like my mask?

It has generally been agreed I am Strange. Apologies in advance. C; 32, panro ace (she/her), often obsessed, sorry I'm not sorry.

[taraxippos]

Did anyone ever like attempt to document and compile the variations of Barney the dinosaur murder ballads across the elementary school system in the early 2000s. Like legit it has always fascinated me as a phenomena and I would love to know if there were like traceable regional variations or what.

[taraxippos]

Looking at the tags so far I’m kind of fascinated by how much the ‘I Love You’ parodies vary in their phrasing/murder weapons but the ‘Joy to the World’ ones are nearly identical

[karvina]

here is my collection of barney murder songs as they appeared in the notes and comments of this post at about 4 pm pacific 7/25, somewhat arbitrarily color coded to show similar memes. it appears that "baseball bat and 2x4" is the mode configuration but there is so much variation that that exact phrasing only makes up a small part of the set. if i knew more about statistical modeling i would turn this into some kind of data tree that shows which phrases are most likely to follow other phrases.

[leupagus]

Hey so not to be all "what the fuck, Youths," but...what the fuck, Youths

[helenvaughans]

Things don't have purposes, as if the universe were a machine, where every part has a useful function. What's the function of a galaxy? I don't know if our life has a purpose and I don't see that it matters. What does matter is that we're a part. Like a thread in a cloth or a grass-blade in a field. It is and we are. What we do is like wind blowing on the grass.

–Ursula K. Le Guin, The Lathe of Heaven

[stahsm]

Overlock Stitch by @clothes_reetzy

[thatisuseful]

Damn, that's useful

[jstor]

100 open access books on JSTOR

African American Studies

An Appeal in Favor of That Class of Americans Called Africans, Revised and Updated Edition

Disrupting Colonial Pedagogies: Theories and Transgressions

J. A. Rogers: Selected Writings

The Race for America: Black Internationalism in the Age of Manifest Destiny

African Studies

Ethnicity, Identity, and Conceptualizing Community in Indian Ocean East Africa

Lagos Never Spoils: Nollywood and Nigerian City Life

American Indian Studies

Book Anatomy: Body Politics and the Materiality of Indigenous Book History

The Urgency of Indigenous Values

Anthropology

Graceful Resistance: How Capoeiristas Use Their Art for Activism and Community Engagement

Lacandón Maya in the Twenty-First Century: Indigenous Knowledge and Conservation in Mexico's Tropical Rainforest

Maya-British Conflict at the Edge of the Yucatecan Caste War

Neobugarrón: Heteroflexibility, Neoliberalism, and Latin/o American Sexual Practice

Our Hidden Landscapes: Indigenous Stone Ceremonial Sites in Eastern North America

Power and Place: Preservation, Progress, and the Culture War over Land

Voices of Indigenuity

Archaeology

Living Ceramics, Storied Ground: A History of African American Archaeology

New Deal Archaeology in the West

The Cretan Collection in the University of Pennsylvania Museum, volume III: Metal Objects from Gournia

Violence and Inequality: An Archaeological History

Architecture

Waterhouses: Landscapes, Housing, and the Making of Modern Lagos

Asian Studies

Hong Kong Public and Squatter Housing: Geopolitics and Informality, 1963–1985

Communication Studies

Covid and…: How to Do Rhetoric in a Pandemic

Hillary Clinton's Career in Speeches: The Promises and Perils of Women's Rhetorical Adaptivity

Influential Machines: The Rhetoric of Computational Performance

Migrant World Making

Nuclear Decolonization: Indigenous Resistance to High-Level Nuclear Waste Siting

Serial Mexico: Storytelling across Media, from Nationhood to Now

Stories of Our Living Ephemera: Storytelling Methodologies in the Archives of the Cherokee National Seminaries, 1846-1907

Unsettling Archival Research: Engaging Critical, Communal, and Digital Archives

Cultural Studies

Cultural History of British Alternative Cabaret (1979-1991)

Middlebrow 2.0 and the Digital Affect: Online Reading Communities of the New Nigerian Novel

Reconstructive Memory Work: Trauma, Witnessing and the Imagination in Writing by Female Descendants of Harkis

Toward a Gameic World

Development Studies

Hottest of the Hotspots: The Rise of Eco-precarious Conservation Labor in Madagascar

