house study
I'd rather be in outer space 🛸
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Jimmy Eat World
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Monterey Bay Aquarium

roma★
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The Bright Sessions
TMBGareOK. The Official They Might Be Giants tumblr

#extradirty
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taylor price
🩵 avery cochrane 🩵
sheepfilms
KIROKAZE
noise dept.
hello vonnie
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Interview Vampire Daily
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@liquid-crystal-gay
house study
*meows loud as fuck to no avail*
I went digging to find the source for this precious animal, and tracked it down to tttttmaggie on little red book/xiaohongshu. What a cat of all time!
panels from Manuel by Rodrigo Muñoz Ballester, 1985
⋆。°✩₊ a mail delivery to space ⋆。°✩₊
print available here!
Ink floofers 👀 Prints
i'm thinking a lot about the permeability of the soul and really chewing on like, how this knowledge retroactively impacts and changes the way one can read characters' actions throughout all the books so far. and that's interesting to me, because I'm not sure it's as simple as character X's behavior being retroactively revealed to be due to the soul of character Y. because like...
of COURSE we impact each other. of course when we brush up against each other we bleed. we leave things behind. but at some point, when does that stop being someone else, and start becoming just another part of you? the body of theseus. the soul of theseus. are you the same person as you were when you started this, even though everything has changed? is the Augustine that entered the stoma the same as the Augustine that woke up on the first day of the Ressurection, when it was only the newly re-born sun, and him, and John?
and I mean, no, obviously. So much has happened since then. But Augustine has been Augustine-and-Alfred for thousands of years longer than he was ever only Augustine. Same for Mercymorn-and-Cristabel, same for Cytherea-and-Loveday, same for G1deon-and-Pyrrha, same for John-and-Alecto. and like. the soul of theseus, you know?
Is the Cytherea Loveday who died at Canaan House the same as the Cytherea Loveday who woke up that day after the Lyctoral Ascension, on the first day of the rest of her life? After 10k years are the actions of Cytherea Loveday truly dissectable as Actions-of-Loveday vs Actions-of-Cytherea, or is she just one person, being bled all over by another until they are no longer distinguishable? How much of someone taking on another's mannerisms is because of soul entangelment versus the human visegrip of grief, desperately holding onto anything and everything you can, remaking the person you love in your mind until they are more yours than they ever were themself?
and I'm thinking again about Paul, and how maybe they just skipped to the end. Maybe all lyctorhood is, is damped oscillation, in which the end point between two extremes will always trend to 0. and Paul makes it so obvious, you know? Pal and Cam DIED that day. they did it, it's done, Paul is risen.
but when Ianthe Tridentarius killed Naberius Tern, did she not also kill herself? when she ascended as Ianthe The First, she became someone new. Ianthe Tridentarius is as dead as Pal and Cam are. as dead as Naberius Tern. as dead as Alfred and Cristabel and Loveday and John and the entire goddamn earth. trending twoards 0. thinking.
A study in panel borders: Inspired by this awesome post about making comics quickly, I took a look at some comics I own to get some sense of different kinds of panel design choices.
I came away feeling like I’d learned a little less than I’d hoped, but here are some takeaways:
* You can get away with smaller panels than you think * Extremely weird comic panels CAN work, but when it fails it looks painful and forced. * Simple is not bad. * There are actually a LOT of possible combinations.
Specific notes:
Scott McCloud uses a 4x3 sliceup of the page, and it’s four VERTICAL slices and three HORIZONTAL ones, which is weird because it makes the panels, on average, LESS square. This works with the particular comic really WELL though, because he draws himself in closeup, talking, a LOT.
DAR and Narbonic both are webcomics mashed into book format, but both worked surprisingly well as page layout in the end.
Blacksad is REALLY variable and the page layouts are hand-crafted on a per-page basis. No speed gains here, but perhaps a message that full custom has its place.
The Resonator is fairly formal but never *too* rigid with panel choices. Lots of narrow or tall panels, which works as a way to alternate between big establishing shots and dense dialog. Very tall panels for single speaker, long ones for two-person dialog or to combine a lot of text and visuals. In general, Resonator is print-native and has TINY text…
Ultimate X-Men is a fun read but the panel design is a disaster. Almost none of the choices of graphic design work at all. Occasionally an establishing shot hits home, but in general the layout is trying WAY too hard.
Watchmen. Formalism raised to the ultimate. It’s precise, it’s a 3x3 grid, it’s piss-on-a-plate-with-no-spills precise and that’s fine, for two reasons: one, everything is about time, and two, it gets the panels the hell out of the way of the story.
Augustus is an example of what Ultimate X-Men was trying to do, except it succeeds. Lots of variation, but on average very orderly. Kind of strikes me as the sort of thing you “have to be GOOD” to pull off well.
I got a laptop with Windows 11 for an IT course so I can get certified, and doing the first time device set-up for it made me want to commit unspeakable violence
Windows 11 should not exist, no one should use it for any reason, it puts ads in the file explorer and has made it so file searches are also web searches and this cannot be turned off except through registry editing. Whoever is responsible for those decisions should be killed, full stop.
Switch to linux, it's free and it's good.
u r absolutely right I have SO many complaints about Windows omg.
For anyone who'd like to follow along, I'm gonna share how to get around those things with group policies bc they're more user friendly and descriptive than registry editor imo :3 I'll also show how to get around needing a Microsoft account to get setup.
