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She's the assassin we all want pinning us to the wall.
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About Blanca...
I insisted on reading Private Opinion. I didn't want to overlook anything, I didn't want to leave out a single point of view. By volume 18, I had calmed down a bit and was no longer rolled my eyes at every page where Blanca came across. Blanca lost my limited sympathy many times while reading Private Opinion. The more I learned about him, the angrier I became. Blanca is as divisive as Yut-Lung; we see their human side, we see their pain and, to some extent, their vulnerabilityâtheir cruelty or even maliciousness is not as simplistic as Golzine's. Blanca does not enjoy cruelty, while being capable of gruesome cruelty. Blanca never abused Ash the way Club Cod's clients did, the way Marvin and Froggy and Golzine and the other depraved monsters didâhe perpetrated a different kind of evil against him. He betrayed Ash. He let him down as a human being. To make some sense of my rant, let's go back to the beginning, to Private Opinion, when he first appeared in Ash's life.
Their first encounter left a deep impression on Blanca. He found himself face to face with the distraught teacher, and then with Ash. His clothes were torn, he was almost naked. It was immediately clear what had happened. Dino brutally beat Ash several times in front of Blanca, then ordered him to clean himself up. Shortly after, Blanca learned more about Ash: that Dino employed him at Club Cod, what his IQ test results were, and that the "incident" with the teacher was not the first of its kind. In Banana Fish, Golzine reassured Yut-Lung that Blanca was a true professional. He didn't mix personal feelings with work. From this warning, it was evident that Golzine was aware that Blanca did not approve of his treatment towards Ash, but despite this, he did not take a stand against it.
Blanca hugged Ash in that filthy motel room where Marvin had raped him. Since Griffin, it was probably the first time anyone had approached Ash with tenderness, reassurance, and kindness. Blanca wanted to prepare Ash to the day when he become the head of the Corsican mafiaâand so that he wouldn't be on his own until then, he taught him everything he needed to know to reign over a world of blood and violence. He did nothing more than that. Never considered that Ash could live a different life. Never toyed with the possibility of what would happen if he freed him from captivity. Never occurred to him that Ash would be emotionally destroyed if he remained in this environment. What Blanca did for Ash: showed him that there are adults in the world whose first instinct is not to take away from him. In everything else, Blanca failed because he didn't see his own shortcomings as failures. When he accepted the job, it may have crossed Blanca's mind that Golzine would find someone else to replace him. Perhaps someone like the math teacher he saw running away from his own depravity with his tail between his legs. That might have been better. Ash had learned how to deal with people like that. He understood their mindset and their aberrant logic. What he didn't understand and couldn't comprehend was that there were adults who saw him for what he was: a child, and yet refused to protect him.
The fact that Blanca stopped Marvin's violence but left Dino untouched is like when you beat up the schoolyard bully but don't bother with the bully's leader. The violence against Ash will not end as long as Golzine is alive. Ash will always be surrounded by people who want the same thing from him as his baseball coach, Marvin, and Froggy. Other monsters in suits, enjoying the prestige of their prominent positionsâwhom Blanca no longer stopped. During the two years that Blanca trained Ash, sexual, physical, mental, and emotional abuse were still a daily occurrence, and Blanca did nothing to prevent it. During the two years that Blanca armed Ash with his expertise, Dino entered the bedroom, closed the door behind him, then left, and the days continued as if Ash's violation was a natural part of life. Blanca saw all this, knew about it, and allowed it to happen. Then, after two years, Blanca packed up and left without looking back. It is possible that Dino blackmailed Blanca. Many of their conversations had this undertone, although it was never openly stated. Even so, Blanca was perhaps the only person in the world who could have destroyed Dino's kingdom on his own, single-handedly, and rescued Ash. He decided not to do it. He distanced himself from the very thought of it. I wonder... If he was given love instead of fear... And if he could rely on someone who wouldn't abuse him, but gently embrace him... Ah, no, it's useless to think about... Given that it's not as though he ever had a choice. He hasn't had one, and he never will.
And that's the point. That's the point of it all. Ash had no choice; he was just a child, both in the past and in the present. Blanca always had a choice; he was an adult, both in the present and in the past, with the responsibilities and free will of an adult. And he chose to ignore that it was a choice all along. Blanca did the same thing to Ash that the leaders of the Soviet Union did to him: he turned him into something Ash didn't want to become. Following Golzine's orders, convincing himself that it was for Ash's own good. People are very rarely ready and very belatedly able to admit to themselves that what they have done can not be attributed to noble motives. Blanca created in Ash a killer guided by his instincts, ready to deal with the enemy under any circumstances, raising Ash's self-hatred to a whole new level. Ash could never forgive himself for the murders. He did not look for excuses, even though in every case he had engaged in combat out of self-defense. And it never occurred to Ash to hate Blanca for that. Perhaps that is the saddest part of it all. Blanca was able to walk away from the responsibility he had for the child who looked up to him with admiration and love, and who never expected him to be his savior.
Blanca does not find joy in cruelty, but he does find joy in his work. He relished in the cat-and-mouse game he played with Ash. Testing his endurance, driving him to the limit. Let's not forget who he chosed as his plaything: a person whose days are spent in constant vigilance, always looking over his shoulder, always watching for danger. He increased Ash's anxiety with a smile, even laughter. He told Yut-Lung that he hadn't had this much fun in years. In volume 12, every single thing he said was outrageous. And the reasons with which he defended the way he crushed Ash's lifeâI've never cried in anger in my life, but Blanca made me do it.
Later, we learned that Blanca had previously had a lover, Natasha. He lost her under tragic circumstances. "I finally become fully human," he said about her, using exactly those words. It was as if this was a continuation of what Ash had told him: "I'm happy, goddamit. I know there's at least one person in this world... Who cares about me. Who doesn't want anything from me. Do you have any idea what that's like? I never did... Not once in my entire life â until now. And that's worth more to me than anything else." After a whole life lived with no one around you seeing you as a real human being, after being nothing more than a useful tool to everyone, a weapon to be deployed, finding someone who accepts and loves you for who you are â something neither Blanca nor Ash ever dared to hope for. Or want to. âThat cold heart thatâs not afraid of death⌠the cold mind that plans and leads and schemes⌠Itâs just because you need it that way, inside, donât you? You⌠you need to push it all under iceâŚâ Eiji understood perfectly how people like Blanca and Ash â and Yut-Lung â worked. In some twisted way, Blanca wanted to protect Ash from this: from the pain he knows so well. He put ice between himself and the pain, and he wanted the same for Ash: a life under ice, where he no longer had to fear his heart being broken. Better the pain you know than the pain you don'tâfollowing this mentality, Blanca betrayed the love and trust Ash had for him. I don't know if there is anything more unforgivable than stabbing someone in the back like this. Ash was hopelessly distraught when he learned that Blanca was behind the assassination attempts on Eiji's life. As he sat there in the open street, drenched by the rain, staring at the river with that empty, quietly lost expression on his faceâit was betrayal. The most heartless betrayal.
Blanca is a hypocrite. He tore off the chains imposed on him by the Soviet Union, but he himself helped Golzine keep Ash under control with an even stronger collar than before. Blanca can live freely, make his own decisions, while depriving Ash of the same liberty that every human being is entitled to. Few people know better than Blanca what Ash had to go through. He knows about the baseball coach, he knows about Club Cod, he knows about Golzine, he knows about Marvin, he knows how many people took advantage of Ash's defenselessness and how many times they did so. Yet he was determined to reinstall him in a place of violence, exploitation, and inhuman treatment. Hostilityâthat's what Blanca called Ash's attitude toward Dino. As if the fact that Dino had exploited Ash in every sense of the word, treating his life, his body, his mind as his possessions, was something that could be overcome. Something that could ever be forgotten. Blanca never forgave the leaders of the Soviet Union, his own Dino Golzines. Stood up to them, and after Natasha's death, he turned completely away from them. To expect Ash to bow his head in a way that Blanca was never willing to doâthat's what the word hypocrite was invented for.
Blanca is no better than Golzine and Yut-Lung. The three of them decided where Ash belonged, and, unwilling to budge from their beliefs, they pushed Ash into a corner that would not have been possible without Blanca's involvement. Blanca had a choice. Blanca could have refused the job and turned down the opportunity to side against Ash. He decided to add Eiji to his death list armed with that freedom of choice, which he had stolen from Ash. He is no different from the countless men and women who threw their money at Ash's raped, wounded, bleeding body and then held the door open for the other men and women coming after them.