Urban Indigeneities: Being Indigenous in the Twenty-First Century

Education

Limiting Privilege: Upward Mobility Within Higher Education in Socialist Poland

The Vulnerability of Public Higher Education

Environmental Studies

Ecologies of Imperialism

Unsettling Agribusiness: Indigenous Protests and Land Conflict in Brazil

Feminist & Women's Studies

Reclaiming Time: The Transformative Politics of Feminist Temporalities

Recovering Women’s Past: New Epistemologies, New Ventures

Film Studies

Han Heroes and Yamato Warriors: Competing Masculinities in Chinese and Japanese War Cinema

Monsters on Maple Street: The Twilight Zone and the Postwar American Dream

The Rise of Central American Film in the Twenty-First Century

Mapping the Stars: Celebrity, Metonymy, and the Networked Politics of Identity

Food Studies

The Visible Hands That Feed: Responsibility and Growth in the Food Sector

Gender Studies

Masculine Pregnancies: Modernist Conceptions of Creativity and Legitimacy, 1918-1939

Surgery and Salvation: The Roots of Reproductive Injustice in Mexico, 1770–1940

Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848-1918

History

Captivity's Collections: Natural History and the British Transatlantic Slave Trade

Our People Are Warlike: Civil War Pittsburgh and Home-Front Mobilization

Reimagining the Educated Citizen: Creole Pedagogies in the Transatlantic World: 1685-1896

Southern Enclosure: Settler Colonialism and the Postwar Transformation of Mississippi

Language & Literature

Abraham Lincoln and the Bible: A Complete Compendium

Blood and Ink: The Barbary Archive in Early American Literary History

Ethical Crossroads in Literary Modernism

Faking It: Victorian Documentary Novels

Genre Networks and Empire: Rhetoric in Early Imperial China

The Lost Texts of Confucius’ Grandson: Guodian, Zisi, and Beyond

Understanding Agatha Christie

Latin American Studies

Awakening the Ashes: An Intellectual History of the Haitian Revolution

Law

Creating a More Perfect Slaveholders’ Union: Slavery, the Constitution, and Secession in Antebellum America

Linguistics

Cantonese Since the Nineteenth Century

Publishing Contemporary Foreign Poetry: Transnational Exchange in the Italian Publishing Field

Middle East Studies

Outcasting Armenians: Tanzimat of the Provinces

Music

Fantasies of Music in Nostalgic Medievalism

Imagining Musical Pasts: The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson

Lieder in America: On Stages and In Parlors

On Music Theory and Making Music More Welcoming for Everyone

Peace & Conflict Studies

Remaking the World: Decolonization and the Cold War

The Coup and the Palm Trees: Agrarian Conflict and Political Power in Honduras

The End of the Future: Trauma, Memory, and Reconciliation in Peruvian Amazonia

Uniting Against the Reich: The American Air War in Europe

Unwilling to Quit: The Long Unwinding of American Involvement in Vietnam

Performing Arts

Sonic Strategies: Performing Mexico's War on Drugs, Mourning, and Feminicide

Staging Existence: Chekhov's Tetralogy

Philosophy

Phenomenology in an African Context: Contributions and Challenges

Violence and the Mimetic Unconscious: Vol. 2 The Affective Hypothesis

Violence and the Oedipal Unconscious: vol. 1, The Catharsis Hypothesis

Political Science

Beyond Othering: A Gandhian Approach to Conflict Resolution in India and Pakistan

Local government and democracy in the United Kingdom

Paradoxes of Emancipation: Radical Imagination and Space in Neoliberal Greece

The Cost of Voting in the American States

The New Star Chamber and Other Essays: Annotated Edition

Population Studies

Central American Migrations in the Twenty-First Century

Psychology

Ferenczi Dialogues: On Trauma and Catastrophe

Public Health

Irish Fever: An Archaeology of Illness, Injury, and Healing in New York City, 1845–1870

Tuberculosis Control and Institutional Change in Shanghai, 1911–2011

Religion

Christan Colleges and Universities: An Empirical Guide

From Jesus to J-Setting: Religious and Sexual Fluidity among Young Black People

The Hispanic Faculty Experience: Opportunities for Growth and Retention in Christian Colleges and Universities

Science & Technology Studies

Composting Utopia: Experimental Infrastructures for Organics Recycling in New York City

