Pretending you are 15,000,000 bees in a trench coat is the most powerful confidence boost ever
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@latenightgremlin
Pretending you are 15,000,000 bees in a trench coat is the most powerful confidence boost ever
“You have a very forgettable face” said by one of my classmates
Ashes of Willow Creek
Written by: RKLC
They used to call me Eli Turner, back when the world was smaller and the sky above Willow Creek felt like a warm quilt stitched by God Himself. I remember riding my bike through the dirt roads, the church bells on Sunday morning, and the way Miss Langford handed out lemon drops to every kid with scraped knees and dirt under their nails.
Willow Creek was the kind of town where nothing happened—and when it did, the whole town knew before noon. I was the boy with a single mom, the one everyone said had potential if he could just stay out of trouble. They didn’t understand. Trouble wasn’t something I found. It found me. My mom worked two jobs and still had to choose between heat and dinner. Mr. Crayton, the principal, once told me I’d either end up in prison or as “one of those stories people whisper about after dark.”
He wasn’t wrong.
It started with fixing old electronics from the junkyard. Radios, security systems, cameras—I learned how they worked, how they failed. By sixteen, I could rig an entire building with traps from scrap parts and leftover nails. By eighteen, I hacked the local power grid as a joke. They didn’t think it was funny. I was expelled and arrested, but no one pressed charges. They said, “He’s just a kid. A smart one, but lost.”
They should have let me rot in a cell. Because two years later, I disappeared. Off the grid. No trace. The next time anyone heard of Eli Turner, it was on national news—only by then, I had a new name. Voltage.
I wasn’t just some hacker. I became the glitch in their wires, the blip in their satellites, the reason entire cities went dark without warning.
Corporations that bled towns like mine dry?
I bled them back.
Governments that turned blind eyes to suffering?
I made them blink. Hard.
They called me a terrorist. A villain. The face of chaos.
But I never forgot Willow Creek. Not once. I watched it from a satellite feed more times than I care to admit. I saw the changes—new signs, paved roads, bigger schools, fresh coats of paint over houses that used to rot. My mom’s old house? Gone. A new development stands there now, all polished and perfect. No trace of the broken porch swing or the handprint I left on the mailbox.
One night, I went back.
Cloaked, silent, just passing through like a ghost. Nobody recognized me. Not the grocer who gave me apples when I was too poor to buy lunch. Not the pastor who said I had “a war in my soul.” Not even my childhood friend Kara, who once swore she’d run away with me if life ever got too hard.
They just looked through me. Past me.
I stood outside the old schoolhouse—the one they rebuilt with the grant I anonymously arranged—and watched the kids laugh, run, live.
I should’ve felt something like peace. Instead, all I felt was the wind on my back and the silence of being forgotten.
The cloak shimmered around Eli as he stepped past the faded “Welcome to Willow Creek” sign—paint chipped, wood warped, but still standing like an old soldier. The town was quiet at night, just like it used to be. Crickets chirped. Porch lights glowed dim behind lace curtains. The air smelled like damp earth and memory.
Eli—no, Voltage—walked with his hands buried in his pockets, hood shadowing a face that had changed in every photo the world had seen. But beneath the tech and the scars and the names whispered in fear, he was still there. Somewhere.
His first stop was the gas station. Back in the day, old Joe ran it—scruffy beard, eyes always smiling. Eli had pumped gas for him one summer and earned enough to buy a secondhand laptop that would eventually start it all. The place was still standing. Modernized now, with digital pumps and a glass storefront.
Inside, a young man barely older than him stood behind the counter, chewing gum and scrolling on a tablet.
“Hey,” Voltage said, voice low.
The kid looked up. “Evening. Need anything?”
He glanced around. “Used to be an old guy who ran this place. Joe?”
The clerk blinked. “Joe Peterson? Uh, he passed a few years ago. Heart failure, I think. You knew him?”
“Yeah,” Voltage said, throat tightening. “He gave me my first job.”
The clerk nodded slowly, then offered a half-smile. “Cool. He was, like, a legend around here. People still talk about him.”
But not about the kid he helped.
He left without another word.
Next was the school.
The lot was empty except for a couple of bikes chained to the rack. Voltage stood outside the red-brick building, eyes tracing the cracks in the sidewalk where he’d once tripped and chipped a tooth. A floodlight buzzed above the front door. The school had been expanded—new wings, a polished gym, solar panels.
Through the glass, he saw a custodian mopping the floor. A man with a bald spot and headphones in. Voltage knocked softly on the door. The man didn’t notice. He knocked again, louder.