Blanca was genuinely astonished when he saw the result of his actions. Ash was physically sickened by the fact that he had once again been forced to perform to the best of his abilities in a situation that disgusted him. Meanwhile, I was astonished by Blanca. That he was confused. Not that it came as a surprise. Golzine warned Ash within earshot of Blanca and Yut-Lung: "You'll only be returning to the path from which you've strayed. Only this time, you will be working as the lowest sort of prostitute. Not even the most seasoned whore could withstand the degradation you will be experiencing. I shall destroy you, little by little... Until you go out of your mind..." Dino was true to his word. He demoralized Ash to such an extent that it could not have been foreseen. Dino made him an accomplice to atrocities that claimed lifes of victims, and this was unbearable for Ash. Enduring the horrors of Club Cod, suffocating in Golzine's iron grip, turning the perversity of the rapists against themâhe already had experience in all of this. But there was no way he could protect himself from the task he had to carry out on Golzine's side this time. Eventually, his mind broke. This was not what Blanca had expected at all.
But why not? How could someone with an university degree in psychology and psychiatry be unable to imagine such a turn of events? The only plausible explanation for Blanca's horror is that he truly believed what he told Ash. Believed it, knowing Ash's character and background. His sensitivity and vulnerability. Ash never did anything to feed Blanca's belief that he wanted to take the place that Dino had secured for him. But again, it wasn't a question of wanting. It was never about what Ash wanted or what was best for him. Blanca, Golzine, and Yut-Lung had control over this issue, stripping Ash of all his previous defense mechanisms and leaving him completely exposed. Blanca, a prisoner of his own perspective and worldview, made Ash a captive.
"You should have known that this moment would come one day. So why did you let him stay if you knew that?! You couldn't guarantee his safety!!! You just wanted him around to assuage your own feelings of loneliness, didnât you? Well, Eiji doesn't exist to make you feel better! You selfish bastard!" Blanca was talking more to himself than to Ash. Blanca was once again projecting his own experiences (and perhaps his self-loathing?) onto Ash. How many times over the years must he have thought that if he hadn't met Natasha, if he hadn't opened his heart to her, she would still be alive, and Blanca would never have known what it's like to live outside the ice? Probably countless times. It's understandable that after something like that, someone would shut themselves off from all emotional connections. It's also understandable that it feels safer to return to your original mindset. To a life where no one sees you as equal to other human beings, and you slowly accept that you can never truly be. Blanca called Ash selfishâand in general, perhaps he was. It was selfish to keep Eiji with him. He never stood his ground to send him back to JapanâAsh is extremely stubborn, if he had really wanted to tear himself away from Eiji, neither God nor man could have gotten in his way. But Blanca's accusation is fundamentally wrong. If there is a character in this story who truly desired someone who could free him with their selfless love, it is Yut-Lung. Ash never looked at Eiji as if he existed solely for him. Ash tried to push Eiji away. In California, in New York, in Coney Island. He always believed that Eiji would eventually become disenchanted with him. Ash never really believed Eiji when he promised him forever. But Ash wanted and desired to be close to Eiji, just for one more day, just for one more hour, to talk to him, to dream with him about the future. And after spending your whole life in a no-man's-land without food or water, surviving on scraps and chewed bones, can you be blamed for not turning away from warmth, connection, and the deepest and purest love? Blanca's words cut deep because they fed on Ash's worst fears: that he really was selfish; that Eiji would be better off without him; that he could only do harm.
Blanca is unfaithful, even though he may think of himself as loyal. He is unfaithful to Ash, cheating on his trust and love; he is unfaithful to Yut-Lung, exploiting his role as bodyguard to hinder him, then ultimately abandoning him, just as he once did with Ash. He is loyal to his own principles, but above all to his role. His smile is insincere, his politeness feigned, his kindness superficial. There were moments when his true feelings and thoughts were revealed. He said to Golzin: "Playing god bears witness to nothing, but foolish arrogance." His mask slipped. In Banana Fish, Blanca rarely allowed himself such sincerity towards any of his employers. After chaining Ash to Golzin, Blanca, with his typical cowardice, was ready to move on. Ash's deterioration prevented him from doing so. He stopped several times and just looked at Ash. He told Yut-Lung that he didn't regret what he had done to Ash. However, his face suggested something else: growing doubt. Blanca said that if Ash had decided not to eat of his own free will, it wouldn't have been such a big deal; later, when he and Sing realized that Ash's plan from the beginning had been to sacrifice himself for the hostages and the gangs to escape, Blanca dismissed it as an understandable move. Later, he rationalized his decision to siding with Ash by saying that Ash, wounded and weakened, would not stand a chance against Foxx and Golzine. Blanca cared about Ash to a certain extent. Blanca was tender toward Ash. But not nearly enough to truly love him.
What prompted him to take Ash as his pupil is open to speculation. He watched closely how Ash behaved in different environments: at Dino's house, on the street with kids his own age, in self-defense, and after he was brutally beaten and raped. Blanca was impressed by Ash's ability to turn apparent weakness into visible strength: his beauty, his reflexes, his abilities. Then came the hotel, and Blanca was confronted for the first time with the hopelessness of Ash's situation. His first instinct was not to start thinking about rescuing Ash. What he did was agree to the job and thus to teach Ash self-defenseâand killing. Ash already had a lot of unprocessed shame, pain, and guilt accumulated from years of sexual abuse. This: that Blanca had turned him into a killer, tore Ash apart. Blanca only made Ash even more vulnerable to Dino: jobs that made Ash cry, targets whose blood dried on Ash's hands. Ash didn't know how to stop himself until the juvenile detention center, until Shorterâand the laughter, the sincere, stunned joy that appeared on his face after that; he always wanted to stop.
This would be a completely different assessment if Blanca's position had been more solid. He saw Ash bedridden, he saw him wasting away, succumbing to despair. He backed Sing, Eiji, and the others in their efforts to rescue Ash. Then, on the same night, he gave advice on how to surround him and actively supported the operation that would have returned Ash to the IV tube, to a vegetative state, to slow annihilation. He then backtracked when he didn't like the idea of facing Ash as an enemy. For me, this was the ultimate proof of how fickle he was: he never really committed himself to supporting Ash, but he also shied away from pushing him into certain destruction.
Blanca seems to me to be the type of person who believes that what doesn't kill you makes you stronger. As long as you can endure it, you can keep going. This is a very dangerous way of thinking. Depending on their personality, people can cope with a lot of things. Ash is a living example of this. Even with countless injuries and traumas behind him, he was able to keep climbing, forward, always forward. He considered himself a coward for this, even though it was an useful survival mechanism that ensured his sanity. Ash was never really able to escape the war zone that was his life: wherever he was, on the streets, with his gang, at Dino's house, each stop was a place of survival. This lifestyle subjected him to extreme physical and mental stress; nightmares, ghosts of his past everywhere: like bogeymen under the bed, skeletons hiding in the closet. We saw him rest for short periods, then move onâout of duty to his gang and to all those who fell victim to Dino's lust for power.
I have a hunch about what Banana Fish would have looked like if it had ended differently: if Ash had made it to Japan. It wouldn't have been easy. With the space and time to process everything that had happened to him, there's a good chance that all the traumatic experiences he had bottled up until then would have come flooding back at once. What doesn't kill us, we often wish it had. Death is the end of everything. Life is always the continuation of something. Blanca seems to constantly contradict himself. Expressed his shock that Ash had gone to war with Dino, even though in Private Opinion he had warned Golzine that this would happen: "He might revolt against you... (...) The act of trying to hold control over a human being is nothing to be taken lightly. I, myself, am a good example here. When the time is ripe, he might become your uttermost relentless enemy, putting everyone and everything else in the shade. Are you prepared for this?" Dino's response dripped with arrogance and conceit: "There's no need to prepare for anything. I will enforce obedience from him by all means." I had two reactions to this dialogue: I laughed at the fact that the prophet spoke from Blanca, and immediately after my good mood faded, I was overwhelmed by gloomy anger. Blanca was the means by which Golzine extracted from Ash the obedience that could not be forced out of him in any other way. With Blanca's knowledge and participation.