Sociology

Apartheid’s Leviathan: Electricity and the Power of Technological Ambivalence

As Legend Has It: History, Heritage, and the Construction of Swedish American Identity

Continuous Pasts: Frictions of Memory in Postcolonial Africa

Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana

Research as More Than Extraction: Knowledge Production and Gender-Based Violence in African Societies

The Souls of Jewish Folk: W. E. B. Du Bois, Anti-Semitism, and the Color Line

Technology

Transnational Families in Africa: Migrants and the role of Information Communication Technologies

Urban Studies

Living Politics in the City: Architecture as Catalyst for Public Space

[jstor]

FYI, all of these books were made open access as part of our Path to Open program, where included books are set to become open access three years after their publication date.

Many of the above books can be downloaded as PDFs in full!

[teashoesandhair]

One hot and cool writing tip that I wish more people knew is... you don't have to write out people's accents phonetically. You just don't. You are not Dickens. You are (hopefully) not Rowling. There are so many other ways you can make someone's speech feel authentic to their background, or just make it clear that they're speaking in a certain accent, not limited to:

literally just saying 'he spoke with a Welsh accent'; sure, it's a bit blunt, but it gets the job done in a pinch. "He's completely drunk," he said, his southern drawl lingering on the final syllable as if to highlight the extent of the offence. Y'know, something of that ilk, but not as shit.

learning the specific vocabulary and syntax that someone with that accent might use. Sticking with the Welsh theme, because it's objectively the best accent*, there's a bunch of things that differentiate a colloquial South Walean accent, outside of our famed tendency to elongate a vowel to the point of death. The way we use prepositions (where to by is he?), the vocabulary borrowed from Welsh - saying that someone daft is twp, or something small is dwty - can easily signpost our speech as being from that specific area, without needing to type something like "'e's absolutely 'angin', man, pissed as a faaht 'e is!" Something less jarring, such as "He's absolutely hanging, he is." is just as clear. A character who says "Do you want a cuppa?" is coded or located very differently to one who says "You'll have a cup of tea, so you will."

ditto if there are specific ways that someone from a certain area might refer to a well-known concept. Regional words for mother and father, for example, or words that are class-specific; your character who calls his parents 'mater and pater' is likely inhabiting a different socioeconomic strata than your character who calls them 'mam and dad'. See if there's a colloquial way of saying 'yes' and 'no'; a lot can be signposted if your character says 'nah' rather than 'no', or 'aye' rather than 'yes'. A character saying 'couch' is inherently coded differently to one who says 'sofa'.

The reasons that writing accents phonetically is Generally Ill-Advised, In My Opinion are as follows:

quite simply, you're probably not being as clear in conveying the sounds of the accent as you think you are. Taking JK Rowling's work as the best possible example of this, her attempts at writing a Cockney accent phonetically come across like someone is chewing a mouthful of cheese curds and struggling to contain them. There's no consistency, no proper understanding of how to transcribe syllables into writing in a way that coherently conveys the accent she's trying to portray. I mean this so seriously, but what the flying fuck is: 'Well, 'e 'ad these 'ead pains and 'e was def'nitley nervous. Depressed maybe.' It's a crime, is what it is.

it's just plain hard to read. Trying to wade through sentences full of apostrophes and elision, parsing what's actually being said, gets tiresome. It asks the reader to do work that you're actively making harder for them. And that's not always a bad thing! Making readers Put Some Fucking Effort In can be very fruitful! But do you really want them to be struggling to understand every single thing that your Character B is saying for 350 pages?

which leads me onto the last point, and the most important in my mind: writing out accents like this always, always affects accents that are already in some way Othered. They're either racialised or working class, or associated with certain local regions that have negative stereotypes - think the deep South of the US, or the Welsh Valleys. They're never the 'default'. And this raises thorny questions about what the default is, what the standardised accent is, the accents that do and do not merit differentiation from the norm. You're relegating Character B to being hard to read because he's from, idk, Sunderland. You've decided that he isn't speaking 'properly', and therefore the reader needs to understand that other people think he's speaking weirdly. That, to me, is the principle issue. Because returning to JK Rowling (a sentence I hoped never to type), the only characters who speak like this in her work are working class, or they're from other countries. They're never from, you know, Surrey. Wonder why that is. And it's easy to be glib about it, but I do think it reifies class and regional boundaries in a way that's ultimately harmful.

