love me. love me. love me.
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@lylathewise
love me. love me. love me.
life is unfair
kill yourself or get over it
and also it's always about claudia. the story remains about two fathers haunted by the memory of their daughter. lestat's music becomes raw and vulnerable and pure when he is haunted by claudia, when he allows himself to think about her again. the entire album is being rerecorded because of claudia. akasha will awake because of the pain of lestat losing his daughter. the story is claudia.
Headcanon/random thought/mini story of silco and jinx during the timeskip
Ramblings ahead
Jinx is a teen around 15 and shes really forming into her creative side, her artwork IS her. An extension of herself and shes fully figuring this out. Jinx has always used art as a mode of creativity, even as a small child but now shes fully recognising it as part of her identity. Her art skills improved and a signature style is solidified.
Well, silco also knows this and decides as a treat to give her money to explore and buy her own art supplies since up until this point shes just been using her old Crayons from when she was powder.
Basically hes giving her some cash for a solo shopping trip.
Since silco rules the undercity and regularly has shipment trades money is not such a tight thing for him like it is for most zaunites. (Granted he is not rich or well off like the average piltie, but enough so that he can leisurely spend money on others without much or any heavy impact on his financial situation).
So, he hands her a Satchel of coins like we see him hand markus in the show and sends her on her way. She looks at him then the bag of coins dumbfounded and quickly smiles wide and hugs him, taking the Satchel with her and tying it to her belt.
Jinx is a little confused at first since randomised gestures of kindness like this is perplexing behaviour for a man like silco.
She overthinks and ruminates if shes being fobbed off because of a recent previous mishap, questioning if silco actually believes in her capabilities, or if this really is just a genuine act of generosity.
I dont think current jinx would question it so much, shes a little more comfortable in silcos love for her. She understands it a little better and realises his actions as genuine.
But at this point jinx is around 14-15 and while she is aware and comfortable with the fact that silco sees her as his daughter and loves her greatly, she still wonders about the extent to which silco thinks she is "good enough". So here she is wandering through market halls and trinket shops worrying if this is his way of keeping her away from the important grownup stuff...
Shes also surpised to know she is allowed to leave whenever, go wherever and for however long she wants to. Silco has a different parenting style to vander, he keeps her close with his controlling words rather than commands and rules. A more passive approach, but one where he ultimately still 'controls' her in the sense that she feels like she cannot leave because then she will have no one. Silco knows that and so is more comfortable being passive in allowing her to roam and do what she wants; he knows she will come back to him eventually. A relationship clearly lacking in boundaries and discipline. A child of the undercity ideally should not be roaming the lanes late into the night alone, but yet she can if she wishes. Vander disapproved of things like that, solely for the reason of keeping her safe and protected. If powder wasnt allowed to do something it implied that the thing she wanted to do was bad or could harm her, making the danger seem more real to her. The lack of rules silco put in place made her desensitised to certain situations as they weren't fully actualised as potential threats or dangerous situations in her mind.
The undercity knows not to mess with her too, she is silco's daughter and number 1. Stall hosts and shopkeepers are especially nice and nervous around her, trying slightly more to appease her by remaining a gentle tone and offering discounts. They know a dismissive or rude side glance or passive comment is not worth their life. There are some younglings around her age who do not fully realise the severity and extent to how much messing with jinx will cost them and circle her like sharks in hopes to steal her treasure, until older people quickly make them known. Their faces go white with horror and quickly run away from her without ever laying a finger. She did tell silco about the potential robberies however, to which he ordered henchmen to escort her to where she wanted until she got older and could handle herself. She would play pranks on the henchmen in an attempt to ditch them. Silco didnt seem to mind. Well, he never punished or criticised her for it.
She has fun on her little shopping trip, and begins to sense how oddly nice people will treat her. She begins to wonder how much she can test the limits, wreak havoc, do what she pleases without trouble coming her way. Over the years, her levels of empathy and ability to repress impulsive desires diminish as she sees there are no consequences or punishments to her actions. The thought that her actions could hurt others lost its meaning when she killed her family as those voices still come back to haunt her, like they never really stayed dead. Its not a concept she could really process or take into account. Silco didn't necessarily help in those matters, her natural lead towards chaos was encouraged. By the time jinx's chaos caused destruction to his own plans, it was too late to try and reprimand her for it. It went in one ear and out the other. Her chaotic nature was so encouraged, why should she listen to when it is being condemned? She couldn't take it very seriously. It is a part of her now and silco thinks its perfect to a detriment.