Cape Cod and New York, Golzine and the coach, Blanca and Jimâthe two situations are identical in every significant respect. Everyone in the vicinity considered the baseball coach to be respectable and likable. He was well-loved. The locals were so enamoured with him that it never occurred to them that what he was hiding in his basement was so dark and horrific that words cannot describe it. Golzine is publicly regarded as an industrial tycoon with extensive business connections, with many politicians and businessmen in his pocket, with influence reaching all the way to the White House. His deviance is an open secret, but even those who gossip about him could not have guessed what kind of establishment Club Cod really was. Blanca advised Ash to be patient, to move on, to let go, to pretendâto play a role for the rest of his life, to close his heart, and to bury himself forever under ice so that everything others would give their lives forâmoney, wealth, fame, and a futureâcould fall into his lap. Jim told Ash to ask money for the rape. Blanca and Jimâthey don't go down to the basement, they don't open the door at Club Cod. Jim mentioned money, Blanca mentioned positionâone of them is Ash's father, the other is Ash's mentor. They knew what they were asking from himâfrom a child. Ash turned away from fame, rank, and power. For him, growing up, money meant the lack of something, living on the streets, for which he had to sell himself. At Club Cod, others' pockets swelled with money at the expense of his suffering and humiliation. Moneyâever since that first incident in Cape Codâhad symbolized what had been taken from him by force and with despicable intentions. Jim put the money Ash had brought home since he was seven years old into the cash register. Blanca was paid with money amassed by pricing and selling Ash and children like him. Can you even comprehend how tragic this is? The knowledge that there is a cost for which you were sold, and that there are people who pay for your slavery.
Blanca and Ash were the ones who knew and understood Dino best. In the end, Dino decided to lower his weaponânot out of goodwill. There was not a spark of kindness in that pedophile rapist. No sensitivity, no remorse, nothing human. Yet many people wonder why he didn't pull the trigger. Why didn't he take his "creation" with him to the grave? He could have done so. It could have been the last act of his life, but the gun was lowered, and he was swallowed up by the flames. I would bring this back to what has been repeated several times throughout the story: Ash belongs to him; his body, his mind, his soul. In Dino's world, he controlled Ash completely. He abused, raped, crushed, beat, tortured, and coerced him. Whether he lived or died was also within his power. And he decided that Ash would outlive him, his "creator." This is particularly ironic after Private Opinion, when he assured Blanca that he would break Ash, take him under his wing, and try every method possible until Ash had no trace of resistance left in him. Foxx had the same plan. Two abusers, ended up becoming each other's executioners, both falling into the same trap. The moment before Golzine died was horribly cruel. Ash stood there, devoid of any joy, empty of any emotion he should have felt after seeing his primary tormentor fall. He had kept him in slavery, holding him in that living hell for many years, from which he had to claw his way out with his teeth and nails. He had cast him in roles that made him hate himself profoundly. He injected Shorter with Banana Fish as a guinea pig, nearly raped Eiji and Yut-Lung, and stripped Ash of all self-respect and self-love. This inhuman demon simply died. But before he did, he left behind this last act of himself, which Ash could perhaps never understand or forget. Thus, Golzine would have remained a part of Ash forever, and the mere thought of this is cruel. And Blanca allowed that too. He could have shot Foxx so that Ash wouldn't feel he owed his life to Dino; he could have shot Dino so that Ash would think Blanca saved him from following Foxx in line.
No matter how comfortable life under the ice was, Blanca was not immune to feelings. He felt remorse. Standing over Ash's sickbed, looking at the result of his doing. Later, he openly confessed to Yut-Lung how cruel it was to tear Ash away from Eiji. "Sir Yut-Lung. Taking that Japanese boy away from Ash means creating another one of us, you know. One more wretched being, unloved and unloving, whose only sustenance is hatred and nihilism - rather than hate and being triumphant, Ash chose to love and be destroyed. He staked his life on that choice. Please, try to accept it. One who does not love cannot be loved, either. Ash, at the very least knows what it is to love. (...) Sir, there must be someone who loves and cares for you, too, I'm sure. You are unaware, that's all." Okay, listen up. If Yut-Lung and Blanca don't have a single hater, then I'm six feet under. BUT â even I was glad that Blanca's farewell words to Yut-Lung were sincerely kind. He addressed him like an adult would a child frozen in hatred, not denying him understanding and guidance â everything that Yut-Lung had been missing his whole life. He gave him advice and pointed out that the lifestyle Yut-Lung clung to so desperately out of habituation was about to take away from him every chance to experience what he so eagerly envied from Ash. Ash was admirableâhe never gave up on his feelings, his soul, his heart, his love for Eiji, even when everyone else in his life, especially Blanca, encouraged him to do so. Loving someone with all your heart and staying true to that love even when it hurts the most is still better than "living on a stage set and pretending it's real."
What Blanca never acknowledged, however, was the extent of the damage he had caused to Ash. By equipping him with a weapon and the knowledge of how to use it most effectively. By never placing Ash above Dino and his work. By not burning down the empire of misery, the inheritance of which was yet another burden in Ash's life. By never turning his weapon against Dino and the other rapists. By packing up after two years and leaving Ash behind within the walls of his prison, chained and wounded. "You wanna take me along to assuage your own feelings of loneliness?" Ash accused Blanca of this when he invited him to accompany him to the Caribbean. Despite Ash's assumption, I think this was the only time Blanca came closest to realizing how badly he had failed. I believe this may have been a belated attempt on his part to make up for all his faults. I interpreted his retreat as a realization that it was too late for that. The damage was done, and there was nothing he could do about it now. Ash pardoned him and bid him farewell with sincere good wishes. I can't help but wonder: did Blanca deserve forgiveness? Did he atone enough to be worthy of it? I don't think so.
You don't have to personally join the cycle of violence to be part of it as a spectator. Dino Golzine, the coach, Marvin, Froggy, Kippard, and everyone else in the Cod Club's network of human traffickersâmonsters, hunt, kidnap, and imprison childrens. Beasts, man-eaters. They don't scare you under your bed or hide in your closet. They buy you candy, then shove you into the trunk of their car. They promise to drive you home after baseball practice, then send you back to your parents in torn clothes. People respect them, adore them, idolize them, and they support their charity and kindness with donations and public works, and then when the police dig up the basement, they bag up the decomposing bodies of children. These monsters wouldn't be able to keep up their facade for so long if it weren't for complacent observers like Jim and Blanca. People who watched the monster walk down the road to his house with the little boy in his arms and didn't go after him. Those who did not worship the monster, but neither did battle with it. Jim had a gun, he could have grabbed it. Blanca had the strength, he could have used it. The fact that they let the monster run rampant makes them monsters too.
I don't know if Akimi Yoshida deliberately created Blanca to be so difficult to interpret. I don't know if she wanted different interpretations of his character to emerge. Opinions about him are varied. Some believe he deserves redemption, while others are inclined to judge him harshly for the duality of his personality. What I do know is despite Blanca, despite Golzine, despite Foxx and everyone else, what Ash left behind. His true legacy was love. The people who always remembered himâhis kindness, his tenderness, his shining nobility. He lives as a hero in Michael's heart. Sing's admiration and appreciation have not diminished over the years. Max and Jessica were able to stay alive and find each other again thanks to Ash. EijiâAsh lives forever in his heart. Blanca sought to make him recognized through blood and violence. Eiji made Ash immortal with his photographs and his love.
the woman dies.
Kevork Emin, from Anthology of Armenian Poetry, ed. & tr. by Diana Der Hovanessian and Marzbed Margossian; "The waiting"
I want to throw my sketchbooks at the wall. Throw a fit and scream. Run out the door and never come back. I want to sleep and not wake up. My existence feels meaning less and I honestly don't believe in anything. I can't do anything. I can't be anything else. I don't understand the people close to me. I love them but love is not enough. At least how they love me. Selfish. Im a selfish creature who wants more and more.
Reblog if your art project has not, does not, and never will make use of generative ai at any point in your creative process.
do you ever think about the fact that Ash was repeatedly photographed against his will doing things he couldn't consent to doing and then he meets Eiji who is a photographer and he allows Eiji to photograph him
because I do about seven times a day
writing isnât hard itâs just emotionally devastating and time-consuming and requires full body possession by an idea
Hi, folks!
I am looking for a beta reader for my Peaky Blinders fanfiction, which is still in progress. It is based on the events of the first season, with a few changes from the original. In this AU story, Grace emerges as a con artist who takes on Thomas Shelby's assignment in Birmingham, which involves helping him against Campbell, who is determined to get back the stolen weapons from the city's gangster boss. I am not writing this novel in a linear fashion, so you should know that Act 1 is not even finished yet, but Act 3 is, and Act 2 is almost done. I am looking for someone who likes Peaky Blinders and the relationship between Tommy and Grace. I would like to finish the novel next year, but of course, man plans, God executes. It may seem strange that I'm looking for beta readers before I've finished the novel, but I thought I'd give it a try. It's definitely 18+, not as brutal as it could have been, but I didn't skimp on the naturalistic elements. It's not very action-packed; I placed greater emphasis on the psychological aspect and the style. It's quite long, and it's only going to get longer. đ If you're interested, please let me know and we'll discuss the details. â¤ď¸
Writing really goes one of two ways:
1. Write 3k words in 30 minutes
2. Takes 3 hours to write 3 sentences
There is no in between
Damn, that's so true. đđ đ
Hi Kaer Iâm finally catching up with part 3 and I have a question, whatâs Kastorâs deal with Laurent?