This time, the custodian turned and opened the door just a crack. “Can I help you?”
“I went to school here,” he said. “Back in the early 2000s. Wondered if Mrs. Gleeson still teaches English.”
The man shook his head. “She retired a long time ago. Passed away last spring. Cancer.”
Voltage stared past him into the hallway. “Do you remember a student named Eli Turner?”
The custodian’s brow furrowed, like the name was on the tip of a fading dream. He shook his head. “Can’t say I do. Sorry, man.”
“No worries.” He stepped back, heart heavier. “Thanks anyway.”
He passed by the diner, the barbershop, the church. Each place held a shadow of a memory, a ghost of a smile. He tried a few more names. Some had moved. Others had died. A few were still around—but none remembered the boy with the scraped knees and the quick mind who’d once dreamed of building something better.
It was near midnight when Voltage reached the hill behind the town—the one where he and Kara used to stargaze on summer nights. He sat down, hands splayed in the grass, and stared at the town below.
Willow Creek was cleaner now. Safer. Brighter. It had moved on.
He pulled back the hood and let the wind tousle his hair.
What did you expect? he thought. A parade? A candle in the window?
No one remembered the boy who’d become a villain.
Not even the place that raised him.
He stood up, the grass crunching softly beneath his boots, and cast one last look at the lights of his childhood.
Voltage didn’t leave the hilltop right away. He watched the lights flicker in the town below like dying fireflies, wondering if maybe—maybe—someone down there still remembered the boy behind the ghost.
And then a name rose to the surface like breath after drowning.
Kara.
She’d once been everything. His best friend, his only refuge. She used to say things like, “You’ve got the mind to build kingdoms, Eli—just don’t forget which side of the walls you’re on.” He’d never written, never called. By the time he became Voltage, it was too dangerous to have attachments. The government hunted him. Corporations feared him. Anyone tied to Eli Turner would’ve been collateral damage.
But he had to see her. Just once. He needed to know if anything real still existed.
The next morning, he walked the length of Main Street under the disguise of early sunlight. No hood. No tech. Just an old jacket and a name he wasn’t sure still belonged to him.
It took three stops to find her.
“Try the elementary school,” a florist told him. “Kara Bloom—that’s her married name now. She teaches third grade. Sweet woman. Lost her husband a few years back. Never remarried.”
He didn’t know how to feel about that. Relief? Guilt? It tangled in his chest like barbed wire.
Eli waited outside the school, leaning on the chain-link fence like he used to when Kara dared him to skip class. The bell rang. Kids flooded out. Laughter, backpacks, scraped knees—it all looked so painfully familiar.
And then he saw her.
Kara Bloom.
She stood on the steps in a sunflower-yellow cardigan, her hair shorter than he remembered, but her smile—God, that smile—was the same. She waved to a few parents, gave a child a gentle hug, and turned to head back inside.
“Kara,” he called out before he could stop himself.
She paused. Turned. Blinked at him in confusion.
He stepped forward slowly, heart thundering.
“It’s me,” he said. “It’s Eli.”
She didn’t move. For a long, silent moment, she just looked at him.
And then—quietly, cautiously—she walked forward. “No,” she whispered. “You can’t be.”
“I am.”
Her eyes narrowed. “Eli Turner died. Or vanished. Or became something the rest of us had to pretend wasn’t real.”
“I didn’t vanish,” he said. “I watched. I kept my distance. You were safe.”
“Safe?” Her voice cracked. “I mourned you. I prayed for you. And then I watched you turn into something I didn’t recognize. Voltage? That was you?”
He looked down. “I didn’t have a choice.”
“We always have a choice.”
He met her eyes. “I came back because I needed to know if I still belonged here. If there was a piece of Eli Turner left that someone could still see.”
Kara folded her arms. She looked at him for a long time—searching, remembering. Her voice was soft when she said, “I don’t know if I can see him anymore.”
The words stung more than any weapon ever had.
He nodded slowly. “That’s fair.”
She stepped back, eyes shining with something between sorrow and anger. “Why now?”
“Because the world knows me as Voltage. But before that, I was just a boy who wanted someone to remember him.”
A silence passed like a funeral procession.
Kara whispered, “I do remember him. I just don’t know if he’s you anymore.”
He wanted to say something. Anything. But nothing fit.
So he turned. Walked back down the path he came from, leaving behind the only piece of his old world that still breathed.
Eli remembered home; but it looked like home didn’t remember him.
Before Willow Creek.
Before the schoolyard and Kara’s eyes and the taste of lemon drops faded into shadow.
There was the city.
