Keni
Sweet Seals For You, Always
Misplaced Lens Cap
Aqua Utopia｜海の底で記憶を紡ぐ
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noise dept.
art blog(derogatory)
TVSTRANGERTHINGS
ellievsbear
blake kathryn
Janaina Medeiros
Not today Justin
#extradirty
Origami Around
$LAYYYTER
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oozey mess
PR's Tumblrdome
Three Goblin Art
DEAR READER
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@lyctorgideon
Apparently someone got their car stuck on the light rail tracks at Mt. Baker. For those unfamiliar this is 35 feet up in the air
First test flight of a flying car by Mazda partially a success
I feel like the Arizona license plate should take some place in our analysis of whatever in the goddam fuck we’re looking at here
I like when construction workers spray paint their strange sigils on the pavement
midsummer: if the feudal strictness of your home kingdom can’t give you what you want, try going on an adventure guided by magical supernatural beings
macbeth: but not like that
hamlet: if you’re in a duplicitous violent world, your king and your peers and your girlfriend may lie to you, so only follow the advice of your steadfast best friend
othello: but not like that
as you like it: if you undergo a misfortune that causes you to hate your life in your city, give yourself a makeover and run away to the woods
timon of athens: but not like that
two gents: if you’re in love in italy, you can quickly and easily communicate important information via the verona postal service
romeo and juliet: but not like that
theres a new villain roaming around new york that has all the powers of a tapir. give me an hour or two im gonna go google what the fuck tapirs do ill let you know if we need to be scared
OK it seems if you are fruits or berries this is really really bad news for you otherwise youre fine
has anyone considered that it was probably her house too. where else was she supposed to put her chintz?
awww the like button turns into a rainbow when you press it! that's so cute...hey staff what's with all the trans women you keep nuking?
i think we should be ridiculing them more for this. you don't get to try and go all "queer website" when your staff likes to go on nuking sprees targeting the trans fem users
would be remiss not to mention that the rainbow notably straight up just removed the trans flag colors from it. like they’re gone. it’s the progress flag minus the trans flag colors.
that’s not the whole flag, now is it
hey staff what the fuck
hey staff don't you think you're being too on-the-nose
Had been thinking about this post (which is a fake excerpt from an imaginary narrative written to mock 'tumblr prose'), and how most "no actually this is good" comments are highlighting how the construction of individual sentences is interesting, how some of the language is evocative, how it Goes Hard. Because that post is written badly in a very thoughtful manner that focuses on core structural issues rather than going for low hanging fruit of poor technical proficiency with the written word, it is not bad in the most "obvious" of ways. So I think this is a legit learning opportunity, but also I don't want to dunk on anyone so instead I will just preach to the choir of My Followers.
But yeah like to be more constructive than just going "lol tumblr prose bad", really the issue in Large part that characterizes "tumblr prose" (which to be clear I don't think is a discrete thing and at most is a combination of several writing tendencies influenced by the medium of Online) comes down to the lack of real contrast in Any aspect of narrative construction, and an obsession with being quotable and constantly being at 100% of Going Hard (which go hand in hand).
In that post, the character voice is indistinct from that of the narration, and the characters quote one-liners that look Meaningful as excerpts and are borderline nonsensical as dialogue. There is no more than the faintest, most generic hints of characterization; these people exist as vague concepts to say deep words for the reader. The sentence length has little variation from its staccato beat, and so it is awkward to read and fails to complement the action or accomplish anything with the pacing (save for the slight slowdown when the torturer feels all that damp animal electricity). The timing is awkward and exaggeratedly dramatic. The description is a flowery kind of tryhard visceral and seems avoidant of describing anything too directly ("something dark and arterial" where there's nothing being accomplished by conveying uncertainty about what is currently gushing out of the injured character and the simple use of "blood splashed across the stones" would actually be 10x more effective), in a way that does disservice to what is supposed to be a torture scene, and leaves it weightless and ungrounded. In fairness to the people saying "this is good", that is MUCH easier to say when reading this fake excerpt as the standalone piece it actually is, but this kind of writing Cannot function in an actual narrative and is not what an excerpt from well constructed narrative fiction is going to look like basically ever.