Kastor wants whatever Damen has because he thinks it should have been his.
He feels comfortable speaking when he really shouldnât because Damen is so loyal and Kastor rarely faces real consequences for anything he does.
Also, heâs just not that smart.
Will he have to bear any consequences in the future? My sadistic heart hopes so. He really needs to be put in his place. Damen seems to be heading toward complete disillusionment with Kastor, and it seems to me that Kastor's treatment of Laurent played a huge role in this. Is it possible that he will eventually go so far as to take open and direct action against him?
Ash and Shorter in Angel Eyes
So, I just finished my read through of Banana Fish. Â Yes, I cried my eyes out. Â I then finally got around to reading Angel Eyes all the way through for the first time, and man, what an awesome side story. Â Thereâs so much to talk about from it, and so much to explore, but thereâs something really specific I noticed, which I think ties into my other post about other peopleâs perceptions of Ash, and which also relates to the last conversation we see between Ash and Blanca. Â
In the first three quarters of Angel Eyes, Ash comes across as very cold, as very unfeeling, and even frightening. Â Even Shorter at one point is so scared of Ash that he doesnât want anything to do with him. Â Of course, by the end of the story, we realize his cold demeanor was, again, a total front. Â A wall put up to keep people away from him, including Shorter, because he seriously doesnât know who he can trust. Â Heâs wary of Shorter precisely because Shorterâs being nice to him, and nobodyâs ever been nice to Ash for no reason. Â Ash is only going by his experiences in life to inform his decisions. Â His experiences tell him that anybody being nice to him is doing it because they want something from him. Â This, coupled with Frankie essentially submitting to Shorterâs demand that he stop harassing Ash at the beginning, and Ashâs having already pegged Frankie as an assassin, naturally makes Ash even more suspicious of Shorter. Â Eventually of course he realizes, after talking to Shorter and asking him if Frankie is part of his crew, that thatâs not the case. Â But he still doesnât trust Shorter. Â He still keeps him at a long distance and doesnât tell him anything about himself. Â Well, why would he? Â Heâs just met him a week ago and Ashâs life experiences tell him he canât trust anybody.
Well, the thing I wanted to really talk about here, and I think this is a prime example of how it is that Ash was never this ruthless, cold-hearted killer, is the moment directly following the fight between Ash and Frankie, where Ash very nearly kills him. Â He only doesnât because Shorter shouts at him as heâs charging Frankie with the pool cue and distracts him enough with that that Ash messes up his aim. Â Shorter runs after Ash afterward to thank him for âgoing easyâ on Frankie, and we see Ash start to laugh, seeming almost demonic in his reaction as he explains to Shorter that he didnât âgo easyâ on Frankie. Â He meant to kill him. Â Of course, when we later realize that Ash knew Frankie meant to kill him, his own intent to kill makes more sense. Â But thereâs a very important bit of dialog between Ash and Shorter afterward, which speaks volumes about who Ash really is inside.
He thanks Shorter, and then starts saying âSo thatâs it. Â Deflect it slightly at the last second. Â I didnât DECIDE to go easy on him. Â But now I finally know how.â Â He says I âfinallyâ know how. Â
Now lets take this back for a moment to Ashâs last conversation with Blanca in the park, when they start talking about how Blanca never taught Ash how to go easy on an enemy. Â He says to Blanca ââNever let your enemy escape alive.â Â Youâre the one who taught me that. Â I never learned how to go easy on someone Iâm fighting.â Â And then Blanca replies, while smiling fondly, âThatâs because I was told there was no need to teach you that.â. Â
These two pieces of conversation taken together tell us everything about Ash, and his attitude towards the idea of having to kill, even for reasons as justifiable as self-defense. Â
Blanca taught Ash how to kill with the efficiency of a professional hit man. Â He taught him how to react and kill in the quickest, easiest and most efficient way possible. Â He never taught him how to hold back once he was in the midst of a fight. Â Once he got going, he would become a killing machine, so to speak. Â And we see this from Ash throughout the series. Â Once he starts fighting someone with the intention to kill them, he goes through with it with frightening precision and effectiveness. Â Blanca never taught Ash how to simply incapacitate an opponent using a deadly weapon, he never taught Ash how to only maim, instead of kill. Â All of his lessons were geared towards showing Ash how to take the life of an enemy, nothing more, nothing less. Â Dino didnât want Ash to carry out threats or warnings. Â He wanted him as a hit man. Â But Blancaâs words to Ash, that he was told he never needed to teach Ash how to go easy on an enemy, tells us that someone, Dino most likely, told Blanca that Ash was already too soft-hearted and too merciful, and that he shouldnât bother with teaching Ash anything but how to kill. Â Dino wanted to use Ash as a weapon, to carry out hits for him. Â He didnât have any use for Ashâs own ambivalent feelings about killing. Â He didnât care how Ash felt. Â He needed to mold him into the most effective weapon he could. Â We see Dino remind Ash, early on in the series, and in a mocking way, about how Ash always used to cry over every job Dino made him do. Â Ash never wanted to kill anyone, and it was an upsetting enough experience for him that it used to reduce him to tears. Â He didnât want to do it, but Dino forced him into it, like he forced him into prostitution. Â
But letâs go back to what Ash says to Shorter.  He says âBut now I FINALLY know how.â  What this tells us about Ash is that he WANTED to know how to pull back while fighting someone so that he didnât kill them.  He wanted to know how he could stop himself from always taking someoneâs life if he happened to get into a physical altercation with them.  Heâs happy that heâs learned how to pull back in just this one way.  Heâs been trained only to know how to kill, but Ash hates killing.  He only does it because he has to.  And we know Ash never would have even tried to kill Frankie if Frankie hadnât first tried to kill him.  Even later on, Ash letâs Frankie go, when he could have killed him.  Even here, we see Ash show mercy, despite this asshole and his crew just trying to murder him.  Itâs the same as Ash only seducing Ricardo as a means of getting Frankie to make a move and show his hand.  Because Ricardo made clear his own intention to try and rape Ash.  So Ash uses Ricardoâs intention to his own benefit in forcing Frankieâs hand and to find out who sent him to kill him. I donât think Ash ever intended to âsick Ricardo on Frankie and let him do his dirty work for himâ, like Shorter accuses Ash of.  Ash saw Frankie beat Ricardoâs ass earlier, when they got into a fight over him, so he knows Ricardo canât take out Frankie.  Ash wouldnât ever send someone to do a job for him like that anyway, as we see in the main story line of Banana Fish.  He takes care of his own business when someoneâs after him specifically.  He never sends his own boys to do it for him.  He acts dismissive of Shorterâs accusation because, again, heâs putting up a front of cold-hearted detachment because thatâs the only way he knows how to protect himself.  By showing no emotion.  Even Shorter basically tells him to utilize a form of this earlier in the story, when he advises Ash to let himself be raped if he gets caught, and to be as quiet and passive as possible.  Ash already knows those sorts of tactics, obviously.  By this point in his life though, heâs been raped so many times, heâs got more sophisticated means of getting through it. So he uses Ricardo as a means of sussing out who it is thatâs gunning for him on the outside. Because he knows if Frankie thinks heâs got a Sugar Daddy in Ricardo to protect him, itâs going to make it more difficult to kill him, which is why Frankie acts like he wants to make Ash his âbitchâ in the first place. So he forces Frankie into making his move by making him think him and Ricardo are a âthingâ. Ash was expecting Frankie and his crew to make a move on him. When they attacked him in the library, he was ready. Because he knew the act heâd put on with Ricardo was going to make Frankie act, thinking he needed to get Ash before Ash could find protection. And Ash then used that opportunity to find out who had sent Frankie to kill him in the first place. The whole thing was just so he could find out who it was that wanted him dead.
