“Getting the girl” is such a weird concept to me that can be downright ugly if done badly. It’s like so many people forget that Rey isn’t just the love interest who’s a badass in her own right (a more common trope in modern action movies than a straight up damsel, the love interest will be competent and skilled but will still play second fiddle to the main guy) she’s the HERO. And some people still aren’t looking at her arc, they’re looking at who would be “good” for her or who “deserves” her.
I think you’re right that this is a huge part of why so many people don’t see the actual romance that’s happening in front of their eyes. they’re treating Rey like the love interest instead of the person who has a love interest, and they fail to recognize her love interest because the romance is played through the female gaze.
in TLJ we don’t see Ben pursuing her in a traditional way (it’s the Force itself and Rey initiating most their interactions–and although Ben is always eager to see her and talk to her, because he’s not the one initiating it for some reason people fail to recognize that for romantic interest). Ben’s the one who gets a gratuitous scene that shows off his body for Rey’s benefit. Ben doesn’t back her up against walls or say sexually suggestive things or flirt in any way most people are used to seeing in action movies and thus the heavy, obvious sexual attraction between them flies over so many people’s heads just because it’s played in a different way than we’re used to seeing in blockbuster films.
(and the deserve thing is such complete bullshit–no one ever questions if a male hero ‘deserves better’ when he gets a morally ambiguous female love interest lol)
^^^This. I love TLJ precisely because its written from a female gaze, Ben Solo is Rey’s love interest and he is portrayed as such. She chooses him, pursues him. Folks not used to seeing the female gaze in media failed to see it. Or, SW fans insistent that this story be a male gaze one, had their own bias of male characters “deserving” Rey, ignoring Rey’s own narrative agency.





