For the Device Setup
"OOBE" stands for Out Of Box Experience which is what that setup workflow is. But it also happens to be a folder with a little program in it that'll let you skip connecting to the internet; this makes it so you don't have to sign up with a Microsoft account and can just use a normal local one instead. And it already comes preinstalled! Here's how you get to it:
Hold Shift + F10, or Shift + Fn + F10 depending on your keyboard.
Click inside the window that pops up, type the following and press enter afterwards to run it: OOBE\BypassNRO
I believe it should restart your computer automatically, but if not then restart your computer or type: shutdown /r /t 0 /f
Now when you're brought back to the setup workflow, the page where you connect to the internet will have a new button on it that lets you say you don't have internet. Clicking that and proceeding through the rest of the setup lets you get around the Microsoft account thing.
Group Policies
You don't have to know much about them, these are just a bunch of specific settings for what your computer can or can't do that lets you decide how it works in different ways.
I'm gonna show you how to turn off the recommendations and internet stuff basically. For now bring up search and type gpedit, pick this
It'll open up to Local Group Policy Editor and we can get started :3c
Start Recommendations
In the side menu, go to User Configuration > Administrative Templates > Start Menu and Taskbar. Click on Settings to sort them with all the "Turn off" ones bumped to the top.
Here's what you should set:
Turn off user tracking: enabled
Turn off feature advertisement balloon notifications: enabled
Remove Recommended section from Start Menu: enabled
Remove Personalized Website Recommendations from the Recommended section in the Start Menu: enabled
Do not search Internet: enabled
Windows Spotlight
Back in the side menu, go down to Windows Components > Cloud Content
Turn off all Windows spotlight features: enabled
Do not use diagnostic data for tailored experiences: enabled
Cortana
In the side menu, this one's back at the top under Computer Configuration. You're gonna want to go to Computer Configuration > Administrative Templates > Windows Components > Search
Allow Cortana: disabled
Don't search the web or display web results in Search: enabled
News and Interests
In the side menu go to Computer Configuration > Administrative Templates > Windows Components > News and interests.
Enable news and interests on the taskbar: disabled
Microsoft Account Login Nudges
When you don't use a Microsoft account they'll nudge you repeatedly to sign in so you can "get the most out of your experience" *gag*. The group policy for turning that off has a note that suggests it might not work with Windows 11 though (implicitly), so you can close the group policy editor window now and for this last one let's just open up the regular settings.
Go to System > Notifications > Additional settings, then uncheck all the boxes. And there ya go! (✿◠‿◠)ノ u are done.
Group policies are kind of a rabbit hole so while there is a lot more you could change or read into, for your own sanity's sake I would advise against it and say call it a day lol
This is all extremely good information, thank you very much for the addition!
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Demon pOsum 👹👹👹👹
Kitten Apprentices VS Clown Kittens
Kitten Apprentices assist fully fledged wizards with daily tasks and are magical in nature. They wear patterned party hats with frizzly sparkly pompom toppers. Ribbons or bow ties adorn their necks.
Clown Kittens are entertainers and mischief makers! They have no boss unless they are attending clown school and honing their craft. They wear patterned party hats with a soft puffball topper and wear their clown collars with pride.
The strange and surreal furniture by Korean designer/artist Lila Jang.
Bedtime.
hm actually i made a joke poll like this a while back but now im genuinely curious
assuming any disabilities are accommodated for and you have enough leisure time for art and hobbies, what job could/would you do on the leftist commune?
food production (farming, hunting, harvesting, etc)
food preparation/processing (cooking, baking, cleaning, butchering, etc)
construction trades (carpentry, engineering, brickwork, etc)
infrastructure trades (plumbing, electrical, water, etc)
sanitation (trash disposal, cleaning, etc)
restorative justice (counselling, conflict resolution, addiction support, etc)
medical (first aid, surgery, medicine production/distribution, etc)
other production (textiles, furniture, tools, etc)
something else (share in the tags!)
disability would still keep me from working
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”
“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”
“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”
The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”
Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”
“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”
Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”
“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?”
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer.
“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”
“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”
“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”
“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”
“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.
“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.
“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”
“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.
“His name was Arepo,” it said, “He was a sower.”
Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.
“Bury him,” the god said, “Beneath my altar.”
“All right,” Sora said, and went to fetch her shovel.
“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”
Sora sat back on her heels and looked at the altar to listen to the god.
“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.
“I think you are the god of something very useful,” she said.
“What?” the god asked.
Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”
Generations passed. The village recovered from its tragedies—homes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.
The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.
He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.
So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the god’s work on his dying breath.
“Hello, God of Every Humble Beauty in the World,” called a familiar voice.
The squinting corners of the god’s eyes wept down onto curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year mutism.
“I am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,” Arepo avowed, soothing the other with every word.
“That’s wonderful, Arepo,” he responded between tears, “I’m so happy for you—such a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? You’ll be adored by all.”
“No,” Arepo smiled.
“Farther than that, to the capitol, then? Thank you for visiting here before your departure.”
“No, I will not go there, either,” Arepo shook his head and chuckled.
“Farther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,” the elder god continued.
“Actually,” interrupted Arepo, “I’d like to stay here, if you’ll have me.”
The other god was struck speechless. “…. Why would you want to live here?”
“I am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.”
I reblogged this once with the first story. Now the story has grown and I’m crying. This is gorgeous, guys. This is what dreams are made of.
This is amazing!