aka I'll go with you cause I can't let you go alone. But please don't kill yourself because I can't let you go.
HACKS - 5x10 (Finale)
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@lyrasborealis
aka I'll go with you cause I can't let you go alone. But please don't kill yourself because I can't let you go.
HACKS - 5x10 (Finale)
Deborah and Ava + Ava's hands
let’s groove tonight, share the spice of life
PHILIP and ELIZABETH JENNINGS in S2E5: "The Deal".
but jfc what the americans does with gender though - i will never be over it. elizabeth, who works yes, but plays the role of the dutiful wife and mother with such ease in their day-time lives. and yet she is the one with nerves of steel, who will kill and maim and put everything she holds dear on the line without question or complaint if it means serving her country, while philip, the man of the house, is the sensitive one, who feels and who doubts and wavers. and they struggle with it too - elizabeth's wish that philip would show up is never far from the surface. and that inversion of the gender roles is so so refreshing, for any spy show, but especially one set in the era the americans is, man.
#goals
"It would destroy her": Parenthood, Laundry Rooms, and Childhood Innocence in the Season 2 finale of The Americans
Unlike most shows, The Americans doesn't do explosive scenes or sudden cliffhangers for their finales. They want their audience sit down and contemplate the aftermath of the event. In Season 1, it is the image of Paige going into the laundry room; a lesser show would reveal that she had found out the truth about Elizabeth and Philip. Yet she does not, and she will not for quite some time. But the damage is already done.
Paige has begun to suspect her parents are not who she had thought they were, and this suspicion marks the permanent loss of her childhood innocence. This moment gains even more traction in the second season premiere, when Paige opens the door to the master bedroom in the middle of the night, expecting to find her parents missing from the house. For a few seconds, the audience is led to believe that Paige's suspicions will be confirmed, but what is confirmed, for Paige and us, is that Elizabeth and Philip's marriage has become real. It is a bittersweet irony; Elizabeth and Philip are closer than ever because despite the lies, they are utterly truthful to one another. But their lies have carved an irreparable rift between them and their children.
The morning after, Elizabeth asks Paige, "Why would you open a closed door?" In the light of the series finale, this is an ominous line because we know that the door, representative of Paige's innocence, will forever remain broken. Paige cannot take back seeing her parents in love, and the truth is that they are more loyal to each other than they are to their children. (e.g. in the series finale, Paige watches from a distance as Elizabeth and Philip exchange their real wedding rings. In that moment, she knows that she will not have a place in their life.)
And it is equally sad that Paige replies, "Because I missed you." This may not be the actual reason, but it is true. She misses her parents, or at least, the version of them before she opened that door and lost everything she once was.
All this brings us to the finale, when The Center orders Philip and Elizabeth to tell Paige the truth and recruit her as a second generation KGB agent. The obvious answer for Philip is a flat out rejection. We know that he has been falling apart from the weight of living a lie. Like any decent father, Philip does not want that for his child. But Elizabeth thinks differently. "It would destroy her," Philip says in response to Elizabeth entertaining the idea of letting Paige know that not only are they Russian, but also, KGB agents.
Elizabeth simply asks, "To be like us?"
The season ends right there.
The implications of Elizabeth's question are triple-fold (as everything always is in The Americans). Would it destroy Paige to be a KGB agent, like her parents? Or would it be worse for Paige to live her life as an American, estranged from her heritage, a lie that Elizabeth and Philip are presently trapped in as undercover agents? Lastly, would it be so terrible for Paige to be like Elizabeth and Philip — Russian? What Elizabeth is telling Philip is that maybe it wouldn't be so terrible for their child to be their child. It is about leaving a legacy - maybe a parent's narcissism - and it is also a kind of love that inheres in the hope that your child inherits all the best parts of you. Elizabeth doesn't think that being a Soviet woman was something to be ashamed of. She is proud of her background, and she wants Paige to be proud too. For the first time in years, Elizabeth is thinking of what it would mean for Paige to be her daughter, and not a product of forced circumstances. In Season 3, Elizabeth tells Philip that her mother didn't hesitate to send her away to serve their country; the fact that they are wrestling with the decision to bring Paige into the fold reveals something else both damning and heartwarming: they are no longer their parents. Their time together have changed them. Elizabeth is no longer alone. She knows what it means to be loved. And that love has changed how she sees her daughter.
Despite everything that went down later, I always thought that Elizabeth's first response was beautiful. Earlier in the season, she tells Philip that because of her inaction, Jared would have to hear about his parents from an American. He would never know why Leanne and Emmett joined the KGB, or their lives prior to moving to the United States. In learning the truth from somebody else, Jared learns another lie. She doesn't want that for Paige.
Again, another lesser show would have Elizabeth succumb to the American lifestyle and defect, but she never does. Her desire to tell Paige the truth is also simple - she wants to be close to her daughter, and they cannot do that while living a lie. Halfway through the first season, Elizabeth wakes Paige up to pierce her ears. It remains one of my favourite scenes, because whether Elizabeth accepts it or not, she has been changed by her love for both Philip and her children. It is only a tragedy that she is a product of wartime when love meant little. The finale lets us think about what happens when children eventually grow up and learn that their parents, whom they'd assume to be perfect, are flawed and nothing like the happy pictures from their childhood. The truth is hard to reckon with, but it is necessary and inevitable. And parents, whatever comes, must realise that their children may not accept them, or even grow up to be who they want them to be.
see if you're gonna neglect your child at least don't let him find a father figure in the guy whose job is arresting you. important lessons you learn watching fx's the americans 2013-2018.
When you wanna talk to your daughter but she calls you a pussy so you have no option but to get her in a chokehold.
the #dogmotif
oh i am sick. to my stomach
THE AMERICANS S01E01 | Pilot
PHILIP AND ELIZABETH JENNINGS The Americans | 2.10 • Yousaf
love the different portrayals of misogyny and benevolent misogyny in The Americans so far. Love the conversations Elizabeth has with Claudia and with Phillip about how what she's expected to do and the violence and violation she's expected to endure when she's undercover is never the same as what Philip does and that his tendency to want to lash out and hurt the men who hurt her is just another form of robbing her of autonomy. And then there's Stan the FBI agent cheating on his wife with his CI, a woman he has total authority over and power to determine whether she lives a life or rots in prison. he justifies it with the assumption that his wife would never understand his work but also if she did it would put her in danger. But this benevolence where Stan assumes he's actually doing right by these women and actually he's even protecting them is what allows Nina to be a double agent right under his nose. All the men in this story have these grand notions of benevolence that dehumanises the women around them, even when they mean well and it's so delicious how the show actually explores this beyond lampshading a double gendered standard, beyond just pointing it out and going "that's bad". Even the subplot with Gregory, how everything that happens to him is rooted in his refusal to respect that Elizabeth does not want to be with him, but he believes that's what's best for her, and that sets in motion a bunch of shit that nearly gets them all caught. The consequences of benevolent misogyny are built into the plot so intentionally that there are wholeeeee plotlines that end in tragedy that might have been avoided if any of the men in this story respected women as people. I love that <3 I love when a show about romance does not shy away from politics of gender <3
just finished the americans. what do i do now