complain, complain against the dying of the light
Aqua Utopia|海の底で記憶を紡ぐ
almost home

祝日 / Permanent Vacation
Show & Tell

#extradirty
Sade Olutola
occasionally subtle
todays bird

Janaina Medeiros

@theartofmadeline
dirt enthusiast
Stranger Things
Three Goblin Art
Claire Keane
Not today Justin
RMH
hello vonnie
let's talk about Bridgerton tea, my ask is open

titsay
Mike Driver

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@lurkingmerking
complain, complain against the dying of the light
the human brain is so cool, if you're tired and stressed enough, your brain will go, "don't worry, I got you" and shadows will start moving
and what's the genital situation on the shadows
oh this is my post
Lou Sullivan, trans activist (1951 - 1991)
Happy Birthday (June 16) Lou!
He would've been 75 today.
Btw there’s a pdf of Raymond Queneau’s classic Exercises in Style here
Mysterious Skin, 2004, dir. Gregg Araki
The world could be so beautiful
beautiful women will be like “i baked a cake” and you will say “oh ? what flavour is it” and they say well its a honey rosewater apricot pistachio cardamom vanilla fig jam earl grey poppyseed orange blossom extra virgin olive oil chiffon sponge soaked in raspberry elderflower champagne lipgloss pomegranate matcha ginger blueberry cherry blossom magnolia petal almond passionfruit persimmon syrup with whipped amalfi lemon limoncello ricotta goats cheese honeycomb black pepper bergamot lemon thyme lemon balm rosemary chantilly whipped cream cream cheese feta cheese italian meringue frosting . like ok. i want to spend the rest of my afternoons walking around inside your beautiful mind like a garden
Intohimon vallassa (1947) | dir. Teuvo Tulio
AYO EDEBIRI
Before the academy gala by Morgan Maher (October 2024)
ayo edebiri photographed by luca guadagnino for w magazine
Józef Mehoffer (Polish, 1869-1946, b. Ropczyce, Poland, d. Wadowice, Poland) - In the Enchanted Garden, 1903, Color Lithograph on Paper
a great tragedy of this world is that many things that are bad for you also look very sexy. smoking. riding a motorcycle. that crazy shit they did to saint sebastian
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).
I'm so glad people added the appropriate context here. Genuinely, this is one of the most important panels in the history of comics.
my favorite part of this whole thing tbh
The full performance of the German Narziss und Goldmund musical is on bilibili (it's a playlist, each song a separate video)
德国修道院雕塑家和神父合集共计22条视频,包括:P1012873、P1012874、P1012875等,UP主更多精彩视频,请关注UP账号。
they're very touchy in this version..
This is what having auditory processing issues is like.