On her trip she spared no expense and spent every last penny on art supplies galore. New paintbrushes of all sizes, paints of all colours, dyes, crayons, chalk, spray cans, sketchpad and blueprint paper. The lot. Her mind was brimming with new ideas and weapons to make. Her heart almost burst from the excitement upon entering the shop. Shopkeepers found her excitement for purchasing joyous bright stickers and coloured plasters endearing.
Teenagers and other zaunite children that passed her seethed with jealousy watching her spend her money so quickly and messily, raiding both the children's and adults art supply sections. they were not afforded that luxury. She could spend her money on top branded paints while they were lucky enough to afford a weeks worth of meal plans.
She even dabbled in some face paint and eyemakeup. Sparkly eye shimmer of magenta hues.
On her way home she went rummaging and exploring for mechanical parts like a sewage rat scurrying for food. Somehow after her lavish spending she still results to her roots of scrounging for scraps in heap bins and abandoned warehouses. Nuts, screws, bolts, metal scraps and wires she could mould to her will. She could've used her money to buy weapons and craftsmen supplies, but whats so wrong with spending it all on colours and vibrancy this time? Scrounging for scraps is something that proved sufficient enough before, she doesnt see the tradition changing any time soon.
She was excited to show silco her goods. She hadn't just spent her money on art supplies and thought that subversion would make a more interesting haul.
Hair clips and hair ties, pendants for jewelry making and a snazzy new pair of boots with laces she replaced to match her cool coloured aesthetic.
But also something else, a gift. Sure it was with his money but it would go appreciated nonetheless.
The result of her shopping: a mug she had bought and subsequently decorated in her iconic monkey design, along with little doodles scattered around the sides and below. Small words of affirmations, others nonsensical and hard to make out.
It was something silco treasured despite not telling anyone that fact. It was clear enough by how he used it the majority of days and kept it perched on his desk for everyone to see. Almost like a proud display, 'this is what my daughter made me'. It had been a millennium since he'd received a present, and one of such thought. Jinx's art was her, its like she had given him a piece of herself to keep forever. The fact he drinks from it, a basic human need completed thanks to Jinx. He liked to place her on an unnecessarily high pedestal. Jinx found it awkward sometimes, other times she thought it was funny when any of her misdeeds or criticism flown her way was instantly defended by him. It did mean she felt like it was something she had to live up to, something she had to continually prove. She didnt feel that way with Vi, not until the first time she ever abandoned her and discarded her from the mission to save vander. That was how jinx saw it, she desperately wanted to prove her sister wrong after that.
He found her excitement around her other goods she'd bought amusing. Watching her in her hideout using her mirror, attempting to apply makeup for the first time.
"Apply, dab and then blend, like you do for your watercolours" he'd say softly.
The lighting was abysmal, she could barely see herself. Its when she had the idea to create her own forever night lights, glowing orb rocks found deep in mines that dangle from string above her mirror, giving the rest of the space (and her) a magnificent cozy glow.
Since the trip, the rest of her hideout was adorned in more colour. The floors were covered in graffiti, neon fairy lights strung from wherever the raft would hold them, her mirror plastered with childish stickers of hearts and smiling rays of sun, pictures she'd drawn taped with plasters above her work desk and blueprints of designs sprawled all over. Some art supplies remained less visible, like her diary and personal sketchpad.
She'd write in her diary after a particularly harsh hallucination of mylos exaggerated cruel words, or whenever painful conflicting feelings towards her sister would arise.
Her sketchpad contained all sorts. Some still life, wacky doodles, random words and phrases, silly commentaries and portraits of silco and vi. Her portraits were noticeably softer in tone than the rest of her other artwork, there was something intimate and vulnerable about them. Like she had captured a real moment in time rather than her perceived distorted idea of it.
She had shown silco a portrait of him once after a night of laying on the sofa in his office while watching him work. His fascination with her work was strewn all over his face, he needn't say a word. Jinx still needs reassurance, which silco makes sure to give her.
Dont get him wrong, he loved all of jinx's work, crude or sophisticated. But the portraits jinx drew of him reminded him of his own past times of when he was young. He used to draw and write passively while listening to the personal ramblings of vander and felicia, art and speeches about his dreams of a free nation. A united utopia. Then with the occasional chime of his two scents or a quirky sarcastic quip. Those reminders remained bittersweet, a time where he was weaker and naive, but happy and hopeful. He kept that art of jinx close to him, hidden away in his drawers. No one must know how vulnerable his mind becomes at times. No one but jinx. Even then he must remain somewhat strong and resilient, he has a duty for zaun to fulfill and a daughter he must help so she can overcome her pain.