This isn't to say that there's never a place for eye dialect in writing - Trainspotting, for example, wouldn't be what it is without it, and there's definitely a different conversation to be had when it's your own accent and you're making a deliberate point about identity by differentiating through eye dialect - but I think that the blanket assumption of 'oh shit, my character is from Ireland, I'd better type that out phonetically!' can actually be both damaging to your writing and to your character representation, and I think that instead doing the work to really understand the vocabulary, speech patterns and unique aspects of a language or dialect always makes a work feel more authentic and lived-in.

To wit, less of this shite:

There’s mony a slip, an’ I’m no losin’ sight o’ any o’ my suspectit pairsons, juist yet awhile. (Peter Wimsey, if you were wondering, and yes, that's supposed to be Scottish)

and more of this:

"Are we straight so?" "Aye, we're straight," said Jim. "Straight as a rush, so we are." (Jamie O'Neill, Irish, from At Swim, Two Boys)

*objective determination made via a sample size of one: me, in an elaborate hat.

[mangled-by-disuse]

in happier pride news i actually found this deeply heartwarming

that's solidarity baybeeee

[lgbtlaughs]

Further context: Durham city council (Reform UK) cut funding and support for Pride. The Durham Miner's Association and other trade unions raised enough money for Durham Pride 2026 to go ahead - a direct call back to when Lesbian and Gays Support the Miners (LGSM) raised money for mining communities when Margaret Thatcher seized union funding during the miner strikes of 1984-85.

At the 1985 Labour party meet, the motion to support LGBT rights as a party was passed due to a block vote from mining unions.

Stephen Guy, the chair of the Durham Miners’ Association, said that when it became apparent Durham Pride was under threat, he took it upon himself to “encourage the trade union movement to step up and do the right thing, and stand shoulder to shoulder with the LGBT+ community […] They not only raised funds for us, but came to our communities, uplifted our spirits when they were down, and showed their solidarity.”

[manuciruja]

awww the like button turns into a rainbow when you press it! that's so cute...hey staff what's with all the trans women you keep nuking?

[manuciruja]

i think we should be ridiculing them more for this. you don't get to try and go all "queer website" when your staff likes to go on nuking sprees targeting the trans fem users

[smadsel]

would be remiss not to mention that the rainbow notably straight up just removed the trans flag colors from it. like they’re gone. it’s the progress flag minus the trans flag colors.

[smadsel]

that’s not the whole flag, now is it

[manuciruja]

hey staff what the fuck

[villainessbian]

hey staff don't you think you're being too on-the-nose

[shrodingers-catgirl]

HEY STAFF DONT YOU THINK YOU'RE BEING TOO ON-THE-NOSE

[teaboot]

My mom likes to tell me about how when I was a little kid riding public transport with her I'd always smile and giggle and chat with weird old ladies who smelled like cat pee and homeless folks and strangers dressed in bizarre outfits but any time a tidy and respectable businessman in a suit and tie waved at me I'd immediately clam up, and she takes a great deal of pride in my supposed inherentability to clock personalities but the truth is I do vaguely remember those bus rides, and it was never about the clothes or the hair or the smell, but more because everyone "strange" asked interesting questions and listened to what I had to say and seemed to think about what I said while the neat and tidy and rigid folks only ever acted like they were going through the motions, which was boring as hell and also pretty annoying

[teaboot]

Well-to-do finance manager with tidy shoes: "Why hello, sweetheart. Can you say 'hi'? Aren't you cute. Are you on a trip with your mom?"

4 year old me: why must we do this

Fantastic old woman in the leopard print coat: "Why yes, my tooth IS real silver! Nobody ever asks me that. Do you like cats?"

4 year old me, suddenly paying attention: Finally, A Person Of Intellect

[daisywords]

not everything in a story has to or should be "realistic" but in my opinion there's a level of illusion that should be maintained, and I think that's the actual problem that many people try to pinpoint with the "unrealistic" criticism. Dialogue shouldn't be written like an actual transcript of human speech, but should contribute to the illusion of a real person speaking. A character is a tool of the story, not a narrative, but we're trying to maintain the illusion that they are a person. Worldbuilding should exist to serve the story, not to be a perfect simulacrum of how every aspect of nature/society etc. would actually play out for real. But there should be the illusion that it could be real, that organizations and systems would operate in such a way, that people might behave in such a way.

