cant finish anything… go my scraps……
NASA
Keni
Lint Roller? I Barely Know Her

Kiana Khansmith
untitled
One Nice Bug Per Day

Product Placement
TMBGareOK. The Official They Might Be Giants tumblr
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titsay
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ojovivo
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PR's Tumblrdome
Xuebing Du
Misplaced Lens Cap
todays bird
🩵 avery cochrane 🩵

@theartofmadeline

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@lonely-traveller
cant finish anything… go my scraps……
No lighting version with the local colors cause I loved her color palette too much :, )
Discussions on Wick's sexuality on the timeline, can I just say the funniest thing about Sam saying he didn't know if Wick is straight or not is that it implies that there is a world where Wick is completely straight.
Meaning in that world everything Wick has said about Teor is pure platonic admiration of his masculinity. Which is honestly funniest reading of Wick's character I can think of.
Survivors of the Golden Orchard
another photo from our Julien and Aranessa shoot a few months back. I'm being so good and well behaved in not just mass posting these photos.
enjoy the tragedy and yearning.
Aranessa Royce & Julien Davinos
and our incredible photographer
Do you think he misses her? 🥺
…Cause I miss Juliens haste mode, he was entirely too OP
I had to follow up Aranessa’s portrait with a sadboi Julien companion piece, it just felt necessary lol
In the wake of Darktow I am once again thinking about the Dwendalian family, specifically with respect to Caleb. Rather than actually breaking free from Volstrucker conditioning, which frames family as an effectively Volstrucker-Empire concept, Caleb tries to reenact an idealized version of the family through the Brenattos. This leads to him being upset and uneasy whenever that structure is threatened - especially by his own potential inclusion and Veth’s attempts to not be defined solely in the “mother” role. The rhetoric of the Volstrucker - and of Ikithon - is based around the Dwendalian nuclear family as the correct and integral unit of society, phrased most clearly by Astrid in c2e89:
But I also know the reason that we get to sleep, every night, in a comfortable inn bed, or in a manor, as do the many families and children just like we were, just like the families we once had that don't have to make the choices we did. They still get to live, happily and comfortably, because the few, the chosen few, made the hard choice, and do what few have the will to do.
The nuclear family is framed as the natural unit of society: mother, father, their children.* The Volstrucker, in order to become Volstrucker, must cut themselves out of their family units (quite literally) and become the "chosen few," forever isolated from those structures in order to protect them; and they do so specifically to protect and reify those structures.
They do it in order to serve Civil Influence - and we know that the role of Civil Influence is to stabilize Dwendalian society, keep down rebellion, and protect the Crown and Assembly from populist uprisings. They kill traitors, but they also enact this through the rhetoric of the nuclear family. "Do you have the strength to protect your homes? Your families? Your country?" (See Caleb's Origins comic.) Ikithon frames the Volstrucker as a barrier between "civilization and chaos" in the same breath that he invokes the family as the base unit of that civilization. It is their will that preserves the country through preserving the family: even as they destroy their own to better serve. They don't have their own nuclear families anymore, so they spend the rest of their lives enforcing that structure on the people of the Empire.
Their function is to reinforce the very unit that they are forbidden access to. It positions Volstrucker as individually worthless (because they cannot participate) but societally necessary for the continuation of the Empire - in its base unit formed around the nuclear family. The family is the Empire, in microcosm. And yes, Caleb leaves, helps tear Ikithon down. But he never gets rid of that construct of society and of his role in it in his head. He's done something - he's part of a (damned) chosen few - who can and will never be able to participate in society because it is structured around family; and, having murdered his own, he acts as though he is obligated to protect the nuclear families of others. Specifically? Veth Brenatto's. I'm eliding a lot here. There's great meta on the topic. Suffice to say, Caleb is obviously and repeatedly torn between wanting Veth to stay with him and protecting her nuclear family of her, Yeza, and Luc throughout the campaign and post-campaign. Liam has said this is at least in part due to seeing Luc as like a younger Caleb/Bren ("that's me, that's a little boy in the Empire" - Talks Machina 157); he acts as though, by keeping Luc's family together, he can rehabilitate his own relationship with his broken, dead family. So we come to the Brenattos in Darktow - and specifically, his automatic rejection of Veth including him as a parent, even jokingly, when speaking about her new son Bren-Bren. She jokes that he's like a first time parent, and then amends to STEP-parent. It's Caleb who cuts her off and offers godfather in exchange. A stepparent is a parent - having one would mean Bren-Bren has three parents, who are at the time of writing living together and sharing full-time care for a child. A godfather is a trusted outsider to the family unit - and the person a child would go to, if their parents were both to die.