Heâs using sex as a weapon, because itâs one of the few ways he has of defending himself. I think Ash starts crying and is so upset when Shorter says if he keeps manipulating people like that, heâll be just like the assholes who try to hurt him, because that was never Ashâs intention. He was just trying to protect himself. He never wanted to control anybody, or hurt them, or dominate them. He only uses tactics like manipulation to try and keep himself from getting more hurt. Heâs not trying to hurt anybody, or control them because he wants power over them.  Heâs trying to control whatâs HAPPENING to him, and because whatâs happening to him is being perpetrated by these bastards who want to rape him, or kill him, the best way to control the situation is to control THEM.  It isnât some power play on his part, or born from some sick desire to dominate the other person.  Itâs the only way he has of protecting himself.  He starts shaking and crying and gets so upset, because the last thing he wants is to be like the people who hurt him, and because he never did the things he did for the same reasons as them. It hurts him badly that Shorter thinks he could be like them at all. That he could be like that, or have that kind of twisted mindset. He doesnât, and he never did. Itâs why he tries to explain to Shorter later why it is that he did what he did with Ricardo. He wants Shorter to know and understand the reasons for it. That it isnât because Ash likes it. It isnât because he gets his kicks out of controlling somebody, or manipulating their feelings. It isnât because he wants to have power over them, or because he gets a thrill from the idea of having power over them. Itâs because he hopes it will make his own suffering at their hands less awful. Â
Itâs just he was brought up in such an unforgiving and cruel world, that those sorts of things were the only means available to him of staying alive. He couldnât say no, or fight them off, because that would just lead to his getting more hurt, either by the person doing it, or by Dino, or Marvin, or whoever had him on a leash. Like Ash later explains to Shorter, because heâs so good looking, guys are always trying to force him to have sex with them, and he only figured that it would make it easier on himself, if he took the lead when guys made passes at him like that.  If he takes the lead and makes these bastards happy, he can control whatâs happening to him, at least to some extent.  Shorter wonders then where Ash learned to do that.  Well, the answer is obviously Club Cod.  Ash HAD to learn to do that to keep himself from getting killed eventually.  To keep himself from getting hooked on drugs and used up and destroyed, like most of the kids that ended up in that club.  You can easily imagine that many of the âpatronsâ of that place were violent on top of their twisted sexual perversion, because those two things often go hand in hand.  A lot of them probably physically hurt the kids there, were probably extremely violent with them.  And we even see that happen to Ash in Private Opinion, when Blanca finds Ash in that motel room after heâs been raped by Marvin.  His hands had been tied to the bed frame, and he had bruises all over him.  Heâs been beaten up on top of being raped.  Ash obviously had to learn to âplay niceâ and be seductive just to keep the physical harm he suffered to a minimum.  If he could make the men molesting and raping him think he was liking it, they were probably less likely to hurt him.  If he âsubmittedâ and pretended to like it, if he played into their sick fantasies of being this submissive little boy that they could control and do with as they pleased, that they could have total power over, then they wouldnât be angry, and they wouldnât make it worse.  Like Ash even says to Shorter, the guys who rape you arenât doing it because they want to get laid.  Theyâre doing it because they want to hurt you and dominate you and control you.  The more you struggle, the angrier they get that you arenât submitting to their will, the more violent they then become, the more brutal the rape.  If they think theyâve tamed you and that theyâve broken you to their will, if you act receptive to their advances, then theyâre satisfied, and they wonât hurt you more than what they think is ânecessaryâ.  Itâs truly horrific.
But anyway, back to the scene between Shorter and Ash after the fight with Frankie. Â Shorter takes Ashâs laughing and words as a sign that the kid is crazy and dangerous. Â He thinks Ash is laughing because Ash is a lunatic who gets his kicks killing people. Â Itâs a misinterpretation from Shorter. Â Itâs after this interaction with Ash that he starts worrying that Ash is Arthurâs assassin, come to kill him. Â Ash is confused by Shorterâs sudden anxiety around him, as we see in the scene of them at night in their cell, when Ash gets up in the middle of the night to get a drink of water. Â Shorter tenses up in fear, thinking Ash is going to kill him. Â Ash smiles at Shorter and asks why heâs so tensed up, and then jokes, asking âYou think Iâm gonna rape you or something?â Â Ash then smiles at him again and says, in the friendliest tone weâve seen Ash use on Shorter so far âGânight Shorter.â Â
Shorter looks completely confused, because it just doesnât jibe with this picture heâs formed of Ash as this cold hearted killer thatâs just waiting to pounce. Â
We see Shorter again later in the library, still worried that Ash might be the assassin, but then he realizes that he just doesnât get that vibe off of Ash, and doesnât sense that heâs got anything to do with Arthur. Â Which of course is true, and Shorter gets his first real glimpse of who Ash actually is, when he finds him in the stacks, sitting up on a ladder and just reading. Â Itâs the first moment Shorter realizes that Ash looks just like the angel on his Christmas card, and we start to see Shorterâs fear of Ash dissipate in that moment. Â
The thing is, Shorterâs perception of Ash gets skewed for a while by the fear mongering of the other inmates. Â Nico, who we eventually realize is working with Frankie, is the first to stir it up, to start disseminating the idea that Ash is some kind of devil or demon, and that people should be wary of him. Â He spreads this ridiculous story that he claims his grandmother told him about this evil woman who came to her village and drove all the men insane and eventually drove them all to kill each other. Â Everyone laughs at first, because itâs an absurd story and Ash is just a kid. Â But after what happens with Frankie the first time, Nico doubles down on his fear mongering and wonât shut up about how Ash is the devil, and how heâs evil. Â Heâs trying to turn the other inmates against Ash, because heâs with Frankie, and Frankie is working for Arthur. Â And eventually, even Shorter starts to get effected by all this talk, and starts to be afraid of Ash to a paranoid degree. Â Eventually Shorter realizes itâs just bullshit, and Ash really IS just a kid whoâs just struggling to survive, and they become friends after that, and Ash no longer seems like this cold, emotionless and frightening devil, but just a cool kid he can shoot the breeze with and really talk to. Â By the end, theyâre real friends, sharing jokes and laughing together. Â Itâs only at the end of Angel Eyes that both we the reader and Shorter himself finally see the real Ash. Â Again, just this sweet kid whoâs surviving in an uncaring and brutal world.Â
It also tells us everything about how it is Ash became the boss of his gang on the outside. Shorter remarks how, after the fight between Ash and Frankieâs crew in the library, everyone in the prison started treating him like a âCapoâ, and that it made Ash really uncomfortable. We see again here how Ash never had any desire to become a boss, or to have any power over other people. He never had any designs to that effect. Never any schemes to take over any gangs or territory on the outside. Heâs even confused when Shorter starts talking about how clever Arthur was, in trying to nip the threat of Ash in the bud, because Arthur could see that Ash was the kind of kid that would naturally draw others to him and gain followers just by being there. So he gets Ash sent to reform school and then tries to have him killed there. Ash doesnât even know what Shorter is talking about because he never had any intention himself of becoming a gang boss. He fell into it because of his natural abilities, and when he got out of reform school, he had a whole group of street kids whoâd decided he was their leader while on the inside and wanted to follow him once they were out, and it obviously just snowballed from there, with Ash taking over Arthurâs territory, etcâŚÂ But again, it stands as testament to how Ash never wanted this life at all. He never cared about money, or power, or control over the street gangs. Like he eventually tells Eiji, him being exceptional wasnât something he ever wanted, because his gifts are what led him to eventually being thrust into a life of violence and crime which he detested and never wanted. Â
Thereâs another thing I wanted to add on to this, which I also think is vitally important to take note of, relating back to the scene in which Ash is explaining to Shorter why it is he did what he did with Ricardo.