in conclusion: "Is this realistic?" <<wrong question. "Does this serve the illusion or disrupt it?" <<now we're talking

[arcade-confetti]

The no kill rule exists because the bats absolutelyy could not be trusted. Have you seen these guys. They think theyve pinned the culprit and its the wrong person all the time. Jason would be dead so many times over if they were fine with active killing. Which doesn't work as an argument because that's actively what Jason wants. Is the no kill rule excuses in canon stupid? Am I absolutely still on Jason's side? Yes to both. But like. Bruce? I would not trust Bruce to kill. I do not think he's good at gathering all the proof before making his judgements. Honestly it'd work better in his favor if the explanation "I can't be trusted with that" rather than "I'll kill literally everyone ever" "Killing even once makes you evil and irredeemable forever". It especially is good because it fits in with the fact Bruce Absolutely used to kill. Like not even just in the golden age with a gun or whatever I mean in like the literal 80s comics where Jason was Robin featured Bruce killing people and had killed people before which hurts ALOT of arguments for the no killing ever rule and the weird untainted murder virginity thing they're on about

The Joker should still die though. Like. Despite that. He's not Some Guy killed due to jumped conclusions. He is the Joker. Except of course if this ever happened it'd be revealed the Joker they killed Actually Was Just Some Guy who was forced into thinking he WAS the Joker and he actually was a doctor with a wife and five children and two dogs and he'd been a saint who'd been making leaps and bounds on work to destroy cancer. Still stupid to argue you can't kill Joker to Jason with that in mind though. He has in fact killed several Jokers. Joker natural predator. And we all agree of course that this is comics and making them kill The Wrong Guy is a stupid cop out and plot and I hate it forever. Anyway. Where was I going with this.

[arcade-confetti]

Jason is the bat I trust to kill the most and I don't actually think the others should be open to killing for themselves because i don't trust them with that option on the table. and they likely know they cant trust themselves which is why it's avoided.

I prefer this vastly over the murder virginity idea and how killing taints your soul forever so lets retroactively make it so Bruce has never killed ever even once

Jason can be trusted to kill i trust him

Joker should still die no kill rule or not. If Jason sets up a Joker murder trap it's fine you can trust that's the guy. You can generally always trust that's the guy in the eras we work with

[ballroomnotoriety]

dialing sir terry pratchett up from the afterlife to shake him because i just learned that a cwm* is a valley enclosed on all sides by mountains

*from the welsh word for valley, pronounced "koom"

[echoesofsense]

everyone's putting this in the tags but this deserves to be raised to text

#a man is not dead while his horrible puns are still tripping people up

[drempen]

It's like when you go to Antarctica and have to get your appendix removed

[likemymask]

#project hail mary#phm movie#IM SORRY#ITS LIKE WHEN YOU GO WHERE AND HAVE TO GET WHAT REMOVED???

@lickmycoffeecup this is only a thing you have to do if YOU are going to be the doctor going to antarctica on an assigned mission/overwinter stay on station. once winter sets in on antarctica you are there until Winter Is Done. appendicitis is a fucking medical nightmare, and there is usually only one doctor on station. it is not fun to do surgeries on yourself, no matter what some surgeons tell you.

just because Leonid Ivanovich Rogozov did his own appendectomy while there is not a reason to repeat the experience. (we are not going to talk about Evan O'Neill Kane, that is an entirely different vibe)

Jerri Lin Nielsen had to do her own breast cancer care, including self surgery in antarctica because she was the attending physician.

[weltenwellen]

Margaret Atwood, from “Corpse Song”, Selected Poems: 1965-1975

[uss-edsall]

At 1 PM on a Friday I get an email from my boss. I'm busy as hell so I don't check it immediately. Then I get a phone call from my boss, which has almost never happened before. I'm a white collar worker, a historian. There's never a 'historical emergency' requiring a phone call to kick me in the ass and get to work.

The request is so urgent my boss needs it by the end of the work week. Which, y'know, is 5 PM on a Friday. So I have four hours to do it.

It's a forwarded request. Somebody contacted a member of the donation team asking for help, "I need a map from the Vietnam War to use for a presentation." It's somebody she's trying to coax into giving a five figure donation to the museum.

The request was asked to the donation team member, who then emailed my boss, who then emailed and called me urgently.

