Roman consorts and Augustae:
Manlia Scantilla — Julia Constantia
193 AD — 324 AD
OK WE ARE DONE FOR REAL THIS TIME. ALL THE EMPERORS AND ALL THE EMPRESSES. PLUS SOME, YIPPEEEEE
Comment your favorites!!! (Guide below)
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Roman consorts and Augustae:
Manlia Scantilla — Julia Constantia
193 AD — 324 AD
OK WE ARE DONE FOR REAL THIS TIME. ALL THE EMPERORS AND ALL THE EMPRESSES. PLUS SOME, YIPPEEEEE
Comment your favorites!!! (Guide below)
One chapter into Ulysses and I have 10 times more appreciation for that "Ogre barely even Literate!" meme
Everyone call Ogre stupid and it True! Ogre can only understand popular quotations like "Very well then, I contradict myself" and "Introibo ad altare Dei" not obscure references like "Thalatta!" and "the rage of Caliban at not seeing his face in a mirror" that contextualize the characters' perspective on life within the lens of culture and literature!
Ogre so dumb he isn't even aware of the best-known quotations of ancient Greek literature intended to expose the character’s shallowness! At this rate Ogre will never get through Chapter 3!
macbeth really is such a fascinating guy because when he's thinking about doing the murder he actually sits with himself for a second and goes "if i do this, i'm signing over my immortal soul, and i'm probably going to be miserable with guilt" and then he does it and is miserable with guilt. and it makes him very very interesting! because it's not an impulse thing! he knows! so what makes a person make that choice? what amount of personal ambition, what lust for glory, what amount of wifely-pressure-fueled conception-of-masculinity-as-violence can get someone to do that?
because it isn't idiocy. he knows damn well. and none of his asides, none of his elaborate visually-fantastical speeches or deft metaphors, are the words of a blundering dumbass. personally, i think the core of macbeth is exactly what we find out before he ever steps on stage: he's a soldier, and more than that, he;s a killer. and he's extremely good at it. fuck diplomacy--basically every single problem he faces in the play is one he tries to kill his way out of, because it's the only strategy he knows. at some point, i don't even think it's just manhood-as-violence for him; it's personhood-as-violence. in 3.1 he threatens to get into the lists against fate, against the price of his own defiled soul; at the end, he resolves to go down fighting no matter what. as much as people love to joke about macbeth being foolhardy and easily-pressured and not looking more than five minutes into the future--the guy knows. but all he's ever done, all he can do, is fight. he's not a fool. he's a machine.
but also, fascination aside, what the fuck is wrong with him lmfao my guy you KNEW THIS WOULD HAPPEN
Ok it's 12 am for me pretty pretty please let me chime in here this whole post is yes and awesome and "he is a machine" will echo in my head for the next week and if I may add my slight addition- my personal interpretation, one obviously slathered in my own bias and personal view of this text that means a lot to me is that- underlying his ambition, his familiarity within violence this society he exists in and only knows how to exist in as a perpetuator of violence- is just, an attempt at being anything. I know he is our central character but it feels compelling to me how differently Macbeth talks than his peers from scene ONE and it's not that his peers are stupid or that he's like a misunderstood woe-is-me genius because I think that is NOT what the text is getting at but rather, hm, rather Macbeth strikes me as someone who doesn't know how to be. Like how to be a human. His relationship dynamic is unconventional to the time period he is insecure about masculinity he seems to stumble about trying to find out what it is and then when he decides he found it tries to fit everything he does into that box. ( Specifically referencing "are you a man" talk smash cutting to his weird speech to Banquos murders about how there are a bunch of types of men and they gotta be MURDER MEN because uhm uhhh ) the way he talks differently from his peers?? Like on a very textual level don't even let me get into how two central figures in the play use alliteration HIM and the WITCHES, the witches are obvious they're alliterating in half of their speeches but Macbeth does too and it's ONLY HIM. ( Two truths are told + the swift the slow the subtle ) HE KINDA TALKS LIKE THE WITCHES IN MANY SUBTLE WAYS. ACTUALLY. DON'T GET ME STARTEDDD ( I am started ) on act one scene one witches going "fair is foul and foul is fair" only for Macbeth to say "so foul and fair a day I have not scene" AS HIS FIRST FUCKING LINE. GOD. DO YOU GET IT. Macbeth is different he's separate something deep within him is of the unnatural of the wicked and I think he knows it deep deep down I think it's why he is so controlled by others at every stage of his life I think it's why he can not ever ever escape guilt because he is determined by others and to take the lives of those determiners is for the miner in the cave to kill his own canary. He is so human and yet so other. I think. I think it is a distant unfixed awareness that he is in a text, he cannot place it, he will never place it but Macbeth ( as a play not a guy for a moment ) frequently references the audiences role in the story the role of a text to its characters. The witches do a forth wall break at one point referencing the trumpets that the other characters cannot here but the audience can when Macbeth and Banquo walk in. If we are to see Macbeth as tied uncannily and horribly to the witches unnaturalness in some way by extension he too carries this burden. But no one told him. He will never know that he is the foul player in the tragedy of being known most intimately by an audience you can never know or meet. I think that's why he does it. All of it. Because he's trying to become something- king, violent, real, a person. I think he can feel the slight invisible border between him and everyone else and he lets it control him, guide him, he lets ambition overtake him because to be ambitious would make him tangibly present in this space, it would mean it all means something very real. I think he knows something he's not supposed to. I think he is scared.