We see Ash say â⌠The way I look⌠Iâve had guys make passes at me tons of times. And all of them- itâs like, they canât believe it when I fight âem off. And then they always get really mad. Itâs like, how dare I mess up their fantasy, you know, like Iâm not even a real person to them. And thatâs why, I figured itâs a lot easier on me if I take the lead. Get them wrapped around my finger and do whatever I want them to doâŚâ
We then hear Shorter think to himself âYeah, but whereâd he learn it, what I saw him do to Ricardo?â
One of the important things to note about this scene, is what Ash doesnât tell Shorter. Ash doesnât tell Shorter about the actual kind of abuse heâs been through. He says âIâve had guys make passes at me tons of times.â But we know, of course, that itâs way, WAY worse than that. That Ash was first and repeatedly raped by his baseball coach starting at the age of seven, and then right around the age of ten, he got picked up by Marvin and sold to into a child sex trafficking ring in Club Cod. We know Ash was repeatedly and brutally raped by Marvin, Froggy, Dino, and countless patrons of Club Cod, and from what some of the police at the beginning of the story say, we know that Ash also worked as a prostitute on the streets of New York, which very likely involved instances of rape itself. Ash, in trying to explain to Shorter that what he did to Ricardo was just him trying to defend himself, doesnât go into actual detail about the true depth of the horrors heâs been through. Of course, if Ash had, Shorter would have understood far better than he did why Ash acted the way he did. We see Shorter still confused, wondering where it was Ash learned how to seduce someone like he did Ricardo, because he doesnât have a full grasp of the actual severity of the abuse Ash has suffered. Ash doesnât tell him about being sold into child prostitution, no doubt because heâs horribly ashamed and humiliated by the fact, as victims of child sexual abuse usually are. Â
So When Ash tries desperately to defend his actions to Shorter in the library, when he says Shorter has no clue of even half the crap heâs been through, well, heâs actually right. Shorter says he gets it, but he doesnât really. How could he? Even if he knew the details of what Ash had experienced, he couldnât possibly understand how Ash feels, because heâs never been through even remotely the same thing. Shorter can guess, after seeing Ashâs reaction to his advice about just staying quiet and submissive if he gets caught by a pervert, that Ash has likely been raped before, and more than once. But he doesnât have even remotely a full understanding of just how bad itâs been for Ash, and I donât think Shorter ever really fully understood it either. In Cape Cod, he learns for the first time about what happened to Ash with his baseball coach, and he looks horrified and shocked. But itâs obvious that Ash never breathed a word of his actual experiences of sexual abuse to anyone, not until he told Eiji about what happened with the coach anyway. We see the police mock Ash at the beginning of the story, asking him what his gang would think, if they saw the films of him when heâs a ten, eleven year old boy, getting raped by Marvin and others, and Ash during this scene is basically paralyzed by his trauma, unable to do anything but stare blindly ahead with a stricken, terrified expression on his face. We can infer that Ash has never told anybody in his gang about those experiences. Â
He talks in a dismissive, unconcerned manner to Max about having sex with Senator Kippard at Club Cod, and we can infer from this that, by the time that particular event happened, Ash had begun to learn to at least use his sexuality somewhat to his advantage, to try and control, to some extent, the situation that was happening to him. To not just be a submissive, helpless victim, but to fight back using his own attributes, using the very thing these disgusting men were lusting after, and wanting to use to hurt Ash, to his own advantage. Shorter wonders where Ash learned to do this, and the answer is obvious to anyone who knows Ashâs actual background. He learned to do it in Club Cod as a means of survival. As a way to keep himself from going completely insane from the endless, horrific abuse he was constantly subjected to. Ashâs ability to cope with the horrors heâs lived through is tied directly to this defense mechanism heâs developed. This small amount of control heâs able to gain from an out of control situation. If Ash can steer these instances of sexual harassment and abuse in the direction he wants them to go, then it isnât as bad for him. It isnât as overwhelmingly out of his control, isnât as much something someone is doing TO him without his consent. Of course, this is a coping mechanism, and the truth is, itâs still only happening because these perverts canât leave Ash alone to begin with, try to force themselves on him, and to force him to do things he doesnât want to do at all. Itâs still a situation thatâs happening against Ashâs will and against Ashâs wants. Itâs still, in that sense, something completely out of his control. The event itself is out of his control. How that event plays out is the only thing he can somewhat dictate, by, as he says, taking the lead.
You compare Ashâs cool, controlled responses to these sorts of things happening, like the situation with Ricardo, or the gang rape he suffers through in prison in order to help Griff, to his responses when he wasnât able to control at all what was happening, when he had no say in the direction it turned, like when heâs a very young child being raped by Marvin or Froggy or Dino, or later, when Foxx rapes him, and it tells you everything about why Ash uses what weapons are available to him when he can. Ash is nakedly terrified when Foxx starts to touch him in ways he doesnât want to be touched. He cries out for Foxx to stop, to get off of him, actually stumbling over his words, his eyes wide with panic and fear. He doesnât want this to happen. Not again. But thereâs nothing he can do about it. Heâs helpless, bound with his hands behind his back, and this wasnât a situation that arose through any preemptive measure on his part. Heâs captured by Foxx through threat to Ashâs friends, and Ash clearly isnât expecting Foxx to do what he does. And when Ash realizes Foxx isnât going to stop, that this is going to happen, heâs going to be raped, again, Ash resorts to a defiant attitude, telling Foxx he can do whatever he wants, that it doesnât matter, because Ashâs mind and spirit will always be his own. This is Ashâs last line of defense. In a situation thatâs completely out of his control, in which heâs, once more, having the most horrific and traumatizing thing happen to him, forced on him by a man in a position of total power over him, and in which thereâs nothing else left to defend himself with, no other options, Ashâs only recourse is to pretend he doesnât care. Itâs utterly heartbreaking. And we see later that, in fact, Ash is severely traumatized by the event. He breaks down and begins shaking uncontrollably, looking like heâs going to be physically sick, falling mute. Itâs the same exact response we saw from Ash in that police station, when he was forced to watch videos of himself as a little boy being raped. Itâs the same response we see from Ash when heâs remembering what Froggy did to him, and all the others. This is what happens to Ash when he canât take back any amount of control of whatâs happening to him, when he canât to any extent control the outcome of the sexual abuse and harassment thatâs constantly and continuously thrust upon him by sick, depraved men. He loses it, for how deeply scarring and traumatizing it is. He physically and mentally shuts down, rendered helpless and overwhelmed by the pain of his suffering. Â
With that in mind, we understand better not just why Ash uses seduction to head off these sorts of things and try to control the direction it takes, but why he HAD to. If he hadnât, Ash would have lost his mind years before, for the severity of the abuse he actually experienced. He would have gone insane with despair and pain. Â
I think this is important in understanding why Ash reacts so angrily to Shorterâs words, that if Ash keeps playing with peopleâs feelings, heâll be just like them. Why he starts shaking and crying, why he screams at Shorter and then runs away. And why, later on, he tries to explain himself to Shorter, to make him understand. He doesnât want Shorter to think that about him, because itâs not true. Ash isnât anything like the people who abuse him, and the idea of becoming like them, or of anyone even seeing him in the same light as them, is unacceptable and unbearable to Ash. Ash tries to make Shorter understand why he did what he did to Ricardo, because he doesnât want Shorter to think of him as being like Ricardo, or any of the other bastards that have abused or targeted him. Ash wants Shorter to understand the reasons he does what he does, and goes out of his way to explain them, hoping Shorter will get it and not compare him to those people anymore. But because Ash feels so much shame and is so damaged by the actual extent of the abuse heâs suffered, he doesnât and canât go into greater detail about it, simply making vague reference to guys âmaking passesâ at him, the grim and far worse reality still being kept locked away for Ash to cope with on his own. It leaves Shorter only more confused, because he still doesnât have a full grasp of the kind of trauma Ash has suffered, and so he never fully understands or grasps Ashâs pain. To him, Ash is still this mysterious, amazing person who looks like an angel, and whoâs a total badass. Â
It isnât until Ash meets Eiji that he finally finds someone who fully grasps and understands his pain. Itâs why Eiji later apologizes for scolding Ash over his going after Arthurâs gang the way he did, because Eiji realizes this part of Ashâs life, this part of his actions, doesnât make him like the people who have hurt him. He realizes that Ash is only doing it because itâs the only way he can survive, the only course he can take, and he accepts that, and is okay with it. He goes to Ash in the library to tell him this, and I think thatâs probably the first time in Ashâs life that anyone had ever told him they understood why he had to do the things he did, and didnât condemn him for it, or tell him he was a monster, or an animal, or a demon for it. The first time anyone had expressed to him that his actions didnât make him the same kind of monster as the people who had abused him. That he was still a human being, that he was still a good person, and that he was still worthy of friendship and love. Itâs why we see Eiji later remind Ash, when heâs trying to convince him to come to Japan with him and start a new life, that the only reason he killed was because it was the only way he could survive. Eiji accepts Ash as he is. As he says, both the light and the dark. And he UNDERSTANDS why Ash is the way he is, and he never judges him for it. Never believes that Ash will become a monster. Never fears that as a possibility. And he never fears it, the way say Shorter did, because Eiji sees who Ash really is, in his heart and soul and mind. This deeply hurt, suffering young boy whoâs never had any say in the life heâs living, never had any say in the things he had to do in order to survive. Never had a choice but to do whatever he could to fight back against the real monsters, the real devils who never cared how badly they hurt him, never cared how completely they destroyed his life. Eiji ended up seeing this about Ash, seeing who Ash really was, without needing to be told in detail about the horrors heâd faced and lived through. Ash felt that, and responded to it, knowing that Eiji was the first person heâd ever met who really, truly loved him without condition, or judgement, or demands that he change. That just loved him as he was, and believed fully in him, and believed him worthy of that love completely. To put it simply, Eiji was the first and only person to ever be RIGHT about Ash. Not even Shorter did that for Ash. Not even Shorter saw the desperate and alone little boy simply struggling to hold on.
