A Traveler's Needs (Hong Sang-soo, 2024)
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A Traveler's Needs (Hong Sang-soo, 2024)
“I fell in love with the idea that the mysterious thing you look for your whole life will eventually eat you alive.”
— Laurie Anderson explaining her attraction to Moby-Dick
Judi Dench and Ian McKellen in Macbeth (1976)
Terence McKenna,
Hamnet (2025)
From the book Cut these words into my stone: ancient Greek epitaphs (Wolfe, Michael)
- Kazuo Ishiguro - The Paris Review Interview: The Art of Fiction.
i love reading sad books bc when your own grief is stopped up inside you like a clogged drain you can grieve for a character on a page and understand that you're also grieving for yourself a little bit
‘There is a theory that watching unbearable stories about other people lost in grief and rage is good for you—may cleanse you of your darkness. Do you want to go down to the pits of yourself all alone? Not much. What if an actor could do it for you? Isn’t that why they are called actors? They act for you. You sacrifice them to action. And this sacrifice is a mode of deepest intimacy of you with your own life. Within it you watch [yourself] act out the present or possible organization of your nature. You can be aware of your own awareness of this nature as you never are at the moment of experience. The actor, by reiterating you, sacrifices a moment of his own life in order to give you a story of yours.’
-Anne Carson, ‘Grief Lessons: Four Plays By Euripides’
“In [fairy tales], power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness - from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sown among the meek is harvested in crisis”
— Rebecca Solnit, The Faraway Nearby
Our conscious motivations, ideas, and beliefs are a blend of false information, biases, irrational passions, rationalisations, prejudices in which morsels of truth swim around and give the reassurance albeit false, that the whole mixture is real and true. The thinking process attempts to organise this whole cesspool of illusions according to the laws of logic and plausibility. This level of consciousness is supposed to reflect reality; it is the map we use for organising our life. This false map is not repressed. What is repressed is the knowledge of reality, the knowledge of what is true. If we ask, then: What is unconscious? The answer must be: Aside from irrational passions, almost the whole of knowledge of reality. The unconscious is basically determined by society, which produces irrational passions and provides its members with various kinds of fiction and thus forces the truth to become the prisoner of the alleged rationality.
To Have or To Be
Erich Fromm
“Once in a while we meet a gentle person. Gentleness is a virtue hard to find in a society that admires toughness and roughness. We are encouraged to get things done and to get them done fast, even when people get hurt in the process. Success, accomplishment, and productivity count. But the cost is high. There is no place for gentleness in such a milieu. Gentle is the one who does ‘not break the crushed reed, or snuff the faltering wick.’ Gentle is the one who is attentive to the strengths and weaknesses of the other and enjoys being together more than accomplishing something. A gentle person treads lightly, listens carefully, looks tenderly, and touches with reverence. A gentle person knows that true growth requires nurture, not force. […]”
Water Lilies painted by Claude Monet (1840 - 1926)
Fun Fact from The Iliad: The phrase “to eat a man raw” is a very particular phrase reserved just for the gods, as only the divine are exempt from the culture-defining restrictions of human society (ie cannibalism, incest)
Fun Fact from TSOA: Achilles’ last words to Hector are “There are no bargains between lion and men. I will kill you and eat you raw.”
Fun Conclusion: Achilles sacrifices his humanity to avenge Patroclus :)))))))
Ok, but this conclusion is not just from the Song of Achilles. This is in fact the conclusion that we as readers are supposed to come up with as we read the Iliad. What is more, the Song of Achilles merely misquotes an actual line that Achilles says to Hector before killing him: “I wish only that my spirit and fury would drive me to hack your meat away and it raw for the things that you have done to me.” (Lattimore, The Iliad of Homer, book 22 lines 341-343). But even without this line, even without the promise of actually eating human flesh, the Iliad does a very good job of showing the reader that Achilles has lost his humanity due to grief.
There are two aspects of Achilles in the Iliad. Before Patroclus dies, Achilles is mainly concerned with his own renown and honor ( κλέος and τιμή ), and so, when his honor is slighted, he refuses to fight. This is his human side. Since Achilles is mortal and will die, his only claim to immortality is the honor given to him and the renown that will live on after him. By taking away his war prize and honor, Agamemnon effectively takes away the reasons Achilles has to fight. As a warrior, a human, Achilles cares most about his own honor. This can be seen before Patroclus goes off to fight too, when Achilles says to him: “you must not set your mind on fighting the Trojans, whose delight is in battle, without me. So you will diminish my honor.” ( Lattimore, The Iliad of Homer, book 16 lines 89-90)
That was the first aspect, the second is after Patroclus dies. When Patroclus dies, human concerns don’t matter to Achilles anymore. As grief envelops him, Achilles ceases to eat and sleep, he ceases to hold his grudge against Agamemnon, he fights a river, he slaughters armies– “food and drink mean nothing to my heart but blood does, and slaughter…” ( Lattimore, The Iliad of Homer, book 19 lines 13-14). In his grief and rage, in his refusal to eat for example, we the readers see that Achilles no longer behaves as humans should, but instead, as immortals do. Achilles breaks almost all human convention because of his grief, to the point that even the gods notice. His behavior is supposed to jar us, to let us see that humanity has departed from Achilles. The line he says to Hector saying that he wishes he could eat him, merely points out how far gone Achilles is, and how inhuman, but he is not immortal, and therefore, cannot eat another’s flesh.
This disregard for human customs and necessities means that Achilles’ death will come, he can’t go on behaving unlike a human forever. He knows he will die, and does not care. The moment Patroclus died, Achilles did so as well, in a sense. If death is to come to him, why shouldn’t Achilles behave like an immortal? He no longer cares for anything but revenge, and once revenge has been achieved and his unhappiness does not stop, he cares for killing other Trojans and reliving his revenge by attempting to defile Hector’s body. Achilles has lost what mattered to him most, which in the end, was not his glory but his Patroclus. It’s only after Priam appeals to him as a father and reminds Achilles of his own father Peleus, that Achilles regains some semblance of humanity.
So, in fact, the Iliad shows us that Achilles has lost his humanity, that he lost it after Patroclus died. It shows us the limit of his loss, in that he cannot eat the flesh of Hector, and it shows us that human concerns (honor and glory) cease to matter to Achilles after Patroclus dies. It does so much more subtly, but it does show it. It’s one of the biggest concerns, in fact, of the latter books of the Iliad.