Have to add that it is quite sad that Eloise's genuine interest in "bettering" the conditions of all women, and questioning their role in society, access to education, and also other public spaces where their voices should be heard outside of their "households" is being classified as outlandish, as if other women weren't also aware of their conditions. It is also quite sad, how Eloise's iterests are being painted out as transitory, and as though, in the end, they will matter to her less than the place she would sit at the table where she indeed to follow trough with being deemed a "spinster" (which by the way was a term that only developed a negative connotation later on, deliberately, as initially spinsters were some of the few women who actually managed to gain money of their own).
Eloise as the character was drawn in S1 and S2 deserves so much better than the story archs shes been dealt with so far in S3 and S4, and ofc, a hell of a lot better than the horror story of Julia Quinn's imagination that is TSPWL. We don't want to see Eloise play out "regency ballerina farm".