have because I know it'll never come back if i push it away
some mini collections of tips for writers
(based on things that yours truly notices as a freelance editor. This list is in no way complete, and will probably be added to as I continue to find repeated mistakes)Ā
Dialogue
Use beats in your dialogue to break it up. EvenĀ āsaidā can make a very effective beat between lines.Ā
(No beats: āItās not lethal. Just highly dangerous with a good chance of being mutilated.ā // Beats: āItās not lethal,ā he said. āJust highly dangerous with a good chance of being mutilated.ā)
Note how the break allows a bit of a pause for ~dramatic effectĀ
thinking of dialogue, use punctuation and distinct speech patterns!Ā āLife, uh, finds a way.ā is an iconic line anyway, but Jeff Goldblumās signature verbal tic gives it character.Ā
Itās okay if characters stutter. Donāt let the condemnation of stuttering characters asĀ ācringeyā in fanfic put you off. (and on that note, fuck cringe culture. Seriously. It saps all the fun out of creativity and fun is important.)
Start! A! New! Line! Whenever! Someone! New! Speaks!!
DO NOT FEAR THE WORDĀ āSAIDāĀ
Setting & Blocking
Ā Use the landscape and settings around your character, and always, always remember a sceneās blocking. Where is everything in relation to your characters? Have you left someone holding a coffee cup for the last three scenes? Did you lose a character somewhere along the way?Ā
using the contents of a scene is also great for fight sequences.Ā
Similarly, large character casts are hard to keep track of so donāt be afraid to break them up. Sending someone off somewhere else can create some nifty little subplots.Ā
Keep a personal note of how time passes. Trust me, itās incredibly helpful to you as a writer and also for future readers.Ā
Characters
Character growth does not have to be positive. Sometimes characters fail or suffer or get their motivations twisted up, and they finish the book as a villain rather than a hero.Ā
All that matters is that a character changes throughout the plot in a way that readers can see; the sort of change they go through is entirely up to you.Ā
scrap the idea that someone has to deserve a redemption arc. They probably donāt deserve it, which is the whole point. So donāt be afraid to make your villains seem completely irredeemable.Ā
and you donāt need to redeem your antagonists in order to make them complex, sympathetic villains, anyway. Sometimes people get so stuck in their beliefs that they canāt see another way and it goes too far. Not everyone comes back from that.Ā
Also, motivations and goals can absolutely change. Thatās okay. You just need to have something that drives your character so that your readers are rooting for them.Ā
Protagonists donāt need to be heroic. How you define the protagonists and antagonists in your story is based entirely on the morality in your story-world, NOT the moral ideas in the real world. What counts as a complex protagonist in a world torn apart by biological warfare will be very different than one living in our world.Ā
Prose & Grammar
simple prose is just fine and you donāt need to fluff it up for pretty quotes.
Remember to vary your sentence structures and length. Start smaller and build it up, drawing your readerās attention.Ā
āAndā andĀ āButā are very valid sentence starters that are great for communicating the tone of internal narrative. Youāre allowed to tweak grammar if thatās helpful for telling the story, it just needs to be accessible. Test out what youāve written on other people.Ā
Check that your tenses are consistent!!Ā
Super helpful information
š: where are you in the writing process? š: what has your favorite scene been?
š: I'm on the first draft of the story, we have written a total of 22 chapters as of tonight! Mostly while my best friend continues, I go back and edit our previous work and what she has written. She mainly sends me a lot of dialogue and nonsense and I make it into an actual scene š
š: gosh I've reread it so many times and I still dont entirely have a favorite, though I have to say I love it when my OCs best friend gets all bitchy and throat punches people š¤£