Anaïs Nin, in a diary entry dated 27 February 1929, featured in The Early Diary of Anaïs Nin: Vol. IV, 1927-1931
occasionally subtle
Stranger Things
Lint Roller? I Barely Know Her

Love Begins
wallacepolsom
Today's Document
Acquired Stardust
2025 on Tumblr: Trends That Defined the Year
noise dept.

shark vs the universe

titsay
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ellievsbear
Sade Olutola
Sweet Seals For You, Always
RMH
Alisa U Zemlji Chuda
Misplaced Lens Cap
sheepfilms
dirt enthusiast
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seen from Germany
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seen from Malaysia

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@intothedreamverse
Anaïs Nin, in a diary entry dated 27 February 1929, featured in The Early Diary of Anaïs Nin: Vol. IV, 1927-1931
my daily affirmation as an author
musings on touch
margaret atwood, natalie diaz, ocean vuong, susan sontag, anne carson, marya hornbacher, mary oliver
I often talk about reality checking and going along with it when helping someone deal with delusions, but I felt as if I didn’t really make it clear to what I meant when I said it.
Recently I saw a post similar to “how to sneakily give your delusional friend a reality check when they told you not to” and honestly, that’ll just make us lose trust for you. Because we can tell when you do that.
Wave in Backlight - Peter Witt
German , b. 1966 -
Oil on canvas, 80 x 80 cm.
thinking about anastasia trusova paintings again
CAN ANYONE HEAR ME
Howl's Flying Castle Cross Section (or, Califer's Relatives Pay a Visit) || [prints]
Can you find?: [ ] four star children [ ] the magic broom [ ] suliman's guitar [ ] howl's welsh rugby jersey
writing tip: don’t tell us your character’s backstory. don’t tell us what your character is thinking. don’t tell us what your character is doing. don’t tell us anything. the reader should simply look at a blank page and be suddenly overcome with emotion.
Good tip. I know a lot of writers who cry uncontrollably when they see a blank page, so I’m sure that feeling will translate directly to the reader.
After many springs by Langston Hughes
Joy Sullivan, “Tomatoes”, Instructions for Traveling West
Perhaps the World Ends Here, Joy Harjo
martyr! by kaveh akbar
I'm afraid of your kindness. I'm afraid for staring too long and laughing with you. I'm afraid of wanting to sleep with my head in your lap because what if I try to do it again and you push me away for someone else what if I try to do it again and don't find you anymore. I push you away and crave you nearer everytime. I reiterate my boundaries while hoping, fearing you'd cross them.
I've decided to be miserable,
Put my leg on the fold table.
I've decided to be inconsolable,
Stay here stay unshakable.
Art Critic: the skull in the corner is artfully placed on the periphery of vision to symbolise the omnipresence of death, important thematically to the artist’s conception of life and mortality.
Actual Artist: aw shit, I got all this negative space, guess I’ll stick a skull there that looks pretty rad.
I painted a copy of Vermeer’s Girl with a Pearl Earring for a class in college, and when I displayed it for review the professor was like, “Are you making a statement about materialism by not painting her wearing the actual earring?”
And that, kids, was the first time I ever cursed in front of a teacher.
The painting is called The Girl with the Pearl Earring, and I forgot. To paint. The damned. EARRING.
And that, kids, was the
first time I ever cursed in
front of a teacher.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
and speaking of things I read and forgot about, here’s one I was able to identify a while back with the help of Reddit. Paul Jennings is an Australian children’s author who usually writes about weird events with some gross-out humor for the kids, but he does the occasional story that’s just creepy. Granddad’s Gifts is one of them.
A boy and his family visit his grandmother’s farm, I think to help her prepare it for sale, since the grandfather is dead and she can’t manage on her own any more. The boy sleeps in a room with a locked cupboard, which he is instructed not to open, and of course does, finding a fox skin for wearing as a shawl. Apparently the grandfather shot and skinned it for the grandmother but she was upset by the fox’s death and they locked it away, buried the remains of the fox under a lemon tree, and never spoke of it again.
Anyway, the boy works on the farm every day, and is given two lemons from the bigger of two lemon trees on the property after work. Instead of eating them, he puts them in the cupboard, only to hear moving and chewing noises in the middle of the night. He also dreams about his grandfather, who he can’t remember well, but had striking blue eyes. In the morning, the lemons are gone, and when he touches the tail of the fox skin, he can feel two bones that weren’t there before.
So every day, he puts his lemons in the forbidden cupboard, and every night the fox skin regains two parts, and this goes on for his entire stay. Until the last day, when he finds that his grandmother has taken the last two lemons and made a pie for the family. The boy opens the cupboard to find a complete and live fox, with the exception of its eyes, which are still taxidermy glass, blind and stumbling. He locks the cupboard, then goes and sits on the step and cries, at which point his grandmother says that she doesn’t understand what the problem is, but he can have the two lemons off the small tree if he wants them so badly. The boy knows it won’t work, because it isn’t the tree where the fox was buried, but he takes them anyway.
The next day, he sees a fox run into the woods, which turns and looks at him for just long enough to notice that it has blue eyes.
His grandmother mentions that the small tree has rarely grown any lemons, and it is strange that it never grew well, because that’s where his grandfather is buried.
AUSTRALIAN CHILDREN’S LITERATURE, EVERYONE
Paul Jennings’ stories are great
Anaïs Nin, in a diary entry dated 27 February 1929, featured in The Early Diary of Anaïs Nin: Vol. IV, 1927-1931
ah yes, my favourite foreign language feel, “I know what all of those words mean individually but not together like that”
official linguistics post