True Blood, Truly Breaking Barriers in Media
This is the point argument in which the television series True Blood is breaking hegemonic barriers for media and society. You can find Alison Woods counterpoint here.
True Blood is one show that is finally breaking through hegemonic run media. This show stands as case and point to breaking through gender roles and sexuality, with the added bonus of fantasy. True Blood is a show that not only shows vampires, werewolves, and fairies, it shows them all having sex. The series is based off of a series of novels called The Sookie Stackhouse Novels. Sookie is the main character and is a female lead. Also, there are many different races, and sexualities shown in this crazy yet, wonderful show. We have Lafayette who is African American male, who is also openly gay in a southern state of the United States. That is breaking all the barriers right there alone. There is also a bisexual head queen of the vampire community who rules all the others, in real life she would pretty much be the President of the United States. This show has more than a few breaking barriers of the hegemonic ideals we see today and in the past of this country. It can be quite overwhelming, yet fascinating as to how many representations it can hold in one show alone.
The fact of the matter is this show is based off a woman, Sookie Stackhouse; that alone breaks through many barriers for mainstream shows on television. Women are not often the lead in movies or shows, and if they are they do not have much power. Sookie grows into her powers and becomes more powerful than some of the other characters. Within Rosalind Gill’s article, “Empowerment/Sexism: Figuring Female Sexual Agency in Contemporary Advertising” she stated an article by Michelle Fine (1988) in which it highlighted this new issue that she called, “the ‘missing discourse of female desire’ in adolescents’ accounts of sexual activity. She drew attention to the multiple ways in which sociocultural forces operate to undermine, erase or de-legitimize girls’ experiences and articulations of sexual agency.” This article is showing that sex for women and girls is shown as bad and only pleasurable for men and women are not as sexual as men.
True Blood does an awesome job at showing women’s sexuality desires. Especially with one character in particular, Pam one of the vampires, she runs a bar with girl dancers and was once a prostitute when she was a human. Pam runs with the guys, makes it clear her sexual desires and how she feels about people. She is not only a woman running a business she is also very demanding within her own class of vampires. She is one to keep the men in check. She does not take crap from other men or women and makes it evident that she will do what she wants with you. One quote by Pam is when she gets pissed at Lafayette and says, “I don't know what it is about me that makes people think I want to hear their problems. Maybe I smile too much. Maybe I wear too much pink. But please remember I can rip your throat out if I need to. And also know that I am not a hooker. That was a long, long time ago.” She makes it clear that her outside image should not judge what she is capable of. She may have a man as a maker, but she pushes against the grain more than most women on television today. Women in the media are usually holding traditional gender roles, where Pam is not conforming, but yet standing out.
This reminds me of the article by Kathleen Rowe, “The Unruly Woman: Gender and the Genres of Laughter,” this article highlights what it means for a women to be funny, which is usually classified as overweight, unattractive and a lesbian and Pam breaks through this barrier. She is an attractive, ideal bodied individual woman who talks about grotesque subjects and proves to handle the men’s world and dish it out in an equal manner. Women within this show seem to hold power and can hold their own against the men who may think dominance is a man’s world. Even though there may be men controlling some situations there is usually always a girl there in the situation that is not just a male gaze character, but actually has a voice and a loud one at that. Another queen bee literally is the queen or monarch as they call her, of the vampire authority. Sophie-Anne ruled the vampire authority under Louisiana State, and Bill Compton, Sookie’s lover in the show once visited her before killing her… spoiler alert! In Bill’s visit, Sophie-Anne was pool side with men and women surrounding her home and they were all her sex /feeding slaves for her own doing. This power and dominance over a state and by individual people by a woman is not common in hegemonic ideals of society and definitely breaking gender role stereotypes within power and ruling standards.
Another major step for representations of non traditional roles in True Blood is Lafayette who was a African American male, who also identified as homosexual in a southern community where mainly traditional hegemonic ideals where held. His character is showing a representation for the LGBTQ community and him and his partner in the show Jesus (Latin ethnicity) another barrier breaker; do not always fit into “acceptable” gender stereotypes for homosexual men. First off, they are not overtly high maintenance gays. Lafayette does show a more feminine side in some shots but he is still taken seriously within the show unlike some overtly feminine men in other television shows.
These LGBTQ representations help push through what is acceptable for society and show more of a truth behind this sexuality and there is not only one representation. In Kathleen Battles and Wendy Hilton-Morrow’s article “Gay Characters in Conventional Spaces: Will and Grace and the Situation Comedy Genre,” they sum up the fact that people only like Will on Will and Grace because he is a non-threatening, white, male that happens to like men. This is keeping the LGBTQ community very narrow when looking at the sexuality as a whole and limits the representations. Lafayette’s character and Jesus’ as well show this image that displays the furthest away from a “safe and controlled” representation of this sexuality. Another point about this representation of LGBTQ is that they are not upper class; they are working class just like most of the characters and are not conforming to most representations holding some materialistic, hyper-feminized view.
This hegemonic ideal of white, hetero, upper class male as the societal norm of dominance is being stripped away character by character within this series of True Blood. There may be many conforming ideals in there as well, but for this show it has broken more barriers than any other primetime show on television to date. The difference is within the context, the time period of some of the male characters are from when they became vampires or werewolves, does show a little hegemony from time to time, yet when you look at this series in a broad spectrum, you see that this is what media needed. This “stop at nothing,” and “hold nothing back” trend of a show with blood, sex, eroticism, power and dominance within this fantasy and realistic world shows the ways we could bend stereotypes and traditional viewpoints within our own society. It may not be a real world with vampires and werewolves, but it can be similar to the world we live in and show the many representations that we are leaving out while holding hegemonic ideals still in this day and age.
Pic sources:
True blood logo
Sookie
Pam
Lafayette
Jesus
Queen Sophie-Anne






