What is going on in the brains of r/nosleep writers… how did they not realize that this is absolute peak comedy……
you’re laughing. they sent him to the wasp room and you’re laughing

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@kittle-and-bits
What is going on in the brains of r/nosleep writers… how did they not realize that this is absolute peak comedy……
you’re laughing. they sent him to the wasp room and you’re laughing
What is going on in the brains of r/nosleep writers… how did they not realize that this is absolute peak comedy……
you’re laughing. they sent him to the wasp room and you’re laughing
Superman: Man of Tomorrow #12 - “Superman’s Day Off” (2020)
written by Robert Venditti art by Scott Hepburn & Ian Herring
Guilt
there is no heterosexual explanation for this.
What happens!!?? I want this romance…. so cute
Ummm im here for vintage lesbians
i’m sure someone probably commented on this post already but this is calamity jane, they eventually move into a tiny cabin together and sing a song about how “a woman’s touch” can fix anything. i watched this movie daily when i was about 7 and now i’m a dyke
my butch lesbian professor who is well into her sixties had told me that this was her first real exposure to the concept that a woman could not only be attracted to other women, but be butch while doing it. she said this movie propelled her into her sexuality with a sense of pride and remains a cornerstone of her coming-out journey. in short, representation matters and always has.
Reblogging for Calamity Jane, actual lesbian disaster.
Forest God part 1 by Oleg Vdovenko
...wha
The game is delayed for rain--that’s what the tarp is for, to keep the field dry so they can play as soon as it clears up. They’re entertaining themselves and the crowd while they wait.
Boris Groh - https://www.instagram.com/borisgroh - https://es-la.facebook.com/BorisGrohArt - https://twitter.com/borisgrohart?lang=es - https://www.facebook.com/grohboris - https://www.behance.net/bgroh - https://www.deviantart.com/borisgrohart - https://vk.com/borisgrohart
The Prompt had been ‘Missing after a battle’
Prom think’s he’s dinner but in actual fact he is baby.
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so women are supposed to grin and bear the books, the comics, the movies, the plays, the tv shows, the stories, the sci-fi, the translated ancient poems, the fucking millennia of men writing about their self inserts torturing women and it being declared as High Art by other men, we’re supposed to read it in our free time, study it in classrooms, include their styles in our own writing, accept their cultural influence as natural, watch it in the cinema, write about it, talk about it, accept it, aspire it, but men can’t tolerate three seconds of female wish fulfilment of a woman snapping the wrist of a creep without feeling personally kicked in the balls.
This reminds me of something I observed in college while I was doing my honors thesis on women in modern horror films. I watched a LOT of horror during that time as part of my research, and sometimes that was done with my family around.
And my dad and brothers? Were deeply disturbed by the movie Jennifer’s Body. I was flabbergasted. It’s not scary! It’s not even that gory. But they were horrified by it. These men who grew up on 70s slashers were legitimately shook by 90 minutes of Megan Fox eating a few teenage boys, mostly off-screen.
Similarly, my all-male reading panel for my thesis? Were so disturbed by my synopsis of the film Teeth that they couldn’t even talk about it. One of them said he couldn’t look at his wife for a week after reading it.
Again, grown-ass men who study and teach media for a living. Who definitely watch and enjoy horror movies. One of whom was a huge Tarantino buff. We watched and read worse in his intro to mass media class! But one movie about a girl whose vag could bite was enough to haunt him.
Then of course you have things like the Gone Girl backlash–men yelling that Amy Dunne is evil and women clamoring to assure everyone that they know she is not someone to emulate–the backlash against Carol Danvers, and, more recently, the griping from MRAs against the upcoming film Hustlers, which is about strippers scamming their Wall Street clients.
My conclusion? Most men–at least most straight, cisgender men, who are both my sample population and most of the ones whining that Carol is a “villain”–are perfectly fine with, and desensitized to, media where men do violence to women (horror movies), or men do violence to men (horror and action movies). They’re even sort of fine when women do violence to women (“ooooo cat fight!”).
But they get intensely uncomfortable when women are depicted doing any kind of violence to men, especially in films that tilt the balance of power to the other side of the m/f gender binary beyond a single moment or scene.
So woman as flesh-eating monster with men as her preferred cuisine? Woman who responds to unwanted sexual contact by biting it off? Woman who frames her cheating husband for murder? Woman whose response to harassment–behavior that many of the loudest whiners know is both creepy and reflective of their own thoughts/actions–is to break something?