And in the city, there was The Blackout.
It was the one they never forgot.
New Avalon was a towering fortress of wealth, a city that gleamed like it was allergic to darkness. Tech giants stacked their glass temples sky-high. People didn’t look at the stars anymore—they looked at the screens, the drones, the synthetic suns that buzzed overhead. And beneath it all? The underground zones. Where the power flickered. Where people worked themselves blind just to keep the towers humming.
Eli watched it all.
And he planned.
He knew the system like he knew his own bones. Knew where the data veins ran thick, where the current pulsed hardest, where the arteries of the city could be crushed in a single, precise squeeze.
They said Voltage couldn’t be real.
That no single man could bend an entire city to his will.
They were wrong.
It started with a symphony. A single note sent through a corrupted maintenance drone.
Then a cascade.
Hospitals flickered into chaos. Stock markets crashed in real time. Smart homes turned against their owners—locking doors, turning lights into strobe flashes, heat into freezing cold. The artificial sky blinked out like a god had closed its eyes.
Eli stood on a rooftop, arms stretched, his own tech pulsing at his back like wings of wire and wrath. The city below him panicked in spirals of red. He could hear the wails, the sirens, the helpless cries of those who had never known silence.
The rich screamed.
The poor cheered.
For three full hours, New Avalon belonged to the dark. To him.
He didn’t ask for money. Didn’t make a single demand.
He just left a message:
“This is a demonstration of memory.
You built your empires on forgetting the ones below.
Now you will remember me.”
An image flashed in the screens below the fading words:
Eli, face obscured by a hood.
Eyes that stared into the soul of the city.
Blue, like freshly cracked ice on a winter pond.
Wires glowing behind him, frayed.
Dangerous.
And then—just as easily as it had ended—it was over. Power returned. Lights blinked on. And in the control rooms of every major government and corporate complex, the same footage played on loop:
A shadowed figure, face obscured, voice synthetic.
Voltage.
Untraceable. Untouchable.
But behind the helmet, behind the tech—Eli was shaking.
Not from fear.
But from something else.
A whisper of guilt.
A flicker of Kara’s voice, buried under years of static:
“You could build anything, Eli. So why are you choosing to destroy?”
He silenced it.
There was no room for weakness. No room for boys from small towns who used to wish on stars.
Only results.
Now, standing once more on the broken edge of Willow Creek, with the memories of screams and flickering towers still echoing in his mind, Eli closed his eyes and asked himself for the thousandth time:
Was it worth it?
He had forced the world to remember him.
But in doing so, he had become someone his own home could no longer recognize.
It was that moment, he thought to himself as he walked away from the elementary school.
That single, fragile, shattering moment—
That was the moment that buried Eli Turner.
Not the night he pulled the plug on New Avalon.
Not the day he disappeared into the wires and reemerged as Voltage.
Not the countless betrayals or systems he brought to their knees.
No.
It was that front step.
That soft-eyed look from Kara.
That hesitation.
The way she stepped back instead of forward.
That was the real grave.
And he had dug it with his own hands.
The town around him blurred into background noise. The crackle of sprinklers. The rustle of wind in old oak leaves. Kids playing somewhere out of sight. All of it sounded so far away, like a dream replaying behind a sheet of glass.
She hadn’t yelled. She hadn’t cursed him.
Kara had just looked at him like a stranger.
That did more damage than any bullet ever could.
Because Kara had known everything.
She’d been there when he first learned to solder wires in his garage.
She’d been there when his mom didn’t come home for three days, and he cried under her porch.
She’d once told him, “If the whole world forgets you, Eli, I won’t.”
And now?
Now she looked at him like she was talking to a myth.
And maybe she was.
He walked past the old bakery, boarded up now. Past the creek bed where he used to skip stones. Past the fire hydrant he and Kara painted bright blue in eighth grade—faded now, chipped and rusted.
Every step felt like another nail in the coffin.
The villain the world knew still walked. Still lived.
But the boy from Willow Creek?
He had died quietly, in broad daylight, in front of the only person who ever really knew him.
A stream of tears ran down his cheek.
He hadn’t cried in years.
Something inside him felt hollowed out, like the last ember had gone cold.
He stopped one last time at the edge of town, where the pavement cracked into gravel, where the signal bars disappeared and the satellites stopped watching.
No fanfare. No thunder.
Just silence.
He looked back, eyes scanning rooftops and shadows and fading light.
Then he said the only thing he could.
Soft. Final.
And this time,
he didn’t look back.
