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KIROKAZE

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Xuebing Du
official daine visual archive
tumblr dot com
Cosmic Funnies

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One Nice Bug Per Day

#extradirty

Love Begins
RMH
noise dept.
untitled
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@theartofmadeline
Mike Driver
YOU ARE THE REASON

gracie abrams
Jules of Nature

seen from Russia
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@irenetheowl
Hansry fanart I did for my friend! I based it loosely off of a fanfic he told me about called "Wrap The Yellow Around Me"
why, hello????
good bloody morning to meeeeeee
god that armour is sexy
Hans is just
sometimes when i see insane game file sizes in my head i just go
ARKANE STUDIOS WAS ABLE TO MAKE DISHONORED DEFINITIVE EDITION IN 13GB! WITH ART DIRECTION THAT STILL LOOKS GOOD IN 2026!
dishonored 1 is literally 2 dollars on steam right now blease do yourself a favor and acquire/play it if you haven't already
the consensus is in:
Hey so like omen wise how are we doing. Are we doing okay
Could mean good things!
Hey @evilwizard. So, you up to anything new lately?
haha it’s funny you ask
Friends & Allies
Tom making the effort to speak Russian will never not be adorable.
He is not half bad at it, btw. A tad out of practice, sure, but that's to be expected.
Babe wake up, new all time great image just dropped
"Teach me, eh?" Hans climbed over him, leveraging his weight to press Henry's body further into the ground and planting his lips against Henry's brow as he spoke. He traveled lower, a loving assault that ended just below his chin.
Commission Based on 'amor et virtus' by Nerdybirdnerd on AO3
|01062026 -
You want to see WIPs, exclusive content and artworks earlier? Consider supporting me on Patreon ✨
One of the major faults of Veilguard's dialogue is how often it's shaped by generic platitudes and sound bites instead of actual specific things happening or being talked about in the narrative. "Sometimes people let you down", "Family makes things complicated", "Bullies are always drawn to power", "It's just people trying to live their lives", "You have to take care of yourself every once in a while", "When your heart and your gut are both telling you, 'Do what you can'--"
My biggest issue with this is not a quibble over whether or not these things are true (like all platitudes they are trivially true, whether or not they're appropriate or correct things to say in the context the characters say them), but that they are a style of placeholder dialogue that exists to avoid having to give specific details or actual development. They could only be interesting if they were argued against, demonstrated, or interrogated for meaning in some way. Instead, the characters often take these things as read, and so nothing comes of it.
Like the line "How many exceptions 'til tyranny?"--a one-off sentiment expressed by a Lich at the end of Emmrich's questline. It doesn't exist to provide meaning or create a conversation. It exists to provide a cheap explanation as to why Emmrich is not allowed to both become a lich and to revive Manfred. There is no impassioned argument on behalf of a grieving Emmrich, torn between the protege that he loved and the life's work that he is about to give up, spurred on by the phobia that defines his motives. Nobody thinks to argue that as a wisp Manfred wasn't a "mortal" who is "supposed" to die to begin with (but then, it's either canon-breaking that they can resurrect Manfred at all, or it's no big deal and they don't need lich approval to do it, and there is no in-between on this one I'm afraid). There is no exploration of what it looks like when a Lich has "exceptions", whether in the past or during the course of the story (since Johanna was obviously not trying to resurrect people in terms of what made her a bad lich). And are there circumstances where "no exceptions" can also be a form of tyranny? How would that work? Could Rook argue that on Emmrich's behalf?
Of course not, this is cheap glue holding the scene together, we can't interrogate it or it'll fall apart.
All of Veilguard's platitudes are like that. Neve says "The gods were people, and people can let you down"--no one wants to challenge her on this? No one wants to argue that "let you down" is a MILD phrase to use for "the people you selected to protect you decided to enslave and torture you instead"? No one wants to argue that they SHOULD have been better, they were practically gods! No one wants to push their basic faith that sometimes people DON'T let you down? If someone were to push back on this line, then it might have told us something about Neve or the character arguing with her. It might have given us actual specifics in terms of what is going on--in what way were the gods "people" and what made them tyrants? Could someone else have done better? Is there no other way this could have gone? But this is filler dialogue. You're not supposed to think about it. It is supposed to paper over the scene in your head so the writers don't have to tell you any more than that. You are expected to nod your head at this aphorism and keep going.
This is, incidentally, why so much of the dialogue comes across as blandly lecturing the player.
And it's not a SURPRISE that the game with the amateur writer as narrative head where they spent the majority of the development time with no idea what the hell they were doing with the story is chock full of filler dialogue, but it is, you know, irritating when it's the sequel that was supposed to explain shit to us. What is Tevinter like? Oh, you know. Like any place with people living in it. What were the ancient elves like? They were people trying to live their lives, of course.
I don't need the game to be having arguments with itself all the time to be clear, but platitudes are something you write when you don't have anything to actually say. When you know that Bellara's problem is that her brother has become suckered in by a charismatic cult leader and is about to do a ritual that will kill/torture people, then your advice to her should be about that and not that she needs to “do what [she] can but take time for [her]self too”. "Family is hard" CAN describe this situation, but it can also describe a million other situations and so if I was Bellara I think I'd get kind of pissed that it feels like no one's actually paying attention to my specific problem.
THE TRUTH: art is inherently manipulative and artists are wicked evildoers who like to power trip off of controlling other people's emotions
Not sure why it's a new trend among fic readers to assume if the fic has not been posted within the week it's inappropriate to comment on it, like the fic has to be hot out of the oven to give feedback for.
I got a comment on a fic that is less than a year old and it was mostly an apology for being a comment on an "old fic" and how late they were in commenting.
Just comment on the fic. Doesn't matter how old it is.
Fandom is not social media.
Fandom is not trends.
Fandom is a cross between a library and having a slumber party with your friends.
"Old" means nothing to fic.
“is this character good or bad” “is this ship unproblematic or not” “is this arc deserving of redemption or not” girl…
I thought writing would feel like;
Turns out it’s herding cats. Half of them are on fire, and the other half are narrative choices I don’t remember making.