Show & Tell
almost home
sheepfilms
will byers stan first human second

bliss lane

izzy's playlists!

@theartofmadeline
ojovivo
he wasn't even looking at me and he found me
Noah Kahan
PUT YOUR BEARD IN MY MOUTH
Claire Keane
The Stonewall Inn

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
untitled
taylor price
todays bird
$LAYYYTER
macklin celebrini has autism

seen from United States

seen from Türkiye

seen from India

seen from Singapore
seen from Singapore

seen from United States

seen from Brazil

seen from Germany
seen from Singapore
seen from United States

seen from United States
seen from Singapore
seen from United States

seen from South Korea
seen from United States

seen from Ukraine

seen from United States

seen from United Kingdom
seen from China
seen from Hong Kong SAR China
@j-e-arbelo
Flavours of unreliable narrator:
Lying to the reader
Lying to themselves
Simply misinformed
Not paying attention
Has weird priorities
Assumed you knew
Hates you personally
Bad at communicating
Easily sidetracked
Will believe anything
Has weird prejudices
Just kind of dumb
No, you see, I wish to be an author. Not in marketing. Or an influencer. I wish to tell my stories, be told I did a fantastic job, and then go back to my hovel to scribble some more. I am delicate of constitution and awkward in crowds.
i love you semicolon. no one look at my 80 word sentence
write insane shit that’s way beyond your perceived ability and skill level even if you don’t finish it even if you think it sucks
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
me as a writer
Vintage “Typewriter” charm in gold, pearl, ruby and sapphire.
In order to do good worldbuilding you need to be able to think politically and that requires understanding politics
How do the gnomes of the mushroom village govern themselves and how do they determine the legitimacy of the Giggleking who rules them? These are questions you must be able to answer.
I think a lot of writers might benefit from giving themselves permission to get weird with format.
Use second person, drop classic rising action and climax format, write backwards, just sit in a moment, tell all you want and refuse to show, make an entire book that’s just one run on sentence, reject tropes, use all tropes, cliche yourself to death, produce something that’s completely gibberish. Break all the rules of marketability. Become ungovernable.
Write a story that just takes place inside one pathetic little person’s head. Do it. It’s enrichment in your enclosure.
Do the writer’s equivalent of playing with finger paints. Do it do it do it do it do it do it do it do it do it do it do it do it
It’s the middle of the night and I should be sleeping but listen. Listen. Just get weird with it. Open your soul up a little bit. Like actually don’t worry about it being palatable. I’m serious. Get weirder. Get weirder right now. I’m demanding that you get weirder right now. It’s not your responsibility to make your reader feel good. It’s your job to make art, goddamnit. Make art. Make weird art. Open up your third eye and eat an entire cheesecake.
brilliant
I DONT CARE HOW MANY BEDS THERE WERE. WHAT IS YOUR BOOK ABOUT
(tearfully) w- working at the mattress store
i'm so fucking sorry. can you ever forgive me
@sketchy-panda
2 February 1909, Aleksandr Blok (1880-1921), Selected Poems
“We write stories about imaginary people in imaginary situations. Then we publish them (because they are, in their strange way, acts of communication — addressed to others). And then people read them and call up and say, But who are you? Tell us about yourself! And we say, But I have. It’s all there, in the book. All that matters — But you made all that up! — Out of what?”
— Ursula K. Le Guin, The Language of the Night