The road out of town was empty. Gravel crunched beneath Voltage’s boots, and above him, the stars blinked cold and indifferent—far too high to wish on now. His jacket flared in the wind, and behind his hood, his face was still. Emotionless. Surgical.
He had given Willow Creek the chance.
He had come back not as a shadow or a storm, but as Eli. Just Eli. A man chasing the scent of something warm and familiar.
And in return?
The town had turned its back.
Kara had looked at him like a tombstone.
And the grave of Eli Turner had been left unmarked.
So, he stopped at the edge of town.
Knelt beside a transformer box half-buried in weeds.
And opened it.
Wires hummed. Power pulsed under his fingertips. His custom rig unfolded from his back like a breathing machine, slick cables sliding into place, screen blooming with data lines and digital veins.
He didn’t need to breach.
He built the back door into the town’s grid when he paid for the upgrades in secret five years ago.
A failsafe.
A memory.
It was time to use it.
At exactly 9:12 PM, every screen in Willow Creek lit up—phones, tablets, TVs, even the old movie marquee downtown.
Static gave way to a black screen.
Then, a message appeared.
White text. Stark. Slow.
“I remember home…”
The screen flickered. Shifted.
A photograph came into focus:
A young boy, no older than nine.
Mud on his cheeks. A slingshot in one hand. A crooked grin full of dreams.
Eli Turner.
The image stayed there for a long, painful second.
Then the text resumed, slowly typing itself beneath the photo.
“…but if you don’t remember me…”
Beat. A pause. Silence.
Then:
“…you can fade to black.”
And just like that—
The entire town went dark.
Streetlights popped and hissed.
The diner blinked out mid-shift.
Homes lost their hum. Generators sputtered.
Every screen went cold.
Willow Creek fell into total, perfect silence.
No sirens. No response.
Only the soft hush of a town holding its breath.
From the ridge above, Voltage stood and watched.
Not with glee.
Not with rage.
With silence.
He hadn’t come to punish.
He came to be remembered.
But they’d erased him.
Now, they would know what it was to be forgotten.
To live in the dark.
A faint breeze tugged at the edges of his cloak.
Behind the mask, his lips moved just once more—too soft for the machines to hear.
“You buried me.”
“Now live in the dark I came from.”
And then, with one motion, he vanished into the trees—
leaving only silence, and a broken memory,
flickering like a dying light.
Okay. Can I just rant about how much I LOVE laid back traumatized characters? No one is going to stop me anyways so….. yeah. Like not that I like that they’re traumatized, but the fact that they survived a just genuinely do not give a fuck? Like; a character who almost DIED and is so unfazed by it. Like they seem like a chill person who gives zero f’s but once you talk to them, they open up to you and they tell you about their past and it seems entirely impossible that such a laid back person went through that and is still not gone off the deep end. The only thing that makes this type of character better is when you see them coping with their trauma through humor. And it’s not like “funny ha ha, I almost died” it’s like “I almost died, would not recommend, 2/10 experience”. THATS the type of character I love. Gimme 100, I’ll love em all.
Character concept. A caged adventurous soul. For example: an adrenaline junkie, stuck in the hospital because they got hurt. The concept is someone who never rests being stuck having to watch as others live out their lives.
I wonder if other countries have the same classes regarding language as America does. Like, do people in Russian speaking countries have to take Russian class like Americans take English class?
Idk what to do, I don’t want to mess a good thing up but I can’t do this much longer (rant post, give advice if you have any pls)
I have a friend in another country (9 hour time difference) who I met in grade school. She moved back to her home in Israel a few years after I got to know her, and we recently reconnected over social media. I’m not saying that I like her because she had a glow up; but some romantic? feelings start to show up every time I see her posts or we talk. Her presence in my life brings me joy, but I don’t want to mess up a good friendship by saying something about it and scaring her off. Help me pls
Tip for writing psychological horor
Don’t write your characters as a scared little thing. Write them as strong confident people who think they’re too smart to get hurt. Remember, it’s thinking that you’re going to survive that gets you killed. Have your character do everything they can to protect themselves, and still fail to make it past the last chapter. It’ll break your reader’s heart, but that makes the next installment all the more better. I don’t claim to be a good writer, I’m just saying, good books have somewhat similar plot lines.
Every single odd number has an “e” in it.
LISTEN-
Not all of them. 30 and 50 aren’t spelled with the letter e in it …
father god
…if you can split a number in half evenly, it’s even. 30 and 50 are odd.
-_-’
(15+15=30
25+25=30)
25+25 = 30? You sure about that??
Lord have mercy….