This map required:

North and South Vietnam in it

All four areas that South Vietnam was divided into for military purposes ('Corps') clearly delineated

Four cities, all of them horrifically misspelled, and only identifiable because I know what battle the requester is asking about (it’s in III Corps on the border with Cambodia) (the requester danced around the battle but I’m knowledgeable enough to identify it)

Has Laos and Cambodia in it

Has the Ho Chi Minh Trail in it

So. I was mad about the 'you have literally four hours to find a map with a lot of requirements.'

I was then mad at myself about finding a copyright free map from Texas Tech University within half an hour, proving her right for asking me to do it.

Then, after I found a map that perfectly met the requirements, I was equally amazed, baffled, and horrified when I read further into the forwarded email chain.

The donation team team member they were speaking to used AI to generate a map.

The above put half of North Vietnam in South Vietnam, made the Ho Chi Minh Trail a country, made 60% of Cambodia part of South Vietnam, put the DMZ extremely high up in North Vietnam, completely disconnected the southern tip of Vietnam, misplaced all of the Corps zones, etc etc

At the very last second the donation team member had a moment of divine clarity, remembering there's three historians on payroll to ask for this kind of thing from. So she contacted my boss while saying, "I had fun with this, but I decided I should check for accuracy before I send it to the donor! I need a fact check by the end of the day, then I send it"

My boss, while not the most knowledgeable on the Vietnam War, does know her geography. She took one look, and knew it was so off she called me to tell me how urgent it is that I look at the email and respond

good fucking god, jesus tap dancing goddamn christ, I'm glad I was asked to look at it and then find a real map

[the-murmuration-project]

My fear has never been that AI would replace human intelligence. My fear has been that the people who Know Things and the people who Make The Decisions are almost never the same people.

We’re throwing real intelligence out on the street to starve while worshipping the shambling Frankenstein-ed corpse of knowledge puppeteered by those who see us as disposable assets.

[the-semicolonoscopy]

It’s Pride Month Eve, so leave out some milk for Freddie Mercury and his cats.

[the-semicolonoscopy]

Annual reblog of Freddie and his magnificent cats.

[tumbalendar]

happy Pride Eve!

[havendance]

Anyway, I know that a lot of people here on tumblr do not actually buy comics, but I do want to encourage people to think about what you can do to support DCBlackout. I know that I am not a person who's purchases drive metrics at DC comics. I only put in a preorder for comics once in a blue moon, I read digitally, and I buy collected editions, but yesterday I canceled my dcui subscription and while the boycott continues, I'm not going to renew it. While I'll probably still get dc comics through second hand sources here and there, I'm not going to buy any new comics from them either.

There should be more opportunities for black creators at DC and there should be more stories for characters like Nubia, Steel, Vixen, The Signal, Mr Terrific, everyone from Milestone and more.

Even if you're not a comics buyer, you can still sign the petition and you can share your favorite independent comics from black creators. I'll start: Everyone should read Prince of Cats by Ronald Wimberly.

Try and seek out new works and expand your horizons. That's what I'll be doing.

[strongermonster]

i'm helping out at a creative writing workshop for uhhh i think 10-12s? 10-14s? idk. but that age range. and anyways

a) i forgot how fun this is

b) it's really hard not to like, re-write for them and stick to just "hey add descriptions here, change this grammar, really cool ideas!" bc i'm an adult and not trying to talk over/railroad these kids, but i'm just so excited for their ideas!!!

c) little boys write cool stuff like "what if we went to mars but it sucked so we left, but left behind all our technology and the technology rose up and created its own society and then went to war with us for abandoning them? what if transformers had 100x the war crimes? what if the earth blew up. what if we were the robots all along?"

d) little girls out here writing like "aunt melanie's skin was sloughing off the bones as her beloved dogs tore her apart, turning on her in blind animal instinct. the second she stopped providing food, she became food." and a lot of body horror and dark themes about group pacts and betrayals and ritualistic murder/sacrifices. like a lot

[strongermonster]

me, turning to the teacher who is also doing this: hey so, i'm personally really cool with the tone and direction these girls take, but is any of this? how you say... a red flag?

teacher: little girls have really rich inner lives to combat the way they're puppeted by society in real life. they'll learn to censor it out in a couple years, but it doesn't go away.

me, who was also a weird little girl who phased in and out of weirdness depending on social settings: nice.