Ahh, okay, just a few more things to add to this. Iâm sure no oneâs even reading at this point, given how absurdly long itâs become. But I was talking to @vashak on PMâs and having a great discussion with them, and just wanted to consolidate my thoughts from that conversation and expand on them a little here, because this is how I work things out in my mind, haha. So hereâs another long ass post delving deeper into all my points about Angel Eyes, and specifically, into Ashâs innate goodness of heart, which I think he always had.
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I do think Ash was thanking Shorter sincerely, and that he was being sincere in that scene after the first fight with Frankie, after he almost kills him. The reasons for this are a few. One, we know from Ashâs final conversation with Blanca that Blanca never taught Ash how to go easy on an opponent, and instructed him to always kill his enemies. Blanca replies to Ash that the reason he never taught him is because he was told there wasnât any need to. The implication here is that he was told there wasnât any need, because Dino thought Ash was already too soft hearted and he wanted Blanca to make him into a killing machine that wasnât weighed down by anything as âinconvenientâ as guilt. Â This is also supported by how, at the beginning of the story, we see Dino mockingly remind Ash about how he used to cry with every job Dino gave him, and also by how repulsed Ash is by how dismissive Dino is about the act of taking a life. Â He canât believe the way Dino acts like itâs no big deal, killing someone. Â What this tells us about Ash is that itâs a VERY big deal to him, to have to kill someone. Â And that too is supported by the absolutely crushing grief and guilt Ash feels throughout the story over the lives heâs taken. Â Heâs haunted by it. Â He can never forgive himself for it. Â He can never accept any excuses for it, even as there are so many justifiable reasons for why he had to.
Killing for Ash was always a horrible, difficult decision he had to make. Â A very serious act which carried with it devastating consequences and implications. Â Something he never wanted to do it from the beginning, but was forced to do it because he was thrust into a world of violence, into situations where it was kill or be killed. Â It tells us that from the very beginning that Ash was reluctant and deeply uncomfortable taking life, but he simply didnât have a choice if he wanted to survive himself.
The other reason I think Ash is being sincere in that scene between him and Shorter, that heâs genuinely thanking him, is that itâs being told from Shorterâs perspective. We have to remember that Shorter at that point in the story is scared of Ash, that fear reaching a peak during this scene, due to what just happened with Frankie and the pool cue. Heâs been listening to Nico work everybody up into a frenzy, talking about Ash like heâs some sort of devil or demon, and now heâs just seen Ash almost kill somebody. Shorterâs perspective here of Ash is warped. Instead of seeing the little kid that Ash actually is, heâs seeing that devil that Nico has been scaring everyone into thinking he is. So Ashâs laughter and attitude comes across as sinister to him. Itâs the same as Shorter thinking Ash is going to kill him in the middle of the night when he gets up for a drink of water. Ash seems scary and spooky in that scene too, even though he literally just got up to get some water, and Shorter is confused when Ash tells him âGoodnightâ in a friendly manner. It doesnât jibe with the malicious perception Shorter had started to form of him. Because heâs so scared of Ash, every action of his, all of his behavior, is being colored in this sinister and malicious tint. Itâs twisting Shorterâs ability to see Ash clearly.
 Later on, when Shorter starts to realize Ash isnât this horrible monster that everyone kept saying he was, he started to see Ash in a more accurate light, Ashâs whole appearance to him beginning to soften, Ash beginning to look more like what he actually was, which is a little boy. Ash definitely comes across as sinister in that scene where he thanks Shorter, but itâs because weâre seeing it from Shorterâs perspective, and heâs scared to death of Ash at that point.
 I think the reason Ash was laughing during that scene wasnât because of sarcasm, or because he was mocking Shorter, but because this stupid guy that had been harassing him since heâd arrived in Juvie inadvertently showed him how to do something that none of his expensive, world renowned tutors that Dino had been paying god only knows how much to teach him, had been able to. Ash wanted to know how to pull back and control himself, but no one ever showed him how. Ash was basically talking to himself when he says, âSo thatâs it. Deflect it slightly at the last second.â Him saying âSo thatâs itâŚâ shows that Ash had been thinking about and wondering about how to not kill in a situation like that. Heâd been trying to figure it out before this scene, but couldnât, because nobody ever showed him, or told him, or thought that it mattered if he knew how, because Ashâs own feelings never mattered. Nobody ever asked him what he wanted, or how he felt.
Ash thinks itâs funny then that he would learn something like that from someone who, at that point, he saw as a ridiculous, annoying person. So it wasnât sarcastic laughter, it was genuine amusement and, like you said, relief, because he finally knew how to do something heâd always longed to know, and he learned from the most unexpected and unlikeliest source.
I think you have to read the whole story of Angel Eyes from beginning to end to understand that, a lot of Ashâs cold, frightening appearance at the beginning is being exaggerated by the fact that itâs being seen through the specific perspective of Shorter. We see this throughout Banana Fish itself, when other characters are talking about Ash, and Yoshida draws these panels where Ash is rendered in this otherworldly way, where he looks like a demon or a devil or a god. In those panels, where the other characters are thinking of him, he never looks quite human. This is how other people often see Ash, even as, in reality, those perceptions of him are completely warped and not at all reflective of the truth. Who Ash really is, of course, is just a young boy whoâs fighting tooth and nail for his freedom and to simply survive. Ash is standoffish and a loner at the beginning of Angel Eyes because he canât trust anybody, and so he keeps people at a distance. As the story progresses, this standoffishness, and Shorter seeing how dangerous Ash actually is, coupled with the fear mongering Nicoâs been doing, causes him, for a time, to have the same problem everyone else has when it comes to Ash, which is he starts to see him not as a human being, but as a demon. This is also reflected in how Shorter thinks he sees actual lightening go through Ashâs body and explode out of him right before he moves into action before fighting Frankie. Â Of course there isnât ACTAULLY lightening sparking off of Ash. Â Shorter just imagines there is because Ash moves with such intensity and focus. Â Shorterâs perception of him is being altered by how efficiently Ash moves, because nobody else he knows or has ever met moves like that. Â And when he realizes that Frankie is no match for Ash, and that Ash fully intended to deal a lethal blow in their fight, he freaks the hell out, his already compromised perception of Ash going out of control. Â Â Shorter is definitely being influenced by Nicoâs fearmongering too, with the way heâs trying to rationalize seeing red in Ashâs eyes as just the lightening outside creating an optical illusion. Â But you can tell when Shorter says this, itâs like heâs trying to convince himself, because heâs actually afraid that Nico is right, and that Ash is actually the devil.
 Eventually, by the end of the story,  after heâs spent more time around Ash and theyâve really started talking, Shorter comes to realize that this initial perception he had was wrong, and Ash isnât this cold, emotionless killing machine, but just a scared and hurt kid whoâs doing what he can simply to make it to another day. Â
 Another thing to point out is how Shorter is one of the only people who allows himself to get close enough to Ash to see him as a person, and this relates back to how Ash initially acts around him.  Particularly, the scene between Ash and Shorter in the library, when Shorter accuses Ash of seducing Ricardo to get Ricardo to take Frankie out for him.  Ash never intended to use Ricardo in that way. I already explained why in another post of mine, basically explaining that Ash seduced Ricardo because he knew it would force Frankie into making a move against him, and Ash knew once that happened, he would be able to find out from him who was trying to have him killed. That was the only reason he seduced Ricardo.  But the point is, Shorter makes an accusation here which is wrong and false, but Ash doesnât defend himself against it.  He instead says âYeah, so what?â,  acting like he doesnât care and that he sees nothing wrong with using Ricardo to take care of a problem of his.  Itâs important to remember here that Shorterâs accusation is wrong, and that Ash WASNâT using Ricardo in this way.  He acts like he doesnât see anything wrong with what Shorter is suggesting, because heâs to push Shorter away.  The question is, why is he trying to push Shorter away at that point?
 Basically, Ash is trying to control the direction of how things go between the two of them, so that Ash doesnât later end up getting hurt.
