Eddie Redmayne as Alexander James Gordon Duggan DAY OF THE JACKAL 1.02
No title available

No title available
Game of Thrones Daily
đŞź

tannertan36
đ
hello vonnie

EXPECTATIONS
Sade Olutola

#extradirty
I'd rather be in outer space đ¸

@theartofmadeline

titsay

gracie abrams
Color Me Curious

izzy's playlists!
let's talk about Bridgerton tea, my ask is open
Cosmic Funnies
occasionally subtle
Fai_Ryy
seen from Netherlands

seen from Singapore

seen from United States
seen from United States

seen from TĂźrkiye

seen from Nepal

seen from United Arab Emirates
seen from Bangladesh

seen from China
seen from United States
seen from United States

seen from Germany

seen from TĂźrkiye
seen from Thailand

seen from Colombia

seen from Moldova
seen from Australia

seen from Malaysia
seen from United States
seen from Brazil
@itch-for-subotic
Eddie Redmayne as Alexander James Gordon Duggan DAY OF THE JACKAL 1.02
Let's goooo
The Dark Lord said âNot all of Itâ and changed history. Legendary.
my most Millennial trait is that i want big screen to think properly. to compose my thoughts. app exists for your thing but no website? bad bad bad not good for think, need big screen for think. i wrote this post on the small screen btw
FUCK YES
âThere are no innocent bystanders in Hell,â is one of the most hardcore lines in all of television.
Whoâs ready for November?
your strengths are harder to see than your weaknesses because the problems you're good at solving don't appear as problems, because you're so good at handling them before they become problems... unlike the relatively rare problem that becomes a crisis, which demands undue attention. it's sort of like a reverse survivorship bias. the problems that become noticed as problems, the moments where you notice your capacity has a gap, are only the ones that aren't cut off at the pass by your strength and capability, before they become problems. so if all you focus on is problems then all you'll see is your weaknesses. which isn't accurate
you used to be able to get a job just by circling a listing in a newspaper in red pen
And newspapers
MILLER: This scene here was not in the script. LORD: Not even in the schedule. MILLER: In the schedule. LORD: But between takes Ryan said, âYou know, Sandraâs a beautiful singer, I keep hearing her every time I go to my dressing room,â and weâre psychos not to ask her to sing in the movie and so we did, which is not the best thing to spring on an actor, and she said, âIâll do it if I get to pick the song.â MILLER: And we said, âUnfortunately weâre only on this ship for another thirty six hours so, Iâm sorry we didnât give you time to practice this and rehearse.â And she said, âItâs all right.â And so she picked this with her daughter, this Harry Styles song. LORD: With her daughter. And the reaction youâre seeing from these people is genuine because they donât know this is the song sheâs gonna sing. MILLER: Yeah, we shot the reactions from the crowd first to give her sort of a chance to warm up, but it was gorgeous and everyoneâs looks that were agog are real, like, âOh my God.â And then listening to the lyrics of it and how apt they were for this moment for all these people, ended up becoming this central heart of the movie. And this is really her singing, no augmentation of any kind. Sheâs just great. LORD: I find this so moving and itâs such a victory for Sandaâs character and her performance, an opportunity for her to express she is not cold, that she feels deeply for these people, and wants them to succeed, and her love has to be suspended for her to do her job. And I think that is the tragedy of some people in power. They have to suspend themselves, their personal interests. MILLER: And so when, sheâs sort of saying now to Ryanâs characterâ LORD: âMaybe someday.â MILLER: Yeah. LORD: âMaybe someday we could be close.â MILLER: Right. âBut for right now, you get two minutes.â LORD: Yeah. Itâs almost he gave her a dare, saidâ MILLER: âCan you have camaraderie?â LORD: âAre you a full human being?â and she comes down and says, âI am.â MILLER: And then says, âThat is enough.â LORD: âI just have to choose not to be.â MILLER: And goes back to work.
i just know there was a weird little girl in the middle ages out there stealing snake's eggs and putting them in her family's chicken coop in the hope of hatching a basilisk
god i love the internet because if i said shit like this to people irl they'd probably just stare at me blankly but when i post it online everyone in the notes reacts like this
I love that thing when people get a little bit tongue-tied and garble what theyâre trying to say so they make a little âbleghâ đ noise and start over. verbal reset button. hitting the top of the tv to unscramble the signal
The Catalogue of Ships in the Iliad is, to a modern audiences, what classicists have called âboring as hell,â but I canât help but think that if you were watching Homer recite it it would have been more like when comedians go, âanybody here tonight from Chicago?â and the Chicagoans in the back start cheering
Homerâs like, âand there were forty black ships from⌠LOCRISâ and the Locrians in the crowd start going absolutely nuts
bro LMFAOOOO
you can tony any italian man
canon is a suggestion box
i ship based on vibes, tension, narrative potential, and the way my brain lights up