Babe wake up, new all time great image just dropped

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"I'm Dorothy Gale from Kansas"

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@irenetheowl
Babe wake up, new all time great image just dropped
"Teach me, eh?" Hans climbed over him, leveraging his weight to press Henry's body further into the ground and planting his lips against Henry's brow as he spoke. He traveled lower, a loving assault that ended just below his chin.
Commission Based on 'amor et virtus' by Nerdybirdnerd on AO3
|01062026 -
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One of the major faults of Veilguard's dialogue is how often it's shaped by generic platitudes and sound bites instead of actual specific things happening or being talked about in the narrative. "Sometimes people let you down", "Family makes things complicated", "Bullies are always drawn to power", "It's just people trying to live their lives", "You have to take care of yourself every once in a while", "When your heart and your gut are both telling you, 'Do what you can'--"
My biggest issue with this is not a quibble over whether or not these things are true (like all platitudes they are trivially true, whether or not they're appropriate or correct things to say in the context the characters say them), but that they are a style of placeholder dialogue that exists to avoid having to give specific details or actual development. They could only be interesting if they were argued against, demonstrated, or interrogated for meaning in some way. Instead, the characters often take these things as read, and so nothing comes of it.
Like the line "How many exceptions 'til tyranny?"--a one-off sentiment expressed by a Lich at the end of Emmrich's questline. It doesn't exist to provide meaning or create a conversation. It exists to provide a cheap explanation as to why Emmrich is not allowed to both become a lich and to revive Manfred. There is no impassioned argument on behalf of a grieving Emmrich, torn between the protege that he loved and the life's work that he is about to give up, spurred on by the phobia that defines his motives. Nobody thinks to argue that as a wisp Manfred wasn't a "mortal" who is "supposed" to die to begin with (but then, it's either canon-breaking that they can resurrect Manfred at all, or it's no big deal and they don't need lich approval to do it, and there is no in-between on this one I'm afraid). There is no exploration of what it looks like when a Lich has "exceptions", whether in the past or during the course of the story (since Johanna was obviously not trying to resurrect people in terms of what made her a bad lich). And are there circumstances where "no exceptions" can also be a form of tyranny? How would that work? Could Rook argue that on Emmrich's behalf?
Of course not, this is cheap glue holding the scene together, we can't interrogate it or it'll fall apart.
All of Veilguard's platitudes are like that. Neve says "The gods were people, and people can let you down"--no one wants to challenge her on this? No one wants to argue that "let you down" is a MILD phrase to use for "the people you selected to protect you decided to enslave and torture you instead"? No one wants to argue that they SHOULD have been better, they were practically gods! No one wants to push their basic faith that sometimes people DON'T let you down? If someone were to push back on this line, then it might have told us something about Neve or the character arguing with her. It might have given us actual specifics in terms of what is going on--in what way were the gods "people" and what made them tyrants? Could someone else have done better? Is there no other way this could have gone? But this is filler dialogue. You're not supposed to think about it. It is supposed to paper over the scene in your head so the writers don't have to tell you any more than that. You are expected to nod your head at this aphorism and keep going.
This is, incidentally, why so much of the dialogue comes across as blandly lecturing the player.
And it's not a SURPRISE that the game with the amateur writer as narrative head where they spent the majority of the development time with no idea what the hell they were doing with the story is chock full of filler dialogue, but it is, you know, irritating when it's the sequel that was supposed to explain shit to us. What is Tevinter like? Oh, you know. Like any place with people living in it. What were the ancient elves like? They were people trying to live their lives, of course.
I don't need the game to be having arguments with itself all the time to be clear, but platitudes are something you write when you don't have anything to actually say. When you know that Bellara's problem is that her brother has become suckered in by a charismatic cult leader and is about to do a ritual that will kill/torture people, then your advice to her should be about that and not that she needs to “do what [she] can but take time for [her]self too”. "Family is hard" CAN describe this situation, but it can also describe a million other situations and so if I was Bellara I think I'd get kind of pissed that it feels like no one's actually paying attention to my specific problem.
THE TRUTH: art is inherently manipulative and artists are wicked evildoers who like to power trip off of controlling other people's emotions
Not sure why it's a new trend among fic readers to assume if the fic has not been posted within the week it's inappropriate to comment on it, like the fic has to be hot out of the oven to give feedback for.
I got a comment on a fic that is less than a year old and it was mostly an apology for being a comment on an "old fic" and how late they were in commenting.
Just comment on the fic. Doesn't matter how old it is.
Fandom is not social media.
Fandom is not trends.
Fandom is a cross between a library and having a slumber party with your friends.