Caleb rejects the label that would imply any kind of aberrant nuclear family structure: no additional parents, no marrying in, no significance beyond "teacher" or "godfather." Even if he is acting as a parent, he cannot be one - in the same way that, despite his clear desire to remain with Veth, he gives up and resolves to content himself with the "memory of being partners at a certain time of [his] life." (Beau, c2e68). But he also won't leave! He can't detach himself from the family, but he also can't allow himself to be a part of it. It remains incredibly significant to him, while being forever and definitionally beyond his reach - because to accept that label would mean both integration into a fold he believes he has lost the right to access, AND it would destroy the image of Veth's nuclear family (mama, papa, son, baby. No wizard; no third parent; no Volstrucker).** Even when she's the one who offers.
He also panics over the idea that Veth might disrupt the structure of her family herself. Veth struggles with this herself - her persistent desire to adventure, steal, and otherwise cause chaos is strongly at odds with the obligation she feels to her family.*** In the Darktow show, when she expresses a desire to adventure, he asks if she's sure, because "a boy needs his mother - Bren-Bren needs his mother in his life." He wants Veth with him; but he can't stop objecting to her joining him because of the danger it would put her in, and thus specifically her child at risk of growing up without her. The perceived risk is of the disruption of the family that he actively cares for and tries to protect just as much as it is to Veth's own life. Caleb regards her as a dear friend and a life partner, and respects her choices - but he also can't quite shake that her role in the nuclear family is "mother," and his own complicated beliefs tied up in that.
And to add to all that, Veth named the kid after the version of Caleb he believes in as an innocent child. Surely that won’t cause any more problems.
tl:dr: Caleb defines himself out of nuclear family structures (specifically: the Brenattos') while simultaneously holding them up as both meaningful and idealized due to the indoctrination around "family" he received as a youth equating it to the basic unit of societal good. Rather than break the conditioning, his guilt causes him to try and re-enact a "healthy" version of a structure that does not benefit the people who live within it.
the flippant version of this post was: caleb, seeing a talented young boy at the center of a Dwendalian nuclear family: ah. easy. this one, I will just not set on fire :)
I've seen a lot of posts about how Julien pretends not to care but clearly cares about Occtis, which is very delicious, but I also think Occtis' whole "I am tired of pretending I give a shit about you" thing is equally fascinating. I can't stop thinking about how right before that he says, "I am tired of trying to placate your anger towards me. I am tired of trying to do the things that I think you want me to do so you'll stop trying to kill me." Occtis, as has become very clear, was abused growing up, and probably learned to do exactly that - placate people's anger, do the things they want him to do - to try to avoid the abuse. That could be a whole other post but I think it's really interesting that he snapped and said that to Julien. He's afraid that Julien is going to hurt him, maybe even kill him, presumably because of him being a Tachonis. I wonder if that had anything to do with him asking Julien not to kill Koral - he was desperate for proof that a member of his family didn't despise him, but I wonder if any part of him wanted to see if Julien was capable of forgiving a Tachonis enough to let them live. And all of this after Occtis saying that only two people care about him and Julien not saying anything to contradict that. I don't think Julien is the only one trying very hard not to care. I think Occtis is terrified of caring about other people he is not certain already care about him (Thaisha and Thimble) because he's terrified of being hurt (again), so it's a whole lot easier to tell Julien and to tell himself that he doesn't give a shit. But like Julien, he certainly didn't act like someone who doesn't care - he jumped right back into his family's house to save Julien when his shadow dragged him back. Two people who are starting to care about one another and refuse to admit it because they're terrified of caring and I think that's very fun.