It reflects a lot of very typical amateur writing issues that just about everyone has to grow out of (the minimal diversity in sentence length, simulated non-attention to scene pacing and timing), and issues common to fanfiction-influenced writing on social media (allergy to paragraph lengths of more than two sentences, little to no description of the characters or setting because, in fanfiction, the reader already knows their physical characteristics and mannerisms and it doesn't need to be lingered upon, Unlike In Original Fiction). But this particularly hits on an issue I think is semi-unique to narrative writing in the social media milieu, which is a focus on being quotable. This may not even be a conscious impulse at all But It's There. This kinda apparent terror of any moment not being as beautiful and hard hitting as possible (or for comedy, any moment not being A Joke). Everything "Goes Hard", so nothing actually does. A lot of "tumblr prose" type writing is less a narrative, more a string of quotes loosely assembled into narrative that vaguely gestures at things like Plot and Character. It substitutes depth for Suggestions of depth by utilizing stock symbolism without building it into the narrative, and by gesturing at weighty contexts without actually engaging with them. There can be little contrast or effective use of tone, pace, description when your story is a series of Hard Hitting Quotes.
I'm reading Watership Down right now and I think it's a great novel overall and can work as an example of how important it is to utilize contrast in your writing.
This segment is the lengthy first description of the titular down, which the rabbits are now encountering for the first time:
Adams is slowing the pace here to introduce us to the setting of the next segment of the book. The average sentence length is very long and keeps us lingering in the sensory detail, while still varied and thus smoothly readable. This new place is introduced by simultaneously conveying its physical description in vivid detail and conveying its feeling and character, and getting the most out of every described feature to do so. The thorn trees are "wind stunted". The air is "scented". The language takes on a very flowery character and heavily utilizes simile and metaphor. Woodland is "tumultuous with evening", sunlight filters through grass "like a wind" to the small creatures below, in contrast to laying "like a gold rind" on the hill when seen from a distance. This grandiose description is heavily functional and conveys both exhaustive physical detail and a feeling that this place is beautiful, awe inspiring to something like a rabbit, and full of life, though not without quiet hints of danger. It hits because Not Everything In The Book Is Described This Way. It means something that we're lingering like this and stopping to get a sense of this place on every possible level, and moving away from more direct, simple prose to convey the feeling of the place in depth.
This segment describes the rabbit Bigwig being found caught in a snare:
The prose here here has the opposite approach of the first excerpt. The language is concise, direct, and brutal. It only veers slightly away from the literal to describe Bigwig's voice as 'bubbling out' from his mouth, both conveying that the saliva and blood in his mouth is literally bubbling as he speaks, and implying the unsettling way his voice sounds as he's being strangled. The sentences are much shorter on the whole, as fit for the pacing of a tense and rapidly changing scene, and the timing closely complements the action - "There was a pause" not only conveys That There Was A Pause but interrupts the rhythm of this segment; the moment of uneasy stillness is echoed in the act of reading itself.
The scene this is excerpted from is extremely effective and does in fact Go Hard, it's well constructed in of itself but its effectiveness mostly lies in its place in the narrative. It's the culmination of a long, tense buildup as the reader becomes more aware that something is deeply Wrong about the place the rabbits are in, and the payoff is effective in being blunt and visceral, which hits because Not Everything In The Book Is Described This Way. Nothing about these excerpts are particularly quotable because that is actually not what good narrative writing is about.
the sims will never not be one of the funniest games on the planet
you have to be careful reading too many things that are good/smart/well-written bc then you encounter something that isnt and you get confused like ? why didnt they just make this good ? were they stupid
Canada's biggest labour body agreed to cut ties with its Israeli counterpart
The largest labour organization in Canada has committed to cutting ties with Israel’s trade federation, the Histadrut. A resolution passed at the constitutional convention of the Canadian Labour Congress (CLC) in Winnipeg earlier this month also calls on the Canadian government to support a two-way arms embargo, suspend the Canada-Israel Free Trade Agreement and condemn Israeli settlement expansion. Kevin MacKay, who attended the convention as a delegate from the National Union of Public and General Employees (NUPGE), told PressProgress that, when it came time for the vote, “We had a lot of the biggest labour leaders in the hall lining up at the mic to either speak or show support for the resolution.”
Read more.
Tagging: @newsfromstolenland
this is a cinematic masterpiece
When people talk about all art being political (hard agree) they always talk about the content, themes, etc present within the art itself. Which obviously I get and obviously is a huge part of it. Of course. But I’m personally always struck by the politics surrounding the more metatextual elements of the art; that is, stuff like access to the tools needed for the creation of the art. I mean the literal materials of which an artpiece is made. This is a low-hanging-fruit example but I’m reminded of that Disney adult who tried to claim art isn’t inherently political by being like “I just drew a stick figure on a napkin, is that political? 🤣🤣” & while I think there are multiple different angles from which one could criticize this blatantly pathetic argument, I remember being really struck by like… the flagrant “waste” of implicitly throwaway resources that many parts of the world just literally don’t have and/or that carry with them deeply fraught histories of capitalist labor exploitation and destruction of natural resources. Like. Napkins?? The apolitical canvas that is paper napkins?