Or maybe I'm just a freak projecting feelings onto a play about how murder is bad because you will feel bad I dunno guys don't let me talk about Macbeth I do this.
nolan’s odyssey is such a textbook study on the idiocy and dangers of presentism. yes of course penelope is a modern day feminist who wants to rule ithaca by herself. they make telemachus say that GREECE IS THE GREATEST CIVILIZATION IN THE WORLD as if the entire point of the massing of achaeans at troy for one unified cause isn’t spectacular precisely because THERE IS NO CONCEPT OF A UNIFIED GREECE NATIONS DO NOT EXISTTTTTT YETTTTT. literally 101 on historical writing is making sure that you’re avoiding strict periodization because the people living in a “period” will not identify themselves that way. ever. five million cheeky nods to “the sea peoples” but we’re being cute and coy and calling them “the people from the sea.” the obsession with xenia but refusal to call it xenia yes let’s say “zeus’s law” a hundred times and reduce it to the literal expectation that any stranger could be a god in disguise. how was penelope just hanging out in the main hall of the palace with her husband’s dinner guests while they were playing with weapons with her HAIR COMPLETELY DOWN no veil no nothing just chilling casually. comical. stoppppp making movies that engage in historical viewpoints if you’re going to slather a modernized coat of paint over the top. “the past is a foreign country, they do things differently there.” or fucking whatever.
Finding out Hans Zimmer is a transphobe genuinely had me falling to my knees
Thank you blastybaku for explaining this!/gen
If you've ever heard a movie score and thought "holy shit, this is incredible", there's like, a 50% chance it was Hans Zimmer who composed it.
This is a pretty major letdown, ngl.
Anyways, fuck transphobes, which includes Hans Zimmer, apparently.
Anyway shoutout to John Williams, amazing composer and probably the one who made the other 50% of "holy shit amazing" soundtracks (Jurassic Park, Star Wars, Superman, and incidentally the original Harry Potter theme and score) who famously worked closely with the first openly transgender woman to be nominated for an Academy Award, Angela Morley. He respected her, and so far as I can see, has never made transphobic remarks.
Could you do a frog in the disability pride flag colors?
Here you are!
Collins is gone.
Namaygoosisagagun First Nation/Collins has burned to the ground. The entire community is nothing but ashes after being quickly consumed by wildfires. They did not have any support from emergency services, and no one offered aid. The community saved themselves by escaping into boats because no one came.
Mishkeegogamang and Cat Lake have lost power. Families are ending up in shelters with nothing. Armstrong, Lac La Croix, Whitesand, Gull Bay, Lac des Mille Lacs are currently in the fires path and all members are being evacuated.
All this loss, all this devastation, and it was entirely preventable.
After steadily underfunding wildland firefighting and purposefully excluding Indigenous wildland firefighters and Indigenous wildfire organizations from wildfire operations, firefighter training, decisionmaking, and resource exchanges, in 2025, Doug Ford slashed the forest firefighting budget.
It's hard to ignore his decision to cut funding and leave us out of adequate fire training (even though we've lived with forest fires for thousands of years—far longer than settlers have been in Canada—and made sure fires like the ones we're all seeing today were prevented through kinisitotēn) when, despite making up less than 5% of the population, we account for 42% percent of all wildfire evacuations in Canada.
And when we are successfully evacuated, we face discrimination and racism—like Kashechewan—because it's always been easier to blame us than it is to blame the true culprit: denialism, corportate greed, and colonization.
The people of Collins and every other impacted community deserve better.
Right now, the AFN is currently accepting donations to help Collins First Nation. If you're able to, please consider donating.
ONWA (Ontario Native Women's Association) is another great place to donate to. They have outreach vans going to motels and inns and offering food, water, resources, and cultural support to those impacted by the wildfires.