Too scary. Unacceptable. Disturbing. These men hate being presented with the idea, even in fiction, that their position of power is socially constructed, that it could easily be flipped the other way. It terrifies them.
In feeling that terror, they experience a tiny modicum of what living, existing, moving, being perceived as a woman in the world is like.
And they flinch every time.
Here have a newspaper comic from 1993
The Himba (singular: OmuHimba, plural: OvaHimba) are indigenous peoples with an estimated population of about 50,000 people living in northern Namibia, in the Kunene Region (formerly Kaokoland) and on the other side of the Kunene River in Angola. The OvaHimba are a semi-nomadic, pastoralist people, culturally distinguishable from the Herero people in northern Namibia and southern Angola, and speak OtjiHimba, a variety of Herero, which belongs to the Bantu family within Niger–Congo. The OvaHimba are considered the last (semi-) nomadic people of Namibia.
The Himba often cover themselves with otjize paste, a cosmetic mixture of butterfat and ochre pigment, to cleanse the skin over long periods due to water scarcity and protect themselves from the extremely hot and dry climate of the Kaokoland as well as against mosquito insect bites. The cosmetic mixture, often perfumed with the aromatic resin of the omuzumba shrub, gives their skin and hair plaits a distinctive orange or red-tinge characteristic, as well as texture and style. Otjize is considered foremost a highly desirable aesthetic beauty cosmetic, symbolizing earth’s rich red color and blood the essence of life, and is consistent with the OvaHimba ideal of beauty. The OvaHimba are also accustomed to use wood ash for hair cleansing due to water scarcity.
Hairstyle and jewelry play a significant role among the OvaHimba, it indicates age and social status within their community. An infant or child will generally have his head kept shaven of hair or a small crop of hair on his head crown. This soon is sculptured to one braided hair plait extended to the rear of the head for young boys and young girls have two braided hair plaits extended forward towards the face often parallel to their eyes. This style is called ozondato, the form of wear being determined by the oruzo membership (patrilineal descent group). The style remains during preadolescence until reaching puberty. Some young girls, with exception, may also have one braided hair plait extended forwards, which means they are one of a pair of twins.
OvaHimba girl
OvaHimba girl dancing
OvaHimba boy
OvaHimba girl, one of a set of twins!
OvaHimba children, both boys and girls, removing ticks from goats.
From pubescence, boys continue to have one braided hair plait.
A young man wearing a braid known as ondatu. Namibia. Photo by Nigel Pavitt
Once they reach puberty, OvaHimba girls will have many otjize textured hair plaits, some arranged to veil the girl’s face.
This girl is going through puberty, a fact made plain by her hairstyle, which has been designed to cover her face and help her avoid male attention. The puffs at the bottom are either goat hair or synthetic.
(In daily practice, the hair plaits are often tied together and held parted back from the face.)
This girl’s braids are arranged to reveal her face, indicating that she’s ready to be married.
Women who have been married for about a year, or have had a child, wear an ornate headpiece called the Erembe, sculptured from sheepskin, with many streams of braided hair, coloured and put in shape with otjize paste.
Married women wearing erembe
Unmarried young men continue to wear one braided hair plait extended to the rear of the head. When Himba men marry, they start wearing turbans, which they never take off unless someone in the village dies. After a death, their heads are shaved. Because the turbans are never removed, things can get a little itchy underneath, so men carry pointed arrow-like instruments to scratch it with.
Married OvaHimba men. #s 1 and 3 wear a scratching implement in their turbans.
Widowed men will remove their cap or head-wrap and expose un-braided hair.
Himba widower. The habit of using a head-scratching implement is hard to break.
[Source]
Wow this is the first time I’ve seen a culture where men are required to wear a headdress after marriage.
every single person in this post is absolutely stunning
Nnedi Okorafor’s novella trilogy Binti has a Himba main character. Otijze is even a plot point.
Nyle DiMarco & Chella Man Teach Us Queer Sign Language [see captions for sign descriptions]
Mary go round at home 🏡
Forget what she’s wearing, are we just going to ignore the sheer strength she displayed? Sis is holding herself up extended her torso to an obtuse angle and did a situp with a child and didn’t slip a millimeter. 👀👀👀
That, and she’s also bouncing said toddler without slipping a milimeter there at the end, don’t forget that 🤯
fucks sake
god dammit
Okay now which one is clearer? 1?
or 2?
Maybe just take off the glasses!?
This spoke to my soul wth
I feel attacked.
i hate this post yet it keeps coming back
New Pokémon Snap (TBA) | Platform: Nintendo Switch