— Thats my rambling over. I just love these two and thinking about the more simple and vulnerable times with them. I understand why we didn't really see it in the show as the writers wanted to show how abnormal their relationship was. They were father and daughter yet hardly if it all shared any normal father and daughter activities together, because neither knew how. Whenever they talked it was about their trauma and work. But one can still imagine. We know there must be *some* off screen father daughter moments between the two thanks to the amazing animators. Like for example, silcos ashtray is decorated by jinx, he gave jinx his bracelet (now her choker) and his gloves from when he was working in the mines. These imply there were some gentle and simple father and daughter interactions between the two in the show, but we never get to see it. I imagine if they do share simple father daughter moments, something about it always feels off from an outsiders perspective, like its about to be cut short at any moment.
Neither Jinx nor Silco are anarchists...
In fact I would argue that Silco is closer to a libertarian separatist than an anarchist.
His central goal is not the abolition of hierarchy or the creation of a stateless society, but Zaunite self-determination and independence from Piltover's rule. He believes Zaun should govern itself, control its own resources, and answer to no distant elite.
And yet funnily enough Silco is entirely comfortable with power structures, provided they serve Zaun. He builds networks of loyalty, commands armed enforcers, manages intelligence operations, and consolidates authority in his own hands.
In that sense, he is less interested in maximizing individual freedom than in securing sovereignty for his people. An anarchist seeks to dismantle systems of rule; Silco seeks to replace one ruling system with another, one that answers to Zaun rather than Piltover.
He is, ultimately, a nation-builder rather than a revolutionary opposed to authority itself.
Jinx, by contrast, is not especially ideological. While she shares Silco's hatred of Piltover and its institutions, her actions are driven far more by personal trauma, abandonment, and identity than by any coherent political philosophy.
She rejects authority, mocks social order, and delights in chaos, which gives her a fun zany anarchic aesthetic, but she shows little interest in questions of governance or what should replace the systems she destroys.
Silco dreams of a free Zaun; Jinx dreams of freedom from the expectations, loyalties, and wounds that define her.
Where Silco is a political actor, Jinx is a deeply personal one, turning her pain outward until it becomes impossible to separate stylistic rebellion from absolute self-destruction.
It's also why, in no AU or spinoff, would Jinx as Silco's political successor make sense, because that is simply not a language she groks.
Silco with an insecure partner 💞
This one was really fun to write! I focused mostly on how Silco would help his partner with their insecurities, and how that would end up helping him with his own :)
Silco's speech is shown in red italicised text
Silco x reader with disordered eating and Silco x trans reader both seem relevant so I'm linking them here 💖
Enjoy!
in the middle of an arcane rewatch. do we still care about him gang?
Honestly, when people discuss Silco as a bad father who taught Jinx bad things, they forget how it all started.
Like, long before she met Silco, little Powder was stuffing bombs with nails. And no one thinks the fact that she makes these bombs is a problem. The problem was that these bombs don't work. Well, until they finally do.
Zaun is just a damn dangerous place.
a quick sketch of that old man
Can finally share this piece I did for the Fissures & Fortunes Arcane Zine! It's got leftover sales open right now, go check it out!
A lot of the lore questions can be answered with, "yes, Spike is just a fucking freak."
Like, yeah vampires don't get much out of eating, won't risk going out during the day, wouldn't have the inner compass to seek out a soul, wouldn't stand by a mad Drusilla for centuries, would avoid slayers at all cost, and wouldn't aid a slayer once neutered for funsies.
Spike is just a fucking freak. A weirdo. Darla and Angel couldn't stand him in part due to the fact that something just is sideways in that man's head. No wonder him and Drusilla got on like a house on fire, they both have something deeply wrong with them.
And yeah, there's that whole demon taking the human as a template theory, and Spike being hedonism personified, and I'm well aware.
But like, I think using Spike as any kind of metric is a mistake because he is simply like that.
Spike is a kinked up, adrenaline junkie, loser, who sees common sense and sprints the other way with nothing but a blanket for holes for cover. It's just him, his purple shampoo, and his boredom zooming through the undead existence.
I have many thoughts about how much of the BtVS vampire lore as stated by the Council and Angel is either just wrong or twisted or misinterpreted, but simultaneously I can't deny that also Spike is just a fucking freak.
Like we KNOW a lot of the supposed in-universe lore is wrong with what we see with other vampires too like Harmony.
But also Spike is a freak.
And also Angel isn't as great a guy as he really wants people to think he is.
Adaine and Riz SOMEHOW having reputations as being the more "sane" or "logical" people in the group is so funny to me. They have that repuation because they're the "nerd squad" (canon) so they're smart and bad at social interactions (also canon), but they truly are the most unhinged members of the bad kids (including Kristen!) and you can not change my mind.