Other places to consider donating to are Mikinakoos Emergency Fund, Red Cross, True North Aid, Indigenous Climate Action. You can also send donations directly to Whitesand First Nation via e-transfer ([email protected]) and they request that you add your full name in the e-transfer comment section to receive a tax receipt.
*Before sending money, verify that the appeal appears on an official First Nation, Tribal Council or registered charity channel.
If you can't offer financial support, please consider donating items of need. Moontime Connections is currently accepting drop-off donations. If you live in the Thunder Bay area, Namaygoosisagagun Health Office is also taking in donations! They can also bemailed to Superior Inn Hotel & Conference Centre at 555 West Arthur Street, Thunder Bay, ON, P7E 5P8.
items needed are: food, diapers, medical masks, men’s and women’s joggers (all sizes), children’s clothing (newborn to size 14), children’s shoes, summer clothing, men’s clothing, toiletries (lotion, Vaseline, toothpaste, toothbrushes, shampoo, conditioner, soap, deodorant, etc.), strollers, adult depends-all sizes, dog & cat food
wīya ispīh iyiniw-kiskīyihtamowin pasikōpayiki kāwi askiy ta-iyihyīmakan
“ Between trying to keep her jesters from murdering each other and getting her show on the road, Tylene Charant’s tenure as Ringmaster of the decaying and destitute Wayfare Penny Carnival has never been dull. However, her routine goes completely off the rails when a prospective visit from The Company collides with the discovery of a lost child on circus grounds - a child that some members of the Troupe seem completely uninterested in trying to return to his parents.
Adriel P. Atwood Rivera was an astonishingly promising young author. Now, he works the sideshow tent as a ventriloquist with his best-selling trilogy unfinished. Adriel knows the secret that some in the Troupe are keeping from the rest, and doesn’t mind putting Tylene on the right track to discover it — even if doing so might put him in danger for the rest of eternity. After all, it’s difficult to frighten a man who has already lost everything. ”
「 ✦ WHAT IS SAPROTROPHIA? ✦ 」
If you were here before this blog, shhh ;) no spoilers! also, thank you so much!!! love yall 🫶
Saprotrophia is an original web project and novel in progress! There are more than ten of us in here, and we've been clowning around for more than a year now. If you like real art by real artists, fun characters, or very, very strange circuses, come hang out with us!
「 ✦ MORE ABOUT THE PROJECT ✦ 」
The cast is on our website! ☆ Meet the Ringmaster
Discord ☆
Death on the Nile (2022) dir. Kenneth Branagh
At Target this lady told her son he couldn’t have a Wonder Woman doll because “that’s for girls” and then bought her daughter the same one. It got me thinking about how often I see people bar young boys from appreciating girls/women as protagonists and heroes, and my own experience with it as a kid.
Something that I get chills about is the fact that the oldest story told made by the oldest civilization opens with "In those days, in those distant days, in those ancient nights."
This confirms that there is a civilization older than the Sumerians that we have yet to find
Some people get existential dread from this
Me? I think it's fucking awesome it shows just how much of this world we have yet to discover and that is just fascinating
@makaeru peer review cos this made me check when the Sumerians happened and I forget how recent history is for every other continent. 7000 - 8000 years ago just isn't that long when you're in Australia, and the amount of detailed history we have access to here is wonderful and should be recognised more internationally
Source (non Aboriginal)
And a quote I picked out from a longer interview with an Aboriginal local elder about the area where he touched on the history
Source (the rest of the interview is really interesting and all transcribed, have a look if you're curious)
This is part of my Ancient Civilizations class that I teach, which does a whole week about Australia and the Torres Strait Islands because I was sick of never seeing them represented in USAmerican history contexts. With the help of @micewithknives and @acearchaeologist I've learned so many incredible things about Australia's past and it's been incredibly rewarding to share them with students.
My favorite fact about Aboriginal oral history is the fact that we pretty recently discovered that the Aboriginal myth of the 7 Sisters, an origin story for the Pleiades star cluster, accurately reflects a point TEN THOUSAND YEARS AGO when two stars in the constellation got close enough together to no longer be distinguishable by the naked eye.
The story? 6 sisters running from something that took their 7th sister.
as a gilgar gunditj woman, i was not expecting to see my culture on my dash.
thank you for spreading our words and treating our culture with respect.
Sisters of Commodus dresses drawing
PROJECT HAIL MARY (2026)
Jace sketches!!
The fastest way to accomplish The Project is to cease being afraid of The Project. The Project cannot maim you. The Project cannot kill you. The Project is more afraid of you than you are of it. It is okay if The Project turns out differently from how it was in your head, and it is okay if it has flaws. You are capable of engaging with The Project.
Basil Lekapenos my man
Macbeth (2015) | dir. Justin Kurzel