Bye
3 days into 2018 smh
LMAOOOOOOO
One
Three
Five
Nine
And since everything else after that is a variant of these numbers, then all odds have the letter ‘E’.
🗣YOU FORGOT SEVEN!!
It keeps getting worse.
LMAOOO WHAT IS GOING ON
My head hurts…
This is why that Tumblr University shit was the dumbest idea ever just look at this
who failed yall?
IM SCREAMING
You whole ass forgot about eight - a number with an e and is pretty fucking even
why would 8 be brought up if it’s EVEN in a post about ODDS??????? the post said “every single ODD number has an ‘e’ in it” not “every single number with an ‘e’ is odd” what the fuck
3 days until 2019 and we’re still here
happy New year’s eve
I’m going to bring this flaming dumpster into 2019 so future generations can see what a mistake Tumblr was
Er, guys two is odd and doesn’t have an e. Just saying…
did you deadass just try to tell me two is odd? i’m fucking crying throw the whole website away
Reblogging for the last one😂
The one thing I notice is that no matter how much you want to throw this site away, you just can’t.
TWO IS ODD?!?! PFFFTT I’M SCREAMING
Wait what about zero that’s an odd number ,no?
ok but hear me out fifty and thirty make up for the fact they have no e by the way they are pronounces third-E fifth-E
bro why do 30 and 50 matter THEY’RE FUCKING EVEN
what the actual fuck is happening
1 is an even number
I’m gonna smack you
-30 and -50 have an e in them
Wait why are we so quick to throw away the Zero idea
Zero isn’t a number
It can’t be divided by two though, can it
It can??? 0/2=0??
OD NUMBERS
onE
thrEE
fivE
sEvEn
ninE
OD numbers huh?
Anything that ends with a 0,2,4,6,8 is even and the rest is odd (1,3,7,9) stop freaking out y’all
YOU FORGOT 5
DUDE WHAT ABOUT FOUR
What about it?????
THAT DOESN’T HAVE E IN IT
THAT’S BECAUSE IT’S EVEN?????
A R E Y O U G U Y S O K A Y
21 days away from 2020, folks.
Please tell me I can start the new freaking decade with a post arguing about something as stupid as this. Please. 🙏
This is art at its finest
Funner fact. No even number has an A in it
the number four should have an a
You agree
That’s not even right, one thousand is even and has an a in it.
That’s not even right,
one thousand is even and
has an a in it.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
This is why tumblr is the best!
We’re in 2024 about to go into 2025 and this is still funny to me, Tumblr has rotted my brain
I’ve been reading and listening to a lot of poetry lately so I thought I’d try my hand at it, it may not be the prettiest but here’s the heart I wear on my sleeve,here we go:
My love for you is like a gemstone book I just can’t put down
I knew from the moment I picked you up that I’d read you a million times again
I hold you open and obsess over every little detail
Late at night and over all the hours of the day
From the moment I saw you on that shelf
I knew what I was doing when I saw you across the library
People say you fall in love, but when I saw you that day I walked in head first knowing that whatever happened I’d be by your side
I saw you sitting there waiting for someone to pick you up
Seeing all the other books get read a thousand times
I knew if I told my friends about you I’d never get your time
So I picked you up and kept you to myself until someone asked “What book is that?”
I gushed over you, probably more than I should have
Now every time I see you, someone new is reading you
“Dammit” I say to myself, wishing you were still all mine
-RKLC
Idk where I heard it, but I once heard that a good friend dies for you while a best friend lives for you. In today’s world, it’s too easy to say that you would jump in front of a bullet to save your friend’s life. What’s harder is saying that you’d live for a friend, support them through the good and the bad, make sure that they’re okay when they’re feeling a bit low. If you’re my friend, don’t say you’d die for me, tell me you’d live for me. In the words of a musical I’m sure everyone has heard a snippet of. “Dying is easy, my friend, buddy, living is harder”
Does anyone ever get the feeling they’re being Truman Show’d or is it just me?
I have a theory
What if death and the afterlife is like a choose-your-own-adventure type thing? Like you die, and a death screen pops up, and it has you choose your religion and based off that it gives you whatever afterlife you deserve based on what you live your life by?
I understand that it probably has a lot of pot-holes and stuff like that, but consider it.
As I get older , I want less to be a Wednesday Addams, and I want more and more to be a Morticia Addams: a huge house, a closet full of beautiful evening gowns, and a loving husband
bodies should never ever hurt when i’m trying to sleep. like girl literally just turn off. that’s enough
@amtrak-official
A quote I found today that I must share: “if life knocks you down, take a nap, you’re already on the ground” -unknown