 Itâs exactly what he explains to Shorter later on, when he talks about how he tries to make the first move against people who want to sexually assault him, figuring if he makes the first move, he can control the outcome, if only even a little.  Again, when we stop to really think about the kind of life Ash has had, how horrifically alone heâs been since, well, since Griff left for the war, so since he was seven, and the kind of abuses he suffered in that period until heâs fifteen in Angel Eyes, and then we see the way he acts, pushing people away, keeping them at a distance, acting like he doesnât care, you come to the realization that heâs pushing people away so they donât get close, because if he lets them close, theyâll hurt him.  Thatâs all heâs ever known in his life.  People using him for something, people taking something away from him, people treating him like a disposable commodity instead of a person.  You realize also that Ash has never actually had any friends his own age.  Heâs never interacted with other children in a normal, healthy way.  Nobody has ever shown any interest in JUST being his friend. Heâs never had a relationship like that with another person. Â
 I think with Shorter, when Ash realized he really was just a nice guy and he didnât have any ulterior reason for being nice, Ash was probably even more scared of letting Shorter close, because he probably felt like if Shorter really got to know him, heâd end up deciding he didnât like him and reject him. Ash had never had any real friends, and if he suddenly had one, that would mean he suddenly had something else to lose, whether because the person he thought was his friend turned out being like everyone else, using and abusing Ash, or ended up not liking Ash and rejecting him.  In other words, if Ash let his hopes get up about Shorter really being his friend, and it turned out not to be true, or turned out badly somehow, the pain of that loss would be exponentially worse than never experiencing friendship at all.  At least, thatâs how Ash probably felt.
 We also see Ash talk about himself in truly disparaging ways throughout the series, like when he tells Ibe and Max that everything will be okay with sending Eiji back to Japan, because by the time he goes, heâll be sick of Ash anyway. Ash really believes that once people get close to him, theyâll think heâs a worthless piece of trash, because thatâs how he sees himself. So initially, when Shorter accuses Ash of wanting to use Ricardo to take care of Frankie, Ash acts like that accusation doesnât bother him, that he doesnât care what Shorter thinks he was trying to do, because he doesnât want Shorter to think Ash cares what he thinks of him at all.  Itâs like a preemptive strike, pushing someone away before they can hurt you. The problem for Ash is that he DOES care. He probably felt really good, knowing someone actually wanted to be his friend, that someone liked him enough to talk to him just because they wanted to talk to him, that someone was being nice to him just because, but feared that once Shorter got close to him, he would turn out like everyone else and either start using Ash or just outright reject him as a âbad appleâ.
So he tried to push Shorter away before that could happen. Â Before he could really hurt Ashâs feelings.
Acting like he didnât care what Shorter thought of him. But he does, of course, because Shorterâs the first person who ever acted like he really wanted to be Ashâs friend. Imagine what that must have been like for Ash, to have a kid close to his own age actually want to be friends with him, when all heâd ever known before was what it felt like to be used and treated like an object.
 It really ties back into what Ash says to Shorter later, that the people who abuse him always get angry when he dares to protest, because it never even occurs to them that heâs a person. Heâs just a thing for them to use as they please. I think the reason Ash gets so upset at Shorter for telling him if he keeps playing with people like he did Ricardo, heâll end up just like them, is because itâs really not true. Ashâs motivations for playing with people in the first place are pure defensive. He doesnât play with people because he can. Or because he wants to hurt them. He does it because itâs the only way heâs ever known how to defend himself against them. I think Ash takes the time later to try and explain this to Shorter because he doesnât want Shorter to think badly of him, he doesnât want Shorter to think heâs like or ever could be like the people that abuse him. He likes Shorter at that point, and wants his respect, and so he takes the time to explain himself.  So I think itâs important to Ash later that Shorter understand the difference between him and his abusers. Those people get a kick, they get a thrill, out of hurting others, and dominating them, but Ash doesnât get any kind of enjoyment out of what he does. He does it because itâs necessary for his survival, and only because of that.
I have no idea how, but the smut I'm writing has somehow become a plot-driven crime story. Send help!
The only thing I can say: I'm looking forward to it! đđđ¤
Could you maybe reblog this post if you think respecting trans peoples' names and identities is a basic right and not a political opinion?
No pressure. Just seeking some validation of my sentiment. Due to some. people
everybody go home the best tag on this post just dropped
Reblog if you're okay with receiving asks for backstory info on any/all of your fics.
If not all, specify which ones in the tags.
Hi, dear Angela! I'm a huge fan of Just Say Yes fanfiction, I'm re-reading it, for me it's a powerful comfort novel that soothes me, makes me smile, laugh and cry - these are good tears, not the kind I shed during Banana Fish, those were the kind of tears where you would ask others close to you: why haven't you shot me down and ended my suffering? XD My question to you would be, after Just Say Yes, how do you envision Ash and Eiji's life going on, what direction will their life together take, and how will they continue to grow together? You're one of my all-time favourite authors with amazing talent, imagination and writing skills and I hope to read more of your novels in the future.
Thank you! This wonderful feedback on my story has really made my day! The fact that it's soothing, as well as entertaining, is really significant for me--I write to entertain, so it's like a super-extra thing that it also can bring you comfort. <3<3<3
So you want to know what would happen to Ash and Eiji after "Just Say Yes"? That's such a fun thing for me to contemplate!
Well, first of all, Eiji jumped straight into training again. He and Jill worked hard to get him back into Olympics shape (his fondness for working out made this easy!). He made it to Paris in June and did his best and won gold! Ash (who applied for a passport right after the end of the fic) went with him, and was able to cheer him on. Eiji kept going and, four years later in 2028, he won silver at the Los Angeles Games. After that, he retired from the pole vault on his own terms.
Kenichi gave him his job back at Dainobu, so he stayed employed there this whole time. Once he retired, however, his photography career really took off. He did gallery shows and was featured in magazines and art publications, and he became a bit of minor celebrity in the Manhattan art scene.
Ash finished school. After that, he was at loose ends for a while. He applied for a government economics job, but some agents showed up to explain why he was absolutely never going to get any kind of job that required any level of security clearance. This pissed him off and he got a bit reckless for a few months, but Eiji was able to reel him in. Together, they brainstormed other career options, and then Max ended up knowing a guy who was the head editor of a serious business/economics magazine. Ash got a job writing articles.
After about a decade of getting really great attention for his articles, Ash turned to writing books about the American and global economy, and eventually, representatives the US government came to see him again, this time to offer him an advisory role with the executive branch. Ash turns it down, because he wants to stay in New York with Eiji. "DC can go fuck itself," he said.
About a year after JSY, Eiji finds a dog in the park. He tries for weeks to find the dog's owner, but eventually Eiji decides just to keep him. Ash thinks the apartment is very small for a dog, but he can't say no to Eiji and the dog (Buddy) settles into their lives. When Eiji is away for competitions, Ash can be seen letting Buddy yank him around the neighborhood on a leash. After one of his trips, Eiji comes home to find a tiny black tuxedo kitten sleeping on Ash's pillow. Apparently, Ash found her in dumpster. He named her Harper after Harper Lee.
I could go on forever, especially if I go into the side characters (Shorter and Sunny's wedding, Nadia's baby, etc.), but I think this should be enough right now. You've made me very happy, asking a question like this. I've really enjoyed writing this out! <3
I live for this! Thank you very much for this extensive and comprehensive reply, Angela, covering both the near and distant future! I read your reply with a grin - I will not mince words and defend my dignity: five times in all. :D Fuck you, government! When I read this part of your response, I wanted to bang my head against the wall - more like the one's that denied Ash employment - and grinned like a madman when you got to the part about how the government administration later came to Ash's door to offer him a job that had been denied to him with pompous judgment just a few years earlier. I can easily imagine the feelings that rejection must have triggered in Ash, that door slammed in his face. He was reminded, once again, of who he was and always would be in the eyes of society, bringing back his past self, the child, the teenager that said society were supposed to save from what they were now condemning and blaming him for. They weren't there for him when he was a six year old crying in fear, not understanding what had happened to him, being seen as a murderer for defending himself when no one else would, including his own father, and being written off for life as something that others used up and disposed of. It must have been awful to be confronted with this again, as an adult, how little the world had changed, and how he would forever remain in the eyes of it as what his abusers saw him. It must have been a particularly deep blow at that point in his life. He had found the love of his life, they were happy together, they had built a life, he had family, friends, someone to turn to and others who could turn to him. He wants to do something with himself, with his knowledge, with his abilities, something worthwhile, something to be appreciated, and then a stranger steps in and takes away the feeling of starting over and finally having a solid footing. After such a humiliating annihilation, he must have felt that it was all the same, no matter how many courses he could complete, no matter how many years he could spend learning, improving himself, others would come up with epithets about him, hearing his name, that his loved ones never thought about him. It was so good to read that Eiji was there for him, they got through it together, though I have no doubt that this progress was far from smooth, they had many difficulties in the few months before Ash could sort out what had happened and move on. I think he must have had the same thoughts I had when the government itself approached him personally a few years later with a job application. These bastards, who were robbed him of any chance of the life he wanted to live, went to him and laid everything at his feet. The fucking USA government! They wants him. Not so much a violent gangster, but a promising young talent! Karma is real, bitch! Of course Ash slammed the door on them! Everything he wanted was his and more, and he didn't need a tie-dyed, suit-coated son of a bitch to give it to him.