A quick sketch just because Essek is so cute🥰
Wanted to sketch Murray’s room)
Games from older consoles are being made less and less available to the point so much of the industry's history could easily vanish without
Preserving classic videogames from consoles past.
I'm just gonna slide this on in here for anyone that is interested in preserving old games. They take it very seriously too, they want an archive of every single game. Like, they have lists of every game ever released for a system, and once that system gets old enough, they add it to their archive and start collecting. Their latest addition was the Xbox 360, they opened that vault up in September 2022, and proudly announced they'd finished their collection of games for it back in April.
Also, while their game archives are almost entirely complete, they've got another project of archiving the manuals that came with those games, and that is... considerably less well filled out. Their collection of Xbox 360 manuals is especially rough, they've only gotten manuals for three games. So if you've got some Xbox 360 games kicking around, and the manual's still with them, please consider scanning them and submitting them to the site!
Game preservation is important, but people rarely consider preserving the manuals as well; I really respect Vimm's Lair for being so thorough in their archival work.
I've been using Vimm's Lair for years, I have yet to see a single bad link or virus on the entire site. It's arguably the safest and most comprehensive archive of video games in existence. Preserved history
Aramán’s little soldier boy
i spread like strawberries i climb like peas and beans 🫛
I could have never imagined in my life that I would illustrate official Mighty Nein Art for Critical Role, what a huge honor...
LET'S GOOO ♥️🫶
i'm finally getting caught up on cr4 e31 and man. the clear influences of the player's real life culture in their characters (and in the worldbuilding in brennan's case) is amazing and adds such a richness. like thaisha is so clearly influenced by like. black american folk culture Especially with the orcish revolutionaries. idk if liam is irish but he's at least running with a lot of the irish american working class stuff brennan injected into the world in terms of the hal and the culture of the round. and azune's whole bit about not having anyone to speak his native language to and his disconnect to his own identity (diaspora narrative). i Love when real world cultures are reflected in fiction it's so good.
#and what Robbie is doing with Katt seems to be very much exploring the unchecked violence against native women and children in the USA
oh fuck you're right. you're totally right that's exactly the allegory.
@hemisphaericas hope it’s okay to save your tags, Rose, they’re very very good!!!
campaign 4 stands out to me for its absolutely GLORIOUS pacing. it’s like reading wheel of time!! like a juicy buildup in an obnoxiously long song!! splitting the tables was a goddamn genius decision, because you know what always gets fucking ignored in fantasy media?? TRAVEL!!! which is crazy because lotr being the blueprint should make it obvious that an arduous physical journey is crucial for fantasy worldbuilding. anyone can dream up a cool fantasy city. you know what i care about?? the roads. the supply chains. the merchants. the ships. the flow of commerce on the land!!
also it gives the characters a chance to interact with horses, another key aspect of fantasy
This is almost definitely me putting way too much thought into a moment that Brennan just did in passing, but it's one that is important TO ME, which is the little moment between Hero and Thaisha in the Archanade during convergence. The one where Hero tells Thaisha about un-petrifying Cyd and says "I've done something Shadia hasn't"
It just speaks so much to the love and support and closeness of the Lloy-Fang-D'vyen family. "I've done something Shadia hasn't" is like, very classic and normal and lowkey sibling rivalry. And she has 0 qualms expressing this to Shadia's mom! She has no fear of being shut down or shamed, she doesn't spare
any worry that Thaisha might be cold to her in response.
And we see that trust immediately born out in the fact that Thaisha laughs and even says she likes this energy! There's no weirdness, it's just warmth.
Hero says it's good to see her. Thaisha congratulates her on being at the Penteveral. This is a family and they are so, so fond of each other.