
titsay
Not today Justin
occasionally subtle
KIROKAZE
let's talk about Bridgerton tea, my ask is open
cherry valley forever

Product Placement

JBB: An Artblog!
macklin celebrini has autism
dirt enthusiast
noise dept.

Andulka
Monterey Bay Aquarium
Aqua Utopia|海の底で記憶を紡ぐ
Game of Thrones Daily
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Peter Solarz
DEAR READER
art blog(derogatory)
RMH

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@lenthegarbageman
I love cemeteries so much and AS SOON as I can walk again I will be back. I might dump cemetery pics today.
kinda beautiful how calvin and hobbes depicted a lesbian relationship with a he/him butch dad who has a gay brother that they couldn’t bring back because it would draw too much attention to the fact that they did not give calvin’s dad a name which may break the plausible deniability of calvin’s dad being a he/him butch
Some more snowy train pics (snowy trens pt2)
One of my favorites. Fare thee well, Bob Weir.
Emblem XXXV: Sacrum Ærarium. Francesco Pona (1645). Copperplate engraving on paper.
More George Spratt because it’s just so good I want them all
These drop dead gorgeous George Pratt lithographs are just perfect omg.
Crescent and Star, 1919, Vignette Illustration. Ink on Paper.
Assortment of whimsy window grates
In addition to re-establishing the Southern Sierra Miwuk Nation as the stewards of Henness Ridge, this project will support and strengthen t
Once threatened by development, the land was protected and stewarded by Pacific Forest Trust for 20 years — and will now return to the South
In 1931, gender-affirming surgeon Ludwig Levy-Lenz wrote about the vast history of transgender people in his book Hexenkessel der Liebe ("Witch's Cauldron of Love"). He explained that Galli priests voluntarily castrated themselves and dressed in feminine attire over 2,000 years ago. Romans and Lydians with ovaries also had their unwanted organs removed around the same time. This was old history in the 1930s as it is today.
Levy-Lenz is also notable as the first known modern surgeon known to operate on a transgender minor, a 16-year-old trans boy who attempted to self-amputate his chest in around 1928 (mistakenly later identified as Gerd Katter). He spearheaded transgender care in the final years of the Weimar Republic.
I've been hunting down this rare book for months and finally found a copy for the NYC Trans Archives! It is especially rare as the Third Reich burned countless copies in 1933. Many German bookstores will now no loner ship to the US due to tariffs, but we luckily stumbled across a Los Angeles antiques dealer that had just listed it for sale. Some of the book's 300+ images have never been digitized before, so we plan to scan and publish the ebook online for everyone to read!
A great picture 😊
It’s smiling at me. I need it.
Brocken Railway, Germany 🇩🇪
This short piece by Joan Nestle on disability/chronic illness and Lesbian Identity, and really reading between the lines, about how that informed her fem(me) identity, has been kicking around in my head for 6 months now. The letter was part of a broader issue talking about a NY based Lesbian illness support group and the critical impact having a support group to talk about how growing older and either gaining disabilities or seeing them worsen was an isolating experience for the members of this group. Her writing comes from a time when disabilities and chronic illnesses were even more stigmatized than they are now, and it makes me deeply grateful for every interaction from a friend, mutual, or random dykeblr user where I have been able to discuss or read others’ thoughts on what it means to be disabled, femme, and/or a lesbian. I remain deeply grateful for the knowledge that in sharing our experiences, none of us are alone in navigating the ways in which our conditions affect our lives.
[ID]
Another Way to Be a Lesbian
As a Lesbian who came out pre-movement, I at first found illness devastating. I had lived at least ten years of my Lesbian life believing I was a freak, fighting the doctors who saw the extra hair on my face as a sign of deviance but I loved the physical disobedience that was my "perverted" sexual desire; I cherished my body as the warrior carrying my love, the true force that would not bow to the voices that labeled me obscene and while at times I was swayed by the power of their promised hells, my body would always lead me back to honest wetness. And then at age 38, something went wrong, and once again I was back in the hands of the doctors, again as a freak but this time as a Medical Problem. My body does not do all the things I need it to do; it sends out messages I cannot understand but they terrify me. Now I must carry it with the strength it gave me at an earlier time, with the courage the old times bred in me. I am forty now and I am learning another way to be a Lesbian, one that will allow moments of terror, dependency, fear and yet will keep alive in me the shout of untrammeled woman life.
Off Our Backs, May 1981, Vol. 11, No. 5, women with disabilities (May 1981), p. 10.
Portrait of a Musician
Artist: Thomas Hart Benton (American, 1889-1975)
Date: 1949
Medium: Casein, egg tempera and oil varnish on canvas mounted on wood panel
Collection: Museum of Art and Archeology, Columbia, Missouri, United States
Description
This painting by Thomas Hart Benton is a portrait of an African American jazz musician who played in Kansas City. In this painting, you can see that the curving lines of the double bass the musician is playing are repeated or echoed in the curves of the his face, hands, and body. Seeing the repetition of so many lines in similar but different ways reminds us of the way that jazz music often repeats the same musical phrases with variations, making the music sound similar but slightly different each time it is repeated.
The model for Portrait of a Musician was a jazz bassist who played in a Kansas City nightclub that Benton often went to in the 1940s. He was interested in representing African American culture in Missouri and he particularly enjoyed drawing and painting jazz players and folk musicians. African Americans were often ignored by most white artists in the first half of the 20th century, making this an unusual painting for the time period.