"Old" means nothing to fic.
“is this character good or bad” “is this ship unproblematic or not” “is this arc deserving of redemption or not” girl…
I thought writing would feel like;
Turns out it’s herding cats. Half of them are on fire, and the other half are narrative choices I don’t remember making.
Rant inc
My fic outlining was interrupted by my PC fan deciding it wants to make annoying noises from time to time. I can see out of the fans being a lil'more shaky than others. The culprit. Dusting it does nothing, I can't make it less shaky, too, because I would not know where to start with this.
Very rude of it to do this, if you ask me. Going into BIOS and changing the mode to DC, which made it go slower, I guess.
But the noise is stil there. Just more bearable.
Ugh, I don't wanna deal with this. I just wanna write my hansry in peace!
this is so cool!!
“Henry will go with me” TBH I think this is the most insane and important shit hans says in kcd1 lol this is the end of kcd1, Henry’s sword had vanished, Radzig is still being stupid about their relationship and isn’t even indicating that he literally ever will do anything like acknowledge Henry as his son, henrys home has burned down, he’s got NOTHING going on and hans has just volunteered him for an important diplomatic mission. Fr if Hans hadn’t spoken up then Henry probably wouldn’t have gone. the fact that hans just said im taking henry, and also while he’s sitting basically on top of henry on the other side of the table from jobst the most powerful man in Bohemia behind the two kings and who doesn’t know or give a fuck who Henry is or really even hans, hans just says “henry will go with me” immediately giving Henry a job, status, and a new purpose after his current focus (finding the sword) has gone to shit. Like he really did that for Henry lol he really did all that and no one asked him to and Henry didn’t ask and no one asked. He just did it because he loves henry and wants him close and wants him to be happy I need an exorcism
things I won’t let ai take away from human writers
em dash
“not x, not y, but z”
short sentence stacking as a stylistic choice
none of these belong to ai. these are all what human writers have been writing since day one, way before ai was invented. ai was trained to mimic how human writers write — so em dash, not x not y but z and short sentence stacking would never have been used by ai at all if ai hadn’t learned and mimicked them from human writers.
no, you are not “fighting against ai” by accusing every work that has em dash, not x not y but z or short sentence stacking in it as ai-generated, you are helping ai harm the writing community by engaging in witch hunt and scaring human writers away from creating/sharing their works for fear of being wrongly accused of using ai.
speculations, accusations and ai witch hunt harm the writing community as much as ai does, if not more.
Close up of horses.
On the topic of horse logistics during the Nebakov/Trosky questline
Putting it here to remember.
I re-watched the cutscene of the Nebakov ride. Henry's horse (Herring, as far as the cutscene is concerned) throws him off and bolts. Then another horse gets shot and falls on Henry. For some reason I mistakenly remembered it being Henry's horse that fell on him.
So:
[easy] if we chose Herring, Herring runs off, probably gets captured (by the nomads/people at the mill?), and may be retrieved later by Kath's people to be used for the escape.
[easy] headcanon Pebbles into the scene and the logic above instead. The cutscene forse-equips different armor on Henry anyway, then we switch back to "our canon". No reason why we can't treat the horse continuity the same way
[medium] Henry accepted Herring as a temporary thing to apease von Bergow (can't refuse noble people's gifts, that's rude and they might get upset with you, which is not ideal for their task). He left Pebbles at Tachov/Semine mill because the Trosky stablehand and his offers to sell his horse did not sit well with Henry. He mentions it to Hans, Kath overhears it -- and later has the horse be stolen for the escape, because it is a technically free horse, there is no one to object or look for it, it may be safer to steal it without raising ay alarms than try to get one from Semine/Trosky and it's cheaper than trading with Nomads
[hard] Pebbles/Herring escapes in the cutscene and somehow tracks Henry down later. Well, Brego found Aragorn, so who knows -- maybe they are related.
As for Aethon, we know that Hans gets him back at Trosky, but after Maleshov he gets a new horse which he calls Caballus. My best guess is that both Pebbles and Aethon were sold to Semine, but Aethon, being a majestic horse fit for a noble, was sold to von Bergow's stables to pay for the wedding/gifted to curry favour. Then von Bergow agrees to give the horse back to Hans as a gesture of goodwill, because he knows that gestures is all he is willing to do and it helps in keeping these fools oblivious for the time being. Then Aethon either also bolts or dies, but there is no set canon for that. Maybe he heads home and Hans is reunited with him later. Or maybe his death adds to the pile of angst and guilt for Hans. Pick your poison.
Henry's earned some punishment, but how do you punish someone who's already lost everything, hm?