This is Adaine "I killed our father so naturally my sister should kill our mother" Abernant. At one point she gets the nickname "bloodthirsty Adaine" (though it's mostly a joke). She's also incredibly kind and forgiving in situations where she needs to be, but she's a wizard whos primary defense is straight up punching someone and repeatedly has asked for a gun. She heard that Kipperlilly hates the bad kids (in part) because she thinks their traumatic backstories give them an unfair advantage in adventuring, and her first response was "why doesn't she just kill her parents?"
This is Riz "cut his head off so he can't come back" Gukgak. He ate the dragon who killed his dad, shot a man's fingers off for fucking with his friends, and offered to bite a mans eye out for Fabian. Riz straight up brought a gun with him to school day one of freshman year, which even FABIAN, raised by Bill Seacaster the pirate, thinks is wild.
Riz was raised by a police officer and Adaine was raised by a pompous politician, so you'd think they would be more turned off of violence, but they aren't. They are both just genuinely a little off the wall and I love them for it. When I call them unhinged, I'm not talking about the Kristen trying to fly with a ribbon or the Fig "Hilda Hilda" way, I mean literally a bit more vicious than the rest of their party. This is also part of the reason I think they're such good friends. Usually this extreme violence doesn't come from nowhere- Biz wanted to kidnap Adaine and has been responsible for the dissapearance of 7 girls, Angwyn had literally just killed Aelwyn in front of Adaine- they both understand that sometimes the thing that makes the most sense or gets the job done the fastest is extreme violence.
Of course, all of the bad kids do. But Adaine and Riz specifically REALLY should not be considered the breaks/voice of reason in the group (funny thing is, a lot of the time that's Fabian, who again was raised by a lunatic pirate. Fabian stops himself from going too far with coach Daybreak, tries to stop everyone in the Biz interrogation, etc)
Throughout season 1, Viktor's journey was one of isolation. He was an isolated child, an outsider in Piltover, met Jayce but then grew apart from him throughout acts 2 and 3. As the Machine Herald, however, he's connected to everyone.
"I'm alone no longer..." he says in the Council Chamber...
"I now speak with all their voices." And I think the camera move is really interesting, the way it spins around him, it's like it *should be* a reveal, you would expect the camera to whip around and show all the voices Viktor is speaking with. But instead, all it reveals is that he is alone. It's a false connection, but he believes in it.
At the Hexgates in the finale, Viktor tells Jayce about what he thinks he's doing. He tells him that he's setting them on a path where "we can be of one mind. United."
Later, when Viktor brings Jayce into the cosmic realm...
"This is what you see?" Jayce says. He's been fighting VIktor since he got back, but now it all makes sense. All these souls, together, and connected. And it's beautiful.
In the end, though, Viktor is absolutely shattered by what his older-self says. And why? On the surface, it's a calm scene. a beautiful scene even...
But dreamless solitude... Old-Viktor isn't just admitting he was wrong, he's saying he created a hell for himself. He condemns himself to loneliness. And it destroys him...
I also want to take an aside, to talk about the other part of what Old-Viktor says...
This ties into something Machine-Herald-Viktor said earlier, and contrasts with it, that he thought he was heading down the path of "an unbroken saga of progress..." He didn't realize where he would end up was "an end to pursuit." And what is an end of progress, and end of evolution, if not death? Viktor had condemned not just the world, but himself to a waking death. But that's a tangent from the theme of isolation vs. connection I'm focusing on here.
When Viktor comes back to himself now, he sees all the "evolved" souls differently. This wasn't connection that persisted until he was old, it was a false, forced connection. He is actually alone.
Except that he's not alone. It's Jayce's love for him, that real connection, that loves him despite everything, that he didn't have to be a saviour or a herald to deserve, that saves him.
Doing things you like is not a waste of time. Watching series, playing video games, listening to podcasts, being creative etc. If it makes you happy, it doesn't matter that you're not productive during that time, what matters is that you are enjoying yourself, generating happiness. Those are the BEST moments. Chilling, relaxing, having fun. Don't let people guilt you into not enjoying the best parts of your day.
Silco, come back. Nap time is over :c
waaaay back when I was a cashier in retail we would talk about dumb shit while unloading the truck, and we got to the "what would you do in a zombie apocalypse" me and another worker were like yeah we would just die. End it all, we can't fight or run or shit. I refuse to put that much effort into survival.
And my manager was like no!!!! If that happened, I would drive to find you guys in my truck and we could eat stuff from my wife's garden and I would make sure everyone I know survived!! I would carry you all on my shoulders away from the zombies!!
Anyway, random shout out to that guy. You were too kind for retail management, Devin.
also afterwards everyone who was talking about their cool bunker fantasies were like "Damn, Devin's right, we should also be considering helping people around us." which is the only recorded instance of a retail shift making people better human beings.